Diriyah Contemporary Art Biennale announces theme, artists for 2026 edition 

Diriyah Contemporary Art Biennale announces theme, artists for 2026 edition 
X District, the site of the 2026 Diriyah Contemporary Art Biennale. (Photo courtesy of the Diriyah Biennale Foundation)
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Diriyah Contemporary Art Biennale announces theme, artists for 2026 edition 

Diriyah Contemporary Art Biennale announces theme, artists for 2026 edition 
  • Artistic directors Nora Razian and Sabih Ahmed discuss ‘In Interludes and Transitions’ 

RIYADH: The 2026 edition of the Diriyah Contemporary Art Biennale — “In Interludes and Transitions,” which opens Jan. 30 — will bring together more than 70 artists, and include more than 20 new commissions at JAX, Diriyah’s creative district. 

The title comes from a colloquial Arabic phrase that refers to the cycles of encampments and journeys in nomadic communities across the Arabian Peninsula, reflecting the movements, migrations, and transformations that continue to connect the Gulf region with the world. 




Diriyah Contemporary Art Biennale Artistic Director Nora Razian. (Courtesy of the Diriyah Biennale Foundation)

“There’s also this very contemporary conversation we’re presenting to complement that sentiment,” artistic director Nora Razian tells Arab News. “I think COVID changed the way people work, but I also think the whole ‘everything going digital and online’ has kind of faded away now and people are already craving the intimate conviviality of sharing an experience together. 

“Of course, if you are Saudi you kind of know Diriyah, but it was always a little bit outside of the city. Now it’s very much integrated into the city, and the way that people think about the city. It’s become its own kind of place,” she continues. 

The biennale will explore movement, processions, and cultural transmission. Sound-based works will be presented along with visual art, music, and performance, offering audiences a full-bodied, cross-disciplinary experience, according to the organizers. 




Artistic Director Sabih Ahmed. (Courtesy of the Diriyah Biennale Foundation)

While acknowledging that “some people may have been a little fatigued (by the number of biennales in the region, including the Islamic Arts Biennale in Jeddah, also run by the Diriyah Biennale Foundation),” Razian’s fellow artistic director, Sabih Ahmed, tells Arab News that this edition feels “a little bit like an edited anthology of many voices that come through together.”  

Both artistic directors were drawn to the idea of processions as a curatorial thread. In a joint statement, they wrote: “Processions have produced relations and forms in this region. The movement of winds and the flow of trade, migration, and exile are carriers of stories, songs, and languages, producing rhythms and poetic meters such as the rajaz. Thinking of the world in procession — a braiding of movements that commemorate and celebrate — allows an understanding of cultural forms through exchange and transmissions; itineraries of travel, intersections, and mutations; and the retelling of fragments of exiled stories that have persisted through bodies, materials, rhythms, and cadences.” 




Saudi artist Ahaad Alamoudi. (Photo by Zaynab Odunsi)

The biennale will unfold across multiple venues and outdoor spaces in Diriyah, with scenography by design studio Formafantasma and contributions from a team of international curators including Maan Abu Taleb, May Makki, Kabelo Malatsie, and Lantian Xie. Milan-based architect Sammy Zarka joins as associate architect and exhibition designer. 

The preliminary list of participating artists features Saudi artist Ahaad Alamoudi alongside international figures including Pio Abad, Rand Abdul Jabbar, Yussef Agbo-Ola (Olaniyi Studio), Afra Al Dhaheri, Mohammed Alhamdan (7amdan), Ruba Al-Sweel, Taysir Batniji, Raven Chacon, Rohini Devasher, Merve Ertufan, Ivana Franke, Rahima Gambo, Petrit Halilaj, Aziz Hazara, Alana Hunt, Yazan Khalili, George Mahashe, Théo Mercier, Nour Mobarak, Nancy Mounir, Hussein Nassereddine, Daniel Otero Torres, Thảo Nguyên Phan, Gala Porras-Kim, Sarker Protick, Raqs Media Collective, Oscar Santillán, Trương Công Tùng, Wolff Architects, Agustina Woodgate, and Yu Ji. 

