How is weaving sustainable practices into its fashion industry

Special How  is weaving sustainable practices into its fashion industry
Left to right: A stunning design by Khoja, adorned with intricate, abstract patterns that pay homage to cultural storytelling while exuding modern elegance; a bold and artistic creation by Nasibah Hafiz, showcasing sustainable fashion through a recycled shirt made from various textiles; and Chaldene’s soft yellow two-piece set embodies effortless charm, featuring delicate details like natural buttons and airy fabrics. (Instagram: moekhoja, nasibahafiz and chaldene)
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Updated 18 January 2025

How is weaving sustainable practices into its fashion industry

How  is weaving sustainable practices into its fashion industry
  • Saudi Vision 2030 champions reducing, reusing, recycling, and upcycling clothing, with local designers leading the way
  • Initiatives like Riyadh’s GFX Fashion Swap promote exchanging quality garments to extend wardrobe life and cut waste

RIYADH: Thanks to the mass production and export of cheaply made clothing — a phenomenon of globalization known as “fast fashion” — consumers the world over have gained access to an almost limitless range of affordable outfits.

While this manufacturing and retail boom has stimulated growth, created jobs, and catered to consumer demand, it has also placed an immense strain on the workforces making these garments and on the environment.

In line with the sustainability goals of ’s Vision 2030 reform agenda and its circular economy approach, the Kingdom is encouraging consumers and manufacturers to reduce, reuse, recycle, and upcycle clothing to help ease the environmental burden.

With more than 80 billion garments produced worldwide every year, the industry has contributed to the pollution of the environment, the excessive use of resources, and a throwaway culture that has resulted in towering heaps of waste.

Globally, one garbage truck’s worth of textiles is sent to landfill or incinerated every second, depleting natural resources and increasing greenhouse gas emissions. Experts warn the industry could account for a quarter of the world’s carbon emissions by 2050.




Textile waste account for 10 percent of greenhouse gas emissions, according to UN figures. (AFP)

One of the most polluting industries globally, fast fashion is responsible for 10 percent of greenhouse gas emissions, according to UN figures — surpassing the combined emissions from international flights and maritime shipping.

Compounding the problem, a report by the Ellen MacArthur Foundation reveals that less than 1 percent of used clothing is recycled into new garments, perpetuating a destructive cycle of resource depletion and waste.




A striking design by Khoja, highlighting modern Saudi fashion with a blend of tradition and futurism. (Instagram: moekhoja)

“Sustainability in fashion isn’t just a trend; it’s a necessity,” Mohammed Khoja, founder of Saudi clothing brand Hindamme, told Arab News.

“We focus on creating high-quality, timeless pieces designed to transcend trends. This avoids overproduction and ensures that our garments can become cherished vintage finds for future generations.”

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Khoja’s emphasis on “timeless design” aligns with the Kingdom’s Vision 2030 goals of reducing waste and promoting sustainable consumption.

To address the issue of waste, is investing in circular fashion — a model focused on reusing, recycling, and upcycling clothing to extend its life cycle.

The Fashion Commission, which is part of the Saudi Ministry of Culture, has launched initiatives like the GFX Fashion Swap in Riyadh, which encourages the exchange of high-quality garments while educating participants on the environmental benefits of prolonging wardrobe use.

“We don’t need to keep buying new items,” said Nasiba Hafiz, a Saudi fashion designer. “Why not use the things we already have and repurpose them? This way, we can reduce waste and become more conscious consumers.”




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Hafiz collaborates with Al-Oula Women’s Charitable Society to transform surplus fabrics into new garments, reducing waste while empowering women from underprivileged backgrounds in south Jeddah.

Another significant initiative is the Sustainable Materials Research Center. Established in partnership with King Abdullah University of Science and Technology, the facility develops eco-friendly textiles for traditional garments like abayas and thobes.

By blending innovation with cultural heritage, the Kingdom advances sustainable design solutions.

