Nora Fatehi, Amina Muaddi attend Louis Vuitton’s star-studded Paris Fashion Week show

Nora Fatehi, Amina Muaddi attend Louis Vuitton’s star-studded Paris Fashion Week show
Fatehi attended the show in a taupe double-breasted suit featuring a structured blazer with wide lapels, metallic buttons and flap pockets. (Getty Images)
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Nora Fatehi, Amina Muaddi attend Louis Vuitton’s star-studded Paris Fashion Week show

Nora Fatehi, Amina Muaddi attend Louis Vuitton’s star-studded Paris Fashion Week show

PARIS/DUBAI: Paris Fashion Week kicked off with a bang — a Louis Vuitton show unveiling the French brand’s Menswear Spring/Summer 2026 collection.

The front row was packed with A-list stars, including Beyonce, Jay-Z, Steve Harvey, Bradley Cooper, J-Hope, Karol G, PinkPantheress, Future, Pusha T, Jackson Wang, Bambam, Mason Thames, Miles Caton, D’Pharaoh Woon-A-Tai, Malcolm Washington, Jalen Ramsey, and A$AP Nast.

Part-Arab guests also made an appearance, including Moroccan Canadian singer, actress and model Nora Fatehi, as well as Romanian Jordanian designer Amina Muaddi.




Part-Arab guests attended the show, including Moroccan Canadian singer, actress and model Nora Fatehi. (Getty Images)

Fatehi attended the show in a taupe double-breasted suit featuring a structured blazer with wide lapels, metallic buttons and flap pockets. She paired the blazer with loose, pleated wide-leg trousers in a matching fabric. She layered the suit over a white shirt and a white tie.

Meanwhile, Muaddi opted for a structured brown jacket with oversized flap pockets and a contrasting dark collar. Underneath, she wore a black knee-length leather skirt and a white top.

In this collection Pharrell Williams — half showman, half pop impresario — staged a cultural passage from Paris to Mumbai, fusing Indian tradition and modern dandyism into a punchy, sunstruck vision of the Vuitton man in 2026.




Muaddi opted for a structured brown jacket with oversized flap pockets and a contrasting dark collar. (Instagram)

The Pompidou’s iconic colored pipes served as a sci-fi backdrop for a set dreamed up with Studio Mumbai architect Bijoy Jain: a life size “Snakes and Ladders” board, alluding to both the child’s game and the adult risks of fashion’s global game.

The models walked the runway in Indian-style chunky sandals, striped boxy shorts and blue preppy shirts with sleeves billowing like monsoon sails. Silken cargo pants shimmered in the sun; pin-striped puffers added a louche, almost Bollywood-kitsch edge.

Cricket jerseys appeared with jeweled collars or, in some cases, a puffy hood covered in rhinestones. Blue pearlescent leather bombers flirted with the bling of Mumbai’s film sets, while pin-striped tailoring riffed on both the British Raj and Parisian boulevardiers.

Of course, with Vuitton, accessories make the man — and this season’s bags, jeweled sandals, and bold, hardware-heavy necklaces delivered Instagram bait. It’s maximalist, yes, but not just for the TikTok crowd. The craftsmanship — from sun-faded fabrics to hand-loomed stripes — rewards anyone who takes a closer look.


Rachel Zegler stands by support for Gaza despite backlash

Rachel Zegler stands by support for Gaza despite backlash
Updated 25 June 2025

Rachel Zegler stands by support for Gaza despite backlash

Rachel Zegler stands by support for Gaza despite backlash

DUBAI: US actress Rachel Zegler has responded to the backlash she received for speaking out in support of Palestine, saying, “Nothing is worth innocent lives.”

The “West Side Story” star, who played the lead in Disney’s 2025 live-action remake of “Snow White,” came under fire during the film’s press tour for her political posts about the war in Gaza. In a new interview with i-D, she addressed the vitriol she faced — not just for her stance on Palestine, but also the widespread online narrative blaming her for the film’s poor box office performance.

Zegler pushed back against the idea that actors should stay silent on humanitarian issues for fear of professional fallout.

“I can really only echo Hannah Einbinder in saying that a platform becomes a responsibility, and that responsibility is ours to use as we please,” Zegler said, referencing the “Hacks” actor’s powerful remarks at a Human Rights Campaign dinner earlier this year, in which Einbinder criticized Israel’s assault on Gaza and emphasized the need for public figures to speak up.

