Review: Netflix’s Ginny & Georgia

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Updated 20 June 2025

Review: Netflix’s Ginny & Georgia

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  • The story picks up moments after the dramatic finale of season two

The emotionally charged third season of Netflix’s “Ginny & Georgia” dropped earlier this month and has hovered steadily in the top 10 shows in the Kingdom since.

This season, the show focuses even more strongly on the fast-talking, faster-thinking Georgia, a single mother with bleached-blonde Southern belle looks whose dark past is fast catching up with her.

Flashbacks — some heartbreaking, others alarming — offer glimpses of her past life.

The story picks up moments after the dramatic finale of season two. Georgia is arrested, still wearing her wedding dress after a picture-perfect ceremony with Paul Randolph, the town’s popular mayor, as her two children and the whole town look on in horror.

The death of a seemingly minor character triggers a chain reaction that threatens Georgia’s carefully cultivated fairy-tale life.

Mayor Paul must decide between his new bride and his political career. He chooses the easy way out, but everyone knows there is no such thing. His life gets increasingly more complicated — as do the lives of every man, woman, and child drawn into Georgia’s orbit. They love her anyway. But at what cost?

The headlines swiftly label Georgia the “Mayoress Murderess.” This is not just a catchy phrase. We soon find out that she has been accused of murder before — and more than once. Is she a serial killer?

But this is not only Georgia’s story. Ginny, her 16-year-old daughter, is a budding poet trying to navigate a new chapter in her life, while dealing with school pressures, fragile friendships, and the growing realization that she is now the one keeping her mother in line.

Meanwhile, Ginny’s younger brother Austin ditches his dark-rimmed, Harry Potter-style glasses with no lenses — his emotional security blanket in earlier seasons — and begins shedding his childhood innocence. He is no longer someone who can be overlooked.

The comparisons to the cult classic “Gilmore Girls,” which aired from 2000 to 2007, still apply. Like Lorelai, Georgia is a teen mom who ran away from her hometown to raise a daughter on her own, far away from the parents she never got along with. But Ginny, Georgia, and Austin do not live in Stars Hollow. They settled in the fictional town of Wellsbury.

Amid the drama, the show does not shy away from more challenging subjects, including eating disorders, self harm, and depression, which are handled with more nuance than in earlier seasons.

When a new life-changing secret is revealed in the final minute of the finale, the stage is set for an inevitable fourth season.


Review: ‘Hades 2’ is the best roguelike you will ever play

Review: ‘Hades 2’ is the best roguelike you will ever play
Updated 11 October 2025

Review: ‘Hades 2’ is the best roguelike you will ever play

Review: ‘Hades 2’ is the best roguelike you will ever play

DUBAI: “Hades 2” is a bold and dazzling sequel that leans into ambition at every turn. Where the 2020 original laid the foundation, this new chapter deepens the mythos, sharpens the combat and turns the visual dial up to 11.

The sequel follows the original hero Zagreus’ sister, Melinoe, daughter of Hades and Persephone who is born after the events of “Hades.” She returns to a shattered Underworld after Chronos usurps power and imprisons key figures.

From the first few runs, the story weaves tension and mystery: Who is the real threat of time? How do the fates and titans dodge their own destinies? The narrative is layered, with revelations gradually unlocked between runs, and many dialogue moments that feel earned.

Visually, “Hades 2” is a triumph, even if early runs may feel a little too familiar to the original. Every character is richly drawn; the environments shift from the, at times, claustrophobic corridors of the Underworld to the majestic heights of Olympus (and beyond) with grace. The color palette moves beyond reds and blacks, embracing verdant hues, turquoise veils and shimmering light. Even in fast-paced combat, the animations remain crisp and fluid.

Mechanically, “Hades 2” innovates significantly while retaining its signature intensity. Melinoe wields physical weapons but also commands Magick, with a new “Magick Bar” that depletes and recovers based on your actions. Boons now carry elemental affinities and infusions; Arcana cards add constant passive effects you choose pre-run; Hexes summon powerful spells that evolve mid-run; and the sprint mechanic encourages fluid repositioning rather than repetitive dashing.

While the added complexity is demanding and can be frustrating at times, it is definitely worth it.

In short, “Hades 2” offers a richer and more expansive mythic journey, stunning visuals, and a combat system that feels both familiar and fresh; standing as a worthy — and, often, superior — successor.