Fast fashion’s impact extends beyond consumer waste, with a significant yet often overlooked toll on water resources. Factories in developing countries, where most clothing is produced, consume vast amounts of water and energy.




Efforts are being made to develop sustainable textile materials in the Kingdom. (AFP)

For instance, producing a single pair of jeans requires about 3,781 liters of water, according to the UN Environment Programme — enough to meet one person’s hydration needs for more than five years.

Textile factories also release hazardous waste that pollutes rivers and groundwater, with dyeing and treatment processes contributing heavily to water contamination.

The World Bank estimates the fashion industry generates 20 percent of global wastewater, which is often laced with toxic chemicals.




Waste from textile's factories is released to Dravyavati river in Rajasthan, India. Dyeing and treatment processes in textile factories contribute heavily to water contamination. (AFP)

In , where water is scarce, designers like Chaldene are championing sustainability. The brand incorporates eco-friendly materials, such as coconut-shell buttons, to reduce reliance on resource-heavy alternatives.

“Every detail in our collection reflects our commitment to minimizing waste and honoring nature,” Asma Al-Othaimeen and Ghada Al-Majed, the co-founders of Chaldene, told Arab News in a joint statement.

Indeed, Saudi designers are leading the Kingdom’s sustainable fashion movement, pioneering innovative approaches to reduce the industry’s environmental impact.

One such designer, Ghaydaa Majdaly, uses 3D technology to transform recycled plastic bottles into fabric, ensuring a zero-waste approach.




With 3D software programs simplifying the design process and improving product quality while reducing the environmental footprint, fashion designers are changing the way they approach their products, as well as pattern making and fittings.(Supplied)

“Technology allows us to reimagine what’s possible in fashion while addressing the environmental challenges of fast fashion,” said Majdaly.

To the same end, Nasiba Hafiz, in collaboration with Al-Oula, repurposes discarded fabrics into new garments. This partnership not only reduces waste but also provides economic support to women in south Jeddah.

“By reusing and repurposing, we can extend the life of materials and create something beautiful and meaningful,” said Hafiz.

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Sustainable fashion reduces waste and supports Vision 2030’s circular economy goals.

Brands like Yasmina Q and Al-Oula turn discarded materials into new garments.

Hajj ihrams are recycled into reusable garments through sterilization and repair.

Meanwhile, Hindamme creator Khoja, who focuses on timeless designs over seasonal trends, believes in creating heirloom-quality pieces meant to last generations.

“Sustainability isn’t just about the environment — it’s about preserving our cultural identity while reducing waste,” he said.

However, the shift to sustainable fashion is not just up to brands and designers. Consumers also play a key role in driving demand for eco-conscious products.

Fast fashion thrives on overconsumption, with surveys showing many garments are worn only seven times before being discarded.

Reyouf Madkhali, a Saudi model and sustainable fashion advocate, emphasized the role of consumer behavior. “Sustainable fashion is reshaping the industry by encouraging innovation and responsibility,” she said.

“As a model, I prioritize working with brands that align with these values to promote conscious consumerism to my audience.”




Saudi model and sustainable fashion advocate Reyouf Madkhali. (Supplied)

She also noted the growing interest in sustainable practices among younger generations.

“People are starting to ask questions and take ownership of their choices,” she said. “Supporting local brands is a passion of mine, and I’ve been gradually replacing pieces in my wardrobe with designs from Saudi designers.”

is proving that sustainability and cultural preservation can go hand in hand. By tackling the environmental impact of fast fashion and promoting innovative solutions, the Kingdom is forging a new path.



EU director-general calls ‘key partner’ for regional stability

The newly appointed EU director-general for MENA Gulf Stefano Sannino. (AN photo by Huda Bashatah)
The newly appointed EU director-general for MENA Gulf Stefano Sannino. (AN photo by Huda Bashatah)
Updated 02 October 2025

EU director-general calls ‘key partner’ for regional stability

The newly appointed EU director-general for MENA Gulf Stefano Sannino. (AN photo by Huda Bashatah)
  • “The main objective (of the visit) is to strengthen the relationship between the EU and ,” Stefano Sannino said
  • His position was created by the EU just seven months ago to strengthen ties with the region

RIYADH: The newly appointed EU director-general for MENA Gulf hailed as a key partner for regional stability during his recent visit to the country, exploring more areas of collaboration across diverse sectors. 

