Arthouse cinema opening soon in the heart of

Arthouse cinema opening soon in the heart of
In October, Faisal Baltyuor is opening what he’s billing as the first arthouse cinema in the Kingdom. (Supplied)
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Updated 26 September 2024

Arthouse cinema opening soon in the heart of

Arthouse cinema opening soon in the heart of
  • Faisal Baltyuor discusses the launch of his passion project, Cinehouse

RIYADH: “I created Cinehouse because I wanted it for myself,” Saudi film producerFaisal Baltyuortells Arab News from his headquarters in Riyadh. In October, Baltyuor is opening what he’s billing as the first arthouse cinema in the Kingdom.

Baltyuor — a film buff hailing from the Eastern Province — has been involved in some of ’s most successful titles, including critically-acclaimed Netflix hits. But Cinehouse is more than just a business venture; it’s a passion project, designed to foster the kind of creative and immersive environment he himself would want to experience.

“Having it in Riyadh, the capital and the heart of the country, was important,” Baltyuor states. His focus, he says, is on building a thriving hub for filmmakers, and making it a go-to destination for those “coming from anywhere in Riyadh — even from the airport.”

Cinehouse’s first screening will be a never-before-publicly-shown 1975 documentary, “Development of Riyadh City,” by Saudi director Abdullah Al-Muheisen. To screen a documentary about Riyadh in Riyadh was a deliberate choice on Baltyuor’s part.

Hiring and nurturing Saudi talent is also a key pillar of the Cinehouse vision. The venue has committed to supporting local professionals across various roles from cinema staff to truly understanding the distinct Saudi audience, in order to ensure that Cinehouse remains a space where local talent is both celebrated and developed.

“We wanted to create a place that feels like home, while showcasing the best of Saudi talent in both cinema and dining,” Baltyuor says. It’s all in the name. But, he adds, “It’s not just putting a chair and watching a movie.” It is, quite literally, about the bigger picture.

Cinehouse is equipped with three screening rooms, all designed to provide an intimate setting. The Dolby Atmos sound system in each is state-of-the-art.  In addition to the high-end cinematic environment, Cinehouse features a menu created by a Saudi chef.

“We’re creating a space where people feel like they belong,” Baltyuor says.

Baltyuor has a team of five trusted members who will select the films to be screened each month. Cinehouse will always include a local Saudi and Middle Eastern entry as well as top films from around the world. October’s films include Jonathan Glazer’s “The Zone of Interest,” Ryoo Seung-wan’s “The Executioner,” Aki Karuismaki’s “Fallen Leaves,” and Yemeni director Amr Gamal’s “The Burdened.”

FAISAL BALTYUOR’S FIVE MUST-SEE MOVIES

‘The Godfather’

I don't think there’s a single person who doesn't know how the great director Frances Ford Coppola, with this film, influenced lovers of artistic cinema — to the point that it turned into a cinematic icon that was, and still is, high up the lists of the best films in history.

‘The Shawshank Redemption’   

What I love most about this cinematic masterpiece is that it’s an ordinary story about hope, which the little-known director Frank Darabont transformed into a great film. Could Stephen King have imagined, when he wrote “Rita Hayworth and Shawshank Redemption,” what it would become? I don't know. But, as Andy Dufresne says: “Remember, Red, hope is a good thing. Maybe the best of things, and no good thing ever dies.”

‘Inception’   

Christopher Nolan’s visual world — which revolves around memory, mind and the nature of the human psyche — always aims to explore topics within the framework of a social-philosophical plot in an attempt to reach the truth of man, time and identity in an artistic way. In this film, he took inspiration from the architectural compositions of the works of the Dutch artist M. C. Escher.

‘Past Lives’   

In South Korean culture, the concept of In-Yun is one similar to fate, which suggests that nothing is coincidental and every single meeting is mainly the result of meetings that happened in previous lives. That’s what’s at the heart of Celine Song’s romantic drama.

‘Ratatouille’   

This is a must-see because Pixar, and even Walt Disney Pictures, have not yet produced a better film than this animation in all its aspects — the story, the imagery, the technology, and the acoustics. 


