Balad Al-Fann brings Saudi art to life

Special Balad Al-Fann brings Saudi art to life
1 / 7
Safeya Binzagr’s exhibition titled For Us to Remember. (AN Photo/Nada Hameed)
Special Balad Al-Fann brings Saudi art to life
2 / 7
Safeya Binzagr’s exhibition titled For Us to Remember. (AN Photo/Nada Hameed)
Special Balad Al-Fann brings Saudi art to life
3 / 7
Effat Fadag, curator of Safeya Binzagr’s exhibition titled For Us to Remember. (AN Photo/Nada Hameed)
Special Balad Al-Fann brings Saudi art to life
4 / 7
The Balad Al-Fann art program opened in Jeddah’s historic district on Wednesday, running until June 15. (AN Photo/Nada Hameed)
Special Balad Al-Fann brings Saudi art to life
5 / 7
The Balad Al-Fann art program opened in Jeddah’s historic district on Wednesday, running until June 15. (AN Photo/Nada Hameed)
Special Balad Al-Fann brings Saudi art to life
6 / 7
The Balad Al-Fann art program opened in Jeddah’s historic district on Wednesday, running until June 15. (AN Photo/Nada Hameed)
Special Balad Al-Fann brings Saudi art to life
7 / 7
The Balad Al-Fann art program opened in Jeddah’s historic district on Wednesday, running until June 15. (AN Photo/Nada Hameed)
Short Url
Updated 29 May 2025

Balad Al-Fann brings Saudi art to life

Balad Al-Fann brings Saudi art to life
  • Exhibition blends art and memories through archival materials, selected artworks, personal possessions and rare voice recordings

JEDDAH: The second edition of the Balad Al-Fann art program has opened in Jeddah Historic District and runs until June 15.

The initiative this time presents a captivating series of art exhibitions, held under the theme “Our Storied Walls,” which celebrate memory, culture and place.

It boasts a renewed focus on local narratives with each exhibition looking at the tangible and human heritage of the city.

Held at Nassif Boutique, the exhibition is a tribute to the late artist Hisham Binjabi, a foundational figure in ’s modern art movement.

Curated by Ayman Yossri Daydban, a former student of Binjabi, the exhibition blends art and memories through archival materials, selected artworks, personal possessions and rare voice recordings.

Arab News spoke to Daydban, who is one of the most prominent contemporary artists in , with his works featuring in major museums and biennials.

He said: “This is a personal exhibition. My journey with Hisham Binjabi began over 35 years ago when he discovered my work, admired it, and encouraged me.

“For a whole year his name echoed in my mind, until I held my first solo exhibition in 1991. It was his encouragement and appreciation of my boldness — he said I thought outside the box — that pushed me forward. I found myself naturally drawn to contemporary art.”

Daydban’s art is conceptual, and rooted in ideas and meaning. Binjabi, on the other hand, remained faithful to classical and realist styles.

Daydban said: “For years we observed each other’s work from afar, and every time we met I felt like a student reuniting with his mentor.

“But Hisham was more than an artist — he was a social figure, a cultural activist who managed and promoted art within the community, bringing art into social and human contexts.

“His greatest influence was not just in his paintings, but in his presence, personality, and wisdom.”

The exhibition does not merely display Binjabi’s artworks — it narrates his life story through them.

His wife played a part by telling their story through her lens and, for the first time, her works are featured in a dedicated section alongside audio recordings of her and their daughters, reflecting on their lives together as a creative family.

An audio room on the upper floor features testimonials from contemporary artists who were his students or peers, and more recordings are added daily.

The exhibition unfolds across three levels: a deeply emotional audiovisual experience, a debut showcase of his wife’s personal works, and a collective sonic space for shared memory and reflection.

Daydban added: “Hisham was, above all, a socially engaged artist, and this exhibit is aimed primarily at the community of Al-Balad, where he lived and left his mark.”

The program also honors the late Safeya Binzagr, one of the first female visual artists in the Kingdom.

Curated by Effat Fadag, the exhibition weaves together the visual and literary in a journey filled with nostalgia, history and cultural memory.

The exhibition presents rare paintings, handwritten letters, and personal belongings that reflect Binzagr’s unique lens on Hejazi life. Her deeply human portrayals of women, homes, attire and rituals offer not only artistic beauty but also historic insight.