“My compassion has no boundaries, is really what it is, and my support for one cause does not denounce any others. That’s always been at the core of who I am as a person. It’s the way I was raised,” Zegler continued.

“There are obviously things that are at stake by being outspoken, but nothing is worth innocent lives. My heart doesn’t have a fence around it, and if that is considered my downfall? There are worse things.”

In August 2023, “The Ballad of Songbirds & Snakes” actor expressed support for Palestine when she shared the first official “Snow White” trailer on X. She thanked her fans for their support, before adding in a separate post: “And always remember, free Palestine.”


Haifaa Al-Mansour appointed to Academy of Motion Picture Arts and Sciences’ Board of Governors

Haifaa Al-Mansour appointed to Academy of Motion Picture Arts and Sciences’ Board of Governors
Updated 24 June 2025

Haifaa Al-Mansour appointed to Academy of Motion Picture Arts and Sciences’ Board of Governors

Haifaa Al-Mansour appointed to Academy of Motion Picture Arts and Sciences’ Board of Governors

DUBAI: Pioneering Saudi filmmaker Haifaa Al-Mansour has been appointed to the Academy of Motion Picture Arts and Sciences’ Board of Governors, the Red Sea Film Foundation announced on Instagram.

“As one of three newly named governors-at-large, Al-Mansour will represent the Directors Branch and bring her singular voice, vision, and global perspective to the Academy’s leadership for the 2025–2026 term and beyond,” they captioned the post.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

“An incredible milestone for one of ’s most celebrated filmmakers. We’re proud to see her continue shaping the future of cinema on a global stage.”
In 2012, Al-Mansour made history as she released her first feature film “Wadjda.” It was the first feature film shot entirely in the Kingdom and the first feature-length film made by a female Saudi director.

Over the years, Al-Mansour has also become one of the most in-demand television directors in Hollywood, helming episodes of hit series including “Archive 81,” “City of Fire,” “Tales of the Walking Dead,” and “Bosch: Legacy.”

In 2019, Al-Mansour’s feature film “The Perfect Candidate” was submitted as ’s official entry for the International Feature Film Award at the 92nd Academy Awards, but it was not nominated.


Rachel Brosnahan dons Zuhair Murad gown at ‘Superman’ premiere

Rachel Brosnahan dons Zuhair Murad gown at ‘Superman’ premiere
Updated 24 June 2025

Rachel Brosnahan dons Zuhair Murad gown at ‘Superman’ premiere

Rachel Brosnahan dons Zuhair Murad gown at ‘Superman’ premiere

DUBAI: US actress Rachel Brosnahan attended the premiere of “Superman” in Rio de Janeiro this week wearing a gown by Lebanese designer Zuhair Murad.

She wore a floor-length dress crafted from sheer navy blue fabric, adorned with geometric beadwork and sequins. The design featured a structured, plunging neckline with wide shoulder straps. The fitted bodice extended into a subtly flared mermaid-style skirt. 

Brosnahan takes on the role of Lois Lane in the upcoming film, directed by James Gunn. 

David Corenswet attended the premiere. (Getty Images) 

The movie follows a young Clark Kent as he navigates his dual identity as Superman and a journalist at the Daily Planet, striving to reconcile his Kryptonian heritage with his human upbringing.

Set to release on July 11, “Superman” stars David Corenswet in the titular role, with Brosnahan portraying the iconic reporter and central figure in Clark Kent’s personal and professional life. 

The eponymous hero has been described by producer Peter Safran as “the embodiment of truth, justice and the American way.”

The premiere was attended by Brosnahan, Corenswet and Gunn. 

Since founding his brand in 1997, Murad has gained international attention. His creations have been worn by celebrities such as Jennifer Lopez, Beyonce, Priyanka Chopra Jonas, Taylor Swift, Celine Dion, Sofia Vergara, Kristen Stewart and Scarlett Johansson on major red carpets.

He is one of a handful of Arab designers on the official Paris Fashion Week and Paris Haute Couture Week calendars.

