Saudi brands and agencies win seven Grand Prix trophies at Dubai Lynx Awards 2025
Saudi brands and agencies win seven Grand Prix trophies at Dubai Lynx Awards 2025/node/2596651/media
Saudi brands and agencies win seven Grand Prix trophies at Dubai Lynx Awards 2025
șÚÁÏÉçÇűn brands and agencies bagged a total of seven Grand Prix trophies in several categories. (Supplied)
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Updated 13 April 2025
Zaira Lakhpatwala
Saudi brands and agencies win seven Grand Prix trophies at Dubai Lynx Awards 2025
Updated 13 April 2025
Zaira Lakhpatwala
Dubai Lynx, a prominent creative festival and awards program organized by Cannes Lions, announced its annual winners at an awards ceremony on Wednesday in Dubai.
WPP-owned VML was crowned Network of the Year followed by BBDO Worldwide and McCann Worldgroup.
Omnicom-owned Hearts & Science was awarded Media Network of the Year followed by other Omnicom agencies OMD and PHD in second and third. Ìę
Other special awards included MENA Agency of the Year, which went to creative firm Impact BBDO Dubai followed by FP7 McCann Dubai and BigTime Creative Shop Riyadh.
The latter was also named Independent Agency of the Year. Serviceplan Middle East in Dubai and Abdullah & Shokri in Cairo ranked second and third respectively.
șÚÁÏÉçÇűn brands and agencies bagged a total of seven Grand Prix trophies in several categories. Some of the winning campaigns included âBirthmark Storiesâ for HungerStation by VML; â5 vs 5â for Riyadh Season by BigTime Creative Shop; and âThe Second Releaseâ for Billboard magazine by SRMG Labs.
âââThis year, weâve seen a compelling shift towards content that not only engages and entertains but also effectively drives business results,â Marian Brannelly, Lionsâ global director of awards, told Arab News.
New sub-categories such as Use of Humor received 3 percent of all entries while the creator-focused categories within the Social & Influencer category received 14 percent of all entries.
Brannelly said that âhumor played a big roleâ this year, âtackling even sensitive topics and giving campaigns a fresh and relatable feel.â
She added: âItâs also commendable to see work that not only evokes emotions but also clearly communicates the brandâs message and product value through compelling storytelling.
âBalancing purpose with commercial impact is crucial, and this yearâs winners have showcased how to do it.â
Dubai Lynx 2026 opens for entries, updates categories
New Luxury Lynx award to celebrate creative excellence in luxury sector
Updated 3 min 57 sec ago
Zaira Lakhpatwala
DUBAI: Dubai Lynx, a regional creative festival and awards program organized by Cannes Lions, is now accepting entries for the 2026 awards.
This year sees the addition of a new category, the Luxury Lynx Awards.
Marian Brannelly, global director of Awards, LIONS, told Arab News: âThe luxury sector is evolving rapidly.
âDriven by innovation and an increasingly discerning audience, brands in this sector are at the cutting edge of culture, shaping and reframing excellence.â
The award will spotlight âbranded communications and solutions that drive business performance and brand loyalty,â and aim to âset a new benchmarkâ for the regional luxury industry, according to Dubai Lynx.
Other categories have also been updated to reflect the regionâs evolving creative landscape.
The Design Lynx Award now features a new section, Transformative Design, which will recognize the role of design in driving innovation while delivering measurable impact.
The Social & Creator Lynx Award, previously known as the Social & Influencer Lynx Award, has been renamed and expanded, with five new sub-categories, to recognize the growing role of influencers and content creators in marketing.
Dubai Lynx is also broadening the scope of Glass: The Award for Change, extending its focus beyond gender to include issues such as disability, race, sexuality and social inequity.
Entrants must specify the community the work represents; explain the problem it addresses and demonstrate its impact on that community.
Other changes include updates to the Digital Craft and Creative Commerce categories, along with the introduction of a new Cultural Engagement sub-category across multiple awards.
âEach year, the awards spotlight the work that not only defines the MENA creative landscape but also demonstrates the power of creativity to deliver real business results and cultural impact,â said Kamille Marchant, director of Dubai Lynx.
âAs the industry evolves, Dubai Lynx remains a platform that celebrates those setting new standards, pushing boundaries and driving the future of creativity forward,â he told Arab News.
The deadline for submissions is Jan. 22, 2026, and the awards ceremony will take place on April 1, 2026, in Dubai.
