Recipes for success: Omar Basiony offers advice and a tasty sea bass recipe

Recipes for success: Omar Basiony offers advice and a tasty sea bass recipe
Omar Basiony is the executive chef at Bâoli Dubai. (Supplied)
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Updated 15 August 2025

Recipes for success: Omar Basiony offers advice and a tasty sea bass recipe

Recipes for success: Omar Basiony offers advice and a tasty sea bass recipe

DUBAI: For Omar Basiony, eating has always been more than just about meals, it has been a way to connect with culture, family and identity.   

“I’ve always loved cooking,” he tells Arab News. “I’ve been passionate about cooking from a very young age.”  

Born to Egyptian and Italian parents, Basiony’s culinary journey began when he was just 13. “My mom had sent me to spend the summer with my uncle in Padua, Italy, and he got me a job working in a restaurant,” he says. “I came back like, ‘OK, this is all I ever want to do with my life.’” 




Bâoli Dubai. (Supplied)

Basiony grew up in Chicago, which he describes as “a city of neighborhoods drawn on very ethnic lines.” He adds: “It became this gateway for me to explore different cultures through food.” 

After honing his skills at renowned kitchens in the US, including a two-Michelin-starred restaurant in Chicago, he moved to Dubai in 2014 to help open La Serre. His current role as executive chef at Bâoli Dubai reflects both his fine-dining background and the wide range of culinary influences he has encountered throughout his career. 

When you started out, what was the most common mistake you made? 

Probably not tasting the food enough. If there’s any takeaway in my kitchen that I try to instill over and over, it would be that.  

What’s your top tip for amateur chefs? 

Invest in your tools, because that way they’re going to last a while. And it makes cooking much more enjoyable if you have a decent knife, a decent pan, good scales. Sometimes recipes fail just because you haven’t either measured the ingredients properly or you’ve compromised on the vessel that you’re going to cook it in, or the oven you’re going to cook it in. 




Bâoli Dubai. (Supplied)

What’s one ingredient that can instantly improve any dish? 

I think improving a dish isn’t so much about ingredients as it is about understanding the different roles they play, and how balance plays such a big role. So, say you’ve over-seasoned something, there’s a role that fat can play in diminishing the salt. That all goes a long way to improving the overall flavor and complexity of the way something tastes.  

When you go out to eat, do you find yourself critiquing the food?  

I just feel like I’m getting ripped off most of the time. Sometimes I get a plate and I’m, like, “Come on. I know how much money is in this plate.” So yeah, my major critique is: what are people putting on their plates? What are they charging us for? But I can forgive a lot if the food is good and it’s made with heart and soul, and you can feel that someone cares about what they’re doing. 

What’s your favorite cuisine to eat? 

Asian — something within the scope of either Japanese or Korean. I have an eight-year-old son, and there was a time when I was actually afraid to be alone with him, he was that attached to his mother. The first time we really began to build a bond as father and son was over dim sum. I’d pick him up from nursery and take him out for dumplings and noodles. Since then, I think I’ve essentially hardwired him to enjoy Asian cuisine. I picked him up from school the other day, and brought him to Baoli. I try to offer him pizza, and he says, “No, it’s OK. I can get pizza anywhere. I want the signatures from the restaurant. Don’t try and push the cheap stuff.” But yes, as a family, we’ve really developed a strong appreciation for Asian cuisine overall. 

What’s a customer request or behavior most annoys you? 

Sometimes we get people who will either pre-order or push for food to arrive at a certain time. And then, you know, you activate this whole apparatus to make sure that happens, which is an undertaking, and then they don’t respect the time. I’m not a punctual person in my personal life, but in my professional life I’m very punctual. 

What’s your favorite dish to cook? 

I love to work over fire and over charcoal. So anything that’s coming off of the restaurant’s wood burning grill is a lot of fun. That element of dynamism that comes with cooking over live fire is very enjoyable. And it’s very much a craft — being able to harness it and utilize it in different ways.  

What’s the most difficult dish for you to get right? 

A perfect omelet is something that takes quite a level of mastery.  

What are you like as a leader? 

When I was a head chef, I was much more of a disciplinarian; there was a lot more yelling and shouting. Now, with a strong management team in place, I want them to feel empowered to run and manage the space themselves. A kitchen can very quickly become a tense, chaotic environment if everyone’s shouting. That’s never the kind of space I want people to work in. There’s only room for one voice of authority in a kitchen and, over time, I’ve learned that you don’t have to shout to earn respect or to maintain discipline. I do believe in the importance of discipline and, yes, at times there needs to be accountability. No one wants to be told they’re underperforming, but it’s worse when that message comes from everyone around them. That doesn’t motivate; it discourages. So, while I believe in maintaining standards, I also think it’s important to create an environment that encourages people to improve rather than fear failure. 

