șÚÁÏÉçÇű returns to London Design Biennale with âGood Waterâ pavilion
șÚÁÏÉçÇű returns to London Design Biennale with âGood Waterâ pavilion/node/2595004/lifestyle
șÚÁÏÉçÇű returns to London Design Biennale with âGood Waterâ pavilion
Non-potable water truck, 2025. Photo by Aziz Jamal. (Courtesy of the Architecture and Design Commission).
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Updated 27 March 2025
Arab News
șÚÁÏÉçÇű returns to London Design Biennale with âGood Waterâ pavilion
Updated 27 March 2025
Arab News
DHAHRAN: șÚÁÏÉçÇű will participate at the London Design Biennale 2025 with âGood Water,â an exhibition exploring the hidden costs and economies of water, running from June 5-29 at Somerset House.
Commissioned by the Architecture and Design Commission, the pavilion is curated by a multidisciplinary design collective comprising Alaa Tarabzouni, Aziz Jamal, Dur Kattan and Fahad bin Naif. Drawing on their backgrounds in architecture, design and the arts, they will challenge conventional notions of access, distribution and the perceived value of water.
Sumaya Al-Sulaiman, CEO of the Architecture and Design Commission, said: âșÚÁÏÉçÇűâs return to the London Design Biennale marks another chapter in our commitment to design as a tool for dialogue and cultural exchange. We look forward to engaging in conversations on creativity, innovation, and systems thinking during our fourth participation in the event.â
The exhibition responds to this yearâs biennale theme âSurface Reflections,â by inviting visitors to reconsider their relationship with water.
At the heart of the Saudi pavilion is a sabeel, a traditional water fountain deeply rooted in Saudi culture that provides complimentary water to anyone who passes by. It is seen as a symbol of hospitality and generosity.
The sabeel, within this context, represents a paradox. While it offers water freely, the reality is that no water is truly free, the exhibition argues. Every drop is made possible through a network of labor, energy and infrastructure â whether extracted through costly desalination, bottled and imported or transported through vast water systems requiring maintenance and oversight. The cost is absorbed by governments, corporations, and workers, yet the long-term impact is shared by all.
In this showcase, âGood Waterâ repositions the sabeel not just as a gesture of goodwill, but as a question: Who pays for âfreeâ water? What does it truly cost?
âThe pavilion uses familiar elements to draw attention to waterâs hidden economies,â said the participants Tarabzouni, Jamal, Kattan and bin Naif in a joint statement. âIt encourages visitors to drink with awareness, to acknowledge the price, and to recognize that while the cost of good water may be borne by someone else, it ultimately affects everyone. By relocating the sabeel to the London Design Biennaleâwhere water scarcity is not an immediate concernâwe reframe it as an object of scrutiny, making the invisible visible and the passive active.â
In 2023, șÚÁÏÉçÇű participated at the 4th London Design Biennale with a pavilion titled âWovenâ by Ruba Alkhaldi and Lojain Rafaa.Â
Andrea Wazen gets the celebrity nod of approval/node/2615078/lifestyle
DUBAI: US actress Ariana Greenblatt arrived at the official reopening of the House of Dior in New York this week in a striking outfit that highlighted design talent from the Arab World.
The 18-year-old star chose heels by Lebanese designer Andrea Wazen, stepping out in the brandâs Double Jeu Platform style in black.
Greenblatt paired the statement shoes with a sleek, tailored long black coat that buttoned down the front and was styled as a dress. She accessorized with a quilted black handbag and narrow sunglasses, while her hair was parted neatly down the middle into a bob.
The 18-year-old star chose heels by Lebanese designer Andrea Wazen, stepping out in the brandâs Double Jeu Platform style in black. (Getty Images)
The Dior event marked the official opening of the French fashion houseâs newly renovated flagship store on 57th Street. Attendees were also treated to a glimpse of Northern Irish fashion designer Jonathan Andersonâs debut womenswear collection for Dior.
