șÚÁÏÉçÇű

șÚÁÏÉçÇű returns to London Design Biennale with ‘Good Water’ pavilion

șÚÁÏÉçÇű returns to London Design Biennale with ‘Good Water’ pavilion
Non-potable water truck, 2025. Photo by Aziz Jamal. (Courtesy of the Architecture and Design Commission).
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Updated 27 March 2025

șÚÁÏÉçÇű returns to London Design Biennale with ‘Good Water’ pavilion

șÚÁÏÉçÇű returns to London Design Biennale with ‘Good Water’ pavilion

DHAHRAN: șÚÁÏÉçÇű will participate at the London Design Biennale 2025 with “Good Water,” an exhibition exploring the hidden costs and economies of water, running from June 5-29 at Somerset House.

Commissioned by the Architecture and Design Commission, the pavilion is curated by a multidisciplinary design collective comprising Alaa Tarabzouni, Aziz Jamal, Dur Kattan and Fahad bin Naif. Drawing on their backgrounds in architecture, design and the arts, they will challenge conventional notions of access, distribution and the perceived value of water.

Sumaya Al-Sulaiman, CEO of the Architecture and Design Commission, said: “șÚÁÏÉçÇű’s return to the London Design Biennale marks another chapter in our commitment to design as a tool for dialogue and cultural exchange. We look forward to engaging in conversations on creativity, innovation, and systems thinking during our fourth participation in the event.”

The exhibition responds to this year’s biennale theme “Surface Reflections,” by inviting visitors to reconsider their relationship with water.

At the heart of the Saudi pavilion is a sabeel, a traditional water fountain deeply rooted in Saudi culture that provides complimentary water to anyone who passes by. It is seen as a symbol of hospitality and generosity.

The sabeel, within this context, represents a paradox. While it offers water freely, the reality is that no water is truly free, the exhibition argues. Every drop is made possible through a network of labor, energy and infrastructure — whether extracted through costly desalination, bottled and imported or transported through vast water systems requiring maintenance and oversight. The cost is absorbed by governments, corporations, and workers, yet the long-term impact is shared by all.

In this showcase, “Good Water” repositions the sabeel not just as a gesture of goodwill, but as a question: Who pays for “free” water? What does it truly cost?

“The pavilion uses familiar elements to draw attention to water’s hidden economies,” said the participants Tarabzouni, Jamal, Kattan and bin Naif in a joint statement. “It encourages visitors to drink with awareness, to acknowledge the price, and to recognize that while the cost of good water may be borne by someone else, it ultimately affects everyone. By relocating the sabeel to the London Design Biennale—where water scarcity is not an immediate concern—we reframe it as an object of scrutiny, making the invisible visible and the passive active.”

In 2023, șÚÁÏÉçÇű participated at the 4th London Design Biennale with a pavilion titled “Woven” by Ruba Alkhaldi and Lojain Rafaa. 


Andrea Wazen gets the celebrity nod of approval

Andrea Wazen gets the celebrity nod of approval
Updated 13 September 2025

Andrea Wazen gets the celebrity nod of approval

Andrea Wazen gets the celebrity nod of approval

DUBAI: US actress Ariana Greenblatt arrived at the official reopening of the House of Dior in New York this week in a striking outfit that highlighted design talent from the Arab World.

The 18-year-old star chose heels by Lebanese designer Andrea Wazen, stepping out in the brand’s Double Jeu Platform style in black.

Greenblatt paired the statement shoes with a sleek, tailored long black coat that buttoned down the front and was styled as a dress. She accessorized with a quilted black handbag and narrow sunglasses, while her hair was parted neatly down the middle into a bob.

The 18-year-old star chose heels by Lebanese designer Andrea Wazen, stepping out in the brand’s Double Jeu Platform style in black. (Getty Images)

The Dior event marked the official opening of the French fashion house’s newly renovated flagship store on 57th Street. Attendees were also treated to a glimpse of Northern Irish fashion designer Jonathan Anderson’s debut womenswear collection for Dior.

