Imaan Hammam continues to highlight Arab culture

Imaan Hammam continues to highlight Arab culture
Imaan Hammam’s Cairo visit reflects a growing interest in reconnecting with her roots, something that also drives her latest passion project, Ayni. (Instagram)
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Imaan Hammam continues to highlight Arab culture

Imaan Hammam continues to highlight Arab culture

DUBAI: Dutch Moroccan Egyptian model Imaan Hammam touched down in Cairo this week for an undisclosed photoshoot and shared highlights from the trip on social media, set to music by the late Egyptian singer Abdel Halim Hafiz.

Posting to her 1.7 million Instagram followers, Hammam offered a visual diary of her stay, capturing a mix of street scenes, style moments and local ambiance.

The carousel opened with a mirror selfie in an elevator, where she wears a high-waisted printed maxi skirt paired with a black fitted top. In another shot, she appears in a more laid-back look featuring camouflage trousers, a white tank top, a grey hoodie and yellow sneakers.

She also shared a short video that captures her tuk-tuk ride through a narrow alley, followed by snapshots of Cairo’s street life, including a local bookstore and a rooftop view of a mosque at sunset.

Hammam’s Cairo visit reflects a growing interest in reconnecting with her roots, something that also drives her latest passion project, Ayni.

Launched earlier this year, Ayni is an archival platform dedicated to preserving and celebrating Arab artistic expression through Hammam’s perspective.

In a video she shared on the Ayni’s Instagram account, she said: “For me, its always been so much deeper than just fashion. It is about staying connected to my roots, telling stories that move me and shining a light on the voices that need to be heard.”

She said her hope for Ayni is for it to grow beyond a personal vision and become a “real community.”

Hammam is one of the most in-demand models in the industry. She was scouted in Amsterdam’s Centraal Station before making her catwalk debut in 2013 by walking in Jean Paul Gaultier’s couture show.

Hammam has appeared on the runway for leading fashion houses such as Burberry, Fendi, Prada, Bottega Veneta, Marc Jacobs, Moschino, Balenciaga and Carolina Herrera, to name a few, and starred in international campaigns for DKNY, Celine, Chanel, Versace, Givenchy, Giorgio Armani, Tiffany & Co. and others.


US revokes Bob Vylan’s visas over Glastonbury chant

US revokes Bob Vylan’s visas over Glastonbury chant
Updated 6 sec ago

US revokes Bob Vylan’s visas over Glastonbury chant

US revokes Bob Vylan’s visas over Glastonbury chant

DUBAI: The US has revoked entry visas for members of British punk-rap duo Bob Vylan following their Glastonbury Festival set, during which frontman Bobby Vylan led the crowd in a controversial chant against Israel’s military.

Performing on the festival’s West Holts Stage on Saturday, the artist shouted “Free, free Palestine” before encouraging the audience to chant, “Death, death to the IDF (Israel Defense Forces).” Video of the moment quickly spread online, sparking backlash.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

On Monday, US Deputy Secretary of State Christopher Landau announced the visa revocation on social media platform X, stating, “Foreigners who glorify violence and hatred are not welcome visitors to our country.” He confirmed that the State Department had rescinded the band’s US visas due to their “hateful tirade.”

The group was scheduled to begin a US tour in late October, as previously announced on their official Instagram account.

The visa decision comes amid growing scrutiny from US authorities under what they describe as a tougher stance on individuals accused of promoting anti-Semitism or inciting violence. The State Department has recently implemented stricter policies on visa restrictions in such cases.

Bobby Vylan released a video statement on social media on Monday.

"First it was Kneecap, now it's us two," he said.

"Regardless of how it was said, calling for an end to the slaughter of innocents is never wrong. To civilians of Israel, understand this anger is not directed at you, and don't let your government persuade you that a call against an army is a call against the people.

Meanwhile, UK police are reportedly investigating the incident.

Their Glastonbury set is the latest in a wave of pro-Palestinian expressions from artists amid Israel’s ongoing war in Gaza.


Bob Vylan ‘dropped by agents’ following controversial IDF chant at Glastonbury Festival

Bob Vylan ‘dropped by agents’ following controversial IDF chant at Glastonbury Festival
Updated 30 June 2025

Bob Vylan ‘dropped by agents’ following controversial IDF chant at Glastonbury Festival

Bob Vylan ‘dropped by agents’ following controversial IDF chant at Glastonbury Festival
  • Rap-punk group sparked outrage at Glastonbury Festival with chant referencing IDF

LONDON: Rap-punk group Bob Vylan appear to have been dropped by their agents after sparking outrage at Glastonbury Festival over the weekend with a chant referencing the Israel Defense Forces, .

During their set on the West Holts Stage on Saturday, frontman Bobby Vylan led the crowd in chants of “Free, free Palestine” and “Death, death to the IDF.”