Afghan mobile access to Facebook, Instagram intentionally restricted: watchdog
Netblocks said last weekâs blackout âappears consistent with the intentional disconnection of serviceâ
Social media sites have been intermittently accessible on smartphones in provinces across the country since Tuesday, while Internet speed is significantly slower than normal
Updated 09 October 2025
AFP
KABUL: Access to several social media sites, including Facebook, Instagram and Snapchat, has been âintentionally restrictedâ in Afghanistan, an Internet watchdog said Wednesday, a week after a 48-hour telecommunications blackout in the country.
Social media sites have been intermittently accessible on smartphones in provinces across the country since Tuesday, AFP journalists reported, while Internet speed is significantly slower than normal.
âThe restrictions are now confirmed on multiple providers, the pattern shows an intentional restriction,â said NetBlocks, a watchdog organization that monitors cybersecurity and Internet governance.
The disruption is âprimarily impacting mobile with some fix-lines also affected.â
The Taliban government has not responded to requests for comment from AFP.
Confusion gripped Afghanistan last Monday when mobile phone service and the Internet went down without warning, freezing businesses and cutting people off from the rest of the world.
The massive blackout came weeks after the government began cutting high-speed Internet connections to some provinces to prevent âimmorality,â on the orders of shadowy supreme leader Hibatullah Akhundzada.
At the time, Netblocks said the blackout âappears consistent with the intentional disconnection of service,â adding that connection slowed to around one percent of ordinary levels.
It is the first time since the Taliban government won their insurgency in 2021 and imposed a strict version of Islamic law that communications have been cut in the country.
The government has yet to comment on the blackout.
For Afghan girls and women in particular, the Internet is a lifeline in a country where they are banned from secondary schools, universities, gyms, parks and most work.
âI would feel really sad if they banned Instagram or other social media because itâs the only way I can connect with the world,â said 24-year-old Ghezal, who asked for only her first name to be used.
âThese social media platforms are the main way I stay connected with my friends who live in other countries.â
At the beginning of 2025, 13.2 million people had access to the Internet in Afghanistan â around 30.5 percent of the population, according to the specialist website DataReportal.
Around 4.05 million people were using social media.
New documentary shows life in Gaza for AFP journalists
Helen Lam Trongâs documentary âInside Gazaâ traces the lives of 7 journalists who covered the beginning of the Gaza conflict
Updated 08 October 2025
AFP
PARIS: A new documentary tells the story of AFP journalists who were trapped in the Gaza Strip at the beginning of the Israeli offensive, witnessing the destruction of their own reality through a lens.
Independent journalist Helen Lam Trongâs documentary âInside Gazaâ will be screened at the Bayeux prize for war reporters award ceremony on Thursday in the presence of six of the seven permanent AFP journalists who covered the beginning of the Gaza conflict, before being broadcast on French-German TV channel Arte on December 2.
It traces their daily lives after October 7, 2023, when Hamas attacks in Israel led to the deaths of more than 1,200 people, according to an AFP tally based on official Israeli figures.
Then came the Israeli offensive, which has killed more than 67,000 people, according to figures from the Hamas-run health ministry â figures the United Nations considers reliable.
Day after day, the journalists had no choice but to document the unimaginable suffering of their own people.
âI wanted to explain what this profession is, which is primarily carried out in the field,â Trong, who co-produced the documentary with AFPâs documentary production unit Factstory, told AFP.
âInside Gazaâ almost exclusively relies on AFP images, mostly taken by the journalists who testify in it.
Attempts to discredit
Reporting in Gaza means being surrounded by children who are injured or in shock, and dead bodies wrapped in shrouds or buried under the rubble.
There is no let-up, as Israel has forbidden foreign journalists from entering the Palestinian territory.
âThey are seasoned journalists in their fifties, and they know how to maintain their rigour under conditions of extreme urgency and discomfort,â said Trong, who conducted lengthy interviews with them after they left Gaza in early 2024.
But attempts to discredit these journalists are frequent.
AFP journalist Mohammed Abed recalls several Western media outlets asking him to prove that a child had died, after pro-Israel lobby groups claimed that a photo he had taken of a father embracing his dead child in a shroud was actually that of a doll.
âWe have rarely seen such questioning of information disseminated by experienced journalists,â said Trong. âPalestinian journalists have faced the ultimate level of distrust from the media.â
Journalists a target
What is broadcast is âfar, far from reality,â the director said, describing a careful curation process and a decision to remove the most disturbing footage from the film â a difficult task given the extent of Gazaâs destruction.