The event, just ahead of New York Fashion Week, brought together VIP guests and friends of the brand for an exclusive preview, including Indian actress and film producer Priyanka Chopra, Japanese actress and singer Anna Sawai, and US actors Alexandra Daddario, Kate Mara, Ashley Park, Ben Ahlers, Kristin Davis, Sam Nivola, Lux Pascal, Danielle Deadwyler and Edmund Donovan.
Lebanese designer Wazen trained in Paris and London, and launched her eponymous brand in 2017. Her clothes are known for their sleek silhouettes and meticulous craftsmanship, and she has become a prominent name in luxury footwear, putting Lebanese design on the global fashion map. Her creations have been worn by the likes of Jennifer Lopez, Katy Perry, Kylie Jenner, Hailey Bieber, Cardi B and more.
The same model of heels that Greenblatt wore were previously championed by Ariana Grande in 2023 while filming the adaptation of âWicked.â They were also worn by Lopez during an appearance on âJimmy Kimmel Live!â that same year.
Beyond celebrity endorsements, Wazen has earned industry acclaim, receiving the Fashion Trust Arabia Accessories Designer Award in 2019 and the Emerging Talent prize at the Footwear News Achievement Awards in 2020.
DUBAI: What began as a side passion for UAE-based graphic designer Reema Al-Banna has grown into one of the regionâs most distinctive fashion houses, recently shown off by global style icon Bella Hadid.
Founded in 2010, Reemami is an independent fashion label known for its bold cuts, experimental silhouettes, and intricate textile storytelling rooted in Palestinian heritage and culture.
Al-Banna started her career in an advertising agency in Dubai but felt it was not giving her the freedom of expression she was looking for.
âIn 2010, I applied for a fashion competition hosted by Sauce Boutique, where my collection was noticed and encouraged. They pushed me to start my own line, and thatâs how Reemami was born,â she told Arab News.
Fast-forward to the summer of 2025 and supermodel Bella Hadid was spotted wearing a Reemami denim jacket.
âI still remember scrolling through Instagram and spotting just the corner of a denim shade in her story that looked so familiar.
âAt first, I thought, that looks like Reemami ⊠but could it really be? Then the photos came out and there it was, our jacket. That moment was so surreal and beautiful,â she said.
âThe vision I once doubted was celebrated and admired by one of the most influential voices in fashion. Bella isnât just a trendsetter, sheâs a mover and shaker of the industry, someone whose choices matter,â added Al-Banna.
Al-Banna said the region is flourishing and designers are given support and platforms to share their art with the world.
âRegional designers today are really pushing boundaries, creating work with quality that competes internationally, while keeping our own unique flair.
And itâs not just here in the UAE â thereâs been incredible support and energy across șÚÁÏÉçÇű, Qatar, Lebanon, and Egypt. Itâs been so lovely to watch and be part of this growth,â she added.
Al-Banna prides herself on using âconscious environmentalâ practices when producing her garments.
âI donât mass produce or follow the rigid four-seasons-a-year model. Almost everything on my website is available through pre-order, and I only produce whatâs ordered,â she explained.
âI also work with deadstock fabrics from local suppliers and collaborate closely with factories in the UAE,â said Al-Banna.
Best known for: The âGood For Youâ podcast; co-creating â2 Broke Girls.â
She says: âWhen you get in a room with a bunch of people and no one knows who everyone else is, and theyâre all laughing at the same stuff ⊠weâre not that divided. If you go to a comedy show, youâll see that.â (CleveRock.com)
Appearing: Sept. 26
Maz Jobrani
Maz Jobrani. (AFP)
Who: US stand-up and actor of Iranian heritage.
Best known for: âThe Axis of Evil,â tour; the âMinivan Menâ podcast; his memoir âIâm Not a Terrorist, but Iâve played one on TV.â
He says: âThroughout my life and throughout my comedy Iâve talked about being Iranian, about being an immigrant. And I am very much in support of immigrants in America.â (CNN)
Appearing: Sept. 26
Dave Chappelle
Dave Chappelle. (AFP)
Who: US stand-up and actor.
