Focus on AI rise in creative industries at Culture Summit Abu Dhabi

Focus on AI rise in creative industries at Culture Summit Abu Dhabi
Industry leaders gathered at the 7th Culture Summit Abu Dhabi on Monday to discuss the rise of artificial intelligence in creative industries — and what it means for the future. (AN Photo by Mohamed Fawzy)
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Updated 28 April 2025

Focus on AI rise in creative industries at Culture Summit Abu Dhabi

Focus on AI rise in creative industries at Culture Summit Abu Dhabi

ABU DHABI: Industry leaders gathered at the 7th Culture Summit Abu Dhabi on Monday to discuss the rise of artificial intelligence in creative industries — and what it means for the future.

Panelists at the event, held at Abu Dhabi’s Manarat Al-Saadiyat, included Riyad Joucka, founder and principal architect at the Middle East Architecture Network, a practice based in Dubai.

Others included Stephen King, senior lecturer at Middlesex University Dubai; Imad Mesdoua, director of government affairs for the Middle East and Africa at Spotify; and Dr. Patrick Noack, executive director at the Dubai Future Foundation.

The panel examined AI’s impact across multiple creative fields, exploring the opportunities AI presents as well as the challenges that arise when employing machine intelligence.

Joucka was keen to emphasize the importance of using AI as a tool to “extend human creativity,” rather than replace it.

“I see technology as an important tool to extend human creativity and knowledge, and not necessarily as a substitute for the human touch in design,” he said, adding that human-AI collaboration was the ideal creative journey from ideation to finished product.

Mesdoua echoed the importance of the human touch at Spotify, saying “there are two ingredients to the Spotify secret sauce, one is personalization … and the other one is discovery.

“Personalization is to a large extent driven by AI and technologies and algorithmic advances … it makes sure that your app fits you like a glove. The other ingredient to the secret sauce is what we call discoverability.

“And what that means is every now and then on your Spotify app, you will get a suggestion for a song or an artist or genre that you might not have typically listened to, and that’s largely the work, not solely, but largely the work of human editors.”




The panel examined AI’s impact across multiple creative fields, exploring the opportunities AI presents as well as the challenges that arise when employing machine intelligence.
(AN Photo by Mohamed Fawzy)

That is “very important, particularly for diversity,” Mesdoua noted, adding “a big part of the work that the editors are doing to make sure that up-and-coming genres are being spotlighted and playlisted to global audiences in a unique way.

“So AI can reflect the user, but editors can help recommend new things to users.”

While human curators are key to promoting international music to global audiences, Mesdoua did note the importance of AI in the music industry, saying one of the most important positives is lowering the barriers to entry.

“If you think back to 70 years ago or 80 years ago, becoming a really established musician required you overcoming a ton of barriers and hurdles, particularly on the infrastructure side of things.

“You had to have an expensive studio at your disposal … now you can be all by yourself in your room with amazing AI software and amplify whatever creative spark you have in your mind and really go from ideation to production super-fast.”

It is something Noack was more cautious about, though, with the executive director at the Dubai Future Foundation saying “a barrier to entry is not necessarily a bad thing.”

“I think a lot of people come into space that is not necessarily their calling or (they do not have a) high level of skill and suddenly they know how to do something and they’re the expert in this space.”

A litmus test for good AI, he added, is “whether it can be switched off or rolled back.”

Taking into account differences between various creative fields, the panelists took a nuanced approach and discussed whether AI’s influence was similar across sectors.

There was one warning repeated across various creative fields — including architecture, marketing, education and music — panelists warned that practitioners need to “know when to stop and when to bring the human element back into creativity,” as per Joucka.

Running until April 29 and organized by the Abu Dhabi Department of Culture and Tourism, the three-day summit includes policymakers, artists, scholars, and innovators.

The theme is “Culture for Humanity and Beyond,” focusing on the intersection of culture, technology and global governance.


REVIEW: ‘Ballad of a Small Player’ — a stylish thriller lacking in substance

REVIEW: ‘Ballad of a Small Player’ — a stylish thriller lacking in substance
Updated 07 November 2025

REVIEW: ‘Ballad of a Small Player’ — a stylish thriller lacking in substance

REVIEW: ‘Ballad of a Small Player’ — a stylish thriller lacking in substance

DUBAI: German filmmaker Edward Berger’s 2022 take on “All Quiet on the Western Front” was a masterpiece, and his English-language debut, last year’s “Conclave,” was a nuanced, smart political thriller. There’s no doubting his talent.

However, “Ballad of a Small Player” is not on that level. While it’s a visual delight, reminiscent of Wes Anderson’s vividly realized worlds. But the unusual stylistic choices often seem forced — art for art’s sake. It’s not helped by Rowan Joffé’s screenplay, which fails to build on initial intrigue and ends up feeling thrown together.

Colin Farrell plays disgraced Irish financier Brendan Reilly, who’s fled the UK for Macau having stolen the life savings of a wealthy old woman who had invested with his firm. In Macau, Reilly has reinvented himself as Lord Doyle — an aristocratic playboy hoping that his apparent wealth and upper-class upbringing (neither of which Reilly actually possesses) will be enough to fool creditors into funding his gambling habit. And his drinking.

Farrell is convincing as a fraudster adrift in the luxurious loneliness of five-star suites — a man who clearly wants to try and be ‘good,’ but whose moral failings and lack of self-control (and self-awareness) keep sabotaging his attempts. As his debts mount, he meets Dao Ming, a credit broker with her own issues (and debts). When one of her clients commits suicide, Reilly comforts her, and promises that when his fortunes change, he will clear her debts too.

But his losing streak continues, and he is found by investigator Cynthia Blithe (Tilda Swinton), who has been contracted by his former employers and gives him 24 hours to repay the funds he embezzled.

As Reilly spirals further into despair and stress he has a heart attack. As he loses consciousness, he sees Dao approach him, smiling. He wakes up in Dao’s house, where she nurses him back to health and they share their most intimate secrets. 

Reilly’s fortunes then turn around dramatically, resulting in an improbable winning streak at the baccarat tables. And then the opportunity to completely change his life, and Dao’s, by staking it all on a single hand.

Berger builds the tension and claustrophobia of Reilly’s world well at first, but he’s the only character close to fully developed. Dao’s intriguing persona is wasted, and the gifted Swinton’s role is too cartoonish to convince. Ultimately, the movie fails to deliver on its promising first impressions.