Titled “Revealing What Was Hidden,” the exhibition shows how Binzagr used her art to bring the past to life. Her work helps keep Saudi culture and history alive.

The event honors her role as an artist and historian, and Fadag said: “I asked myself: What can I say that hasn’t already been said? I wanted to highlight aspects of her journey that aren’t widely known.”

Binzagr was the first woman to publicly showcase her family and community life, giving a voice to the private lives of Saudi women — a society that was largely hidden at the time.

Fadag said: “I tried to reflect this (voice) through the layout of the exhibition, using the historic Nassif House, starting from the main building to the external annex, with three symbolic doors that narrate her story.”

This journey begins with Binzagr’s birth and upbringing, moves through her education, the exhibitions she held, and finally her artistic projects on Saudi traditional attire, which are featured on the second floor.

Fadag said: “In the clothing room you see very personal images — she even modeled for her work so she could better understand and express the exact details she wanted to paint. She knew exactly how to translate her vision.”

The final section focuses on giving back to the community, and how Binzagr impacted learning, the broader culture and society at large.

The initiative also puts the spotlight on a curated selection of winning works from a national photography competition, while Balad Al-Fann also hosts a competition showcasing traditional calligraphy, ceramics, ornamentation, and engraving.


Sofia Boutella to star in ‘Only What We Carry’

Sofia Boutella to star in ‘Only What We Carry’
Updated 28 October 2025

Sofia Boutella to star in ‘Only What We Carry’

Sofia Boutella to star in ‘Only What We Carry’
  • Drama is latest feature of Welsh director Jamie Adams
  • Boutella, 43, joined by Simon Pegg, Quentin Tarantino

DUBAI: French Algerian actress Sofia Boutella is set to star in “Only What We Carry,” the latest feature from Welsh writer and director Jamie Adams, best known for “She Is Love” and “Wild Honey Pie!”

The drama, which recently wrapped filming in Deauville, France, will have Boutella star alongside her “Star Trek” co-star Simon Pegg, the British actor known for the “Mission: Impossible” franchise.

Also appearing are French actress and singer Charlotte Gainsbourg, and filmmaker Quentin Tarantino, who reportedly has his most significant on-screen role since Robert Rodriguez’s 1996 cult classic “From Dusk Till Dawn.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

In addition, the cast features French actor Liam Hellmann and American singer Lizzy McAlpine, who makes her feature film debut.

Boutella plays Charlotte Levant, a woman who returns to her hometown to confront painful memories and unresolved emotions from her past.

Set on the windswept coast of Normandy, “Only What We Carry” follows a group of people brought together by chance as they face buried truths and emotional wounds.

When old relationships resurface — including the arrival of Tarantino’s character, John Percy, each person is forced to reckon with love, loss and the unspoken weight of the past.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Boutella most recently starred in “The Killer’s Game,” which hit cinemas in September, and Netflix’s “Rebel Moon — Part 2: The Scargiver.”

She also began filming the third season of the Second World War drama “SAS Rogue Heroes” in September.

The actress is known for her breakout performance in the Oscar-nominated film “Star Trek Beyond,” in which she portrayed the fierce alien warrior, Jaylah.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Boutella, 43, is a professional dancer and starred in a music video for rock band the Foo Fighters in 2020.

Born in Bab El-Oued, a bustling neighborhood of Algiers, Boutella started studying ballet aged 5. The family fled the Algerian Civil War in 1992 when she was 10 and moved to Paris.

There, she gravitated toward rhythmic gymnastics, joining the French national team at 18.

She later blended her classical ballet training with the physicality of gymnastics and even spent time breakdancing with a group called the Vagabond Crew.


Jameel Arts & Health Lab launches photo essay at Riyadh exhibition 

Jameel Arts & Health Lab launches photo essay at Riyadh exhibition 
Updated 28 October 2025

Jameel Arts & Health Lab launches photo essay at Riyadh exhibition 

Jameel Arts & Health Lab launches photo essay at Riyadh exhibition 

RIYADH: On Oct. 27 at the Global Health Exhibition in Riyadh, the Jameel Arts & Health Lab, in collaboration with the World Health Organization, unveiled the regional launch of its photo essay showcasing how the arts “can support health and wellbeing across cultures, with a focus on underserved communities.”  