‘Tron: Ares’ star and director on exploring the future of AI

‘Tron: Ares’ star and director on exploring the future of AI
Updated 09 October 2025

‘Tron: Ares’ star and director on exploring the future of AI

‘Tron: Ares’ star and director on exploring the future of AI
  • Jodie Turner-Smith and Joachim Ronning discuss the latest installment in the seminal sci-fi franchise

DUBAI: When British actress Jodie Turner-Smith stepped into the sleek, neon-lit world of “Tron: Ares,” she wasn’t just joining an iconic sci-fi franchise — she was diving headfirst into a meditation on the intersection of technology and humanity. 

In the latest installment, “Tron: Ares,” Jared Leto plays Ares — a sophisticated digital program sent into the real world on a perilous mission. It’s humankind’s first encounter with artificial intelligence in the flesh and a test of what happens when code meets conscience.  

 

Alongside Greta Lee’s Eve Kim — the ENCOM CEO searching for the elusive code written by software engineer Kevin Flynn (the protagonist of 1982’s “Tron”) — Ares finds himself questioning not just his programming but his place in a world full of unpredictable humans. 

At Ares’ side — and mostly at odds with him — stands Athena, his second-in-command, portrayed by Turner-Smith. Describing her character, the actress said, “I think it’s always fun when a character represents more of the chaos. In her own way, Athena is the chaos that can come when nuance is unable to be interpreted. And that’s Athena’s struggle throughout the movie; interpreting nuance while she’s having this experience that is changing her. 

“I think we made a really fun movie, and ultimately, I think that’s what we go to the cinema for: to have an experience,” she continued. “I love to go to watch movies for fun. ‘Tron: Ares’ really is event cinema. It’s so immersive and interesting.” 

While “Tron: Ares” promises the spectacle fans expect — breathtaking visuals, kinetic action, and a pulse-pounding soundtrack from industrial rockers Nine Inch Nails — Turner-Smith says it also leaves room for reflection. “I want people to go away having a conversation,” said the 39-year-old. “There’s so much talk about the doom and gloom of artificial intelligence and all the bad things that can happen, but I want people to walk away from the film with the state of mind of Dr. Eve Kim, who is thinking, ‘How do we keep this technology human-centered? How do we use it to make the world a better place?’ 

 “Our movie is not answering these questions, but it is sitting in the question, which I think is important for any film. It’s to make you think and to make you talk,” she continued. “And hopefully there’s going to be a kid watching this movie who is a future programmer, who is the genius who is going to create a program like Ares that improves the world.” 

Jodie Turner-Smith as Athena in 'Tron-Ares.' (Supplied)

Director Joachim Ronning says the film reflects his own ambivalence toward AI. “I think it’s a little bit of both,” he said when asked if the movie envisions a utopia or a dystopia. “I have mixed emotions about it. As a filmmaker and an artist, I guess I’m nervous — I hope that we can move forward carefully and with some guardrails to AI. But on the other hand, it could also help advance humanity and find solutions to things that we wouldn’t otherwise.” 

For Turner-Smith, the emotional weight of “Tron: Ares” was clear from the moment she read the script. “It had heart, it had humor — it struck me how funny it was; I didn’t expect that — and it was cool, you know?” 

 Jared Leto (L) and Jodie Turner-Smith at the premiere of 'Tron-Ares' in Hollywood on Oct. 6. (AFP)

Working with Leto, she said, was an especially rewarding experience. “I had a blast with him, really. He is a ‘Tron’ head. He’s a huge fan of this franchise. And you could feel how much he loved and cared about it.” 

That energy, she added, was infectious. “He was super-supportive of me, very encouraging. I loved doing our stuff together as Athena and Ares, I really did, but I wanted more. I feel like we didn’t have enough. I’m looking forward to ‘Tron 4’ when Athena returns.” 


‘Window on Palestine’ returns toEl-GounaFilm Festival

‘Window on Palestine’ returns toEl-GounaFilm Festival
Updated 08 October 2025

‘Window on Palestine’ returns toEl-GounaFilm Festival

‘Window on Palestine’ returns toEl-GounaFilm Festival

DUBAI: Egypt’s El-Gouna Film Festival is bringing back its “Window on Palestine” program for the third year.

Set to run from Oct. 16 to 24, the festival’s eighth edition will play host to a roster of Palestinian films in the special section.

This year will feature seven short documentaries from the “From Ground Zero+” initiative, offering portrayals of life in Gaza.

The documentaries were created through the Masharawi Fund for Films & Filmmakers in Gaza, in collaboration with Coorigine Production in France. All the films are in Arabic with English subtitles.