AFPâs seven journalists and their families were evacuated between February and April 2024 and now reside in Doha, Cairo and London, struggling with post-traumatic stress disorder.
The news agency is now working with a dozen freelancers in Gaza.
âThe purpose of the film is to provoke reflection on what journalists doâ as the profession faces global threats â particularly in Gaza, where the press is constantly targeted, said film producer and Factstoryâs documentary unit head Yann Ollivier.
âI hope that those who claim there are no journalists in Gaza will be compelled, after watching this film, to acknowledge that there are indeed journalists there, and that they adhere to the ethics of factual journalism,â he told AFP.
Around 200 journalists have been killed in the Gaza Strip since the war began, according to the Committee to Protect Journalists and Reporters Without Borders.
Google expands AI Mode to Arabic and 35 other languages
New feature allows users to submit questions via text, voice, offering advanced reasoning, multimodal search
Updated 08 October 2025
GABRIELE MALVISI
LONDON: Google has rolled out its AI Mode feature in Google Search to 36 new languages, including Modern Standard Arabic, reaching over 200 countries and territories.
Powered by Googleâs Gemini 2.5 model, AI Mode offers users advanced reasoning, multimodal search, and the ability to explore topics in depth using follow-up questions and contextual links.
The tool builds on Googleâs AI Overviews â the companyâs existing artificial intelligence feature at the top part of Google Search results â and allows users to submit questions via text, voice, or images.
âWhen people use AI Mode to search for a topic, our systems aim to surface relevant links, including news pages, and connect people with a breadth of content and perspectives from across the web, on a wide range of queries,â Najeeb Jarrar, Googleâs regional product and marketing director for the Middle East and Africa, said in a statement to Arab News.
âWe aim to show an AI-powered response as much as possible, but in cases where we donât have high confidence, you will see a set of web search results.â
The update follows the featureâs launch in English in the MENA region this August.
Google reports that users in markets where AI Mode is live are now submitting queries two or three times as long as traditional search inputs, reflecting a shift in how people seek information online.
However, the rollout has also prompted debate among experts, many of whom caution that AI-driven search may significantly reduce website traffic by providing direct answers instead of routing users to external pages.
Some studies have found that Googleâs AI Overviews have reduced traffic to original websites by as much as 30 to 70 percent, depending on the query.
However, Google, along with other major AI firms, argues the new model is driving âmore queries and higher quality clicks.â
The companyâs AI Mode uses a âquery fan-outâ technique, running multiple background searches and aggregating them into a single, cohesive response meant to offer greater breadth and depth than standard search results.
The company said it will continue to add features and capabilities to AI Mode and plans future integration into the main Search experience.
AI Mode appears as a tab on Google Search results, as well as on the Google app for Android and iOS.
How PR firms are whitewashing genocide in Gaza to rebrand Israelâs global image
PR firms and marketing agencies are under fire for promoting Israeli narratives amid ongoing war in Gaza
Israel is spending unprecedented millions on a large-scale, tech-savvy strategy to polish its global reputation
Updated 05 October 2025
SHEROUK ZAKARIA and ZAIRA LAKHPATWALAÌę
DUBAI: Contracts filed under the US Foreign Agents Registration Act have revealed the reach of a sprawling, state-backed media campaign, funded by an additional $150 million approved last year, for Israelâs foreign ministry to polish the countryâs tarnished reputation.
The campaign, known in Hebrew as Hasbara, comes as Israelâs military operation in Gaza, launched in retaliation for the Oct. 7, 2023, Hamas-led attack, has been widely branded an act of genocide against the Palestinian people.
Major public relations firms now face accusations of whitewashing Israelâs behavior.
Recent FARA disclosures uncovered a highly coordinated, tech-driven propaganda operation through the German division of Havas Media Group â one of the worldâs largest advertising firms â and a network of politically connected American PR agencies.
Amid warnings of famine setting in Gaza (top), a pro-Israel PR group came up with the meme (lower frame) denying the existence of people starving in the Palestinian enclave. (AFP)
The strategy aims to flood the internet with content crafted to reshape global perception of Israel, particularly among US and European audiences, as images of civilian casualties and razed neighborhoods in Gaza continue to dominate headlines and social media.
The most advanced aspect of this propaganda machine involves manipulating AI-driven content.
Clock Tower X, a US firm led by President Donald Trumpâs former campaign aide Brad Parscale, was hired by Havas to create websites designed to influence how AI models like ChatGPT respond to prompts about Israel and the war in Gaza.