“The main objective (of the visit) is to strengthen the relationship between the EU and ,” Stefano Sannino said.

“ is a key partner for the EU and is a key partner for the stability of the region and beyond; it’s a key partner from an economic point of view and is a main energy actor,” he added. “We are very much interested to go beyond energy and are looking at a lot of potential of Vision 2030 and diversification of the economy.” 

Sannino’s position was created by the EU just seven months ago to strengthen ties with the region.

The director-general, who visited the Kingdom more than a decade ago, witnessed the social and infrastructural transformation driven by Vision 2030. 

He held meetings with major institutions, engaged with representatives from the cultural and investment communities, and a diverse group of leading Saudi women across sectors.

“I wanted to have a firsthand perception of what is looking for in the future and how we can work together,” he said. 

“What I imagine in the future is a strong partnership between and the European Union based on a common vision of how we want to support the development of our societies to become inclusive and open to the world, and be able to provide stability and prosperity of our people.”  

Asked about potential areas for wider collaboration between the EU and , Sannino specifically cited technology, the digital sector, energy (with a focus on renewables), and people-to-people exchanges.

“We believe that there is a huge potential in increasing our cooperation when it comes to higher education (and) vocational training,” he said. 

“I very much like the idea of bringing together the cultural sectors of our societies to create common projects that are linking our people and the youth of our countries.” 


Saudi design ambitions rise with Salone del Mobile partnership

Saudi design ambitions rise with Salone del Mobile partnership
Updated 02 October 2025

Saudi design ambitions rise with Salone del Mobile partnership

Saudi design ambitions rise with Salone del Mobile partnership
  • Kingdom strengthens cultural economy as Italy’s iconic furniture, design fair announces Saudi edition

RIYADH: placed its design ambitions firmly on the global stage this week as the inaugural Cultural Investment Conference wrapped up its second day in Riyadh.

The two-day event, which was held on Monday and Tuesday, showcased opportunities across the cultural economy and unveiled a landmark partnership between the Ministry of Culture’s Architecture and Design Commission, and Salone del Mobile.

The collaboration will bring the world’s most influential design and furniture fair to Riyadh for the first time.

Since its launch in 1961, Salone del Mobile has become a global benchmark, presenting exceptional furniture and product design while also functioning as a hub for business, networking, and innovating.

The fair attracts nearly 2,000 exhibitors and more than 300,000 visitors annually, and its entry into the Saudi market signals a new chapter for the Kingdom’s growing design industry.

For Dr. Sumayah Al-Solaiman, the CEO of the Architecture and Design Commission, the timing could not be better.

She told Arab News: “The Cultural Investment Conference for the Architecture and Design Commission specifically is an extremely important venue for building relationships and making sure that we’re able to align specific problems and challenges with a lot of different solutions, and also a funding mechanism.”

She described the conference as both a platform to showcase progress and a springboard for the future, adding: “What we’ve seen over the course of two days has been fantastic in terms of some of the projects that already happened. But also for us, it’s an opportunity to launch a really important project for us, which is bringing Salone del Mobile to Riyadh and it’s a key moment for us.”

Al-Solaiman emphasized the broader impact for the Kingdom’s design industry, saying: “We always look at how to make sure that from an ecosystem point of view we’re able to connect the dots. It’s not just about the existence of talent, we also need to connect it with industry, but we also need to open up different platforms where people can come to share ideas and actually get inspired.”

That perspective resonates with Maria Porro, president of Salone del Mobile Milano, who draws parallels between the fair’s history and ’s transformation.

She said: “Milan was founded … by a group of courageous entrepreneurs that started from the idea that competing and gathering together was a way to be stronger. Design at the end is industrial production that comes from the culture of the project.”