The selected works include “Colors Under the Sky” by Reema Mahmoud, which follows a displaced artist struggling to create music amidst destruction; and “Dreams of Farah and Zahra” by Mostafa Al-Nabeeh about two young girls who hold on to creativity as an act of defiance.

In addition, “Gaza to Oscar” by Alaa Damo follows filmmakers who risk their lives to tell their stories; “The Wish” by Aws Al-Banna in which theater becomes a tool for recovery; and “Hassan” by Muhammad Al-Sharif about how a Palestinian teenager’s attempt to get a sack of flour leads to detention.

Also showing is “Unfinished Stories” by Nidal Damo in which a filmmaker drifts from one unfinished story to another; and “Very Small Dreams” by I’timad Wishah about women in Gaza’s refugee camps as they struggle to maintain their dignity and health.

Marianne Khoury, artistic director of the festival, said: “Our commitment to the ‘Window on Palestine’ program is not just a curatorial choice; it is a fundamental part of our mission as a festival in the region.

“Cinema has a profound power to document and to heal, and it is our duty to provide a space where the world can witness the incredible resilience and artistry of the Palestinian people.”


US comedian Andrew Schulz delivers a stellar Dubai debut

US comedian Andrew Schulz delivers a stellar Dubai debut
Updated 08 October 2025

US comedian Andrew Schulz delivers a stellar Dubai debut

US comedian Andrew Schulz delivers a stellar Dubai debut
  • The comedian is set to perform in Riyadh as a part of the comedy festival on Oct. 8

DUBAI: US comedian Andrew Schulz brought the house down during his Dubai debut at the Coca-Cola Arena on Tuesday night, delivering a high-energy set that left the crowd roaring with laughter from start to finish.

Following a successful show in Abu Dhabi in 2024, the comedian returned to the UAE accompanied by the co-hosts of his hit podcast Flagrant.

Opening for Schulz were Mark Gagnon, Akaash Singh, and Emirati comedian Abz Ali.

As part of the Dubai Comedy Festival, Schulz performed a classic American-style standup routine infused with his trademark self-deprecating humor.

And, to the audience’s delight, provided plenty of region-specific jokes about life in the UAE.

Unlike his Abu Dhabi show, this set leaned more toward sharp, quick-fire standup and crowd interaction rather than an overarching narrative, which had characterized his previous Life Tour performances.

From poking fun at Dubai’s traffic to riffing on the city’s obsession with Emaar buildings, Schulz showcased an impressive grasp of local culture and humor.

Throughout the night, his quick wit and spontaneous comebacks during audience interactions had the crowd in stitches.

To close the show, Schulz invited the rest of the lineup back on stage for a lighthearted Q&A segment, where they offered tongue-in-cheek advice.

With laughter, tears, and plenty of surprises, Schulz’s Dubai debut was a memorable addition to his growing list of UAE performances.

The comedian is set to perform in Riyadh as a part of the comedy festival on Oct. 8.


Bad Bunny celebrates Palestinian listeners embracing his music

Bad Bunny celebrates Palestinian listeners embracing his music
Updated 03 October 2025

Bad Bunny celebrates Palestinian listeners embracing his music

Bad Bunny celebrates Palestinian listeners embracing his music

DUBAI: Puerto Rican star Bad Bunny this week spoke about the global reach of his songs, highlighting how deeply moved he feels by listeners in Palestine embracing his work.

Speaking in an interview with Billboard Arabia, the Grammy-winning artist reflected on the response to his track “DtMF.”

“It’s really beautiful to see so many people from Latin America connecting with that song, people from Palestine connecting with that song, people from all over the world connecting with that song,” he said.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

He explained that the impact extended to his other personal works. “And not only with that one but also with ‘DeVita’ and ‘Dalma Fotos,’ songs where I mention San Juan, songs where I mention places only from here, from Puerto Rico, where I mention my grandfather … Personal songs that people identify with,” he added.

Bad Bunny reflected on what this connection means for him as an artist. “That’s where you see that music is about that, and art in general is about being real, about being honest, and about people being able to identify with what you feel, because through those songs they see that there is no difference between them and me.”

الحمدلله FOR A CEASEFIRE!!! Inshallah I can go again

“DtMF” — short for “Debi Tirar Mas Fotos” (“I should’ve taken more photos”) — went viral in Palestine, with people sharing before-and-after pictures of destruction from the war with Israel.

In the song, Bad Bunny looks back on moments he wishes he had captured, weaving in references to Puerto Rico, his grandfather and local musical styles such as bomba and plena. 

While he dwells on regret, he also emphasizes the importance of cherishing what remains, valuing connections, and honoring one’s roots and memories.