‘Afterschool’ explores collective childhood memories of KSA 

‘Afterschool’ explores collective childhood memories of KSA 
Short Url
Updated 3 sec ago

‘Afterschool’ explores collective childhood memories of KSA 

‘Afterschool’ explores collective childhood memories of KSA 
  • Highlights from ATHR Gallery’s AlUla exhibition, which runs until Dec. 30 

DUBAI: ATHR Gallery’s latest exhibition in AlUla, “Afterschool” showcases works that capture the hours after the school day finished, “bringing back memories of activities, scenery, experiences, interactions, rituals, and daily routines,” according to the show catalogue. Using media including photography, video games, painting, textiles, collage, and installations, five Gulf artists — Ahaad Almoudi, Basmah Felemban, Mohammad Alfaraj, Rami Farook, and Sara Abu Abdallah — depict “shared collective routines and memories across generations around .”  




Sarah Abu Abdallah, ‘Blanket No. 36.’ (Supplied)

The show, curated by Rania Majinyan, is divided into three ‘paths’: Street, Park, and Home. It is, the catalogue states, “an invitation to take a journey down memory lane … reflecting on practices that we once felt free to do and others that felt restricted. Reminding us of small details and changes we experienced within a particular timeline, urging us to return to ourselves, to turn inward, and to hold onto moments of stillness despite being consumed by outer distractions.” 

Sarah Abu Abdallah 




Sarah Abu Abdallah, ‘Blanket No. 57.’  (Supplied)

‘Blanket No. 36’ and ‘Blanket No. 57’ 

The Street section of the exhibition includes two works from Abdallah’s “Blanket” series — a collection of digital images on woven cotton textiles — both of which show scenes of leisure time “acting as a reminder of the sudden, freeing, energizing activities we do after school … evoking an intimate dialogue.” “Blanket No. 36” displays a photograph taken in Abdallah’s hometown of Sanabes, in which a group of children gather round a barrel they’ve found in the street, “sparking investigative playfulness.” In “Blanket No. 57” a young boy and a man stand on the shoreline of the Red Sea off the Jeddah corniche, escaping their daily routines for a moment in nature. 

Rami Farook  




Rami Farook,  ‘I Love You In God (only).’ (Supplied) 

‘I Love You In God (only)’ 

Also in the Street section stands the Emirati artist’s large-scale painting of a piece of street art found in Jeddah, which shows a man in traditional dress alongside the words “I love you in the name of God.” The show catalogue says that Farook’s painting “represents the school’s brick walls, portraying expressive graffiti made by rebellious teens — marks you pass as you walk in and out of school.” Passing by such graffiti every day makes it seem routine — it becomes almost unnoticed over time. Indeed, the catalogue notes, “you don’t remember how powerful the imagery is until it’s provoked unannounced.” 

Ѵdz󲹳ڲ




Mohammad Alfaraj, ‘The Last Session.’ (Supplied) 

‘The Last Session’ 

Al-Ahsa native Alfaraj contributes “The Last Session,” a series of photographs, to the show’s Park section. In June of this year, Alfaraj told Arab News of his work in general: “I’m always looking for metaphors and different ways of looking at the world and trying to piece it together as an enormous complex mosaic that I’m lucky to experience and be part of.” That’s instructive of “The Last Session” in which some of the images are simple shots of kids playing football or hanging on climbing frames, photographs that carry echoes of a time before so much of our lives were spent online or in front of various screens, while others are more abstract — “ghostly,” the catalogues suggests — “embodying the absence of playing (outside) … as part of our culture nowadays, especially after school.”  

󲹲dzܻ徱




Ahaad Alamoudi​​, ‘Winning Eagle.’ (Supplied) 

‘Winning Eagle’ 

“If I’m not having fun creating then there’s nothing in it for me,” Alamoudi told Arab News in a 2018 interview. “I use a lot of comedy in my work as a form of addressing serious topics.” That approach is clear in “Winning Eagle,” which is displayed in the exhibition’s Home section, where it is accompanied by another work from Sarah Abu Abdallah’s “Blanket” series. “Both prints are of album covers made in the late 90s and early 2000s,” the catalogue says. “These works trigger a random stream of music that we often listened to in our childhoods, symbolizing how music can carry you inward towards a constructed imaginative reality that (remains) with you.” Alamoudi’s collage features the cover of Saudi musician Rabah Sagar’s 1995 album “Empty of Feelings.”  


