Review: ‘Out Of 10’ – House of Vintage

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Review: ‘Out Of 10’ – House of Vintage
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Updated 08 June 2025

Review: ‘Out Of 10’ – House of Vintage

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  • Shopping at Out Of 10 is not just about finding unique items; it’s about the experience of sourcing authentic vintage pieces

Out Of 10 is a vintage store located in Riyadh and Jeddah that specializes in authentic vintage t-shirts and goods dating back to the 1980s.

As a metal and rock music enthusiast, I recently visited in search of original Megadeth and Metallica t-shirts. I was not disappointed.

The store boasts an impressive collection of band merchandise featuring iconic names such as Guns N’ Roses, The Rolling Stones, Iron Maiden and more.

For anyone passionate about metal and rock, this place will feel like a treasure trove.

Shopping at Out Of 10 is not just about finding unique items; it’s about the experience of sourcing authentic vintage pieces.

The store emphasizes the importance of reliability and accountability. If you purchase a vintage watch from a reputable outlet, you know you are investing in a genuine timepiece. Prices can vary significantly based on authenticity and provenance — and the same is true in the world of vintage clothing.

Some items, especially those steeped in nostalgia, can command high prices — up to SR100,000 ($26,600).

At Out Of 10, the focus is on sourcing items from collectors who can ensure their authenticity. Instead of spending hours searching for that elusive vintage piece, customers can find a curated selection of rare items in one place.

I spotted a t-shirt from the ‘88 Armored Saint band and a 2007 Harley Davidson Canada t-shirt.

An original Bob Marley t-shirt from 2005, complete with its original tag, was a steal at just 150 riyals.

Even a Tweety sweater from ‘98 caught my eye, highlighting the vast range of nostalgic apparel available.

Out Of 10 is a must-visit for anyone who loves vintage fashion and music memorabilia. Its commitment to authenticity and quality makes it a standout destination in the vintage shopping scene.


Vivienne Westwood to open Riyadh Fashion Week with debut Middle East show

Vivienne Westwood to open Riyadh Fashion Week with debut Middle East show
Updated 09 October 2025

Vivienne Westwood to open Riyadh Fashion Week with debut Middle East show

Vivienne Westwood to open Riyadh Fashion Week with debut Middle East show
  • Plan to promote Saudi traditions and designers, says CEO Carlo D’Amario

DUBAI: British brand Vivienne Westwood is set to make its Middle East debut at Riyadh Fashion Week on Oct. 16.

The label will open the event with a show that blends British fashion heritage with craftsmanship.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

In a recent interview with WWD, the CEO of Vivienne Westwood, Carlo D’Amario, outlined his plans.

“We are working on a special collection of embroidered gowns, a result of the union of the expertise of our couture team and the craftsmanship of local artisans — a concrete way to promote local traditions through an international perspective.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

This marks the first time Riyadh Fashion Week has opened its calendar to international labels.

Returning for its third edition from Oct. 16 to 21, the six-day event will feature more than 25 runway shows, 10 designer presentations, a curated showroom, and citywide activations.

Organized by the Saudi Fashion Commission, a part of the Ministry of Culture, the event will also spotlight emerging and established Saudi designers.


Princess Rajwa Al-Hussein steps out in Saudi design in Paris

Princess Rajwa Al-Hussein steps out in Saudi design in Paris
Updated 09 October 2025

Princess Rajwa Al-Hussein steps out in Saudi design in Paris

Princess Rajwa Al-Hussein steps out in Saudi design in Paris

DUBAI: Princess Rajwa Al-Hussein of Jordan showcased elegant royal style on Wednesday during her visit to France with her husband, Crown Prince Hussein bin Abdullah.

The couple are in Paris, where they met with French President Emmanuel Macron and first lady Brigitte Macron at the Elysee Palace.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

The princess, who is of Saudi origins, stepped out wearing a design by Saudi designer Mona Al Shebil — the Crepe Collar Caped Buttoned Dress in black, featuring a structured collar.

She styled the look with Fendi mesh slingback pumps, a beige Bottega Veneta clutch, and Stephen Webster Thorn drop earrings paired with a matching necklace.

