Beyond ceasefire, India and Pakistan battle on in digital trenches

 Beyond ceasefire, India and Pakistan battle on in digital trenches
A man reads news on his mobile phone after the ceasefire announcement between India and Pakistan, in Srinagar, Indian-administered Kashmir. (REUTERS/File)
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Updated 25 May 2025

Beyond ceasefire, India and Pakistan battle on in digital trenches

 Beyond ceasefire, India and Pakistan battle on in digital trenches
  • Both states continue to push competing narratives after the four-day military standoff, which ended on May 10 with a US-brokered truce
  • Digital rights experts note how it is often laced with hate, targeting vulnerable communities like Muslims in India and Hindus in Pakistan

ISLAMABAD: As Indian and Pakistani guns fell silent after trading fire for days this month, the war over facts and fiction is far from over and fierce battle rages on social media as to who won, who distorted the truth, and which version of events should be trusted.

As both states continue to push competing narratives, experts warn that misinformation, censorship and AI-generated propaganda have turned digital platforms into battlegrounds, with real-world consequences for peace, truth and regional stability.

The four-day military standoff, which ended on May 10 with a US-brokered ceasefire, resulted from an attack in Indian-administered Kashmir that killed 26 people last month. India accused Pakistan of backing the assault, a charge Islamabad has consistently denied.

While the truce between the nuclear-armed archfoes has since held, digital rights experts have sounded alarm over the parallel information war, which continues based on disinformation, censorship and propaganda on both sides, threatening the ceasefire between both nations.

Asad Baig, who heads the Media Matters for Democracy not-for-profit that works on media literacy and digital democracy, noted that broadcast media played a central role in spreading falsehoods during the India-Pakistan standoff to cater to an online audience hungry for “sensational content.”

“Disinformation was overwhelmingly spread from the Indian side,” Baig told Arab News. “Media was playing to a polarized, online audience. Conflict became content, and content became currency in the monetization game.”




A man clicks a picture of a billboard featuring Pakistan's Army Chief General Syed Asim Munir (C), Naval Chief Admiral Naveed Ashraf (R), and Air Chief Marshal Zaheer Ahmed Babar Sidhu, along a road in Peshawar. (AFP/File)

Several mainstream media outlets, mostly in India, flooded the public with fake news, doctored visuals and sensationalist coverage, fueling mass anxiety and misinformation, according to fact-checkers and experts, who say the role of media at this critical geopolitical juncture undermined journalistic integrity and misled citizens.

“I think this is a perfect example of the media becoming a tool of propaganda in the hands of a state,” said prominent digital rights activist Usama Khilji, calling on those at the helm of television and digital media outlets to independently verify state claims using tools like satellite imagery or on-ground sources.

In Pakistan, X, previously known as Twitter, had been banned since February 2024, with digital rights groups and global organizations calling the blockade a “blatant violation” of civic liberties and a threat to democratic freedoms.

But on May 7, as Pakistan’s responded to India’s missile strikes on its territory that began the conflict, the platform was suddenly restored, allowing users to access it without a VPN that allows them to bypass such restrictions by masking their location. The platform has remained accessible since.

“We were [previously] told that X is banned because of national security threats,” Khilji told Arab News, praising the government’s “strategic move” to let the world hear Pakistan’s side of the story during this month’s conflict.

“But when we actually got a major national security threat in terms of literal war, X was unblocked.”

Indian authorities meanwhile blocked more than 8,000 X, YouTube and Instagram accounts belonging to news outlets as well as Pakistani celebrities, journalists and influencers.

“When only one narrative is allowed to dominate, it creates echo chambers that breed confusion, fuel conflict, and dangerously suppress the truth,” Khilji explained.

VIRTUAL WAR

Minutes after India attacked Pakistan with missiles on May 7, Pakistan released a video to journalists via WhatsApp that showed multiple blasts hitting an unknown location purportedly in Pakistan. However, the video later turned out to be of Israeli bombardment of Gaza and was retracted.




A woman wearing a T-shirt featuring ‘OPERATION SINDOOR’ checks her mobile phone near a market area in Ludhiana. (AFP/File)

On May 8, Indian news outlets played a video in which a Pakistani military spokesperson admitted to the downing of two of their Chinese-made JF-17 fighter jets. X users later pointed out that the video was AI-generated.

Throughout the standoff both mainstream and digital media outlets found themselves in the eye of the storm, with many official and verified accounts sharing and then retracting false information. The use of AI-generated videos and even video game simulations misrepresented battlefield scenarios in real time and amplified confusion at a critical moment.