The photo essay — on display at the Riyadh Exhibition & Convention Center until Oct. 30 — is the first part of the Jameel Arts & Health Lab-Lancet Global Series on the Health Benefits of the Arts, billed in a press release as “a landmark international collaboration that will culminate in a full academic series published by The Lancet in early 2026” and based on a 2019 WHO report “highlighting the role of the arts in promoting health, preventing illness and supporting the management and treatment of a variety of health conditions from infancy to old age.”  

The series was led by Prof. Nisha Sajnani (co-director at the Jameel Arts & Health Lab and director of Drama Therapy and Arts and Health at NYU Steinhardt), Dr. Nils Fietje (co-director at the lab and technical officer at the World Health Organization Regional Office for Europe) and Stephen Stapleton (a founding co-director of the lab).  

“The arts and health fields have their own language and their own protocols, which often acts as barriers for collaboration,” Stapleton says in the press release. “With this series we aimed to break down those barriers by finding a common language accessible to professionals from both disciplines.” 

Here, we showcase a few of the 30 images comprising the photo essay.  

‘Clown Me In’ 

This image shows a clowning workshop at a refugee camp in Turkiye, led by Sabine Choucair, co-founder of the Lebanon-based association Clown Me In, as part of a project to support communities affected by the 2023 Turkiye-Syria earthquakes, which displaced around 3 million people. A statement from the photo essay curatorial team, led by Stephen Stapleton, explains: “An all-female team reached over 3,400 people across Hatay, Kahramanmaraş, and Islahiye in just 10 days. Drawing on art therapy, theatre, and storytelling, the initiative demonstrated how creative interventions can foster emotional relief, social connection, and hope among displaced and vulnerable populations.”  

(Photo courtesy: Evelina Rönnbäck/ Clowns Without Borders and Clown Me In)

‘Giving Blood at the Museum’ 

Since 2021, when this photo was taken, the Orléans Museum of Fine Arts in France has hosted monthly blood drives, “transforming the act of donation into a culturally enriching experience,” according to the curatorial team’s statement. “In the Old Masters gallery, medical equipment is placed among paintings, creating a calm and inspiring setting. Donors receive art-themed prompts to encourage reflection and relaxation. This innovative approach … has successfully increased participation, with all appointment slots consistently filled since the program’s launch.” 

(Photo courtesy: Musée des Beaux-Arts d'Orléans )

‘C&Բ;𲹰’&Բ;

The Camps Breakerz Crew offers breakdance workshops across Gaza’s refugee camps and schools. The workshop in this image took place in 2023. “Founded by Mohamed Ghraiz and Ahmed Alghariz, who grew up in Gaza, the program uses hip-hop culture to support mental health, build community, and create moments of joy. Reaching over 300 children annually, it provides a safe space for expression and connection (and) helps reduce stress, depression, and post-traumatic symptoms through dance,” the statement says. 

(Photo courtesy: Ahmed Alghariz/Camps Breakerz )

‘Movement is Thy Mantra’ 

In “Still Dancing,” first performed in Dubai in 2019 (as seen in photo), Dr. Vonita Singh and caregivers guide people with Parkinson’s disease through Kathak dance moves. The show was “conceptualized by Dr. Singh and directed by Sanjeev Dixit of Third Half Theater.” Singh, the founder of Movement Mantra “uses mindful movement to help maintain motor and emotional health,” inspired by her father’s experience with Parkinson’s. “Still Dancing” has been performed in the UAE and India and “demonstrates how classical Indian dance can empower people with Parkinson’s and improve quality of life,” the statement says. 

(Photo courtesy: Vonita Singh)

‘A Dying Wish’ 

Former ambulance driver Kees Veldboer established the Stichting Ambulance Wens Nederland (Netherlands Ambulance Wish Foundation) in 2007 in order to offer the terminally ill “moments of joy in their last days by creating opportunities for them to fulfil their final wishes,” according to the statement. “The program echoes the learning of palliative care programs that integrate psychological and spiritual care alongside pain and symptom relief. This initiative points to a broader approach to the role of museums and their contributions to societal health and wellbeing.” To date, more than 270 medically trained volunteers have helped fulfil the wishes of around 24,000 people.  