Following the crown prince’s visit to France, he is scheduled to travel to the UK, where he will hold meetings in London. He will meet with Prince William and British Prime Minister Sir Keir Starmer.
 


Shanina Shaik poses for Victoria Beckham Beauty

Shanina Shaik poses for Victoria Beckham Beauty
Updated 08 October 2025

Shanina Shaik poses for Victoria Beckham Beauty

Shanina Shaik poses for Victoria Beckham Beauty

DUBAI: Part-Arab model Shanina Shaik turned heads in Paris this week when she appeared in new images shared by Victoria Beckham Beauty.

The Australia-born model — who is of Saudi, Pakistani, and Lithuanian descent — was featured in photos from a collaboration post on Instagram between her and the beauty brand, seen applying products such as the satin kajal liner and eye wear palette to create a soft, bronzed makeup look.

Shaik also attended the Victoria Beckham show during Paris Fashion Week, where the British designer presented her Spring/Summer 2026 collection at 17th century Val-de-Grace Abbey. For the occasion, Shaik wore a chocolate-brown satin halter-neck gown with a high neckline and open back, styled with minimal accessories and glossy waves for a sleek finish.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Before the show, Shaik shared a behind-the-scenes video of her getting ready for the event.

“I am so excited for this show. I am obviously a huge fan,” she said in the video before breaking down the products she uses on her hair before styling.

She gave her followers a glimpse of her pre-show routine, sharing what she ate, followed by clips of her hair and makeup session. Shaik included shots from a photoshoot taken before the event, along with a short look at the show itself.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Beckham showed a collection of slip dresses, roomy suits and soft, leather jackets with crinkled edges for her namesake label’s show.

Models marched under the arched corridors in sharp-toed shoes, parading dresses cut in asymmetric shapes and uneven hems, the fabric bunched together in places, some covered with a dusting of spray paint.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Trousers were low-waisted, cinched with thin belts and paired with tops that were slit open in front, while suit jackets came in boxy shapes, without lapels. Handbags included a roomy duffle bag, a structured camera bag and one that resembled an accordion.

In written show notes, the brand described the collection as an “abstract adaptation of the coming-of-age wardrobe,” noting that Beckham had spent time reviewing photos of herself as a young adult.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Beckham has also been making headlines with her upcoming “Victoria Beckham” documentary, scheduled to premiere on Netflix on Oct. 9. In the three-part docuseries the former pop star-turned-fashion designer shares her story.


Loli Bahia joins Chanel’s Paris Fashion Week debut under Matthieu Blazy

Loli Bahia joins Chanel’s Paris Fashion Week debut under Matthieu Blazy
Updated 07 October 2025

Loli Bahia joins Chanel’s Paris Fashion Week debut under Matthieu Blazy

Loli Bahia joins Chanel’s Paris Fashion Week debut under Matthieu Blazy
  • Blazy took up fashion’s most coveted job in December
  • Bahia brought a polished style to Grand Palais runway

DUBAI: French Algerian model Loli Bahia brought a polished style to the Chanel runway during Paris Fashion Week recently, stepping out in a sharp suited look.

She wore a tailored charcoal-gray pantsuit featuring a structured single-breasted blazer with gold-tone buttons and matching wide-leg trousers. A cream knit top peeked out subtly beneath the blazer.

Bahia wore a tailored charcoal-gray pantsuit featuring a structured single-breasted blazer. (Getty Images)

Her look was styled with a chunky gold-and-red statement chain necklace, a burgundy leather shoulder bag, and matching belt that coordinated with the accessories. She completed the outfit with two-toned beige and white heels.

Bahia shared the runway with Mona Tougaard who has Danish, Turkish, Somali, and Ethiopian roots.

Tougaard wore an ivory satin blouse with voluminous sleeves and a fitted waistband, paired with a black high-low skirt adorned with ivory feather embellishments that cascaded over layered black fabric.

Tougaard wore an ivory satin blouse with voluminous sleeves and a fitted waistband, paired with a black high-low skirt adorned with ivory feather embellishments that cascaded over layered black fabric. (AFP)

These designs marked the debut collection of Chanel’s creative director Matthieu Blazy, who unveiled his vision for the century-old French fashion house with an evening runway show this week.