Chef Omar’s sea bass Provençale  

Provençale sauce 

¼ cup olive oil  

4 cloves of garlic, crushed 

50gm pitted nicoise olives, quartered 

1 tbsp capers 

500gm cherry tomatoes, quartered 

Sprig of thyme  

Sprig of fresh oregano 

½ cup semi dried tomatoes cut into chunks 

Salt to taste 

ѱٳǻ:  

Combine the olive oil and garlic in a wide, flat-bottomed sauté pan on low heat and cook gently until the garlic becomes golden and very fragrant. 

Add the olives and capers and continue to cook until aromatic. 

Raise the heat to medium and add the quartered cherry tomatoes and herbs. Cook the tomatoes until they begin to break down, releasing their juices and creating a silky sauce. 

Off the heat, add the semi-dried tomatoes and mix through the sauce. Adjust the seasoning as needed with salt. 

Allow to cool before using. 

When you’re ready to prepare the fish, start by preheating your oven to 200°C. You will need parchment paper and a baking tray large enough to fit the fillet or whole fish you will be baking. 

Lay a sheet of parchment paper out on the table—the paper should be large enough to enclose your fish like a well-sealed envelope. 

Drizzle a layer of oil on the paper and lay the fish on top. Season lightly with salt and add another drizzle of oil. Spread the prepared sauce evenly across the fish. 

Close the parchment paper, folding the edges to seal it tightly, ensuring steam will stay trapped inside your parcel. 

You may opt to also wrap the parchment in aluminium foil in case you are doubting your sealing skills. 

Bake for 20 minutes at 200°C or until cooked through. 

You can serve it directly to the table in the parchment paper, cutting the parcel open in front of your guests to many ooohs and aaahs, and a pleasant puff of steam and delicious cooking aromas. 

You can garnish with a pinch of fresh chopped herbs and a drizzle of olive oil. 


Princess Rajwa Al-Hussein steps out in black coat dress in Paris

Princess Rajwa Al-Hussein steps out in black coat dress in Paris
Updated 08 October 2025

Princess Rajwa Al-Hussein steps out in black coat dress in Paris

Princess Rajwa Al-Hussein steps out in black coat dress in Paris

DUBAI: Princess Rajwa Al-Hussein of Jordan showcased elegant royal style on Wednesday during her visit to France with her husband, Crown Prince Hussein bin Abdullah.

The couple are in Paris, where they met with French President Emmanuel Macron and first lady Brigitte Macron at the Elysee Palace.

The princess, who is of Saudi origins, stepped out wearing a long black tailored coat dress featuring a structured collar and button-down front. She styled the look with black heels, a woven cream clutch bag, and gold jewelry, including drop earrings and stacked rings.

Following the crown prince’s visit to France, he is scheduled to travel to the UK, where he will hold meetings in London. He will meet with Prince William and British Prime Minister Sir Keir Starmer.
 


Shanina Shaik poses for Victoria Beckham Beauty

Shanina Shaik poses for Victoria Beckham Beauty
Updated 08 October 2025

Shanina Shaik poses for Victoria Beckham Beauty

Shanina Shaik poses for Victoria Beckham Beauty

DUBAI: Part-Arab model Shanina Shaik turned heads in Paris this week when she appeared in new images shared by Victoria Beckham Beauty.

The Australia-born model — who is of Saudi, Pakistani, and Lithuanian descent — was featured in photos from a collaboration post on Instagram between her and the beauty brand, seen applying products such as the satin kajal liner and eye wear palette to create a soft, bronzed makeup look.

Shaik also attended the Victoria Beckham show during Paris Fashion Week, where the British designer presented her Spring/Summer 2026 collection at 17th century Val-de-Grace Abbey. For the occasion, Shaik wore a chocolate-brown satin halter-neck gown with a high neckline and open back, styled with minimal accessories and glossy waves for a sleek finish.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Before the show, Shaik shared a behind-the-scenes video of her getting ready for the event.

“I am so excited for this show. I am obviously a huge fan,” she said in the video before breaking down the products she uses on her hair before styling.

She gave her followers a glimpse of her pre-show routine, sharing what she ate, followed by clips of her hair and makeup session. Shaik included shots from a photoshoot taken before the event, along with a short look at the show itself.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Beckham showed a collection of slip dresses, roomy suits and soft, leather jackets with crinkled edges for her namesake label’s show.

