Highlights from ‘Wavering Hope’ at Dubai’s Ayyam Gallery

Highlights from ‘Wavering Hope’ at Dubai’s Ayyam Gallery
Tammam Azzam, ‘Bon Voyage: New York.’ (Supplied)
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Updated 22 August 2025

Highlights from ‘Wavering Hope’ at Dubai’s Ayyam Gallery

Highlights from ‘Wavering Hope’ at Dubai’s Ayyam Gallery
  • Here are three highlights from the group exhibition ‘Wavering Hope’ at Dubai’s Ayyam Gallery running until Sept. 5

Othman Moussa 

‘The Terror Group’ 

The Damascus-based Syrian artist is known for his realist still-life paintings. As the Syrian conflict began over a decade ago, its impact began to materialize in Moussa’s works, such as this one — “turning everyday objects into subjects of war,” the gallery’s website states. “Something as simple as food is now transformed into a weapon, reflecting the presence of violence in the most minor details of life.” 

Yasmine Al-Awa  

‘Dirty Laundry’ 

The UAE-based Syrian artist’s most recent body of work, including this piece, created this year, “shifts focus from the human figure to the realm of inanimate objects and interiors, inspired by memories from her early life in Syria and recent visits to her homeland,” the gallery says. “Drawing on the notion of fragmented memory, Al Awa brings everyday objects into the forefront of her work, transforming them into reflections of identity and longing.” 

Tammam Azzam 

‘Bon Voyage: New York’ 

Azzam’s “Bon Voyage” series is partly inspired by Pixar’s 2009 film “Up,” in which a widower ties balloons to his home and floats away. Instead of a quintessential US suburban home, Azzam uses a devastated Syrian apartment block, set against famous landmarks. “This image is about the evil and imbalance in our world,” Azzam told Arab News in 2021. “Every life is important, whether American or Syrian, and it’s right that 9/11 is commemorated, but who is commemorating the Syrian casualties?” 


Egypt campaigners demand artefact returns after Dutch govt agrees to send back 3,500-year-old stone head

Egypt campaigners demand artefact returns after Dutch govt agrees to send back 3,500-year-old stone head
Updated 35 sec ago

Egypt campaigners demand artefact returns after Dutch govt agrees to send back 3,500-year-old stone head

Egypt campaigners demand artefact returns after Dutch govt agrees to send back 3,500-year-old stone head
  • Move comes as Grand Egyptian Museum in Cairo opens to the public
  • Zahi Hawass, Egyptologist and former minister of antiquities, starts petition to return Rosetta Stone, plus items from Paris and Berlin

LONDON: Campaigners in Egypt have demanded the return of artefacts held in Europe after the opening of the Grand Egyptian Museum in Cairo.

It comes as Dick Schoof, the outgoing prime minister of the Netherlands, announced that a 3,500-year-old stone head from the dynasty of Thutmose III would be returned to Egypt during a summit with President Abdel Fattah El-Sisi in Cairo on Sunday.

The handover, to take place later this year under the 1970 UNESCO Convention, comes after the item was seized in Maastricht at an art fair in 2022.

Items including the Rosetta Stone at the British Museum in London are among the most important in both Egyptian and world ancient history, and Zahi Hawass, Egyptologist and former minister of antiquities, launched a movement to pressure international governments into returning them in 2010.

As well as the Rosetta Stone, Hawass’ campaign also seeks the repatriation of a bust of Nefertiti from the Neues Museum in Berlin, and the Dendera Zodiac in the Louvre.

It was derailed by political upheaval caused by the Arab Spring in 2011, but Hawass now believed the tide is turning.

“In the past, they said your museums weren’t qualified,” Hawass told The Times. “Now we’ve built more than 22 museums to the highest standards — some more modern than those in America or Europe.”

Egypt banned the export of all historic items in 1983, but illegal digging and black market sales remain widespread and lucrative.

“They dig destructively, interested only in what they can carry,” said Monica Hanna, dean of Egypt’s Arab Academy for Science and Technology. 

Hanna, who founded the Repatriate Rashid campaign to return the 18 artefacts taken in the Rosetta Stone export in 1801, said the decision of the Dutch government may “encourage those who want to do the right thing to do it.”

She added that Western museums could no longer guarantee the security of items, saying: “What about the recent theft from the Louvre, the 2,000 items stolen from the British Museum last year, or environmental activists pouring oil on Egyptian artefacts in Germany?”

Hanna added: “We don’t want every Egyptian artefact abroad. We want those essential to Egypt’s narrative.”

Hawass now plans to submit an official document petitioning for the return of artefacts after receiving 1 million signatures, with campaigners across Egypt’s major museums to ask visitors to sign up.

“This concerns the international community — the Egyptian people I represent, supported by the government and the president himself,” Hawass said.

Egypt has gone to great lengths to track down stolen items in the past few years, securing the return of over 5,000 since 2020, including 114 from the US and 91 from France. In 2019, a gilded coffin of Nedjemankh was returned after an investigation found export licenses were forged during its sale to the Metropolitan Museum of Art in New York for $4 million in 2011. 

The Rosetta Stone, taken by British forces to London in 1802 after its discovery by French soldiers in 1799, dates from 196 B.C. and features ancient Egyptian hieroglyphs, as well as Demotic and Greek script. It was key to deciphering the ancient Egyptian language after it was translated by Jean-Francois Champollion in 1822.