THE ROUNDUP: Pop-culture highlights from across the region 

THE ROUNDUP: Pop-culture highlights from across the region 
Updated 57 sec ago

THE ROUNDUP: Pop-culture highlights from across the region 

THE ROUNDUP: Pop-culture highlights from across the region 

Snakeskin 

‘We Live in Sand’ 

The Lebanese duo — Julia Sabra and Fadi Tabbal — just dropped their excellent third album, written in October 2024, as Israel’s war on Gaza was expanding to include attacks on Beirut. Understandably, then, there’s an atmosphere of grief, anger and frustration throughout, but as with so much of the music Sabra and Tabbal make — together or separately — there is hope here too. “How to love in our insignificance?” Sabra sings in “Blindsided.” It is the record’s main theme. 

eL Seed 

‘Moving Canvas’ 

The Tunisian ‘calligraffiti’ artist teamed up with Art be a Part and Dubai’s Special Needs Future Development Center for his latest project, in which SNF students assisted eL Seed in painting their new school bus (bought with funds raised by Art be a Part). “Art is a driver for social change. Painting gave the children a sense of ownership and belonging,” eL Seed said in a press release. “This is more than a vehicle, it is a symbol of unity and endless possibility.” 

Rubina 

‘Dⲹ’&Բ;

The Persian-Candian singer-songwriter released “Darya” — the third single from her upcoming debut EP “Take Me to the Moon” — late last month. According to a press release, the “haunting, hypnotic” track, sung in English and Farsi, “explores how the ocean’s chaos and calm mirror the human experience of love.” Rubina is quoted as saying that the song “is both the storm and the stillness. It’s the place where human emotion dissolves into nature, and nature dissolves into us.” 


Recipes for Success: Chef 鲹ڴڲ offers advice and a tasty mushroom garden recipe 

Recipes for Success: Chef 鲹ڴڲ offers advice and a tasty mushroom garden recipe 
Updated 7 min 12 sec ago

Recipes for Success: Chef 鲹ڴڲ offers advice and a tasty mushroom garden recipe 

Recipes for Success: Chef 鲹ڴڲ offers advice and a tasty mushroom garden recipe 

DUBAI: In the world’s most dynamic kitchens — from Paris to Riyadh — Chef Raffy Beylerian has spent more than 13 years refining a culinary philosophy that transcends borders, and he’s now brought that philosophy to Riyadh as head chef of Attaché, a new dining destination in the heart of the Diplomatic Quarter. 

A graduate of the prestigious École de Cuisine Alain Ducasse in Paris, Beylerian honed his craft in legendary establishments including the three-Michelin-starred Plaza Athénée and La Bastide Saint-Antoine in Grasse. 

His journey has taken him across continents, shaping a cuisine that blends classical French precision with the vibrant flavors of the Middle East, Africa, and beyond. Whether designing intricate tasting menus or leading high-end kitchen brigades, Beylerian’s approach is rooted in seasonality, sustainability, and an unwavering respect for ingredients. 

Attache Riyadh. (Supplied)

And his latest stop hasn’t disappointed him. “What surprised me was the level all the restaurants were at here,” he tells Arab News. “I wasn’t expecting this when I first moved here, but once I started going around while doing my market research, I realized was a good place for food.” 

When you started out, what was the most common mistake you made? 

When I couldn’t get something right, I’d get frustrated and demotivated. So you’d get demotivated when you didn’t get something right and then the head chef would tell you off and it doesn’t go well. But with time you realize that, well, you’re cooking every day, and every service is like a blank sheet — basically a fresh start — and, as chefs, we’re only as good as the last dish we put out. 

What’s your top tip for amateur chefs? 

Whatever you’re cooking, just get good produce. It’s really as simple as that. If the produce is good, whatever you’re gonna do at home, whether it’s something simple or something sophisticated, 50 percent of the work is already done. 

What one ingredient can instantly improve any dish and why? 

I would say salt, because salt is the major magnifier and it enhances everything. Apart from that, it would be something acidic, like lemon or lime. 