Insights from experts paint a disturbing picture of how information warfare is becoming inseparable from conventional conflict. From deliberate state narratives to irresponsible media and rampant misinformation on social platforms, the truth itself is becoming a casualty of war.

AFP Digital Verification Correspondent Rimal Farrukh describes how false information was often laced with hate speech, targeting vulnerable communities like Muslims in India and Hindus in Pakistan.

“We saw dehumanizing language, misleading visuals, and recycled war footage, often from unrelated conflicts like Russia-Ukraine or Israel-Gaza, used to stoke fear and deepen biases,” she told Arab News.


Protestors persist in demanding Microsoft cut all ties to Israel, despite Azure military restrictions

Protestors persist in demanding Microsoft cut all ties to Israel, despite Azure military restrictions
Updated 10 October 2025

Protestors persist in demanding Microsoft cut all ties to Israel, despite Azure military restrictions

Protestors persist in demanding Microsoft cut all ties to Israel, despite Azure military restrictions
  • Protestors displayed banners at company HQ, accusing tech giant of ‘insufficient half-measures’ 
  • Microsoft halted access to some Azure cloud and AI services for a key Israeli military unit after expose revealed its technology was used in surveillance system collecting data on Palestinians

LONDON: Microsoft workers and activists are continuing to demand that the tech giant cut all ties with Israel, even after the company halted access to some Azure cloud and artificial intelligence services for a key Israeli military unit.

On Thursday, protesters unfurled banners at Microsoft’s headquarters in Redmond, Washington, one reading “MICROSOFT BUILD KILLS,” adorned with images of warplanes and missiles dropping from the Azure cloud logo.

The demonstration followed news that Microsoft had ended Israeli military Unit 8200’s access to certain Azure services, after reports that its technology was used in a surveillance system collecting millions of Palestinian phone calls in Gaza and the West Bank.

The campaign, led by current and former Microsoft employees under the banner “No Azure for Apartheid,” says these steps do not go far enough.

“Even after announcing the Unit 8200 cut, why does Microsoft continue to shut down the conversation? It’s the only way they can continue to get away with their half-measure,” said Scott Suftin-Glowski, a former Microsoft worker who resigned in protest, accusing the company of “continued complicity in genocide.”

Suftin-Glowski and fellow demonstrators gathered at what they dubbed the “Martyred Palestinian Children’s Plaza” outside the East Campus, distributing flyers demanding that Microsoft end all contracts with Israeli authorities, conduct a transparent, independent audit of its technology and investments, and ensure protections for Palestinian, Arab, and Muslim employees.

The group also called for transparency about Microsoft’s Israeli business ties, a full investigation of contracts in line with the Geneva Conventions, and support for Amazon workers opposing the transfer of surveillance data from Azure to Amazon Web Services.

Recent reports, including an expose in The Guardian, revealed Microsoft data centers hosted vast troves of phone call recordings swept up by Israeli military surveillance.

Microsoft responded by severing a limited set of services for the unit in question, but, under pressure from campaigners, has not ended all business with Israel’s government or military.

“No Azure for Apartheid” called Microsoft’s partial step “an unprecedented win” achieved through sustained pressure but said it remains “insufficient,” demanding a full termination of all Azure contracts with the Israeli government and military.

The protests are unfolding as a Gaza ceasefire negotiated by Hamas and Israel, with US President Donald Trump’s administration brokering the deal, goes into effect after two years of war.

Despite the breakthrough and expected release of hostages and prisoners, observers stress that major risks and unresolved issues remain.


Dubai Lynx 2026 opens for entries, updates categories

Dubai Lynx 2026 opens for entries, updates categories
Updated 10 October 2025

Dubai Lynx 2026 opens for entries, updates categories

Dubai Lynx 2026 opens for entries, updates categories
  • New Luxury Lynx award to celebrate creative excellence in luxury sector

DUBAI: Dubai Lynx, a regional creative festival and awards program organized by Cannes Lions, is now accepting entries for the 2026 awards.

This year sees the addition of a new category, the Luxury Lynx Awards.

Marian Brannelly, global director of Awards, LIONS, told Arab News: “The luxury sector is evolving rapidly.

“Driven by innovation and an increasingly discerning audience, brands in this sector are at the cutting edge of culture, shaping and reframing excellence.”

The award will spotlight “branded communications and solutions that drive business performance and brand loyalty,” and aim to “set a new benchmark” for the regional luxury industry, according to Dubai Lynx.