Best known for: Multi-million-dollar Netflix comedy-special deal; six Grammy-winning comedy albums; five Emmy wins; the 2019 Mark Twain Prize for American Humor.
He says: âI'm either gonna be a legend or just that tragic story, but I'm going full throttle; I'm going all the way. I'm eager to find out how this will resolve itself.â (âInside The Actorâs Studioâ)
Appearing: Sept. 27
Kevin Hart
Kevin Hart. (AFP)
Who: This feels redundant â heâs got 177 million Instagram followers.
Best known for: Diminutive-sidekick movie roles; four Grammys; two Emmys; the 2024 Mark Twain Prize.
He says: âIâm giving you an experience through a story that is relatable, and more importantly, Iâm saying things that other people just donât have the heart to say.â (â60 Minutesâ)
Appearing: Sept. 28
Aziz Ansari
Aziz Ansari. (AFP)
Who: US actor and comedian of Indian heritage.
Best known for: âParks and Recreationâ; âMaster of None,â for which he won two Emmys and a Golden Globe.
He says: âAnytime you feel something strong, pain or joy, if youâre a comedian or a writer, then youâve got to note it and find out whatâs creating that strong emotion. Whatâs beautiful about it is that itâs a common experience.â (The Guardian)
Appearing: Sept. 28
Gabriel Iglesias
Gabriel Iglesias. (AFP)
Who: US comedian and actor of Mexican heritage.
Best known for: The first two âMagic Mikeâ films; âMr. Iglesiasâ; his nickname, âFluffyâ â as in, âIâm not fat, Iâm fluffy.â
He says: âI still feel like I have a lot of dues to pay as an actor. I donât consider myself a seasoned veteran of acting. I do consider myself that as a comic.â (Forbes)âŻ
Appearing: Oct. 1
Russell Peters
Russell Peters. (AFP)
Who: Canadian stand-up and actor of Indian heritage.
Best known for: Being the first comedian to get a Netflix special; setting records for ticket sales in several countries.
He says: âComedians look at everyone else as civilians. You guys are all civilians to us. We have a very dark way of looking at things. ⊠Weâll find something funny about whatever disaster happened.â (Marriska Fernandes)
Appearing: Oct. 2
Chris Tucker
Chris Tucker. (AFP)
Who: US comedian and actor
Best known for: The âRush Hourâ film franchise.
He says: âŻI want everybody to come to my show to laugh, have fun, to learn something â learn about what Iâm thinking about â and then what got me to my point in life or success. Thatâs my whole goal.â (Page Six)
Appearing: Oct. 2
Zarna Garg
Zarna Garg. (AFP)
Who: Indian-American stand-up and screenwriter.
Best known for: âA Nice Indian Boyâ; her memoir âThis American Woman.â
She says: âI donât want to change peopleâs minds. Iâm not a political comic. Iâm not here to prove to somebody that Iâm an artist at this level or that level. Iâm here to serve my audience. Theyâre giving me a very important asset, which is their time, and I take every second seriously, almost to the point of insanity.â (Glamour)
Appearing: Oct. 2
Mark Normand
Mark Normand. (AFP)
Who: US stand-up and actor.
Best known for: Several stand-up specials; his podcasts âTuesdays with Storiesâ and âWe Might Be Drunk.â
He says: âWe (comedians) should all be grateful we get to do this. So enjoy it, don't abuse it, and work hard at it. Make it about the audience, not about you. Try to make them laugh. Entertain them instead of just being indulgent.â (The Comedy Gazelle)
Appearing: Oct. 3
Jimmy Carr
Jimmy Carr. (AFP)
Who: Irish-British comedian and TV host.
Best known for: âLast One Laughingâ; â8 out of 10 Catsâ; dealing with hecklers; having an annoying laugh.