This tactic, known as GPT framing, aims to embed pro-Israel narratives directly into the training data.
. on how Israeli-paid influencers making upwards of $7K per post remain anonymous. For now.
â Responsible Statecraft (@RStatecraft)
According to the $6 million contract, drafted on Aug. 27, Clock Tower X plans to produce targeted content for Generation Z audiences across TikTok, Instagram, YouTube, podcasts and other digital platforms in response to declining support for Israel among younger Americans.
The company said it would complete an âinitial cultural, demographic and sentiment research reportâ for Israel within 30 days, according to a FARA filing.
To maximize reach, the firm is also using MarketBrew AI, a predictive search engine optimization tool, to âimprove the visibility and ranking of relevant narrativesâ on search engines like Google and Bing.
On Tuesday, another FARA filing revealed a $900,000 influencer campaign, dubbed the âEsther Project,â which pays US-based TikTok and Instagram influencers up to $7,000 per post to promote pro-Israel content.
The campaign, involving 14 to 18 influencers, is managed by Bridges Partners LLC, a firm subcontracted by Havas to recruit and coordinate US-based influencers to âassist with promoting cultural interchange between the US and Israel.â
Another US-based firm, Stagwell Global, conducted polling and focus groups to advise the Israeli government on messaging strategies for international media.
On Sept. 5, independent outlet Drop Site News published leaked documents claiming that Stagwell Group had been commissioned by Israelâs foreign ministry to test campaign messages aimed at improving the countryâs image in the US and Europe.
Sherry Adud, Elyse Slaine, Lacey Adud and Esther Michaels attend The Lawfare Project Hamptons 2025 Benefit To #EndJewHatred at Southampton Arts Center on August 07, 2025 in Southampton, New York. (AFP)
The PR firm, led by longtime Israeli ally and American political strategist Mark Penn, advised that the most effective strategy was to stoke fear of âradical Islamâ and religious extremism.
The leaked report showed recommendations on using messages about terrorism, suggesting that framing these ideologies as threats to other religions was a tactic shown to be especially persuasive among conservative audiences.
SKDK, a subsidiary of Stagwell Group, is also responsible for running an AI-powered influence campaign aimed at flooding platforms like X, Instagram, TikTok, YouTube and LinkedIn with pro-Israel content, according to Sludge News.
The $600,000 contract, signed on April 28 and filed under FARA in August, outlined plans on how SKDK will âflood the zoneâ with pro-Israel messages using automated AI-powered bots to amplify the reach and visibility of the content.
SKDK was also tasked with training Israeli spokespeople for media appearances, coordinating outreach to global outlets including CNN, BBC and Fox News, and testing the use of, and potentially work with, influencers.
Pro-Israeli social media influencer Brooke Goldstein at a Gaza aid site.
However, SKDK ended its work with the Israeli government soon after and began deregistering on Aug. 31. Stagwell also confirmed it had concluded its involvement, according to a statement provided to Politico.
Both companies were reportedly subcontracted by Havas.
In a statement to Arab News, a Stagwell spokesperson said the company was hired as a subcontractor by Havas to âcomplete this work as part of a broader projectâ but it did not âknow the nature of Havasâ broader contract with the (Israeli ministry).â
âOur agencies work across the political and issue spectrum and this project done by a small team working on a defined brief does not reflect a shift in that approach,â the spokesperson said. The polling project for Israel, they said, had been completed.
Xavier DuRousseau spouting Israel's lies that Israel was not blocking food entering Gaza, contrary to what international aid groups were saying. (X: XAVIAERD)
Havas did not immediately respond to Arab Newsâ request for comment.
The FARA revelations have sparked industry-wide outrage and a call for stronger ethics and regulation in the PR industry.
Industry bodies like the Public Relations and Communications Association and the Chartered Institute of Public Relations have a set of international guidelines that require agencies to uphold transparency and accuracy.
Abeer Al-Najjar, associate professor of media and journalism studies at the American University of Sharjah, said under the international PR codes of ethics, contracts between a state and a PR agency should be disclosed to allow the media and public to assess the context of information campaigns.
âThis allows journalists to make informed judgments about materials, interviews or narratives promoted by the agency,â she told Arab News.