Spotify names Pakistani artist Afusic to Radar program

Spotify names Pakistani artist Afusic to Radar program
Updated 18 July 2025

Spotify names Pakistani artist Afusic to Radar program

Spotify names Pakistani artist Afusic to Radar program
  • Breakout single ‘Pal Pal’ tops 64 million streams as artist’s listenership surges
  • Spotify says Afusic’s audience has grown over 1,200 percent since April 2025

ISLAMABAD: Spotify has named rising Pakistani musician Afusic as its featured artist for the third quarter of 2025 under its global Radar program, spotlighting the viral star’s rapid ascent in the country’s evolving music scene.

Afusic — the stage name of Affan Khan — gained widespread recognition this year after his single “Pal Pal” went viral on the platform, amassing over 64 million streams. The song’s success has placed him among a new wave of artists reshaping Pakistan’s independent music landscape.

As the Pakistani music industry undergoes a digital transformation, platforms like Spotify have played a key role in spotlighting emerging talent and connecting local voices with global audiences.

“Spotify’s Radar Pakistan returns this quarter, spotlighting Afusic as its latest featured artist,” Pakistani agency Asiatic Public Relations said in a statement on Friday. “This milestone marks a significant moment in his rapidly rising career with his viral track ‘Pal Pal’ being featured on the Radar Pakistan playlist.”

According to Spotify data shared by the agency, Afusic’s audience has surged by more than 1,200 percent since April 2025, with his music landing on nearly 270,000 playlists globally.

Streams have spiked over 440,000 percent since the song debuted in the platform’s Fresh Finds Pakistan playlist in February.

“In the past 28 days alone, the demographic breakdown of his global audience reveals a strong connection with younger listeners — 60 percent male and 40 percent female — led by the 18–24 age group, followed closely by 25–34-year-olds,” the statement said.

Afusic called the Radar selection a “huge moment.”

“Radar is an incredible platform that shines a light on independent artists and helps us reach new audiences, while also giving fans a chance to connect with who we are beyond the music,” he said. “I’m truly grateful for the support Spotify has shown me — watching ‘Pal Pal’ grow from Fresh Finds to Hot Hits Pakistan shows just how powerful this journey can be.”

Afusic joins past Radar Pakistan alumni including Hasan Raheem, Taha G, Shae Gill, and Rovalio, all of whom have gained both domestic and international acclaim in recent years.


Massive Attack, Brian Eno launch syndicate to defend artists criticizing Gaza war

Massive Attack, Brian Eno launch syndicate to defend artists criticizing Gaza war
Updated 18 July 2025

Massive Attack, Brian Eno launch syndicate to defend artists criticizing Gaza war

Massive Attack, Brian Eno launch syndicate to defend artists criticizing Gaza war
  • Artists accuse pro-Israel groups of censorship, harassment
  • UK Lawyers for Israel wants to cancel careers, artists argue

DUBAI: British band Massive Attack, British singer and songwriter Brian Eno, Irish post-punk band Fontaines DC and hip-hop trio Kneecap have launched a syndicate to defend artists criticizing Israel’s alleged genocidal war on Gaza.

The group says these artists have been targeted by “aggressive, vexatious campaigns” orchestrated by pro-Israel groups.

In a statement shared on Instagram on Thursday, the musicians expressed concern for emerging artists who they believe are at risk of being “threatened into silence or career cancellation” by groups such as UK Lawyers for Israel.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

“We’re aware of the scale of aggressive, vexatious campaigns operated by UKLFI and of multiple individual incidences of intimidation within the music industry itself, designed solely to censor and silence artists from speaking their hearts and minds,” the statement said.

“Having withstood these campaigns of attempted censorship, we won’t stand by and allow other artists — particularly those at earlier stages of their careers or in other positions of professional vulnerability — to be threatened into silence or career cancellation.”

The syndicate was announced amid mounting tensions involving the UKLFI.

The group filed a police report against Bob Vylan after the band chanted “death to the IDF (Israel Defense Forces)” during their Glastonbury set, an incident now under police investigation.