He says: âThereâs nothing more exciting than a new joke that works. The joke doesnât even exist when itâs just a thought, it only exists when you tell it someone. And that excites me.ââŻ
Appearing: Oct. 6
Jo Koy
Jo Koy. (AFP)
Who: US stand-up and actor with part-Filipino heritage.
Best known for: âEaster Sundayâ; hosting the 2024 Golden Globes.
He says:âŻâI love the art of storytelling and that's my favorite style of standup and my intentions were always to be able to have you see it when I do it on stage. In your head, you can already visualize it.â (Collider)
Appearing: Oct. 8
Tom Segura
Tom Segura. (AFP)
Who: US stand-up, actor, and podcaster of part-Peruvian heritage.
Best known for: âBad Thoughtsâ; his podcasts âYour Momâs Houseâ and âTwo Bears One Cave.â
He says: âMy mom finds me funny but absolutely disgusting. And I could not enjoy that more. To get somebody to gasp and laugh, or drop their head and laugh, thereâs something in that moment that feels very much like love.â (Vulture)
Appearing: Oct. 8
Sebastian Maniscalco
Sebastian Maniscalcoââââââ. (AFP)
Who: US stand-up and actor of Italian heritage.
Best known for: âAbout My Fatherâ; several comedy specials.
He says: âYou donât become a bodybuilder the first day you start lifting weights. Same thing with comedy. You gotta flesh out your joke, your bit. You add and subtract. You see what works.â (Dolce Magazine)
Recipes for success: Chef Carmen Landsberg offers advice and a tasty egg carbonara recipe
Updated 12 September 2025
Hams Saleh
DUBAI: For Carmen Landsberg, the kitchen has always felt like home â a place of creativity, comfort and connection. Born in the small South African town of Empangeni and raised in a family passionate about cooking, Landsberg found her love for the kitchen at an early age.
âI enjoyed cooking from a really young age. Itâs always kind of been in my family. I think Iâm the only one thatâs a professional chef, but weâve always been surrounded by food â and obviously, being South African, itâs very much part of our culture,â she tells Arab News. âItâs a gathering. Itâs about getting together.â
She credits her uncle for sparking her interest: âI spent a lot of time on our family farm. Iâd get tomatoes from the garden and maybe make some tomato soup from very few ingredients.â
Now group executive chef at Brunch & Cake Global, she leads the brandâs expansion across the GCC and beyond, including the Kingdom.
For Carmen Landsberg, the kitchen has always felt like home. (Supplied)
âWhat excites me most about șÚÁÏÉçÇű is the growing appetite for unique and global food experiences,â she says. âThereâs an incredible energy. People are curious, open-minded, and eager to explore new flavors and concepts. Itâs a vibrant, fast-evolving landscape, and Iâm proud to be part of bringing Brunch & Cake into that.ââŻ
When you started out, what was the most common mistake you made?
Letting the pressure get to me and not utilizing the things around me to make my life easier. Like, using the wrong utensils and equipment â trying to take shortcuts. Specific tools are there to make everything easier for you. Like having a sharp knife, using a slotted spoon to pick up a poached egg instead of just quickly grabbing anything, or not using tongs to pick up pasta out of boiling water, or using a proper pasta basket, for example.
Whatâs yourâŻtop tip forâŻamateurâŻchefs?âŻ
Investing in a good knife is key. Your knives are everything. They are your best friend. And, more generally, donât overcomplicate things. Less is always best, Iâd say.
Brunch and Cake in King Abdullah Financial District. (Supplied)
What one ingredient can instantly improve any dish?âŻ
I think citrus is probably my top one. Anything with a little bit of acidity can lighten up something thatâs very heavy. If you over-season or over-salt something, adding a little bit of lemon helps. Lemon would definitely be my go-to.