Models marched under the arched corridors in sharp-toed shoes, parading dresses cut in asymmetric shapes and uneven hems, the fabric bunched together in places, some covered with a dusting of spray paint.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Trousers were low-waisted, cinched with thin belts and paired with tops that were slit open in front, while suit jackets came in boxy shapes, without lapels. Handbags included a roomy duffle bag, a structured camera bag and one that resembled an accordion.

In written show notes, the brand described the collection as an “abstract adaptation of the coming-of-age wardrobe,” noting that Beckham had spent time reviewing photos of herself as a young adult.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Beckham has also been making headlines with her upcoming “Victoria Beckham” documentary, scheduled to premiere on Netflix on Oct. 9. In the three-part docuseries the former pop star-turned-fashion designer shares her story.


Diriyah Contemporary Art Biennale announces theme, artists for 2026 edition 

Diriyah Contemporary Art Biennale announces theme, artists for 2026 edition 
Updated 08 October 2025

Diriyah Contemporary Art Biennale announces theme, artists for 2026 edition 

Diriyah Contemporary Art Biennale announces theme, artists for 2026 edition 
  • Artistic directors Nora Razian and Sabih Ahmed discuss ‘In Interludes and Transitions’ 

RIYADH: The 2026 edition of the Diriyah Contemporary Art Biennale — “In Interludes and Transitions,” which opens Jan. 30 — will bring together more than 70 artists, and include more than 20 new commissions at JAX, Diriyah’s creative district. 

The title comes from a colloquial Arabic phrase that refers to the cycles of encampments and journeys in nomadic communities across the Arabian Peninsula, reflecting the movements, migrations, and transformations that continue to connect the Gulf region with the world. 

Diriyah Contemporary Art Biennale Artistic Director Nora Razian. (Courtesy of the Diriyah Biennale Foundation)

“There’s also this very contemporary conversation we’re presenting to complement that sentiment,” artistic director Nora Razian tells Arab News. “I think COVID changed the way people work, but I also think the whole ‘everything going digital and online’ has kind of faded away now and people are already craving the intimate conviviality of sharing an experience together. 

“Of course, if you are Saudi you kind of know Diriyah, but it was always a little bit outside of the city. Now it’s very much integrated into the city, and the way that people think about the city. It’s become its own kind of place,” she continues. 

The biennale will explore movement, processions, and cultural transmission. Sound-based works will be presented along with visual art, music, and performance, offering audiences a full-bodied, cross-disciplinary experience, according to the organizers. 

Artistic Director Sabih Ahmed. (Courtesy of the Diriyah Biennale Foundation)

While acknowledging that “some people may have been a little fatigued (by the number of biennales in the region, including the Islamic Arts Biennale in Jeddah, also run by the Diriyah Biennale Foundation),” Razian’s fellow artistic director, Sabih Ahmed, tells Arab News that this edition feels “a little bit like an edited anthology of many voices that come through together.”  

Both artistic directors were drawn to the idea of processions as a curatorial thread. In a joint statement, they wrote: “Processions have produced relations and forms in this region. The movement of winds and the flow of trade, migration, and exile are carriers of stories, songs, and languages, producing rhythms and poetic meters such as the rajaz. Thinking of the world in procession — a braiding of movements that commemorate and celebrate — allows an understanding of cultural forms through exchange and transmissions; itineraries of travel, intersections, and mutations; and the retelling of fragments of exiled stories that have persisted through bodies, materials, rhythms, and cadences.” 

Saudi artist Ahaad Alamoudi. (Photo by Zaynab Odunsi)

The biennale will unfold across multiple venues and outdoor spaces in Diriyah, with scenography by design studio Formafantasma and contributions from a team of international curators including Maan Abu Taleb, May Makki, Kabelo Malatsie, and Lantian Xie. Milan-based architect Sammy Zarka joins as associate architect and exhibition designer. 

The preliminary list of participating artists features Saudi artist Ahaad Alamoudi alongside international figures including Pio Abad, Rand Abdul Jabbar, Yussef Agbo-Ola (Olaniyi Studio), Afra Al Dhaheri, Mohammed Alhamdan (7amdan), Ruba Al-Sweel, Taysir Batniji, Raven Chacon, Rohini Devasher, Merve Ertufan, Ivana Franke, Rahima Gambo, Petrit Halilaj, Aziz Hazara, Alana Hunt, Yazan Khalili, George Mahashe, Théo Mercier, Nour Mobarak, Nancy Mounir, Hussein Nassereddine, Daniel Otero Torres, Thảo Nguyên Phan, Gala Porras-Kim, Sarker Protick, Raqs Media Collective, Oscar Santillán, Trương Công Tùng, Wolff Architects, Agustina Woodgate, and Yu Ji. 