By blending visual art, music, and poetry — a hallmark of cultural expression across the Arab world — the biennale is intended to amplify continuity and resilience in times of uncertainty. Through song, stories, dance and collaborative processes, it highlights how art preserves memory, asserts the power of the collective, and sparks hope. 

The Diriyah Biennale Foundation, chaired by Prince Badr bin Abdullah bin Farhan Al-Saud, continues to champion creativity and the transformative potential of culture. With the upcoming edition of the Contemporary Art Biennale, the foundation hopes that Diriyah can solidify its place as a generator of culture.  


‘Window on Palestine’ returns to El-Gouna Film Festival

‘Window on Palestine’ returns to El-Gouna Film Festival
Updated 1 min 23 sec ago

‘Window on Palestine’ returns to El-Gouna Film Festival

‘Window on Palestine’ returns to El-Gouna Film Festival

DUBAI: Egypt’s El-Gouna Film Festival is bringing back its “Window on Palestine” program for the third year.

Set to run from Oct. 16 to 24, the festival’s eighth edition will play host to a roster of Palestinian films in the special section.

This year will feature seven short documentaries from the “From Ground Zero+” initiative, offering portrayals of life in Gaza.

The documentaries were created through the Masharawi Fund for Films & Filmmakers in Gaza, in collaboration with Coorigine Production in France. All the films are in Arabic with English subtitles.

The selected works include “Colors Under the Sky” by Reema Mahmoud, which follows a displaced artist struggling to create music amidst destruction; and “Dreams of Farah and Zahra” by Mostafa Al-Nabeeh about two young girls who hold on to creativity as an act of defiance.

In addition, “Gaza to Oscar” by Alaa Damo follows filmmakers who risk their lives to tell their stories; “The Wish” by Aws Al-Banna in which theater becomes a tool for recovery; and “Hassan” by Muhammad Al-Sharif about how a Palestinian teenager’s attempt to get a sack of flour leads to detention.

Also showing is “Unfinished Stories” by Nidal Damo in which a filmmaker drifts from one unfinished story to another; and “Very Small Dreams” by I’timad Wishah about women in Gaza’s refugee camps as they struggle to maintain their dignity and health.

Marianne Khoury, artistic director of the festival, said: “Our commitment to the ‘Window on Palestine’ program is not just a curatorial choice; it is a fundamental part of our mission as a festival in the region.

“Cinema has a profound power to document and to heal, and it is our duty to provide a space where the world can witness the incredible resilience and artistry of the Palestinian people.”


US comedian Andrew Schulz delivers a stellar Dubai debut

US comedian Andrew Schulz delivers a stellar Dubai debut
Updated 08 October 2025

US comedian Andrew Schulz delivers a stellar Dubai debut

US comedian Andrew Schulz delivers a stellar Dubai debut
  • The comedian is set to perform in Riyadh as a part of the comedy festival on Oct. 8

DUBAI: US comedian Andrew Schulz brought the house down during his Dubai debut at the Coca-Cola Arena on Tuesday night, delivering a high-energy set that left the crowd roaring with laughter from start to finish.

Following a successful show in Abu Dhabi in 2024, the comedian returned to the UAE accompanied by the co-hosts of his hit podcast Flagrant.

Opening for Schulz were Mark Gagnon, Akaash Singh, and Emirati comedian Abz Ali.

As part of the Dubai Comedy Festival, Schulz performed a classic American-style standup routine infused with his trademark self-deprecating humor.

And, to the audience’s delight, provided plenty of region-specific jokes about life in the UAE.

Unlike his Abu Dhabi show, this set leaned more toward sharp, quick-fire standup and crowd interaction rather than an overarching narrative, which had characterized his previous Life Tour performances.