When you go out to eat, do you critique the food at all?  

It depends on the restaurant. If I’m going to somewhere that has a big reputation and we’re going there for the sake of trying it out — market research, like I said — then yes, I do end up critiquing it. But most of the time, on casual nights out or lunches and stuff, then no, I just try to enjoy it. 

What’s the most common issue you find in other restaurants?  

The seasoning. 

What’s your favorite cuisine or dish to eat? 

Mediterranean food or something close to my background and palate profile. 

What’s your go-to dish if you have to cook something quickly at home? 

Well, eggs are always in my fridge. They’re the easiest thing to do. And when they’re done right, they’re really unbeatable. 

What customer request most annoys you? 

When the guests try to change a dish completely. Because, honestly, we put a lot of work and effort in with the team to develop a dish, so for someone to come and just want to change it or flip it all over is a bit difficult for us. 

As a head chef, what are you like? Are you a disciplinarian, or are you more laid back? 

It’s a bit of both, so not really disciplinarian or laid back. The kitchens I was working in before were very disciplined — we were always shouting, throwing pots and pans and screaming and all that. So, I put it on myself not to be like that. But being completely laid back just doesn’t work in a kitchen. So it’s a bit of both. 

Chef Raffy’s mushroom garden recipe 

Chef Raffy’s mushroom garden. (Supplied)

For the mushroom purée 

INGREDIENTS: 

100g porcini mushroom; 100g shitake mushroom; 60g salted butter; 2g thyme; 2g sage; 450ml mushroom stock; 50g crème fraiche; 1g black pepper; 3g Maldon salt 

INSTRUCTIONS:  

Chop all the mushrooms into equal parts. 

In a large saute pan add the chopped mushrooms into the foaming butter with the thyme and sage and sautee until soft. 

Add a ladle of mushroom stock and reduce. 

Finish with the crème fraiche and reduce again. 

Transfer to a blender and mix until smooth. 

For the pickled shimenji mushrooms 

INGREDIENTS: 

20g white shimenji mushroom; 100ml rice vinegar; 20g white sugar; 3g whole white pepper 

INSTRUCTIONS: 

In a casserole add the rice vinegar, sugar and white pepper and bring to a boil. 

Clean the shimenji mushroom and poach in the pickling juice for about 3 mins. 

Transfer to a container for later use. 

FINISHING: 

In a deep plate, place the mushroom puree at the base. 

Top with the fried shitake mushrooms and carpaccio (raw, thinly sliced) of white button mushroom. 

Finish with the pickled shimenji, sage oil and dust the dry thyme powder on the white button mushroom. 


Christie’s highlights Arab artists in London auction 

Christie’s highlights Arab artists in London auction 
Updated 16 October 2025

Christie’s highlights Arab artists in London auction 

Christie’s highlights Arab artists in London auction 
  • Highlights from the auction house’s upcoming Modern and Contemporary Middle Eastern Art sale 

DUBAI: Highlights from the auction house’s upcoming Modern and Contemporary Middle Eastern Art sale.

Paul Guiragossian 

‘AܳٴdzԱ’&Բ;

“Profoundly shaped by his experience of exile and displacement, Paul Guiragossian developed a unique visual language that blends naturalism, modernism, and figurative abstraction to explore the human condition,” Christie’s lot essay says of the Jerusalem-born Lebanese artist. This work from the 1980s is widely considered one of his masterpieces, and has previously fetched the second-highest price for one of the artist’s works at auction. “‘Automne’ reveals the artist’s unequalled mastery of color,” the lot essay states. “With thick and elongated brushstrokes in various nuances of yellow (said to have been his favorite color), the composition reflects every facet of the human condition with radiant complexity through multiple figurative references, while simultaneously revealing the artist’s appeal for abstraction … The thick impasto applied to the canvas offers a sculptural and Expressionist quality that allows the figures to leap out of the canvas. 

“(The work) oscillates between happiness and sadness,” the essay continues, “expressing hope for a brighter future while alluding to an everlasting sense of melancholy.” 