Abeer Al-Najjar, associate professor of media and journalism studies at the American University of Sharjah. (Supplied)
Al-Najjar said that ethical standards required PR professionals to âavoid spreading misinformation, unverifiable claims or selective framing that could distort public understandingâ â principles that are critical during a time of conflict such as the one in Gaza to âprotect the integrity of journalism, ensure accountability and prevent PR from becoming a tool of propaganda.â
In light of the recent FARA revelations, industry nonprofit, the Ethical Agency Alliance, said on Thursday that it was expanding its commitments to include the refusal of âall contracts that involve manipulating public opinion to obscure, justify or sanitize atrocities â including war crimes, crimes against humanity or other serious breaches of international law â through communications, branding or public relations.â
Despite the lack of strict regulations, Chris Doyle, director of the London-based Council for Arab-British Understanding, said PR professionals had a duty to âdo no harm.â
âIt is very hard to imagine a way in which a PR firm could work with a state (such as) Israel that is in the process of genocide, the crime of apartheid and other war crimes and not violate that cardinal principle,â he told Arab News.
In 2017, global PR firm Bell Pottinger was expelled from the Public Relations and Communications Association following an investigation into its campaign allegedly designed to spark racial tensions in South Africa.
Our industry is built on trust.
PRCAâs Codes of Conduct give members a clear framework to uphold the highest ethical and professional standards.
In 2015, another firm, Edelman, came under fire over its representation of ExxonMobil and Shell while it publicly promoted sustainability. Senior staff members and notable clients severed their relationship with the firm, criticizing it for its unethical greenwashing practices.
At a time when PR firms often get a bad rap, it would be prudent for them to stay away from political campaigns, Doyle said.
âFor any firm to get into a situation where they are seen as participants in a war (or) assisting a party committing war crimes ⊠it should be catastrophic for their reputations. The fact that it is not begs questions about how theyâre held to account.â
He said Israel, with a record of spreading misinformation and disinformation, made it impossible for PR agencies to implement their duty to be honest and not spread falsehoods.
ââIt is very hard to imagine a way in which a PR firm could work with a state (such as) Israel that is in the process of genocide ... and not violate that cardinal principle,â Chris Doyle, he told Arab News. (AFP file photo)
Hasbara is not new. Israel is accused of running coordinated information warfare campaigns during every major assault on Gaza in 2012, 2014 and 2021.
Its propaganda apparatus has grown significantly in scale and technological sophistication, evolving into a fully digitized operation that spans search engine manipulation, influencer payments, AI model training and deepfake visuals.
Earlier reports, including a May 2024 investigation by Qatari media, documented the alleged use of AI-powered âsuperbotsâ designed to swarm social platforms, target pro-Palestinian posts and amplify Israeli talking points in real time.
The bots, said to be increasingly indistinguishable from human users, are part of a wider shift toward algorithmic propaganda.
According to Israeli media reports, the $150 million boost approved in December represented a more than twentyfold increase in its typical budget for international messaging â an urgent push to salvage Israelâs image as it faces mounting diplomatic pressure and global isolation.
Al-Najjar warned of the damage that state-funded campaigns can cause to public trust and discourse as well as meaningful journalism.
For example, they might include âreputation laundering, agenda-setting, and selective storytelling, all of which can suppress or marginalize critical reporting,â she said.
Israeli Foreign Ministry website had been posting misleading views about Israel's genocidal assault on Gaza.
The risks are exacerbated by technology, as governments âincreasingly deploy superbots, paid influencers and AI-driven content to simulate grassroots opinion, misrepresent public sentiment and overwhelm critical voices.â
Al-Najjar said that over time, propaganda normalized as marketing eroded trust, desensitized audiences to atrocity, distorted history and silenced marginal voices.
It also resulted in âa distorted global understanding of conflict, where ethical debates, accountability and informed public discourse are compromised.â
Smoke rises following an Israeli military strike in Gaza City, as seen from the central Gaza Strip, on Sept. 26, 2025. (AP Photo/file)
When PR executive Richard Edelman warned brands in January 2024 to âstay out of politicsâ amid the Israeli-Palestinian conflict or risk long-term damage, his advice seems to have fallen on deaf ears among many in the industry.
Now, PR firms engaged in Israeli-backed campaigns are entangled in accusations of complicity in genocide, with their reputations on the line.
As Lameya Chaudhury, head of social impact at advertising firm Lucky Generals, said in a statement by the Ethical Agency Alliance: âLetâs be clear: If you take money to sanitize atrocities, youâre complicit.â
The PR and advertising industry âcanât keep pretending itâs neutralâ because âevery time you take a brief, you take a side,â she said.