From poking fun at Dubai’s traffic to riffing on the city’s obsession with Emaar buildings, Schulz showcased an impressive grasp of local culture and humor.

Throughout the night, his quick wit and spontaneous comebacks during audience interactions had the crowd in stitches.

To close the show, Schulz invited the rest of the lineup back on stage for a lighthearted Q&A segment, where they offered tongue-in-cheek advice.

With laughter, tears, and plenty of surprises, Schulz’s Dubai debut was a memorable addition to his growing list of UAE performances.

The comedian is set to perform in Riyadh as a part of the comedy festival on Oct. 8.


UK prosecutors to appeal dropped ‘terrorism’ case against Kneecap rapper

Moglai Bap and Mo Chara of Kneecap perform at Glastonbury Festival at Worthy Farm in Pilton, Somerset, Britain, June 28, 2025.
Moglai Bap and Mo Chara of Kneecap perform at Glastonbury Festival at Worthy Farm in Pilton, Somerset, Britain, June 28, 2025.
Updated 07 October 2025

UK prosecutors to appeal dropped ‘terrorism’ case against Kneecap rapper

Moglai Bap and Mo Chara of Kneecap perform at Glastonbury Festival at Worthy Farm in Pilton, Somerset, Britain, June 28, 2025.
  • O’Hanna, 27, had been charged under Britain’s terrorism laws for allegedly displaying a flag belonging to Hezbollah during a concert in November 2024
  • Case was thrown out by a London court last month after judge found there had been a technical error in the way the charge had been brought

LONDON: UK prosecutors Tuesday said they would appeal a court’s decision to drop a charge of supporting “terrorism” brought against a Northern Irish singer from punk rap group Kneecap.
“We are appealing the decision to dismiss this case as we believe there is an important point of law which needs to be clarified,” a Crown Prosecution Service spokesperson said, referring to the case against Liam O’Hanna, also known by his stage name Mo Chara.
O’Hanna, 27, had been charged under Britain’s terrorism laws for allegedly displaying a flag belonging to the banned Lebanese group Hezbollah during a concert in November 2024.
But the case was thrown out by a London court last month after a judge found there had been a technical error in the way the charge had been brought.
Kneecap said the decision to appeal was “unsurprising” and called it a “waste of taxpayers money” in a statement posted on social media, repeating claims that the case was a “witch-hunt against Palestinian solidarity.”
“We will fight you in your court again. We will win again,” the group added.
O’Hanna, named Liam Og O Hannaidh in Irish, was charged in May when a video emerged from a November concert in London in which he allegedly displayed the Hezbollah flag, an offense the singer has denied.
But chief magistrate Paul Goldspring found the charge was not brought by prosecutors within the legal time limit, rendering it “unlawful and null.”
The band, which sings in Irish and regularly leads chants in support of Gaza during performances, has had multiple concerts canceled internationally over its pro-Palestinian stance and other controversies.
Canada last month barred Kneecap from entering the country, citing the group’s alleged support for Hezbollah and Palestinian militant group Hamas.
But its performance in Paris went ahead in September despite objections from French Jewish groups and government officials. The group also played the vaunted Glastonbury Festival in southwest England in June.


Salone del Mobile.Milano to stage event in Riyadh

Salone del Mobile.Milano to stage event in Riyadh
Updated 07 October 2025

Salone del Mobile.Milano to stage event in Riyadh

Salone del Mobile.Milano to stage event in Riyadh

DUBAI: Design fair Salone del Mobile.Milano is making its way to the Middle East for the first time with an event in Riyadh titled “Red in progress. Salone del Mobile.Milano meets Riyadh,” set to run from Nov. 26-28.

Staged in partnership with the Architecture and Design Commission at ’s Ministry of Culture, the event will take place at King Abdullah Financial District in the Kingdom’s capital.

More than 35 Made in Italy brands focused on furnishings, lighting, surfaces and accessories will be showcased alongside Saudi designers at the first edition, which acts as preview of a larger Salone del Mobile to be held in Riyadh in 2026.