 

Abdulhalim Radwi 

‘UԳپٱ’&Բ;

With the exception of Mohammed Al-Saleem, Radwi is perhaps ’s most significant Modernist artist. Al-Saleem was one of those fortunate enough to receive government sponsorship to study the arts overseas — obtaining a doctorate from the Royal Academy of Fine Arts in Madrid. “Radwi's work is characterized by its fusion of traditional architecture, desert life and folklore with modernist influences, resulting in brightly colored semi-abstracted compositions such as this city scape showcasing arabesque curves and Arabic letters,” the lot essay states. 

 

Samia Halaby 

‘GԾ’&Բ;

This 1978 painting by the New York-based Palestinian artist, whom Christie’s calls “one of the Arab world’s most important contemporary painters and a leading figure in the international abstract art scene,” is part of her much sought-after “Diagonal Flight” series, “in which she explores geometric abstraction through diagonal lines and contrasting colors, resulting in a dynamic spatial interplay.” Like much of Halaby’s work, it is inspired in part by Islamic geometry.  

 

Kamal Boullata 

‘Nocturne I’ 

The Palestinian painter “became a prominent artist of his generation,” the lot essay states, thanks to pieces such as this, “a vibrant work … representative of his harmonious and rhythmical geometric oeuvre that navigates the tension between exile and belonging.” That’s a tension with which Boullata was painfully familiar, having left his homeland to study in Rome and Washington D.C. before settling in Berlin.  

“Boullata described the manual exercise of these canvases as a process that swings from the mechanical to the organic: he begins with a pencil and a ruler to create a mathematical rendering, and once a pattern forms in his work, it becomes a skeleton ready to receive color as flesh,” the essay explains. 

 

Mahmoud Said 

‘Mekarzel Hill’ 

The Alexandrian painter is regarded as the father of Egyptian Modernism and is one of the Arab world’s most celebrated artists. This particular work was once owned by former Egyptian Prime Minister Hussein Pasha Sirry, and is described by Christie’s as “a mesmerizing landscape” in which Said “effortlessly captures the rolling hills, rich earth, and summer skies of Lebanon, where he spent many of his summers.” 

 

Laila Shawa  

‘City of Peace (Jerusalem)’ 

The late Palestinian artist was, Christie’s says, “known for her brave persona and bold artistic oeuvre” that “expressed her perspective as a Palestinian female, offering sharp socio-political commentary and highlighting the difficult realities faced by Palestinians under occupation.” This large-scale work from the 1970s, when Shawa was in her thirties, “conveys the artist’s longing for her homeland and depicts a hopeful vision for the future of Palestine.” 


Recipes for success: Chef Jack Jarrott offers advice and a tasty recipe for squid 

Recipes for success: Chef Jack Jarrott offers advice and a tasty recipe for squid 
Updated 16 October 2025

Recipes for success: Chef Jack Jarrott offers advice and a tasty recipe for squid 

Recipes for success: Chef Jack Jarrott offers advice and a tasty recipe for squid 

DUBAI: From Queensland to Abu Dhabi, Chef Jack Jarrott’s culinary path has been defined by fire, flavor and an unrelenting drive to master his craft.  

He began his journey in London in 2016, training at Westminster Kingsway College before joining the kitchens of Gaucho and Gordon Ramsay’s restaurants, where he earned early recognition, including a Rosette Star.  

The menu reflects his background in open-fire cooking and his focus on seasonal produce. (Supplied)

In Dubai, he worked alongside Fernando Trocca to launch Sucre, an open-fire dining concept that earned a place in the Michelin Guide, and later joined The Guild under Master Chef Paul Gajewski. There, he played a key role in the restaurant’s launch, contributing to accolades from Michelin, Condé Nast Traveler and Gault & Millau. 

Now based in the UAE capital, Jarrott leads Sand & Koal at Mandarin Oriental, Emirates Palace Abu Dhabi, where the menu reflects his background in open-fire cooking and his focus on seasonal produce. 

When you started out, what was the most common mistake you made?  

One of the biggest challenges early on was mastering seasoning, I was always either underseasoning or overseasoning dishes. Balancing flavors on a larger scale was something that took time and experience. It’s one thing to cook for one or two people, where seasoning adjustments are immediate and intuitive. But cooking for 10, 20 or even 100 guests requires a deeper understanding of ingredient ratios, palate balance and consistency. Learning how much is “enough” when scaling up a recipe was a crucial turning point. 