The presentation featured dropped waists and long, button-up shirts, concluding months of anticipation surrounding his first collection.

Blazy, 41, snagged fashion’s most coveted job in December. He is among several new designers recruited by labels seeking to spark the interest of inflation-weary shoppers.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Blazy’s debut at the Grand Palais in Paris drew several guests decked out in the brand’s signature tweed, the famous interlocking C logo visible on heels, jewelry and handbags.

Inside, gigantic, glowing planets hovered in the vast glass-and-steel exposition hall.

Models marched down the slick, black runway, parading low-waisted skirts, silk tops and elongated twin sets with frayed edges. Red carpet looks included full skirts with piles of colorful feathers, dresses with extra flounce and glittering knitwear.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Along with Chanel’s classic-look leather handbags, models also paraded what the brand called “crushed” versions in gold and silver with exposed seams and open flaps.

At the end of the show, the audience of over 2,000 gave Blazy a standing ovation as he ran out for his bow.

Blazy, who joined Chanel from Kering-owned Bottega Veneta, follows long-time Virginie Viard who left in June last year after a long collaboration with Karl Lagerfeld, the creative force behind the modern revival of Chanel until his death in 2019.


Nojoud Al-Rumaihi spotted at Paris Fashion Week

Nojoud Al-Rumaihi spotted at Paris Fashion Week
Updated 06 October 2025

Nojoud Al-Rumaihi spotted at Paris Fashion Week

Nojoud Al-Rumaihi spotted at Paris Fashion Week

DUBAI: Saudi influencer Nojoud Al-Rumaihi, who is also a fashion consultant, has been spotted at a number of runway shows during Paris Fashion Week.

Al-Rumaihi attended Lebanese couturier Elie Saab’s Spring/Summer 2026 showcase, as well as shows staged by Hermes, Valentino, and Lebanese designer Georges Hobeika.

She has been sharing behind-the-scenes glimpses of her time at fashion week on social media, with insights on her favorite runway looks as well as her own outfits.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Al-Rumaihi shared a series on Instagram Stories about Hermes designer Nadege Vanhee’s latest show in Paris, in which Vanhee sent out a collection of brassiere tops, quilted silk coats and racer-back dresses.

Models marched around the space in tall riding boots, their silky ponytails swishing. They wore sandy-colored shirts, skirts and brassiere ensembles, cinched snugly with leather straps and lacework. Racer backs revealed shoulder blades, while leather bra tops held silk fabric in place, covering the chest, Reuters reported.

The color palette was dominated by muted beige and khaki tones, with a few touches of bright red — a leather trouser set, a handbag and motifs on scarves.

Al-Rumaihi also attended Italian label Valentino’s showcase in Paris, during which creative head Alessandro Michele’s latest collection Fireflies was put on show.

Prim retro silhouettes — bows, ruching, velvet skirts — set a mood at Paris Fashion Week of controlled nostalgia, Associated Press noted.

The high point was a draped gold gown with a feathered white collar, evoking myth and Valentino’s Roman past. A polka-dot shirt, satin skirts split with bright yellow panels, and occasional colorblocking kept the eclectic spirit alive, though without the exuberant force Michele had deployed before.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

That was the story of the show: less spectacle, more editing. Where Michele’s early collections for the house, and his Gucci tenure before that, thrived on sheer overload — tassels, turbans, ruffles, references piled high — here he cut cleaner lines and pared styling back. The result felt more wearable, but also less astonishing.

Valentino’s identity is rooted in beauty and polish. Under founder Valentino Garavani, the house meant jet-set elegance and “Valentino red.” Under designer Pierpaolo Piccioli, it leaned into couture-like refinement. Michele entered with a different tool kit: maximalist nostalgia, gender-fluid styling, and deep archive mining. He has said the job is to “manipulate the past to make it now,” balancing modern maximalism with relevance so the brand does not freeze in time.

For her part, Al-Rumaihi billed it as “a magnificent experiential show” on Instagram, where she shared a video of models traversing a spotlit runway.