The performance was streamed live on BBC iPlayer but was later removed from the platform, and police are now assessing whether any offenses were committed during the performance.

Media reports said it appeared United Talent Agency, which previously represented the duo, had removed them from its roster in the wake of the backlash.

As of Monday, Bob Vylan no longer appear on UTA’s official website. The agency has not yet commented publicly on the decision.

The group, formed in Ipswich in 2017, consists of two members who go by the monikers Bobby Vylan and Bobbie Vylan, keeping their real names private.

On Sunday evening, Bobby addressed the controversy on Instagram, saying he had been “inundated” with both “support and hatred” following the performance.

“I stand by what I said,” he wrote. “And I’m calling for a change in foreign policy.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

In a statement issued after the incident, Glastonbury Festival organizers said: “Glastonbury Festival was created in 1970 as a place for people to come together and rejoice in music, the arts and the best of human endeavour. As a festival, we stand against all forms of war and terrorism. We will always believe in — and actively campaign for — hope, unity, peace and love.

“With almost 4,000 performances at Glastonbury 2025, there will inevitably be artists and speakers appearing on our stages whose views we do not share, and a performer’s presence here should never be seen as a tacit endorsement of their opinions and beliefs.

“However, we are appalled by the statements made from the West Holts stage by Bob Vylan yesterday. Their chants very much crossed a line and we are urgently reminding everyone involved in the production of the festival that there is no place at Glastonbury for antisemitism, hate speech or incitement to violence.”


Superstar Mahira Khan criticizes India’s ban on Pakistani celebrities’ social media accounts

Superstar Mahira Khan criticizes India’s ban on Pakistani celebrities’ social media accounts
Updated 30 June 2025

Superstar Mahira Khan criticizes India’s ban on Pakistani celebrities’ social media accounts

Superstar Mahira Khan criticizes India’s ban on Pakistani celebrities’ social media accounts
  • India blocked access to social media accounts of Pakistanis following a plunge in relations last month
  • Khan insists she loves her Indian fans, emphasizes role of artists in forging cross-border connections

ISLAMABAD: Pakistani top actor Mahira Khan has spoken out against India’s ban on Pakistani celebrities and social media accounts, calling it a “political game” and emphasizing the role of artists in building cross-border connections.

India banned the social media accounts of Pakistani celebrities and influencers in early May, days before the two nuclear-armed countries took part in their worst military confrontation in decades, trading artillery fire, missile strikes and drone attacks for four days before the US brokered a ceasefire on May 10. 

New Delhi’s measures to ban Pakistan accounts came in response to India’s allegations that Islamabad was involved in an April 22 attack in Indian-administered Kashmir in which 26 were killed. Pakistan denies involvement and has repeatedly called for an international probe.

When asked what she thought about India’s ban, Khan said she had “zero reaction” to it and still loved her fans in India.

“Fans are fans. People are people, they are the public. What does it [have to do] with politics?” the actress told Independent Urdu in an interview. 

“Anyway, it [politics] eventually connects obviously but this is a political game that ‘Okay, we will close this, we will ban this, we will do that.’ I don’t believe in that.”

Khan said she did not believe in banning art, wondering why artists were the first to bear the brunt of “political problems” between nations. 

“It is strange, isn’t it, that a war erupts or there is a political problem, then the first attack, why do we do it on artists? This is something to think about,” the actor asked. 

“Because artists are the people, and art is the thing that connects people. So the first thing is you ban this, that this [art] dies, love, that there is no love.”

Pakistan’s telecommunication authority responded with measures of its own on May 7, announcing it had blocked 16 YouTube channels and 32 websites from India for spreading “anti-Pakistan propaganda” and disseminating false information.

Khan is one of the most popular and highest paid actors from Pakistan and the recipient of several accolades, including seven Lux Style Awards and seven Hum Awards. She has also made a mark in international cinema, most notably in the Bollywood flick ‘Raees’ in which she stared alongside Indian superstar Shah Rukh Khan in 2017.

In addition to acting, Khan promotes social causes such as women’s rights and the refugee crisis and is vocal about issues such as child abuse and sexual harassment. Khan has been a national and global UNICEF Goodwill Ambassador for Afghan refugees in Pakistan in 2019.

While the ceasefire between India and Pakistan persists, tensions continue to simmer as New Delhi says it will continue to hold in abeyance a decades-old water-sharing treaty with Pakistan. The treaty guarantees water access for 80 percent of Pakistan’s farms through three rivers originating in India.


Amina Muaddi joins starry front row at Jacquemus show

Amina Muaddi joins starry front row at Jacquemus show
Updated 30 June 2025

Amina Muaddi joins starry front row at Jacquemus show

Amina Muaddi joins starry front row at Jacquemus show

DUBAI/ PARIS: Jordanian Romanian footwear designer Amina Muaddi joined the celebrity guest list at Sunday’s Jacquemus show during Paris Fashion Week for menswear.