(Photo courtesy: Roel Foppen for Stichting Ambulance Wens)

‘Song and Soft Embrace’ 

This image was taken at the Cluj Cultural Center in Romania and shows a group of mothers who participated in a 10-week singing program “designed to support women experiencing postpartum depression.” The initiative was based on research from the Center for Performance Science and was developed by Breathe Arts Health Research. The statement explains: “The (program) demonstrated music’s potential to ease postpartum depression symptoms and explored how this clinically proven approach could be adapted across diverse cultural and healthcare settings.” 

(Photo courtesy: Ioana Ofelia/Cluj Cultural Centre)

‘Tehachapi, The Yard’ 

Tehachapi is a level 4 maximum security prison in California. The US-based artist JR and his team photographed some of the prisoners from above. “Each participant was then given the chance to record their story. No specific questions were asked; they had the freedom to express themselves openly and candidly. JR also photographed formerly incarcerated individuals and prison staff, collecting a total of 48 portraits and stories from the prison system,” the statement explains. These images were then pasted onto the ground in the prison’s yard, to create a large-scale installation only clearly discernible from the air, showing former and current prisoners, prison staff, and people who had been victims of crime standing shoulder-to-shoulder. “This naturally ephemeral installation disappeared in 3 days under the footsteps of the prison's population. The project showed the powerful role art can have within a prison context where anxiety, depression, and other mental health issues often go unacknowledged and unaddressed.” 

(Photo courtesy: JR Studio)

 


The Open Crate co-founder Amina Debbiche shares her top Art Basel Paris picks

The Open Crate co-founder Amina Debbiche shares her top Art Basel Paris picks
Updated 28 October 2025

The Open Crate co-founder Amina Debbiche shares her top Art Basel Paris picks

The Open Crate co-founder Amina Debbiche shares her top Art Basel Paris picks

DUBAI: Amina Debbiche, co-founder of The Open Crate, a private boutique art consultancy based in Dubai, recently shared with Arab News her top picks from the Art Basel fair in Paris.

Art Basel Paris 2025 featured 206 galleries from 41 countries, with a strong focus on both established and new participants.

The event, which wrapped up on Sunday, featured galleries from the Middle East, including Marfa’ Projects (Beirut), ATHR Gallery (Jeddah), and Selma Feriani Gallery (Tunis/London).

Christine Safa’s ‘Deux maisons, ciel azurite’ (‘Two houses, Azurite sky’)

“At Galerie Lelong, Christine Safa’s ‘Deux maisons, ciel azurite’ (2025) presented a serene reflection on memory and place. In her signature palette of deep reds and blues, Safa conjured two houses that exist in a space between abstraction and recollection.

“The structures feel less architectural and more emotional, evoking a sense of warmth and nostalgia. The subtle layering of oil paint captured the Mediterranean light, while the composition, restrained yet profound, created a feeling of both distance and belonging.

“A work of quiet contemplation, it merged landscape and dreamscape, where color spoke as a language of intimacy and return. In 2024, Safa was awarded the 13th Jean Francois Prat Prize.”

Hayv Kahraman’s ‘Push Pull Ghost Fires’

“Hayv Kahraman’s oil and acrylic work on line, exhibited at Jack Shainman Gallery, explored themes of fragmentation and renewal through the figure of a woman poised yet dissolving.

“Her body, rendered in Kahraman’s signature mix of oil and acrylic, holds a sacred yet spectral presence, with her patterned dress referencing inherited identity.

“Ghostly tendrils veil her face, evoking both erasure and emergence. The work balances lyricism with defiance, offering a powerful meditation on memory, displacement, and the human condition.”

Idris Khan’s ‘The answer steps soundless’

“At Victoria Miro gallery, Idris Khan’s oil-based ink-on-gesso-on-aluminum piece unfolded as a meditative exploration of time and accumulation.

“The layers of oil-based ink on gessoed aluminum created a quiet rhythm, deep blues hum with both restraint and expansiveness. In Khan’s work, repetition transcends the visual, turning texture and gesture into atmospheric meditation.