The event, just ahead of New York Fashion Week, brought together VIP guests and friends of the brand for an exclusive preview, including Indian actress and film producer Priyanka Chopra, Japanese actress and singer Anna Sawai, and US actors Alexandra Daddario, Kate Mara, Ashley Park, Ben Ahlers, Kristin Davis, Sam Nivola, Lux Pascal, Danielle Deadwyler and Edmund Donovan.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Lebanese designer Wazen trained in Paris and London, and launched her eponymous brand in 2017. Her clothes are known for their sleek silhouettes and meticulous craftsmanship, and she has become a prominent name in luxury footwear, putting Lebanese design on the global fashion map. Her creations have been worn by the likes of Jennifer Lopez, Katy Perry, Kylie Jenner, Hailey Bieber, Cardi B and more.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

The same model of heels that Greenblatt wore were previously championed by Ariana Grande in 2023 while filming the adaptation of “Wicked.” They were also worn by Lopez during an appearance on “Jimmy Kimmel Live!” that same year.

Beyond celebrity endorsements, Wazen has earned industry acclaim, receiving the Fashion Trust Arabia Accessories Designer Award in 2019 and the Emerging Talent prize at the Footwear News Achievement Awards in 2020.


Palestinian heritage on global stage with Reemami’s rise from UAE to Bella Hadid’s wardrobe

Palestinian heritage on global stage with Reemami’s rise from UAE to Bella Hadid’s wardrobe
Updated 13 September 2025

Palestinian heritage on global stage with Reemami’s rise from UAE to Bella Hadid’s wardrobe

Palestinian heritage on global stage with Reemami’s rise from UAE to Bella Hadid’s wardrobe
  • Founder Reema Al-Banna proudly showcases Palestinian culture
  • Bella Hadid validates her design vision, Al-Banna tells Arab News

DUBAI: What began as a side passion for UAE-based graphic designer Reema Al-Banna has grown into one of the region’s most distinctive fashion houses, recently shown off by global style icon Bella Hadid.

Founded in 2010, Reemami is an independent fashion label known for its bold cuts, experimental silhouettes, and intricate textile storytelling rooted in Palestinian heritage and culture.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Al-Banna started her career in an advertising agency in Dubai but felt it was not giving her the freedom of expression she was looking for.

“In 2010, I applied for a fashion competition hosted by Sauce Boutique, where my collection was noticed and encouraged. They pushed me to start my own line, and that’s how Reemami was born,” she told Arab News.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Fast-forward to the summer of 2025 and supermodel Bella Hadid was spotted wearing a Reemami denim jacket.

“I still remember scrolling through Instagram and spotting just the corner of a denim shade in her story that looked so familiar.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

“At first, I thought, that looks like Reemami 
 but could it really be? Then the photos came out and there it was, our jacket. That moment was so surreal and beautiful,” she said.

“The vision I once doubted was celebrated and admired by one of the most influential voices in fashion. Bella isn’t just a trendsetter, she’s a mover and shaker of the industry, someone whose choices matter,” added Al-Banna.

Al-Banna said the region is flourishing and designers are given support and platforms to share their art with the world.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

“Regional designers today are really pushing boundaries, creating work with quality that competes internationally, while keeping our own unique flair.

And it’s not just here in the UAE — there’s been incredible support and energy across șÚÁÏÉçÇű, Qatar, Lebanon, and Egypt. It’s been so lovely to watch and be part of this growth,” she added.

Al-Banna prides herself on using “conscious environmental” practices when producing her garments.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

“I don’t mass produce or follow the rigid four-seasons-a-year model. Almost everything on my website is available through pre-order, and I only produce what’s ordered,” she explained.

“I also work with deadstock fabrics from local suppliers and collaborate closely with factories in the UAE,” said Al-Banna.


Who’s who at the Riyadh Comedy Festival 

Who’s who at the Riyadh Comedy Festival 
Updated 12 September 2025

Who’s who at the Riyadh Comedy Festival 

Who’s who at the Riyadh Comedy Festival 

Whitney Cummings 

Whitney Cummings. (Getty Images)

Who: US stand-up, actor, and podcaster. 

Best known for: The “Good For You” podcast; co-creating “2 Broke Girls.” 