Murad was recently championed by British Lebanese actress Razane Jammal, who wore a black ruched gown featuring a plunging neckline and tie detail at the waist from the designer’s ready-to-wear Pre-Fall 2025 collection to the launch of the Panthère de Cartier collection in Istanbul this week. 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

In April, American actress Blake Lively and singer songwriter Nicole Scherzinger both wore Zuhair Murad designs to the 2025 Time 100 Gala.

Lively opted for a pink taffeta off-the-shoulder gown with a corseted bodice and train detail from Murad’s Spring 2025 ready-to-wear collection. Scherzinger chose a black off-the-shoulder sequined gown from the designer’s Pre-Fall 2025 ready-to-wear collection.


Lebanese dance troupe Mayyas take to the stage with Beyonce

Lebanese dance troupe Mayyas take to the stage with Beyonce
Updated 24 June 2025

Lebanese dance troupe Mayyas take to the stage with Beyonce

Lebanese dance troupe Mayyas take to the stage with Beyonce

DUBAI: Lebanese dance group Mayyas, winners of Season 17 of “America’s Got Talent,” once again shared the stage with US singing sensation Beyonce for her Paris show of the “Cowboy Carter Tour.” The troupe performed alongside her during “Protector,” stepping in for her usual dancers.

“Honored to share the stage for the second time with the Queen,” posted the group on Instagram after the show on the weekend.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Choreographer Nadim Cherfan also took to Instagram to talk about the significance of the show.

“Proud to witness my choreographies come to life on the world tour of the biggest star of the century - @Beyonce - a dream turned reality on the global stage. During the darkest days of war in Lebanon, when everything around us felt like it was falling apart, we turned to creation. In silence and uncertainty, I poured my soul into these choreographies — never knowing they would one day shine on the biggest stage in the world.

“To the incredible dancers @mayyasofficial who stood by me through the chaos, your dedication and strength are etched into every step. This is our victory,” he added.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

The Mayyas previously performed alongside Beyonce at the opening of Atlantis The Royal in Dubai in 2023.

“Beyonce has been my dream since I was a child,” Cherfan said in an earlier interview with Arab News. “She is the artist of my life, and working with her made my dream come true. Since then, it has been really hard to work with any other artist because, as we all know, the queen has set the standard really high. It was an experience I will never forget.”


Review: Toronto Arab Film Festival screens searing ‘Arze’

Review: Toronto Arab Film Festival screens searing ‘Arze’
Updated 24 June 2025

Review: Toronto Arab Film Festival screens searing ‘Arze’

Review: Toronto Arab Film Festival screens searing ‘Arze’

DUBAI: The Toronto Arab Film Festival, running from June 20- 29, screened the scathing yet poignant Lebanese film “Arze,” directed by Mira Shabib.

The ambitious “Arze” — which means "cedar" in Arabic — follows the story of Arze, a single mother supporting her teenage son and love-struck sister through a homemade pie delivery business. In an effort to improve their lives, she steals and sells her sister’s jewelry to buy a scooter for her son to use for deliveries. But when the scooter is stolen, mother and son embark on a frantic journey across Beirut to recover it.

 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

 

On the surface, “Arze” tells a story that resonates deeply with many Lebanese families caught in financial limbo. It explores the emotional toll of such hardship, with questions arising as to whether one should leave the country or give up remnants of a once-comfortable life to survive Lebanon’s shifting socio-economic landscape.

Beneath the family drama lies sharp satire. Even the film’s title that references the cedar tree, a national symbol of Lebanese identity, carries layered meaning. Like the character herself, that identity appears fragmented, constantly lost amid the country’s sectarian divides. This is where the film truly shines: Arze, portrayed with emotional depth by Diamand Abou Abboud, dons various religious symbols and disguises to navigate Beirut’s fractured neighborhoods.

 

 

Shabib excels in exposing the farce of sectarianism, insinuating that Lebanon’s religious divisions are not deeply rooted but socially constructed and performative. Arze’s ability to blend into different communities simply by changing her appearance highlights how fragile and superficial these boundaries truly are.

In this sense, the film excels in its portrayal of a fourth main character: Beirut itself. Through Shabib’s lens, we are taken on a tour of a city so diverse it borders on overwhelming. Yet this diversity, rather than being a source of division, becomes a stage for a pointed critique, one that targets society’s fixation on appearances and its preference for the performative over lived reality.