When you go outâŻtoâŻeat, do you find yourself critiquing the food?âŻ
I do notice things, but I donât actively go out looking for them. I think being a chef makes you more lenient, actually. I try to let people do what theyâre good at and just enjoy the experience. Do I notice things? Of course. Itâs in my nature. But I donât want to be obnoxious. Iâm happy to go to a burger place and just appreciate that Iâm there for a burger and enjoy that. But if someone does ask, Iâll give feedback. Thatâs important. If someone asks me, âHow was it?â and I genuinely feel that I didnât enjoy a specific thing, or maybe we didnât get proper service, Iâll say something like, âEverything was amazing, but it wouldâve been helpful if someone came to check on our table a bit more.â Iâd approach it like that.
Whatâs the most common issue that you find in other restaurants?âŻ
I often notice that, after youâve eaten, there are a lot of times when you just get the bill â no one comes over to ask, âDid you have a good time? Did you enjoy it?â I would say thatâs a common mistake not asking for feedback. But sometimes people would rather not ask because they donât want to hear the answer.
Whatâs your favorite cuisine or dish toâŻeat?
I hope youâre not going to hate me for this, but I donât actually have a favorite dish. I genuinely love all food â I promise you, I really love food. Iâm not the kind of person who says, âOh, I only love Italian.â But I will say that I do love fusion items. I love experimenting, I love combining Asian with other cuisines, like, why not have an Asian-style burger? So Iâd say fusion food is probably my favorite. But more than specific dishes, I think I love specific ingredients, like butter, cream or herbs.
Whatâs your go-toâŻdish if you haveâŻtoâŻcookâŻsomething quickly atâŻhome?
I think my go-to and my âcooking something quicklyâ are a bit different. My go-to⊠I love cheese. I love anything with cheese, so, like, crackers with cheese. Even if I start cooking something thatâs meant to be quick, I tend to go off track, because I just get inspired and let the flavors flow â and before I know it, an hourâs gone by. So my quick, easy, go-to is probably a little harvest board â something where I can just avoid a cooking accident.âŻ
What customer behavior most annoys you?
I have two that are probably tied. Number one is people leaving without giving feedback. Or people saying everything is great, then leaving a bad review, or guests not giving you the chance to make things right. We take our negative reviews really seriously. And giving negative feedback isnât always a horrible thing â you donât have to do it in a horrible way; it can be very constructive.
But also, itâs when guests want to change the dishes too much. You come to have an experience, and then you change the dishes so much that theyâre not even recognizable. That happens a lot. Sometimes people come in and say, âOh, can I have that instead of this?â or âI donât like that, can I have this instead?â And youâre, like, âBut we donât actually have that on the menu.â And sometimes that even leads to a complaint.âŻ
Whatâs your favorite dishâŻtoâŻcookâŻ?
Anything around the fire really brings me back home because Iâm South African. Having a barbecue is something that brings people together. Itâs always about everyone bringing a dish. I do have a passion for anything cooked over fire. Nothing can beat a good steak on a fire â that crust you get, the fat that renders down⊠nothing compares. Even with vegetables, that smokiness, the char, it really adds something. Itâs a little bit of home away from home.
Whatâs the most difficult dish forâŻyouâŻtoâŻget right?âŻ
Definitely a souffle. A souffle is one of those things that can flop in the oven depending on your mood. You could do everything right, but if youâre in a bad mood, the souffle just doesnât souffle. Itâs just one of those things I honestly try to avoid. If anyone ever asked me, âAre you going to put a souffle on the menu?â Iâd be like, âNo.â Even if you have everything perfect â the oven, the temperature, the ingredients â itâs just one of those things that really picks up on your energy.
As a headâŻchef, what are you like? Are you laid back? Strict?
I think my team would tell you I definitely love to keep good vibes in the kitchen. We spend a lot of time with the people we work with, and itâs already such a high-pressure industry, so I definitely donât want people coming in and not being happy in the place they work. Itâs important to always provide a safe space for people. Youâre constantly teaching, so you donât want to be unapproachable. But, at the same time, having boundaries is very important. Iâm not like I was maybe 10 years ago â back then I was a bit more Gordon Ramsay-style crazy. But as you get older and reach certain levels in your career, you start to realize that hitting someone over the head with a pan is probably not the best way to get a positive reaction. You have to have a good balance. Thatâs something I always strive for.