“The piece speaks not through color but through absence, a monumental silence filled with devotion, memory, and the unseen.”

Amedeo Modigliani’s ‘Jeune fille aux macarons’

“Amedeo Modigliani’s ‘Jeune fille aux macarons’ (1918), exhibited at Pace Gallery, exudes a quiet elegance. With its elongated neck and mask-like face, the portrait strikes a balance between serenity and melancholy.

“Against a muted blue background, the copper tones of the figure pulse with inner light, transforming stillness into a palpable presence. Modigliani’s figure is both ethereal and earthly, a poignant icon of longing and fragility.”

Olafur Eliasson’s ‘Pluralistic vision’

“Olafur Eliasson’s ‘Pluralistic vision’ (2025), exhibited at neugerriemschneider, transformed perception into architecture.

“The installation of partially-silvered glass spheres and stainless steel, fractured and multiplied the viewer’s reflection, creating an optical field where seeing itself became a shared, shifting experience.

“As with much of Eliasson’s work, the piece invites active participation, exploring multiplicity, perspective, and the politics of observation.”

Anas Albraehe’s ‘Dreamers’

“Anas Albraehe’s ‘Dreamers’ (2025), exhibited at Mor Charpentier, offers intimate portraits of men in slumber, workers and refugees momentarily detached from the weight of their realities.

“Albraehe’s rich brushwork and radiant color transform sleep into a tender form of resistance. In this work, rest becomes a sanctuary, a fleeting space of dignity, safety, and renewal, where vulnerability turns into light.

Kader Attia’s ‘Untitled’ triptych

“Kader Attia’s work, exhibited at Mor Charpentier, is a luminous exploration of repair; intellectual, cultural, and spiritual.

“Mirrors, fragments, and sculptural juxtapositions form a dialogue between Western modernism and the non-Western influences that shaped it.

“As Attia writes in a show catalogue: ‘Reparation is a never-ending process of intellectual, cultural, and political readjustment.’ The work challenges the viewer’s reflection, revealing that fragmentation can be an act of healing.

“It is both critique and offering, inviting repair through vision.”

Ewa Juszkiewicz’s ‘Gloriosa’

“Ewa Juszkiewicz’s ‘Gloriosa’ (2025), shown at Almine Rech, reimagines the classical portrait by challenging ideas of concealment and transformation.

“The figure’s obscured face, enveloped in painterly textures and folds, subverts ideals of beauty and authorship. Juszkiewicz’s meticulous technique channels European portraiture while quietly deconstructing it, turning anonymity into power.

“‘Gloriosa’ offers a subversive portrait, not of a subject, but of the possibility of reinvention.”

Jack Pierson’s ‘Lone Wolf’

“Jack Pierson’s ‘Lone Wolf’ (2020), exhibited at Regen Projects, distilled solitude into form and material.

“Constructed from salvaged metal and wood letters, the work evokes the rugged poetry of the American road. The phrase, stark and cinematic, hovers between defiance and vulnerability.

“As with much of Pierson’s practice, words here become portraits, fragments of longing and identity, capturing the quiet heroism of solitude.”

Hassan Sharif’s ‘Untitled’

“Hassan Sharif’s ‘Untitled’ (2008), exhibited at Galleria Franco Noero, is a vibrant exploration of perception and form.

“The bold oil strokes across the canvas create a dynamic interplay of chaos and order, with fragmented objects and contrasting colors, earthy tones clashing with brighter hues.

“Sharif’s expressive, abstract approach strips away traditional representation, leaving raw brushwork and energy. This work captures a tension between control and release, offering a meditative yet dynamic encounter with the canvas.”


Manuscripts reveal the Arab world’s historic role in global learning

Manuscripts reveal the Arab world’s historic role in global learning
Updated 25 October 2025

Manuscripts reveal the Arab world’s historic role in global learning

Manuscripts reveal the Arab world’s historic role in global learning

DUBAI: Manuscripts have long served as windows into the Arab and Islamic world’s pursuit of science, art and philosophy.

In Abu Dhabi, this legacy was recently explored through “Golden Ink: A Journey through Arab and Islamic Manuscripts,” an exhibition organized by the Department of Culture and Tourism — Abu Dhabi, in collaboration with McGill University.