What’s your top tip for amateur chefs? 

Move with intention. Try to work faster than you’re comfortable with. Do not rush, but sharpen your focus. It’s a bit like driving. When you pick up speed, you become more alert and responsive. Mastering multitasking is essential in the kitchen. Prep while something simmers, clean as you go, stay ahead of your own mess. Also, don’t be afraid of making mistakes; the best way to learn is by doing. Over time, speed, precision and instinct will naturally come together. 

Sand & Koal at Mandarin Oriental, Emirates Palace Abu Dhabi. (Supplied)

What one ingredient can instantly improve any dish? 

It’s not one single ingredient, but a combination of things: salt, fat, acid and heat. These four elements are the pillars of great cooking. Salt enhances and amplifies flavors, fat provides richness and mouthfeel, acid brings brightness and balance, and heat (from spice or temperature) adds depth and character. If a dish tastes flat or unexciting, it’s usually missing one of these four elements. Learning how to balance them will completely transform your cooking. 

When you go out to eat, do you find yourself critiquing the food?  

Absolutely! And not just what’s on the plate; I evaluate the entire experience from the first impression when making a booking to how I feel the moment I walk in. Every detail counts —cleanliness, the confidence and knowledge of the service staff, the pacing of the meal, and of course, the flavor and integrity of the food. All of it matters.  

What’s the most common issue that you find in other restaurants?  

A disconnect between the concept and the execution — when a restaurant lacks cohesion in its food, service, and atmosphere. 

What’s your favorite cuisine to eat? 

I’m drawn to Asian cuisine, especially Indian food. There’s something deeply soulful and storied about it. I often think of the traditional thali, where every component has a reason to exist — sweet, sour, bitter, crunchy, cooling, warming — all on one plate. Growing up, I’d watch my neighbor prepare thali with such reverence, and I began to understand that food can be a story. Every dish, every condiment, every spice has heritage and meaning. 

What’s your go-to dish if you have to cook something quickly at home? 

Scrambled eggs — six to eight of them — served with half an avocado, some good-quality tuna on toast and a sprinkle of salt and pepper. It’s quick, high in protein, and nourishing without feeling heavy. I usually pair it with sweet coffee and milk. It’s simple and comforting — a grounding ritual I turn to when I want to eat well without overthinking. 

What customer request most annoys you? 

When guests order something completely off-menu it can feel a little dismissive of the thought and intention behind what we’ve created. That said, the guest experience is my top priority, so I always aim to accommodate within reason. I prefer not to say no. I try to find a way to meet the request without compromising the integrity of the kitchen or the dish. 

What’s your favorite dish to cook?  

A steak. There’s something primal and grounding about it. From cleaning and preparing the meat, to seasoning it just right, building the fire, and identifying the perfect heat zone. It’s a process that connects you back to the roots of cooking. It’s not about complexity; it’s about presence. It reminds me why I fell in love with cooking in the first place. 

What’s the most difficult dish for you to get right?  

Boiled potatoes for chips — the classic way. It sounds simple, but the technique is delicate. You need just the right amount of salt in the water, maintain the perfect simmer, and then remove the potatoes at the exact moment before they overcook. Letting them steam-dry before frying is key, but the margin for error is razor-thin. It’s a lesson in precision and patience. 

As a head chef, what are you like? 

I’ve been told I bring a lot of energy to the kitchen. I’m excitable, passionate and deeply engaged in the craft. I strive to be humble and patient, both with my team and with myself. I maintain professionalism with guests and try to create a fun, inspiring environment for the team. I don’t believe in forcing things. I prefer to move with the flow and stay open to ideas and creativity. If something or someone inspires me, I jump right in. I’m constantly learning, constantly evolving and that’s the beauty of this industry. 

Chef Jack’s squid with caper, garlic and lemon sauce recipe  

Squid with caper, garlic and lemon sauce. (Supplied)

(Serves 4) 

Allergens: 

Molluscs 

Dairy 

Sulphites 

Ingredients 

For the squid: 

4 whole squid, cleaned 

Sea salt 

Freshly ground black pepper 

2 tablespoons cooking oil (pomace or canola) 

2 tablespoons fresh lemon juice 

100g unsalted butter, cubed 

2 tablespoons fresh parsley, finely chopped 

For the caper sauce base: 

12 garlic cloves, thinly sliced 

200g capers (100g chopped, 100g whole) 

50ml caper brine 

100ml caper liquid 

500ml chicken stock (preferably homemade, with a jelly-like consistency) 

3 tablespoons extra virgin olive oil 

Salt to taste 

Method 

Preparing the caper sauce base: 

Heat olive oil in a medium saucepan over medium-low heat. 