The UKLFI also filed a complaint with the BBC for broadcasting the performance, and several of the band’s upcoming shows have since been cancelled.

Mo Chara of Kneecap was also referred to authorities by the UKLFI and later charged with a terrorism offence, accused of displaying a Hezbollah flag during a live performance.

Following the report, Kneecap had several concerts cancelled.


The best TV shows of the year so far

The best TV shows of the year so far
Updated 18 July 2025

The best TV shows of the year so far

The best TV shows of the year so far
  • Need a summertime streaming binge? Here’s what you should have seen so far in 2025

‘ADZԳ’&Բ;

This harrowing drama, created by actor Stephen Graham (who also stars) and writer Jack Thorne and directed by Philip Barantini, will surely clean up at the next round of major awards. The story of 13-year-old Jamie Miller, accused of the murder of a schoolmate, and his family was practically flawless in every aspect, from the excellent ensemble cast (including breakout star Owen Cooper, who plays Jamie) to the extraordinary technical skill (each of its four episodes was shot in a single take). “The balletic production processes that must have been involved are simply staggering, but they suck the audience in and refuse to let them go, demanding we share in every uncomfortable second,” our reviewer wrote. “‘Adolescence’ may be one of the most upsetting shows released this year — at times, it’s excruciating — but it is also a remarkable work of art.” 

‘Severance’ S2 

The wonderfully weird world of Apple’s sci-fi comedy-drama was expanded far beyond the walls of the Lumon offices in season two, as Mark S (Adam Scott) and his team of data refiners dealt with the fallout from their successful, if brief, escape from their ‘severed’ floor — where work and out-of-work memories and personalities are controlled and delineated by a chip embedded in their brains — and alert the outside world to the cruelties of their working conditions. Season two had that same blend of surreal silliness and nightmarish anxiety that made the show so popular — as our reviewer said: “Creator Dan Erickson and director Ben Stiller waste no time in rediscovering the subtle blend of tangible oddness and sinister dystopian creepiness that made the first season such an uncomfortable joy.” “Severance” remains smart, thought-provoking, entertaining, and utterly absorbing. 

‘Mo’ S2 

The second season of Mo Amer’s semi-autobiographical comedy drama — in which he plays Mo Najjar, a Kuwait-born Palestinian refugee living in Houston, Texas, with his mother Yusra (the superb Farah Bsieso), and his older brother Sameer (Omar Elba), who’ve been waiting more than two decades to have their asylum case heard — proved that the success of season one was no fluke. Amer, our reviewer wrote, continued to explore “incredibly complex and divisive topics — family, religion, imbalance of power, exile, mental health, parenthood, multiculturalism and much more — with an artful lightness of touch, without ever taking them lightly.” The finale — in which the family finally head to Palestine for the first time in more than 20 years — was a triumph of storytelling.  

‘Black Mirror’ S7 

Charlie Brooker’s near-future-set sci-fi anthology series — which has, since its inception, proven frighteningly prophetic — continued to explore familiar themes in its seventh season, most especially the terrifying potential technology has to reshape our existence. But it did so with a slightly softer touch that suggests Brooker’s cynicism is mellowing just a little — and it was the richer for it. It doesn’t hurt that some fine actors continue to line up to feature in the show — this season saw Rashida Jones, Awkwafina, Peter Capaldi, Paul Giamatti, Emma Corrin, Issa Rae, Patsy Ferran and many more on the roster. And, of course, there was that sequel — the first in the show’s history — to a “Black Mirror” classic: season four’s “USS Callister.” 

‘Andor’ S2 

It seems a shame that what was by far the strongest of the many TV spinoffs from “Star Wars” was just two seasons long, but maybe that limitation was the reason why it was the strongest: it cut out the indulgent exposition. We already knew what was coming — at least, if you’d seen “Rogue One” you did, and if you hadn’t seen it then why on earth were you watching a “Star Wars” spinoff? Its story of a population rising up against the erosion of their rights was both convincing and timely. “With ‘Andor,’ (creator Tony) Gilroy and (star Diego) Luna have truly set the gold standard for what future “Star Wars” can be,” our reviewer wrote. “Not just a space opera, but real stories of transformation and beauty.” 