Porro underscored the importance of a holistic approach, and added: “It’s an ecosystem that brings together producers, schools, designers, architects, but also the business part.

“This ecosystem needs to be nourished with long-term investment.”

She noted that momentum has already been building, and said: “In November we will start our collaboration with the Ministry of Culture’s Architecture and Design Commission, creating an incredible event here in Riyadh with more than 30 Italian furniture established brands in dialogue with the local design community.”

The partnership reflects a shared belief that culture and design are not just creative pursuits but economic engines. 

As Al-Solaiman put it: “With Salone del Mobile coming to us for the first time … it’s going to be a beautiful annual event that will also sustain a lot of interest throughout the whole year.”


Khoos Initiative reimagines Saudi palm weaving for the future

Ithra has unveiled the Khoos Initiative, which is designed to preserve the traditional craft of palm weaving. (Supplied)
Ithra has unveiled the Khoos Initiative, which is designed to preserve the traditional craft of palm weaving. (Supplied)
Updated 02 October 2025

Khoos Initiative reimagines Saudi palm weaving for the future

Ithra has unveiled the Khoos Initiative, which is designed to preserve the traditional craft of palm weaving. (Supplied)
  • Cultural program designed to preserve traditional craft

ALKHOBAR: The King Abdulaziz Center for World Culture has launched an ambitious cultural program to transform a centuries-old Saudi craft into a driver for art, design, and innovation.

Ithra has unveiled the Khoos Initiative, which is designed to preserve the traditional craft of palm weaving.

Anchored in Al-Ahsa, home to the world’s largest date palm oasis and a UNESCO World Heritage Site, the initiative blends heritage with innovation, positioning Saudi palm weaving as a platform for global creativity.

Palm weaving, or khoos, has long been associated with daily life in , and produces baskets, mats, and functional household objects. Ithra’s initiative reframes the tradition for the 21st century.

Ala’a Al-Qahtani, creative programs specialist at Ithra, said: “The Khoos Initiative was launched to reimagine palm weaving through the lens of contemporary craft, moving it beyond functional objects into new expressions in art, design, fashion, and architecture.

“The goal is not only to preserve heritage but to evolve it into a space where tradition meets innovation.”

Artisans collaborate through the program with designers, architects, and creatives from around the world. Their work explores new forms, pushing palm weaving into contemporary art, fashion, and architecture while retaining its cultural roots.

Al-Ahsa’s significance is central. In addition to being the Kingdom’s palm heartland, it is also a cultural anchor for identity and craftsmanship.

Al-Qahtani told Arab News: “Al-Ahsa is the heart of palm weaving in the Kingdom. By anchoring the initiative here, we support local craftspeople while also positioning Al-Ahsa as a hub of cultural dialogue.”

The initiative highlights palm weaving not only as a Saudi tradition but as part of a global heritage shared across regions with palm ecosystems. This cross-cultural resonance, Al-Qahtani noted, makes the craft “a cultural bridge, strengthening both local identity and global understanding.”

While innovation is key, protecting authenticity was a challenge at the start.

“The main challenge was maintaining the authenticity of palm weaving while bridging it to contemporary practices,” Al-Qahtani said. “We addressed this by engaging traditional artisans alongside contemporary designers, in signature commissions, and through our residency program encouraging dialogue between the two. This ensured that while the roots of the craft remain intact, it can evolve and adapt to new contexts, making it relevant in today’s cultural and creative landscape.”

This approach has produced dynamic exchanges: Artisans safeguard knowledge passed down for generations, while young designers and international creatives introduce fresh perspectives.

The Khoos Initiative also speaks directly to ’s Vision 2030’s goals of expanding the creative economy and strengthening cultural diplomacy.

“The Khoos Initiative is a direct reflection of Vision 2030’s cultural objectives. It protects a unique aspect of Saudi heritage while also transforming it into a driver for creativity, education, and new economic opportunities,” said Al-Qahtani.