She says: “When you get in a room with a bunch of people and no one knows who everyone else is, and they’re all laughing at the same stuff 
 we’re not that divided. If you go to a comedy show, you’ll see that.” (CleveRock.com) 

Appearing: Sept. 26 

Maz Jobrani  

Maz Jobrani.  (AFP)

Who: US stand-up and actor of Iranian heritage. 

Best known for: ‘The Axis of Evil,’ tour; the “Minivan Men” podcast; his memoir “I’m Not a Terrorist, but I’ve played one on TV.” 

He says: “Throughout my life and throughout my comedy I’ve talked about being Iranian, about being an immigrant. And I am very much in support of immigrants in America.” (CNN) 

Appearing: Sept. 26 

Dave Chappelle 

Dave Chappelle. (AFP)

Who: US stand-up and actor. 

Best known for: Multi-million-dollar Netflix comedy-special deal; six Grammy-winning comedy albums; five Emmy wins; the 2019 Mark Twain Prize for American Humor. 

He says: “I'm either gonna be a legend or just that tragic story, but I'm going full throttle; I'm going all the way. I'm eager to find out how this will resolve itself.” (“Inside The Actor’s Studio”) 

Appearing: Sept. 27 

Kevin Hart 

Kevin Hart. (AFP)

Who: This feels redundant — he’s got 177 million Instagram followers.  

Best known for: Diminutive-sidekick movie roles; four Grammys; two Emmys; the 2024 Mark Twain Prize. 

He says: “I’m giving you an experience through a story that is relatable, and more importantly, I’m saying things that other people just don’t have the heart to say.” (“60 Minutes”) 

Appearing: Sept. 28 

Aziz Ansari 

Aziz Ansari. (AFP)

Who: US actor and comedian of Indian heritage. 

Best known for: “Parks and Recreation”; “Master of None,” for which he won two Emmys and a Golden Globe. 

He says: “Anytime you feel something strong, pain or joy, if you’re a comedian or a writer, then you’ve got to note it and find out what’s creating that strong emotion. What’s beautiful about it is that it’s a common experience.” (The Guardian) 

Appearing: Sept. 28 

Gabriel Iglesias 

Gabriel Iglesias. (AFP)

Who: US comedian and actor of Mexican heritage. 

Best known for: The first two “Magic Mike” films; “Mr. Iglesias”; his nickname, “Fluffy” — as in, “I’m not fat, I’m fluffy.” 

He says: “I still feel like I have a lot of dues to pay as an actor. I don’t consider myself a seasoned veteran of acting. I do consider myself that as a comic.” (Forbes)  

Appearing: Oct. 1 

Russell Peters 

Russell Peters. (AFP)

Who: Canadian stand-up and actor of Indian heritage. 

Best known for: Being the first comedian to get a Netflix special; setting records for ticket sales in several countries. 

He says: “Comedians look at everyone else as civilians. You guys are all civilians to us. We have a very dark way of looking at things. 
 We’ll find something funny about whatever disaster happened.” (Marriska Fernandes) 

Appearing: Oct. 2 

Chris Tucker 

Chris Tucker. (AFP)

Who: US comedian and actor 

Best known for: The “Rush Hour” film franchise. 

He says:  I want everybody to come to my show to laugh, have fun, to learn something — learn about what I’m thinking about — and then what got me to my point in life or success. That’s my whole goal.” (Page Six) 

Appearing: Oct. 2 

Zarna Garg 

Zarna Garg. (AFP)

Who: Indian-American stand-up and screenwriter. 

Best known for: “A Nice Indian Boy”; her memoir “This American Woman.” 

She says: “I don’t want to change people’s minds. I’m not a political comic. I’m not here to prove to somebody that I’m an artist at this level or that level. I’m here to serve my audience. They’re giving me a very important asset, which is their time, and I take every second seriously, almost to the point of insanity.” (Glamour) 

Appearing: Oct. 2 

Mark Normand 

Mark Normand. (AFP)

Who: US stand-up and actor. 

Best known for: Several stand-up specials; his podcasts “Tuesdays with Stories” and “We Might Be Drunk.” 

He says: “We (comedians) should all be grateful we get to do this. So enjoy it, don't abuse it, and work hard at it. Make it about the audience, not about you. Try to make them laugh. Entertain them instead of just being indulgent.” (The Comedy Gazelle) 
Appearing: Oct. 3 

Jimmy Carr 

Jimmy Carr(AFP)

Who: Irish-British comedian and TV host. 