‘The Studio’ 

Apple’s star-studded comedy about a newly appointed Hollywood studio head (Matt Remick, played by Seth Grogan), who believes himself to be a supporter of great art, but quickly discovers that he’ll have to park his principles and chase the money, was as sharp a satire as you could wish to see. “Even though “The Studio” is a TV show about the movie business, it still manages to skewer both industries,” our reviewer wrote. “At every turn, Remick is confronted by the inherent silliness of the movie business, and we get to watch it in a series of episodic, bingeable installments, each bursting with cameos and a satirical swipe at everything from celebrity culture to pretentious auteurs.” 


Four of 2025’s top video games so far

Four of 2025’s top video games so far
Updated 18 July 2025

Four of 2025’s top video games so far

Four of 2025’s top video games so far

‘Indiana Jones and the Great Circle’ 

Who doesn’t want to play the part of one of cinema’s great action heroes? And who doesn’t want to run around punching Nazis? In Bethesda’s addictive action-adventure you get to do both, controlling the titular archaeologist as he scraps and sneaks his way through a range of beautifully rendered real-world locations, solving puzzles on his way, all to thwart the bad guys.

‘Split Fiction’ 

The latest two-player action-adventure from co-op specialists Hazelight Studios is their best yet, earning well-deserved plaudits from critics and gamers alike. You and your partner play as authors Mio Hudson and Zoe Foster, who’ve been connected — against their will — to a machine that steals creative ideas and have become stuck in a world of their own stories.

‘Mario Kart World’

 

No way Nintendo could’ve launched the Switch 2 without a Mario game. And what a game it was, taking all the fun of previous “Mario Kart” editions, but introducing open-world options, off-roading skills, and an elimination mode. Oh, and the ability for up to 24 players to race at once. More than 30 years on from its launch, “Mario Kart” is still the gold standard in fun.

‘Clair Obscur:Expedition 33’ 

It has its flaws, but this bleakly moving RPG from French studio Sandfall Interactive is so ambitious in its storytelling and execution that most of them can be forgiven. You control the party known as Expedition 33 on a suicide mission to defeat the Paintress, a mysterious being who — for 67 years —  has determined the age at which people will die in the peaceful town of Lumière


Recipes for success: Chef Ross Shonhanoffers advice and a tasty spaghetti mentaiko recipe

Recipes for success: Chef Ross Shonhanoffers advice and a tasty spaghetti mentaiko recipe
Updated 18 July 2025

Recipes for success: Chef Ross Shonhanoffers advice and a tasty spaghetti mentaiko recipe

Recipes for success: Chef Ross Shonhanoffers advice and a tasty spaghetti mentaiko recipe

DUBAI: Raised on a cattle farm in rural Queensland, Australia, and starting his working life in a butcher’s shop, Ross Shonhan is a man who knows his meat.  

After honing his cooking skills in Australia, Shonhan moved to the UK, working at Asia de Cuba and The Dorchester, before moving to the US, where he helped launch Nobu Dallas as executive chef.  

But it was his return to London — and a shift towards modern Japanese cuisine — that was a defining point in his career, Shonhan says. As executive chef at ZUMA London, he deepened his understanding of Japanese technique, and eventually founded the Bone Daddies Group in 2011, which quickly gained a following for its ramen bars and creative approach to Japanese comfort food.  

More recently, Shonhan brought his fire-driven cooking style to the UAE, founding Netsu in Dubai and Strawfire in Abu Dhabi’s Emirates Palace Mandarin Oriental — a restaurant that blends Japanese technique with bold, open-flame cooking.  

Strawfire is in Abu Dhabi’s Emirates Palace Mandarin Oriental. (Supplied)

When you started out, what was the most common mistake you made?  

Trying to overcomplicate things. When you are young and eager, you want to impress, so you layer flavors, technique or garnishes, and often forget that restraint is just as powerful. Over time, I’ve learned to trust great ingredients. 

What’s your top tip for amateur chefs?  

