LONDON: In an interview ahead of the release of “Havoc”, writer-director Gareth Evans described the film’s star Tom Hardy as being in “beast mode” during shooting.
That’s actually the perfect logline for this high-octane, hyper-violent action film from the director of “The Raid” and its equally entertaining sequel. Because while there’s definitely some kind of plot nestled underneath the spectacular fight choreography and impressive gunplay — i.e. Hardy is the slightly corrupt grizzled New York homicide detective Pat Walker, who must dodge even more corrupt New York cops as he attempts to track down the son of a mayoral candidate who is a suspect in a triad shooting — “Havoc” is, essentially, Tom Hardy blasting, punching and body slamming anyone who gets in his way.
And, for the most part, that makes for a pretty entertaining ride. As Walker’s run-ins with gangsters, hired guns and dodgy politicians get increasingly violent, Evans gives him an array of interesting and inventive ways through which to dole out his specific brand of street-level justice. Much like “The Raid,” this gives us an opportunity to marvel at a director who remains at the top of the action-movie game. Few people — if any — do high-concept fight scenes quite as well as Evans.
Where “Havoc” feels a little light is in the pauses between those breathtaking set pieces. With a cast headed by Hardy and also boasting Forest Whitaker and Timothy Olyphant, there’s some serious dramatic talent on offer, but there’s little character development beyond who’s good, who’s bad, and who’s somewhere in the middle.
There’s a host of supporting characters — Yeo Yann Yann’s gang matriarch Mother in particular — who all look like they have fascinating backstories, but all we learn about them is that most can fight really, really well, and all have plenty to scowl about. What’s more, a few heavy-handed bouts of CGI undermine the movie’s mostly gritty realism, and leave audiences desperate to skip the calmer moments and get on to the next shootout.
However, to be fair to this movie, Tom Hardy in beast mode is undeniably great — and in our virtually limitless streaming landscape, anything great deserves to be celebrated.