“By linking palm weaving to contemporary art, design, and global collaborations, the initiative not only preserves tradition but also contributes to ’s cultural diplomacy and creative economy.”

Palm weaving has traditionally been carried forward by women in local communities, and their expertise remains crucial. But the future lies in dialogue between generations.

Al-Qahtani said: “Women and young creatives are at the core of the Khoos Initiative. Women have traditionally carried the knowledge of palm weaving, and their expertise is essential for keeping the craft authentic. At the same time, young people bring new perspectives and creative energy that help reimagine the craft for contemporary contexts such as fashion, architecture, and design.”

This exchange ensures that palm weaving continues as a vibrant cultural practice, rooted in heritage but alive in new creative spaces.

Running until March 2026, the initiative includes “The Palm Tree Exhibition” at Ithra. The program also extends beyond Saudi borders as Ithra is presenting at UNESCO’s MONDIACULT 2025 in Barcelona and at the ICOM General Conference in Dubai.

With artisans and designers helping to showcase the craft internationally, Ithra positions Saudi palm weaving as both cultural memory and global innovation.

For Al-Qahtani, that is the real success: a craft that once lived quietly in oases now commands a place in the world’s creative conversation.


’s talent incosmetics industry shines at Jeddah Beauty Week

Jeddah Beauty Week kicked off on Wednesday at Abadi Al-Johar Arena, a six-day event held as part of Jeddah Season 2025.
Jeddah Beauty Week kicked off on Wednesday at Abadi Al-Johar Arena, a six-day event held as part of Jeddah Season 2025.
Updated 02 October 2025

’s talent incosmetics industry shines at Jeddah Beauty Week

Jeddah Beauty Week kicked off on Wednesday at Abadi Al-Johar Arena, a six-day event held as part of Jeddah Season 2025.
  • Visitors can enjoy interactive experiences across the exhibition floor, including dedicated spaces for makeup, nails, and live entertainment
  • For many participants, Jeddah Beauty Week is more than an exhibition, it is an opportunity to share their vision and connect directly with consumers

JEDDAH: Jeddah Beauty Week kicked off on Wednesday at Abadi Al-Johar Arena, a six-day event held as part of Jeddah Season 2025. 

Bringing together international and local brands, the exhibition offers a comprehensive look at the art and science of beauty, from skincare and makeup to niche perfumes and wellness.

Visitors can enjoy interactive experiences across the exhibition floor, including dedicated spaces for makeup, nails, and live entertainment. 

Alongside product displays, it features workshops, panel discussions, and creative spaces designed to engage industry professionals and beauty enthusiasts.

For many participants, Jeddah Beauty Week is more than an exhibition, it is an opportunity to share their vision and connect directly with consumers. 

Heba Abdullah Al-Madani, founder and owner of Snow White Natural Products, said of her journey: “I have always been committed to creating products that provide sustainable value and leave a real impact. Before launching my brand, I studied the market carefully to understand what women truly need. I researched deeply, and dedicated myself to developing natural, high-quality ingredients inspired by nature.

“Snow White has been in the market for over 10 years, and our name continues to stand out among natural product brands. Being part of Jeddah Beauty Week allows me to continue that mission by meeting women directly, understanding their needs, and showing how nature-driven solutions can support them,” she added.

Industry leaders highlighted the significance of participating in the beauty exhibition. 

Firas Khali, country manager at Nazih, a Saudi company for cosmetics, emphasized their role in providing comprehensive beauty solutions: “We, as Nazih, are the leaders for the beauty industry. We deliver the beauty tools, the beauty products, to the end users.

“We are participating with this Beauty Week as Nazih Online, featuring Milkshake, the Italian brand, and Revlon Professional. Milkshake is one of the best brands for hair care, it’s 100 percent organic, vegan. We felt it was important to be at Jeddah Beauty Week because it brings all beauty needs together under one roof, and it’s the perfect platform to showcase what we offer to both professionals and consumers.”