Add sliced garlic and cook gently, stirring frequently, until golden brown. Be careful not to burn. 

Using a slotted spoon, transfer the garlic to a paper towel to drain. 

In the same oil, add the chicken stock and reduce by half until slightly thickened. 

Add chopped and whole capers, caper brine, and caper liquid. Stir to combine. 

Allow the sauce base to cool to room temperature. 

Finalizing the sauce: 

In a separate saucepan, bring the cooled sauce base to a gentle simmer. 

Stir in fresh lemon juice and season lightly with salt. 

Remove from heat and gradually whisk in cubed butter until smooth and creamy. 

Taste and adjust seasoning with more lemon juice or salt if needed. 

Stir in freshly chopped parsley. Keep warm. 

Grilling the squid: 

Preheat a grill pan or heavy skillet over high heat. 

Pat the cleaned squid dry with a paper towel. Season generously with sea salt. 

Drizzle with cooking oil, ensuring even coverage. 

Carefully place the squid on the hot pan. It should sizzle immediately. 

Grill for 1-2 minutes per side until golden brown. Avoid overcooking. 

Once cooked, remove the squid and let it rest for a minute. 

Season with freshly ground black pepper and a touch more salt. 

Plating: 

Arrange the grilled squid neatly on a serving plate. 

Spoon the warm caper sauce over the squid. 

Sprinkle with additional chopped parsley for freshness. 

Serve immediately. 

Cooking tips: 

Ensure your grill or pan is extremely hot for the perfect sear on the squid. 

Avoid overcooking the squid, as it can become tough and rubbery. 

The sauce must be kept warm but not too hot to maintain a smooth, creamy texture. 


Princess Rajwa dazzles at Windsor Castle meeting with Prince and Princess of Wales

Princess Rajwa dazzles at Windsor Castle meeting with Prince and Princess of Wales
Updated 15 October 2025

Princess Rajwa dazzles at Windsor Castle meeting with Prince and Princess of Wales

Princess Rajwa dazzles at Windsor Castle meeting with Prince and Princess of Wales
  • The princess, accompanied by her husband Crown Prince Hussein bin Abdullah Al-Hashimi, was making her first official visit to the UK as Jordan’s future queen
  • Prince William and Princess Kate attended the wedding of Hussein and Rajwa in Amman in June 2023

LONDON: Princess Rajwa of Jordan brought her signature elegance to Windsor Castle on Wednesday when she and her husband, Crown Prince Hussein bin Abdullah Al-Hashimi, joined the prince and princess of Wales for a royal reunion that officials said underscored the close ties between the British and Jordanian royal families.

Making her first official visit to the UK as Jordan’s future queen, the princess exuded understated glamour in a crisp white shirt under a strapless black bustier, with matching tailored trousers.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

The sleek monochrome ensemble, minimalist accessories and her polished brunette locks in a ponytail exemplified the look of modern refinement that has become her hallmark since marrying the prince two years ago.

The royal couples posed for an official photograph inside the royal residence, for which the Princess of Wales wore a tan Roland Mouret suit, a tailored favorite she was first seen wearing in 2023, paired with a cream blouse and a loose, flowing, glossy hairdo.

Earlier, Princess Rajwa joined Princess Eugenie in London to promote a mental health charity. Also on Wednesday, Prince William and Crown Prince Hussein, both of whom are trained helicopter pilots, visited RAF Benson in Oxfordshire, where they met Royal Air Force personnel and were briefed on operations at the base.

The friendship between the princes dates back to 2018 when William, then the Duke of Cambridge, visited Jordan and met Hussein, a fellow graduate of the Royal Military Academy Sandhurst.

William and Kate attended Hussein and Rajwa’s wedding in Amman in June 2023, deepening the personal and official bonds between their families.