Taste everything as you go. It sounds basic, but it’s amazing how many people season once at the end and hope for the best. Some slow-cooked foods, for example, taste better when they’ve been seasoned throughout the process.  

What one ingredient can instantly improve any dish?  

Acid — like citrus juice or a good vinegar. Whether it’s a splash of rice vinegar in a salad or a bit of aged balsamic, acid lifts everything. It balances richness, sharpens flavors, and gives a dish structure. It’s a critical part of the seasoning process. 

When you go out to eat, do you find yourself critiquing the food?  

Not consciously, but when you’ve been in kitchens and restaurants your whole life, it’s hard not to notice the details. 

Strawfire is in Abu Dhabi’s Emirates Palace Mandarin Oriental. (Supplied)

What’s the most-common issue that you find in other restaurants?  

The biggest issue is inconsistency.  

What’s your favorite cuisine to eat?  

I tend to gravitate towards simple places that execute well. I have some great Iranian restaurants near where I live and some brilliant Thai restaurants too. So, just family-run restaurants that have been going for years.  

What’s your go-to dish if you have to cook something quickly at home? 

Rice noodles with courgette, chili and fish sauce. It’s light and heathy but very tasty. It’s actually my wife’s recipe. It’s a mid-week staple. 

What customer request or behavior most annoys you? 

I don’t mind requests. Food is personal. But I find it tough when people don’t respect the team. We work hard to create an experience, and hospitality is a two-way street. A bit of kindness costs nothing and I think you can judge a person on how they treat their waiter.  

What’s your favorite dish to cook? 

Anything cooked over fire. It connects me to my childhood in the Australian outback. There’s something timeless about cooking with flame; it strips things back to instinct and makes food taste more alive. 

What’s the most difficult dish for you to get right? 

Creating a well-made broth requires patience, balance and discipline. It takes time and skill to develop the layers of flavor. That’s also applicable to making sauces. 

As a head chef, what are you like?  

I’d say I’m direct, but not constantly shouting. Firm but fair, maybe. Kitchens are intense enough without unnecessary drama. I want my team to feel supported and clear about expectations. I value honesty, effort and curiosity, and I try to create an environment where people want to grow. 

Chef Ross’ spaghetti mentaiko recipe  

Chef Ross’ spaghetti mentaiko. (Supplied)

For the Mentaiko mixture:  

100g mentaiko                                          

30g grapeseed oil                                    

2g smoked sweet paprika powder 

For the spaghetti:  

132g mentaiko mixture 

200g butter 

320g spaghetti (dry) 

40g parmigiana (grated) 

160g cream 35% 

8g salt 

Juice from a half lemon 

Zest from a half lemon 

20g chives (finely chopped) 

8g kizami nori  

60g pasta water 

Step 1 

Place a pot with water without salt on the stove and bring it to a boil. 

Then cook the pasta according to the package directions or preferences.  

Step 2  

While the spaghetti cooks, start with the mentaiko mixture. 

The whole mentaiko comes in the roe sack which has a tough outer skin. Cut the skin in, and scrape the roe with a spoon from the skin, then add it into a mixing bowl. 

Add the smocked paprika powder, grapeseed oil and grated parmigiana in and mix everything gently with a spatula and keep it on the side. 

Step 3 

Place a pan on the stove and add the cream, salt and butter, then heat it up slowly until the butter has melted. 

Step 4 

Add the cooked spaghetti to the pan with the cream and butter mixture.  

Stir until the sauce is nice and creamy. If the sauce starts to curdle or thickens too much, add a little bit from the pasta water until the sauce reaches a smooth consistency again. 

Step 5 

Add the spaghetti and sauce to the mixing bowl containing the mentaiko mixture, add the juice of half a lemon, and mix gently. (Chopsticks or a meat fork work well for mixing this). You can add a little more pasta water If the sauce becomes too thick again. 

Step 6 

For serving, we recommend using a meat fork and a large spoon and twist the spaghetti into a nest then place it in the center of your plate. Distribute the chives and kizami nori over the spaghetti and grate a little lemon zest over it.