Best known for: “Last One Laughing”; “8 out of 10 Cats”; dealing with hecklers; having an annoying laugh. 

He says: “There’s nothing more exciting than a new joke that works. The joke doesn’t even exist when it’s just a thought, it only exists when you tell it someone. And that excites me.”  

Appearing: Oct. 6 

Jo Koy 

Jo Koy. (AFP)

Who: US stand-up and actor with part-Filipino heritage. 

Best known for: “Easter Sunday”; hosting the 2024 Golden Globes. 

He says: “I love the art of storytelling and that's my favorite style of standup and my intentions were always to be able to have you see it when I do it on stage. In your head, you can already visualize it.” (Collider) 
Appearing: Oct. 8 

Tom Segura 

Tom Segura. (AFP)

Who: US stand-up, actor, and podcaster of part-Peruvian heritage. 

Best known for: “Bad Thoughts”; his podcasts “Your Mom’s House” and “Two Bears One Cave.” 

He says: “My mom finds me funny but absolutely disgusting. And I could not enjoy that more. To get somebody to gasp and laugh, or drop their head and laugh, there’s something in that moment that feels very much like love.” (Vulture) 

Appearing: Oct. 8 

Sebastian Maniscalco 

Sebastian Maniscalco​​​​​​. (AFP)

Who: US stand-up and actor of Italian heritage. 

Best known for: “About My Father”; several comedy specials. 

He says: “You don’t become a bodybuilder the first day you start lifting weights. Same thing with comedy. You gotta flesh out your joke, your bit. You add and subtract. You see what works.” (Dolce Magazine) 

Appearing: Oct. 9 


Recipes for success: Chef Carmen Landsberg offers advice and a tasty egg carbonara recipe

Recipes for success: Chef Carmen Landsberg offers advice and a tasty egg carbonara recipe
Updated 12 September 2025

Recipes for success: Chef Carmen Landsberg offers advice and a tasty egg carbonara recipe

Recipes for success: Chef Carmen Landsberg offers advice and a tasty egg carbonara recipe

DUBAI: For Carmen Landsberg, the kitchen has always felt like home — a place of creativity, comfort and connection. Born in the small South African town of Empangeni and raised in a family passionate about cooking, Landsberg found her love for the kitchen at an early age. 

“I enjoyed cooking from a really young age. It’s always kind of been in my family. I think I’m the only one that’s a professional chef, but we’ve always been surrounded by food — and obviously, being South African, it’s very much part of our culture,” she tells Arab News. “It’s a gathering. It’s about getting together.” 

She credits her uncle for sparking her interest: “I spent a lot of time on our family farm. I’d get tomatoes from the garden and maybe make some tomato soup from very few ingredients.” 

Now group executive chef at Brunch & Cake Global, she leads the brand’s expansion across the GCC and beyond, including the Kingdom. 

For Carmen Landsberg, the kitchen has always felt like home. (Supplied)

“What excites me most about șÚÁÏÉçÇű is the growing appetite for unique and global food experiences,” she says. “There’s an incredible energy. People are curious, open-minded, and eager to explore new flavors and concepts. It’s a vibrant, fast-evolving landscape, and I’m proud to be part of bringing Brunch & Cake into that.”  

When you started out, what was the most common mistake you made? 

Letting the pressure get to me and not utilizing the things around me to make my life easier. Like, using the wrong utensils and equipment — trying to take shortcuts. Specific tools are there to make everything easier for you. Like having a sharp knife, using a slotted spoon to pick up a poached egg instead of just quickly grabbing anything, or not using tongs to pick up pasta out of boiling water, or using a proper pasta basket, for example.  

What’s your top tip for amateur chefs?  

Investing in a good knife is key. Your knives are everything. They are your best friend. And, more generally, don’t overcomplicate things. Less is always best, I’d say.  

Brunch and Cake in King Abdullah Financial District. (Supplied)

What one ingredient can instantly improve any dish?  

I think citrus is probably my top one. Anything with a little bit of acidity can lighten up something that’s very heavy. If you over-season or over-salt something, adding a little bit of lemon helps. Lemon would definitely be my go-to.  