The beauty week underscores the rapid growth of the beauty market in . According to industry data, the cosmetics market in reached $5.21 billion in 2023, and is expected to grow to $5.64 billion by 2028, with a compound annual growth rate of 1.6 percent.

Emerging Saudi brands are using the platform to raise awareness and connect with new audiences. 

Rana Banafa, founder of Mraya Co. in Riyadh, described her brand as “skin conscious.”

She said: “We made a makeup product that’s mixed with the skin routine. Our products mainly have really good ingredients like hyaluronic acid and jojoba oil. It’s more about hydrating your skin at the same time you are making your skin feel healthy and glowy. Because I’m a pharmacist, I really tailored the ingredients in each product.”

Saudi perfumer Sara Dahlawi, founder of Maison Dahlawi, shared her perspective after launching her perfumes in Paris and Milan. 

Saudi perfumer Sara Dahlawi, founder of Maison Dahlawi. (AN photo)

“I created my own brand, Maison Dahlawi, about creating emotions in bottles. I have five perfumes, each speaks about special emotions I went through. I also have AlUla perfume inspired by the city.

“Perfume is very connecting, and it helps to express my feelings and through this platform, I’m able to share these personal creations with local and regional audiences. The most unique aspect is putting part of me in the perfumes and touching people’s feelings.”

Renad Kamal, founder of Alkamal Rose, emphasized the cultural and emotional role of fragrance: “Rose and fragrance are the essence of happiness and beauty, as they enhance inner well-being, which naturally reflects outward. The use of perfumes and Taif roses helps balance the mood and boost the body’s energy. By taking part, we want to raise awareness about the significance of the Taif rose through our products, from carefully prepared rose oil to organic soaps with long-lasting effects.”

Ten-year-old entrepreneur Maryam Mohammed, owner of Charm Me Jewelry, also displayed her creations. “I have always been interested in doing business, and this event gave me the opportunity to showcase my jewelry, as beauty is not only about makeup, but also jewelry, (that) makes you look beautiful,” she said.

The event includes spaces for children. Asmaa Hamadah, who runs Kids Spa at Jeddah Beauty Week, said: “We have space for children to enjoy manicures, pedicures, spa massage, art activities, and makeup. When parents are busy wandering around the booths, children can have their own time.”


King Faisal Hospital in Madinah performs pioneering stem cell transplant

King Faisal Hospital in Madinah performs pioneering stem cell transplant
Updated 02 October 2025

King Faisal Hospital in Madinah performs pioneering stem cell transplant

King Faisal Hospital in Madinah performs pioneering stem cell transplant
  • Treatment for people ‘close to families’ in Saudi now possible
  • Replacing diseased bone marrow highly complex, saves lives

RIYADH: King Faisal Specialist Hospital and Research Centre in Madinah has performed the first allogeneic stem cell transplant for a patient diagnosed with acute myeloid leukemia.

“This advanced medical step enables patients with complex blood disorders in Madinah and the surrounding areas to receive highly specialized treatment close to their families,” KFSHRC stated in a press release on Thursday.

“The achievement was made possible through the collaboration of multidisciplinary teams across the hospital, who convened from the earliest stages to establish a comprehensive plan.”

The hospital added that the procedure was a result of the collaboration “between clinical, nursing, and laboratory departments to meet the complexity of this procedure.”

These efforts ensured the patient’s stability and safe discharge following the transplant.

The release highlighted that stem cell transplantation is considered one of the most complex and sophisticated medical treatments worldwide.

“It involves replacing a patient’s diseased bone marrow with healthy cells from a matched donor and is used to save the lives of patients with conditions such as leukemia, bone marrow failure, and immune disorders.”

Madinah’s KFSHRC currently operates with 400 beds and delivers specialized services across various fields, including adult and pediatric oncology, ophthalmology, and obstetrics and gynecology.

The hospital has also earned 14 training accreditations across multiple medical and nursing specialties.

KFSHRC has been ranked first in the Middle East and Africa and 15th globally among the world’s top 250 academic medical centers for 2025.