Maria Porro, president of Salone del Mobile, said: “Riyadh is the place where vision becomes city. With ‘Red in progress. Salone del Mobile.Milano’ … we are bringing the design culture of the Salone and the exhibiting companies to this country to listen and work together with contractors, developers and architects — not a showcase, but a space where collaboration and content meet, and ideas become places.”

According to a released statement, the focus is business-first — with an emphasis placed on facilitating meetings between firms and professionals in the Saudi market and sharing expertise and best practices in the delivery of interiors in large development programs.

A cultural program will also unfold in the form of masterclasses and round tables, organized with the Architecture and Design Commission and led by design figures from and Italy.

Salone del Mobile.Milano was launched in 1961. In 2024, the 62nd edition of Salone del Mobile.Milano welcomed almost 2,000 exhibitors from 37 countries and recorded more than 302,000 attendees in total.


Loli Bahia joins Chanel’s Paris Fashion Week debut under Matthieu Blazy

Loli Bahia joins Chanel’s Paris Fashion Week debut under Matthieu Blazy
Updated 07 October 2025

Loli Bahia joins Chanel’s Paris Fashion Week debut under Matthieu Blazy

Loli Bahia joins Chanel’s Paris Fashion Week debut under Matthieu Blazy
  • Blazy took up fashion’s most coveted job in December
  • Bahia brought a polished style to Grand Palais runway

DUBAI: French Algerian model Loli Bahia brought a polished style to the Chanel runway during Paris Fashion Week recently, stepping out in a sharp suited look.

She wore a tailored charcoal-gray pantsuit featuring a structured single-breasted blazer with gold-tone buttons and matching wide-leg trousers. A cream knit top peeked out subtly beneath the blazer.

Bahia wore a tailored charcoal-gray pantsuit featuring a structured single-breasted blazer. (Getty Images)

Her look was styled with a chunky gold-and-red statement chain necklace, a burgundy leather shoulder bag, and matching belt that coordinated with the accessories. She completed the outfit with two-toned beige and white heels.

Bahia shared the runway with Mona Tougaard who has Danish, Turkish, Somali, and Ethiopian roots.

Tougaard wore an ivory satin blouse with voluminous sleeves and a fitted waistband, paired with a black high-low skirt adorned with ivory feather embellishments that cascaded over layered black fabric.

Tougaard wore an ivory satin blouse with voluminous sleeves and a fitted waistband, paired with a black high-low skirt adorned with ivory feather embellishments that cascaded over layered black fabric. (AFP)

These designs marked the debut collection of Chanel’s creative director Matthieu Blazy, who unveiled his vision for the century-old French fashion house with an evening runway show this week.

The presentation featured dropped waists and long, button-up shirts, concluding months of anticipation surrounding his first collection.

Blazy, 41, snagged fashion’s most coveted job in December. He is among several new designers recruited by labels seeking to spark the interest of inflation-weary shoppers.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Blazy’s debut at the Grand Palais in Paris drew several guests decked out in the brand’s signature tweed, the famous interlocking C logo visible on heels, jewelry and handbags.

Inside, gigantic, glowing planets hovered in the vast glass-and-steel exposition hall.

Models marched down the slick, black runway, parading low-waisted skirts, silk tops and elongated twin sets with frayed edges. Red carpet looks included full skirts with piles of colorful feathers, dresses with extra flounce and glittering knitwear.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Along with Chanel’s classic-look leather handbags, models also paraded what the brand called “crushed” versions in gold and silver with exposed seams and open flaps.

At the end of the show, the audience of over 2,000 gave Blazy a standing ovation as he ran out for his bow.

Blazy, who joined Chanel from Kering-owned Bottega Veneta, follows long-time Virginie Viard who left in June last year after a long collaboration with Karl Lagerfeld, the creative force behind the modern revival of Chanel until his death in 2019.