Other categories have also been updated to reflect the region’s evolving creative landscape.

The Design Lynx Award now features a new section, Transformative Design, which will recognize the role of design in driving innovation while delivering measurable impact.

The Social & Creator Lynx Award, previously known as the Social & Influencer Lynx Award, has been renamed and expanded, with five new sub-categories, to recognize the growing role of influencers and content creators in marketing.

Dubai Lynx is also broadening the scope of Glass: The Award for Change, extending its focus beyond gender to include issues such as disability, race, sexuality and social inequity.

Entrants must specify the community the work represents; explain the problem it addresses and demonstrate its impact on that community.

Other changes include updates to the Digital Craft and Creative Commerce categories, along with the introduction of a new Cultural Engagement sub-category across multiple awards.

“Each year, the awards spotlight the work that not only defines the MENA creative landscape but also demonstrates the power of creativity to deliver real business results and cultural impact,” said Kamille Marchant, director of Dubai Lynx.

“As the industry evolves, Dubai Lynx remains a platform that celebrates those setting new standards, pushing boundaries and driving the future of creativity forward,” she told Arab News.

The deadline for submissions is Jan. 22, 2026, and the awards ceremony will take place on April 1, 2026, in Dubai.


Afghan mobile access to Facebook, Instagram intentionally restricted: watchdog

Afghan mobile access to Facebook, Instagram intentionally restricted: watchdog
Updated 09 October 2025

Afghan mobile access to Facebook, Instagram intentionally restricted: watchdog

Afghan mobile access to Facebook, Instagram intentionally restricted: watchdog
  • Netblocks said last week’s blackout “appears consistent with the intentional disconnection of service”
  • Social media sites have been intermittently accessible on smartphones in provinces across the country since Tuesday, while Internet speed is significantly slower than normal

KABUL: Access to several social media sites, including Facebook, Instagram and Snapchat, has been “intentionally restricted” in Afghanistan, an Internet watchdog said Wednesday, a week after a 48-hour telecommunications blackout in the country.
Social media sites have been intermittently accessible on smartphones in provinces across the country since Tuesday, AFP journalists reported, while Internet speed is significantly slower than normal.
“The restrictions are now confirmed on multiple providers, the pattern shows an intentional restriction,” said NetBlocks, a watchdog organization that monitors cybersecurity and Internet governance.
The disruption is “primarily impacting mobile with some fix-lines also affected.”
The Taliban government has not responded to requests for comment from AFP.
Confusion gripped Afghanistan last Monday when mobile phone service and the Internet went down without warning, freezing businesses and cutting people off from the rest of the world.
The massive blackout came weeks after the government began cutting high-speed Internet connections to some provinces to prevent “immorality,” on the orders of shadowy supreme leader Hibatullah Akhundzada.
At the time, Netblocks said the blackout “appears consistent with the intentional disconnection of service,” adding that connection slowed to around one percent of ordinary levels.
It is the first time since the Taliban government won their insurgency in 2021 and imposed a strict version of Islamic law that communications have been cut in the country.
The government has yet to comment on the blackout.
For Afghan girls and women in particular, the Internet is a lifeline in a country where they are banned from secondary schools, universities, gyms, parks and most work.
“I would feel really sad if they banned Instagram or other social media because it’s the only way I can connect with the world,” said 24-year-old Ghezal, who asked for only her first name to be used.
“These social media platforms are the main way I stay connected with my friends who live in other countries.”
At the beginning of 2025, 13.2 million people had access to the Internet in Afghanistan — around 30.5 percent of the population, according to the specialist website DataReportal.
Around 4.05 million people were using social media.


New documentary shows life in Gaza for AFP journalists

New documentary shows life in Gaza for AFP journalists
Updated 08 October 2025

New documentary shows life in Gaza for AFP journalists

New documentary shows life in Gaza for AFP journalists
  • Helen Lam Trong’s documentary “Inside Gaza” traces the lives of 7 journalists who covered the beginning of the Gaza conflict

PARIS: A new documentary tells the story of AFP journalists who were trapped in the Gaza Strip at the beginning of the Israeli offensive, witnessing the destruction of their own reality through a lens.
Independent journalist Helen Lam Trong’s documentary “Inside Gaza” will be screened at the Bayeux prize for war reporters award ceremony on Thursday in the presence of six of the seven permanent AFP journalists who covered the beginning of the Gaza conflict, before being broadcast on French-German TV channel Arte on December 2.
It traces their daily lives after October 7, 2023, when Hamas attacks in Israel led to the deaths of more than 1,200 people, according to an AFP tally based on official Israeli figures.
Then came the Israeli offensive, which has killed more than 67,000 people, according to figures from the Hamas-run health ministry — figures the United Nations considers reliable.
Day after day, the journalists had no choice but to document the unimaginable suffering of their own people.
“I wanted to explain what this profession is, which is primarily carried out in the field,” Trong, who co-produced the documentary with AFP’s documentary production unit Factstory, told AFP.
“Inside Gaza” almost exclusively relies on AFP images, mostly taken by the journalists who testify in it.