When you go out to eat, do you find yourself critiquing the food?  

I do notice things, but I don’t actively go out looking for them. I think being a chef makes you more lenient, actually. I try to let people do what they’re good at and just enjoy the experience. Do I notice things? Of course. It’s in my nature. But I don’t want to be obnoxious. I’m happy to go to a burger place and just appreciate that I’m there for a burger and enjoy that. But if someone does ask, I’ll give feedback. That’s important. If someone asks me, “How was it?” and I genuinely feel that I didn’t enjoy a specific thing, or maybe we didn’t get proper service, I’ll say something like, “Everything was amazing, but it would’ve been helpful if someone came to check on our table a bit more.” I’d approach it like that.  

What’s the most common issue that you find in other restaurants?  

I often notice that, after you’ve eaten, there are a lot of times when you just get the bill — no one comes over to ask, “Did you have a good time? Did you enjoy it?” I would say that’s a common mistake not asking for feedback. But sometimes people would rather not ask because they don’t want to hear the answer.  

What’s your favorite cuisine or dish to eat?  

I hope you’re not going to hate me for this, but I don’t actually have a favorite dish. I genuinely love all food — I promise you, I really love food. I’m not the kind of person who says, “Oh, I only love Italian.” But I will say that I do love fusion items. I love experimenting, I love combining Asian with other cuisines, like, why not have an Asian-style burger? So I’d say fusion food is probably my favorite. But more than specific dishes, I think I love specific ingredients, like butter, cream or herbs.  

What’s your go-to dish if you have to cook something quickly at home?  

I think my go-to and my “cooking something quickly” are a bit different. My go-to
 I love cheese. I love anything with cheese, so, like, crackers with cheese. Even if I start cooking something that’s meant to be quick, I tend to go off track, because I just get inspired and let the flavors flow — and before I know it, an hour’s gone by. So my quick, easy, go-to is probably a little harvest board — something where I can just avoid a cooking accident.  

What customer behavior most annoys you? 

I have two that are probably tied. Number one is people leaving without giving feedback. Or people saying everything is great, then leaving a bad review, or guests not giving you the chance to make things right. We take our negative reviews really seriously. And giving negative feedback isn’t always a horrible thing — you don’t have to do it in a horrible way; it can be very constructive. 

But also, it’s when guests want to change the dishes too much. You come to have an experience, and then you change the dishes so much that they’re not even recognizable. That happens a lot. Sometimes people come in and say, “Oh, can I have that instead of this?” or “I don’t like that, can I have this instead?” And you’re, like, “But we don’t actually have that on the menu.” And sometimes that even leads to a complaint.  

What’s your favorite dish to cook ? 

Anything around the fire really brings me back home because I’m South African. Having a barbecue is something that brings people together. It’s always about everyone bringing a dish. I do have a passion for anything cooked over fire. Nothing can beat a good steak on a fire — that crust you get, the fat that renders down
 nothing compares. Even with vegetables, that smokiness, the char, it really adds something. It’s a little bit of home away from home. 

What’s the most difficult dish for you to get right?  

Definitely a souffle. A souffle is one of those things that can flop in the oven depending on your mood. You could do everything right, but if you’re in a bad mood, the souffle just doesn’t souffle. It’s just one of those things I honestly try to avoid. If anyone ever asked me, “Are you going to put a souffle on the menu?” I’d be like, “No.” Even if you have everything perfect — the oven, the temperature, the ingredients — it’s just one of those things that really picks up on your energy. 

As a head chef, what are you like? Are you laid back? Strict? 

I think my team would tell you I definitely love to keep good vibes in the kitchen. We spend a lot of time with the people we work with, and it’s already such a high-pressure industry, so I definitely don’t want people coming in and not being happy in the place they work. It’s important to always provide a safe space for people. You’re constantly teaching, so you don’t want to be unapproachable. But, at the same time, having boundaries is very important. I’m not like I was maybe 10 years ago — back then I was a bit more Gordon Ramsay-style crazy. But as you get older and reach certain levels in your career, you start to realize that hitting someone over the head with a pan is probably not the best way to get a positive reaction. You have to have a good balance. That’s something I always strive for. 