The show took place on the final day of menswear fashion week at Versailles.

Muaddi, who showed off a casual monochrome look, was joined by the likes of Camila Alves McConaughey and her Hollywood actor husband Matthew McConaughey. South Korean singer Kim Hong Joong was on hand as US actress Emma Roberts also made an appearance.

Camila Alves McConaughey and Matthew McConaughey pose outside the Jacquemus show. (Getty Images)

Jacquemus has long attracted a cult celebrity following, with many glittering names attending its shows.

The spectacle of celebrity is a trend that dominated the global fashion industry this season — eclipsing fabric, form and even the wildest silhouettes.

In a year marked by global anxiety and a hunger for fantasy, star power flooded Paris Fashion Week, turning runways into gladiator arenas where A-list icons, K-pop idols and digital megastars became the main event.

Beyonce and Jay-Z didn’t just attend Louis Vuitton’s blockbuster show — they became the show.

As they swept into the Pompidou Center, cameras flashed and phones shot skyward. Before the first look even hit the runway, images of the couple ricocheted across the globe. K-pop idols like J-Hope and Jackson Wang livestreamed their arrival to millions, while crowds outside flooded social feeds with every glimpse of a star.

As the industry’s spring season wrapped up Sunday, it’s clear: Fashion’s global audience is focused less on what’s worn and more on who’s wearing it.

This interplay between celebrity and fashion is hardly new, but in 2025, the desire for escapism and star-driven spectacle is peaking like never before.

“It’s about celebrity clickbait, and it’s at a tipping point now. Celebrities have replaced the designers and stylists as the tastemakers,” said Anna Barr, a fashion magazine editor who attended shows.

Beyonce's appearance this week encapsulated a truth that every major brand — from Louis Vuitton to Dior, Hermès to Saint Laurent — now understands: The real front row isn’t in Paris, but on Instagram, TikTok and Weibo. And nothing sells quite like a star.

What once was a private preview for buyers and editors is now a worldwide entertainment event. Designers don’t just stage shows — they produce spectacles.


Review: ‘Holes’ is a prime example of quiet, impactful storytelling

Review: ‘Holes’ is a prime example of quiet, impactful storytelling
Updated 30 June 2025

Review: ‘Holes’ is a prime example of quiet, impactful storytelling

Review: ‘Holes’ is a prime example of quiet, impactful storytelling

DHAHRAN: Saudi film “Holes” continues to make its mark with screenings at film festivals around the world. The quietly arresting drama follows Rakan, a man in his mid-40s, as he returns to his hometown to be with his wife, Reem. He struggles to re-enter a society that no longer trusts him — and one that he also does not fit into.

The film starts with a literal clock — which we don’t see — persistently ticking in the otherwise vacant interior of a residence, the loud but constant sound in the midst of silence sets the tone.

With a fiery but contained temper, eyes welling with sadness, we find out that Rakan is prone to fits of rage. He is portrayed as only having a soft spot for his aging mother and his wife, all while dodging men from his past who haunt him.

The film doesn’t linger on the specifics — there are many gaping holes in the story. Instead, it centers on how the weight of reputation, judgment and suffocating silence shapes a person trying to begin again.

It stars Mariam Abdulrahman and Meshal Almutairi and was produced by Ayman Alnaqeeb and Abdulrahman Altikhais.

Abdulmohsen Aldhabaan, the director of “Holes,” is an independent Saudi writer and filmmaker. He co-founded Talashi Films in 2008 and has directed several shorts and a TV series.

Aldhabaan‘s debut feature film, “Last Visit” (2019), gained international recognition, becoming the first Arab film selected for the East of the West Competition at the Karlovy Vary International Film Festival. It also earned the Jury Award at the Marrakech International Film Festival.

With “Holes,” Aldhabaan continues his signature style of quiet, impactful storytelling marked by restraint and emotional depth.

In “Holes,” Aldhabaan crafts a slow, thoughtful narrative. Rather than relying on heavy dialogue or exposition, the film builds its emotional landscape through atmosphere — solitary walks at night, avoiding tiny puddles in the alleyways, prolonged pauses and distant glances — to explore isolation and inner conflict. The pacing may feel slow to some, but it seems deliberate — offering space for reflection and tension to build.

A persistent image in the film is a literal hole in the wall of Rakan and Reem’s new home. It is never ignored but also never fixed, and that choice is telling. At one point, it gushes water as Reem tries to stuff pretty-colored cloths to stop it — to no avail. It floods their bedroom and the couple tries to contain it together.

The hole becomes a powerful metaphor representing wounds that haven’t healed, things left unresolved, and the parts of a life that remain open to scrutiny or misunderstanding. It defines the space around it — the hole is a character all its own.