Chef Carmenâs egg carbonaraâŻ
Chef Carmenâs egg carbonara. (Supplied)
±őČÔČ”°ù±đ»ćŸ±±đČÔłÙČő:âŻ&ČÔČúČő±è;
1 plain croissant
40g grated parmesan
40g sliced beef bacon
3 eggs
50g brown mushrooms, roughly chopped
10g truffle paste
100ml cream
40g butter
2ml truffle oil
0.1g dried edible flowers
3 sprigs of parsleyâŻ
±Ê°ù±đ±èČč°ùČčłÙŸ±ŽÇČÔ:âŻ&ČÔČúČő±è;
Slice the croissant lengthwise and toast until lightly golden. Set aside.
In a separate bowl, whisk the eggs until fluffy and then fold in the cream and truffle paste.
Lower the heat and pour the egg mixture into the pan with bacon and mushrooms. Stir slowly and gently until all combined and creamy. Cook to preferred doneness.
Once the eggs are almost at preferred doneness, season well and finish with a drizzle of truffle oil.
Plating:
On a plate, scatter the grated Parmesan in a wide circle, leaving the centre slightly bare.
Place the toasted croissant in the centre of the plate and generously spoon the truffled egg mixture into the croissant, making it flow out onto the plate.
Sprinkle with grated Parmesan, garnish with dried edible flowers, and finish with three small parsley sprigs on either side.
REVIEW: âThe Paperâ â follow-up to âThe Officeâ lacks spark of predecessor
Updated 12 September 2025
Adam Grundey
DUBAI: Itâs a bold move, returning to the world of one of the most beloved comedies in US TV history. But thatâs what creators Greg Daniels and Michael Coman are doing with âThe Paper.â
Set in the same fictional universe as the US version of âThe Officeâ (for which Daniels was the showrunner) â itself an adaptation of Ricky Gervaisâ and Stephen Merchantâs magnificent UK mockumentary series â âThe Paperâ finds the same documentary crew that covered the team at Dunder Mifflin searching for a new subject. They settle on The Toledo Truth Teller, a struggling local newspaper owned by Enervate â a company that treats it as an afterthought to its real business of selling toilet rolls and other paper-based household products. Coincidentally, one of Enervateâs accountants is Oscar Martinez (played by Oscar Nunez), formerly of Dunder Mifflin.
The Truth Teller has a new editor-in-chief, Ned Sampson (Domhnall Gleeson) â a good-hearted, idealistic, privileged man with no experience, but whose father is a friend of Enervateâs CEO Marv Putnam. Ned is keen to shake things up at the tired old paper, which now relies solely on wire services for its print edition, put together by compositor Mare Pritti (Chelsea Frei), while its online platform, headed by the ambitious anti-Ned, Esmeralda Grand (Sabrina Impacciatore), churns out the kind of awful clickbait even the Mail Online might baulk at.
Ned wants to get back to the paperâs roots with community-focused originals. The problem? Thereâs no budget. He persuades Marv to let him recruit volunteer writers from throughout the company to give some of their work time over to the Truth Teller.
Itâs a pretty good set-up, but despite a few glimmers of promise, âThe Paperâ is, at best, a serviceable piece of background television. Gleeson and Frei have good chemistry â Ned and Mare are basically the Jim and Pam of the show, complete with will-they-wonât-they plotline. But their grounded â and grounding â performances clash with the broader comedy of others, particularly Impacciatoreâs portrayal of the flamboyant, entirely un-self-aware Esmeralda. The latter seems to belong in a laughter-tracked sitcom rather than a mockumentary.
It's watchable enough, and thereâs definitely potential here. âThe Office,â in the US, took a while to find its feet and Daniels should have enough credit banked to earn a second season. At the moment, though, âThe Paperâ falls well short of hopes and expectations.