Chef Carmen’s egg carbonara  

Chef Carmen’s egg carbonara. (Supplied)

±őČÔČ”°ù±đ»ćŸ±±đČÔłÙČő: &ČÔČúČő±è;

1 plain croissant 

40g grated parmesan 

40g sliced beef bacon 

3 eggs 

50g brown mushrooms, roughly chopped 

10g truffle paste 

100ml cream 

40g butter 

2ml truffle oil 

0.1g dried edible flowers 

3 sprigs of parsley  

±Ê°ù±đ±èČč°ùČčłÙŸ±ŽÇČÔ: &ČÔČúČő±è;

Slice the croissant lengthwise and toast until lightly golden. Set aside. 

In a heated pan, add the butter, chopped chopped mushrooms, and bacon slices. SautĂ© until the mushrooms are soft and the bacon is crispy. 

In a separate bowl, whisk the eggs until fluffy and then fold in the cream and truffle paste. 

Lower the heat and pour the egg mixture into the pan with bacon and mushrooms. Stir slowly and gently until all combined and creamy. Cook to preferred doneness. 

Once the eggs are almost at preferred doneness, season well and finish with a drizzle of truffle oil. 

Plating: 

On a plate, scatter the grated Parmesan in a wide circle, leaving the centre slightly bare. 

Place the toasted croissant in the centre of the plate and generously spoon the truffled egg mixture into the croissant, making it flow out onto the plate. 

Sprinkle with grated Parmesan, garnish with dried edible flowers, and finish with three small parsley sprigs on either side. 


REVIEW: ‘The Paper’ — follow-up to ‘The Office’ lacks spark of predecessor

REVIEW: ‘The Paper’ — follow-up to ‘The Office’ lacks spark of predecessor
Updated 12 September 2025

REVIEW: ‘The Paper’ — follow-up to ‘The Office’ lacks spark of predecessor

REVIEW: ‘The Paper’ — follow-up to ‘The Office’ lacks spark of predecessor

DUBAI: It’s a bold move, returning to the world of one of the most beloved comedies in US TV history. But that’s what creators Greg Daniels and Michael Coman are doing with “The Paper.”

Set in the same fictional universe as the US version of “The Office” (for which Daniels was the showrunner) — itself an adaptation of Ricky Gervais’ and Stephen Merchant’s magnificent UK mockumentary series — “The Paper” finds the same documentary crew that covered the team at Dunder Mifflin searching for a new subject. They settle on The Toledo Truth Teller, a struggling local newspaper owned by Enervate — a company that treats it as an afterthought to its real business of selling toilet rolls and other paper-based household products. Coincidentally, one of Enervate’s accountants is Oscar Martinez (played by Oscar Nunez), formerly of Dunder Mifflin.

The Truth Teller has a new editor-in-chief, Ned Sampson (Domhnall Gleeson) — a good-hearted, idealistic, privileged man with no experience, but whose father is a friend of Enervate’s CEO Marv Putnam. Ned is keen to shake things up at the tired old paper, which now relies solely on wire services for its print edition, put together by compositor Mare Pritti (Chelsea Frei), while its online platform, headed by the ambitious anti-Ned, Esmeralda Grand (Sabrina Impacciatore), churns out the kind of awful clickbait even the Mail Online might baulk at.

Ned wants to get back to the paper’s roots with community-focused originals. The problem? There’s no budget. He persuades Marv to let him recruit volunteer writers from throughout the company to give some of their work time over to the Truth Teller.

It’s a pretty good set-up, but despite a few glimmers of promise, “The Paper” is, at best, a serviceable piece of background television. Gleeson and Frei have good chemistry — Ned and Mare are basically the Jim and Pam of the show, complete with will-they-won’t-they plotline. But their grounded — and grounding — performances clash with the broader comedy of others, particularly Impacciatore’s portrayal of the flamboyant, entirely un-self-aware Esmeralda. The latter seems to belong in a laughter-tracked sitcom rather than a mockumentary.

It's watchable enough, and there’s definitely potential here. “The Office,” in the US, took a while to find its feet and Daniels should have enough credit banked to earn a second season. At the moment, though, “The Paper” falls well short of hopes and expectations.