“Golden Ink: A Journey through Arab and Islamic Manuscripts” was organized by the Department of Culture and Tourism — Abu Dhabi , in collaboration with McGill University. (Supplied)

“This exhibition reminds us of the Arab world’s incredible contribution to global knowledge,” Fatema Al-Tamimi, director of library management department at DCT Abu Dhabi, told Arab News. “Beyond books, it’s about our shared history of science, art and ideas. It places Abu Dhabi at the heart of celebrating this rich heritage, inspiring both local and international visitors.” 

The exhibition, held earlier this month, showcased manuscripts selected for their artistic beauty, scientific value and philosophical significance. “Our selection was done through a thorough curatorial process. We prioritized manuscripts that demonstrated breathtaking artistry, groundbreaking scientific content and profound philosophical depth,” Al-Tamimi said.

The exhibition showcased manuscripts selected for their artistic beauty, scientific value and philosophical significance. (Supplied)

By featuring works that span medicine, astronomy, poetry and faith, the exhibition offered insight into a civilization where art and science were deeply interconnected. “Each piece was chosen as part of a larger narrative, almost like telling a great story,” she explained.

“The manuscripts tell a powerful story of curiosity and connection. They depict a time when different cultures shared knowledge freely. They also prove that science and art thrived together, and that this civilization was a true center of learning and beauty for the world,” Al-Tamimi added.

By featuring works that span medicine, astronomy, poetry and faith, the exhibition offered insight into a civilization where art and science were deeply interconnected. (Supplied)

The exhibition was held in parallel with the Fourth Abu Dhabi International Conference on Manuscripts, which gathered researchers and experts from around the world to discuss the visual arts in Arabic and Islamic manuscripts under the theme “Visual Arts in Arabic and Islamic Manuscripts: Artistic Heritage and Contemporary Influence.”


Mariah Carey to headline Saadiyat Nights in 2026

Mariah Carey to headline Saadiyat Nights in 2026
Updated 25 October 2025

Mariah Carey to headline Saadiyat Nights in 2026

Mariah Carey to headline Saadiyat Nights in 2026

DUBAI: Global music icon Mariah Carey is set to headline the 2025–2026 edition of Saadiyat Nights, Abu Dhabi’s open-air concert series held on Saadiyat Island.

The five-time Grammy Award-winning singer will perform in the UAE capital on Feb. 7, 2026, marking her return to the stage after her sold-out debut at the inaugural Saadiyat Nights in January 2024.

Fans are expecting a performance featuring her signature powerhouse vocals, well-known hits and dynamic stage production.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Over a career spanning more than three decades, Carey has become one of the best-selling female artists in history, with more than 200 million albums sold worldwide and 19 Billboard Hot 100 No. 1 singles, the most by any solo artist.

Her catalog includes globally recognized songs such as “Hero,” “Fantasy,” “Always Be My Baby,” “Dreamlover,” “We Belong Together,” and “One Sweet Day.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Carey recently released her 16th studio album, “Here For It All,” on Sept. 26 through Gamma, a music and media company founded by former Apple Music creative director Larry Jackson and music executive Ike Youssef.

The album, her first in nearly eight years, blends elements of pop, R&B, disco and gospel, and features collaborations with American singer and producer Anderson .Paak, American R&B artist Kehlani, Jamaican dancehall performer Shenseea and American gospel group The Clark Sisters.

The record debuted at No. 1 on several Billboard charts, including Top Album Sales, Top Current Album Sales, Top R&B Albums and Independent Albums, continuing Carey’s 35-year streak of placing new releases in the Billboard 200 top 10.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Her 2024 performance at Saadiyat Nights was among the highlights of the series’ debut season, with tickets selling out weeks in advance. Her return in 2026 aims to recreate that atmosphere, offering audiences another opportunity to experience her catalog performed live in an open-air coastal setting.

Carey joins a line-up of international artists confirmed for Saadiyat Nights, including Ludovico Einaudi performing on Jan. 10, Lewis Capaldi on Jan. 17, John Mayer on Jan. 24, Ricky Martin on Jan. 31 and Bryan Adams on Feb. 11.

Additional performers are expected to be announced in the coming months.