By blending visual art, music, and poetry — a hallmark of cultural expression across the Arab world — the biennale is intended to amplify continuity and resilience in times of uncertainty. Through song, stories, dance and collaborative processes, it highlights how art preserves memory, asserts the power of the collective, and sparks hope. 

The Diriyah Biennale Foundation, chaired by Prince Badr bin Abdullah bin Farhan Al-Saud, continues to champion creativity and the transformative potential of culture. With the upcoming edition of the Contemporary Art Biennale, the foundation hopes that Diriyah can solidify its place as a generator of culture.  


‘Window on Palestine’ returns to El-Gouna Film Festival

‘Window on Palestine’ returns to El-Gouna Film Festival
Updated 08 October 2025

‘Window on Palestine’ returns to El-Gouna Film Festival

‘Window on Palestine’ returns to El-Gouna Film Festival

DUBAI: Egypt’s El-Gouna Film Festival is bringing back its “Window on Palestine” program for the third year.

Set to run from Oct. 16 to 24, the festival’s eighth edition will play host to a roster of Palestinian films in the special section.

This year will feature seven short documentaries from the “From Ground Zero+” initiative, offering portrayals of life in Gaza.

The documentaries were created through the Masharawi Fund for Films & Filmmakers in Gaza, in collaboration with Coorigine Production in France. All the films are in Arabic with English subtitles.

The selected works include “Colors Under the Sky” by Reema Mahmoud, which follows a displaced artist struggling to create music amidst destruction; and “Dreams of Farah and Zahra” by Mostafa Al-Nabeeh about two young girls who hold on to creativity as an act of defiance.

In addition, “Gaza to Oscar” by Alaa Damo follows filmmakers who risk their lives to tell their stories; “The Wish” by Aws Al-Banna in which theater becomes a tool for recovery; and “Hassan” by Muhammad Al-Sharif about how a Palestinian teenager’s attempt to get a sack of flour leads to detention.

Also showing is “Unfinished Stories” by Nidal Damo in which a filmmaker drifts from one unfinished story to another; and “Very Small Dreams” by I’timad Wishah about women in Gaza’s refugee camps as they struggle to maintain their dignity and health.

Marianne Khoury, artistic director of the festival, said: “Our commitment to the ‘Window on Palestine’ program is not just a curatorial choice; it is a fundamental part of our mission as a festival in the region.

“Cinema has a profound power to document and to heal, and it is our duty to provide a space where the world can witness the incredible resilience and artistry of the Palestinian people.”


US comedian Andrew Schulz delivers a stellar Dubai debut

US comedian Andrew Schulz delivers a stellar Dubai debut
Updated 08 October 2025

US comedian Andrew Schulz delivers a stellar Dubai debut

US comedian Andrew Schulz delivers a stellar Dubai debut
  • The comedian is set to perform in Riyadh as a part of the comedy festival on Oct. 8

DUBAI: US comedian Andrew Schulz brought the house down during his Dubai debut at the Coca-Cola Arena on Tuesday night, delivering a high-energy set that left the crowd roaring with laughter from start to finish.

Following a successful show in Abu Dhabi in 2024, the comedian returned to the UAE accompanied by the co-hosts of his hit podcast Flagrant.

Opening for Schulz were Mark Gagnon, Akaash Singh, and Emirati comedian Abz Ali.

As part of the Dubai Comedy Festival, Schulz performed a classic American-style standup routine infused with his trademark self-deprecating humor.

And, to the audience’s delight, provided plenty of region-specific jokes about life in the UAE.

Unlike his Abu Dhabi show, this set leaned more toward sharp, quick-fire standup and crowd interaction rather than an overarching narrative, which had characterized his previous Life Tour performances.

From poking fun at Dubai’s traffic to riffing on the city’s obsession with Emaar buildings, Schulz showcased an impressive grasp of local culture and humor.

Throughout the night, his quick wit and spontaneous comebacks during audience interactions had the crowd in stitches.

To close the show, Schulz invited the rest of the lineup back on stage for a lighthearted Q&A segment, where they offered tongue-in-cheek advice.

With laughter, tears, and plenty of surprises, Schulz’s Dubai debut was a memorable addition to his growing list of UAE performances.

The comedian is set to perform in Riyadh as a part of the comedy festival on Oct. 8.