Attempts to discredit

Reporting in Gaza means being surrounded by children who are injured or in shock, and dead bodies wrapped in shrouds or buried under the rubble.
There is no let-up, as Israel has forbidden foreign journalists from entering the Palestinian territory.
“They are seasoned journalists in their fifties, and they know how to maintain their rigour under conditions of extreme urgency and discomfort,” said Trong, who conducted lengthy interviews with them after they left Gaza in early 2024.
But attempts to discredit these journalists are frequent.
AFP journalist Mohammed Abed recalls several Western media outlets asking him to prove that a child had died, after pro-Israel lobby groups claimed that a photo he had taken of a father embracing his dead child in a shroud was actually that of a doll.
“We have rarely seen such questioning of information disseminated by experienced journalists,” said Trong. “Palestinian journalists have faced the ultimate level of distrust from the media.”

Journalists a target

What is broadcast is “far, far from reality,” the director said, describing a careful curation process and a decision to remove the most disturbing footage from the film — a difficult task given the extent of Gaza’s destruction.
AFP’s seven journalists and their families were evacuated between February and April 2024 and now reside in Doha, Cairo and London, struggling with post-traumatic stress disorder.
The news agency is now working with a dozen freelancers in Gaza.
“The purpose of the film is to provoke reflection on what journalists do” as the profession faces global threats — particularly in Gaza, where the press is constantly targeted, said film producer and Factstory’s documentary unit head Yann Ollivier.
“I hope that those who claim there are no journalists in Gaza will be compelled, after watching this film, to acknowledge that there are indeed journalists there, and that they adhere to the ethics of factual journalism,” he told AFP.
Around 200 journalists have been killed in the Gaza Strip since the war began, according to the Committee to Protect Journalists and Reporters Without Borders.


Google expands AI Mode to Arabic and 35 other languages

Google expands AI Mode to Arabic and 35 other languages
Updated 08 October 2025

Google expands AI Mode to Arabic and 35 other languages

Google expands AI Mode to Arabic and 35 other languages
  • New feature allows users to submit questions via text, voice, offering advanced reasoning, multimodal search

LONDON: Google has rolled out its AI Mode feature in Google Search to 36 new languages, including Modern Standard Arabic, reaching over 200 countries and territories.

Powered by Google’s Gemini 2.5 model, AI Mode offers users advanced reasoning, multimodal search, and the ability to explore topics in depth using follow-up questions and contextual links.

The tool builds on Google’s AI Overviews — the company’s existing artificial intelligence feature at the top part of Google Search results — and allows users to submit questions via text, voice, or images.

“When people use AI Mode to search for a topic, our systems aim to surface relevant links, including news pages, and connect people with a breadth of content and perspectives from across the web, on a wide range of queries,” Najeeb Jarrar, Google’s regional product and marketing director for the Middle East and Africa, said in a statement to Arab News.

“We aim to show an AI-powered response as much as possible, but in cases where we don’t have high confidence, you will see a set of web search results.”

The update follows the feature’s launch in English in the MENA region this August.

Google reports that users in markets where AI Mode is live are now submitting queries two or three times as long as traditional search inputs, reflecting a shift in how people seek information online.

However, the rollout has also prompted debate among experts, many of whom caution that AI-driven search may significantly reduce website traffic by providing direct answers instead of routing users to external pages.

Some studies have found that Google’s AI Overviews have reduced traffic to original websites by as much as 30 to 70 percent, depending on the query.

However, Google, along with other major AI firms, argues the new model is driving “more queries and higher quality clicks.”

The company’s AI Mode uses a “query fan-out” technique, running multiple background searches and aggregating them into a single, cohesive response meant to offer greater breadth and depth than standard search results.

The company said it will continue to add features and capabilities to AI Mode and plans future integration into the main Search experience.

AI Mode appears as a tab on Google Search results, as well as on the Google app for Android and iOS.