New book series ‘Arabian Explorers’ reintroduces seminal works on Arabian history

New book series ‘Arabian Explorers’ reintroduces seminal works on Arabian history
William Gifford Palgrave's travel itinerary. (Supplied)
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Updated 30 January 2025

New book series ‘Arabian Explorers’ reintroduces seminal works on Arabian history

New book series ‘Arabian Explorers’ reintroduces seminal works on Arabian history
  • Travelogues from Burton, Doughty, Wellsted and Palgrave feature in Arabian Explorers Series  

DUBAI: Driven by romanticism, imperial ambition, and scholarly curiosity, a succession of European adventurers set sail for Arabia throughout the 19th century, laden with expectation and a desire to unravel its mysteries. For many, the goal was a deeper understanding of the region’s history, religion, geography, peoples, and wildlife, as well as the uncovering of Biblical truth. For some, natural history, ethnology, cartography, and archaeology were combined into a single expedition, resulting in the publication of multi-disciplinary personal narratives that fed the Victorian hunger for adventure, discovery, and escapism. 

Among them were Charles Montagu Doughty — the first European to enter Hegra, the Nabateans’ second city after Petra — and James Raymond Wellsted, a second lieutenant of the East India Company, who survived a hurricane off the coast of Magna and took part in a detailed study of the Gulf of Aqaba. Arguably the most famous, however, was the eccentric Englishman Richard Francis Burton, a complex figure remembered for his keen sense of adventure, overt Orientalism, and undertaking the Hajj in disguise. He also embarked on an outlandish mission in search of the legendary gold mines of Midian, an ancient region or tribal confederation mentioned in both the Qur’an and the Bible and thought to be located in north-west Arabia. 

The newly-published Arabian Explorers Series reintroduces travelogues by all three, as well as by William Gifford Palgrave, an intriguing figure who served variously as a soldier, interpreter, priest, missionary, spy, and diplomat. Published by Empty Quarter Press, the series seeks to bring the authors’ vivid depictions of Arabia to a new audience. 




William Gifford Palgrave. (Supplied)

“Throughout their journeys, each author recorded some of the most detailed analyses and observations of Arabia in the English language and precious details about society, cultural customs, political structures, ancient heritage sites, and the shifting power dynamics of the peninsula in this period,” says Jeff Eamon, editor-in-chief at Empty Quarter Press. “We aim to couch each text in its proper context so readers can appreciate their significant historical value (and) understand each author’s subjectivities and perspectives.” 

The reprints include newly commissioned maps, glossaries, and forewords by leading historians, placing these complex and often provocative legacies in context. Included are new editions of Palgrave’s “Personal Narrative of a Year’s Journey Through Central and Eastern Arabia (1862-63),” first published in 1865; volume one of Burton’s “The Land of Midian (Revisited),” originally published in 1879; Wellsted’s “Travels in Arabia Volume Two,” printed in 1838; and Doughty’s “Travels in Arabia Deserta Volume One,” a monumental text first published in 1888. 

“Much of the written information that we have about 19th-century Arabia comes from these travelogues,” explains Eamon. “They have long provided precious information for scholars, students of history, and general readers interested in Arabian culture, social customs, and heritage. With ’s current investment in its wealth of cultural assets and heritage sites, these publications are amazing sources of information. Doughty, for instance, is the first to document Hegra in minute detail, with detailed sketches of the Nabataean tombs, which have become a major part of ’s cultural offering.” 




Charles Montagu Doughty was the first known European to enter Hegra and he provided glimpses of the area through his sketches. (Supplied)

The four travelogues have inspired academic inquiry for over a century, but have also sparked debate, not least because of the biases inherent in their authors’ views. Burton in particular, has faced accusations of Orientalism and of perpetuating stereotypical views of Arabia. His observations were often tinged with a sense of superiority and colonial arrogance, although he had great admiration for both Islam and Arab culture. 

“Burton’s views on the Arab world were complicated,” admits Dane Kennedy, a historian of the British imperial world and author of the foreword to “The Land of Midian (Revisited).” “His comments on the Bedouin could be highly critical, though he also promoted a romanticized view of them as princes of the desert. Furthermore, he was a forceful defender of the Islamic faith and Arab culture, so much so that many of his countrymen ostracized him, believing him to be a convert to Islam. 

“He was a man of many talents and vast contradictions. He was both an agent of British imperialism and a critic of it. He was a bigot and a relativist. He was, above all, a man of immense curiosity about other cultures, and he sought to satisfy that curiosity by learning some 25 languages, travelling widely across India, Arabia, Africa, Latin America, and other lands, and often acquiring an intimate knowledge of the local communities he encountered.” 

Palgrave, who made a foolhardy attempt to cross the Nafud desert in July without local guides and barely made it to salvation in Jubbah, also viewed the world through a Eurocentric, colonial lens. The first Westerner to successfully cross the Arabian Peninsula from the Red Sea to the Arabian Gulf (west to east), he travelled in disguise — as a Syrian physician — and filled his narrative with vivid, compelling observations of the landscapes, tribal dynamics, and cultural practices of the Arabian Peninsula. He achieved immediate acclaim upon the publication of “Personal Narrative,” thanks in part to his love of storytelling. 

“We are now more than 150 years on from Palgrave’s Arabian travels and his narrative can be read on various levels — from travelogue to adventure story,” says James Parry, a cultural heritage writer and author of the foreword to the new edition of “Personal Narrative.” “It’s worth remembering that he had a great sense of theatre and wrote his account with his audience very much in mind — it’s a very entertaining read. His descriptions of the places and tribes he visited are fascinating, even if some of his comments about local people and customs are seen as problematic today. They need to be understood as the product of their time, and his account as an historical document.” 

All four travelogues filled in much of the outside world’s knowledge of the Arabian Peninsula. Burton’s account of his journey from Cairo to Makkah, for example, gave the British public a much richer understanding of the region and its peoples. 

“Despite their flaws, it is important to recognize that each author spent years travelling in Arabia, learning the language and customs of its people long before mass transit made the peninsula easily accessible to outsiders,” says Eamon. “While some of their observations can be dismissed now, they nonetheless help paint a picture of pre-industrial Arabia.  

“History-telling is fickle,” he adds. “It carries with it the same baggage that weighs down any human experience. The Arabian Explorers Series is just this: a collection of human experiences, however flawed, that contribute to the broader mosaic that is the history of Arabia.” 


How Cairo Design Week is taking Arab design to the world stage

How Cairo Design Week is taking Arab design to the world stage
Updated 13 October 2025

How Cairo Design Week is taking Arab design to the world stage

How Cairo Design Week is taking Arab design to the world stage

DUBAI: As the global design community turns its eyes to Cairo this November, the Egyptian capital is preparing to host the third edition of Cairo Design Week, a platform that highlights the region’s creativity, heritage and innovation.

At the heart of the movement is designer Hisham Mahdy, who founded the event in 2022 after decades in the design industry.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

“Over 25 years, my design vision evolved with Egypt; from decoration and function to a language shaping culture, identity and the future,” he told Arab News. “I shifted from solo projects to building an ecosystem that nurtures talent, connects creatives, and bridges heritage with innovation.”

Before Cairo Design Week came the Cairo Design Award, launched in 2017 to recognize Egypt’s growing creative community.

“We had talent but no platform to showcase it, so I launched the Cairo Design Award as a statement that design matters,” Mahdy said. “CDA became a space for creatives to connect and be seen. But it needed a bigger stage — one that brought design into public life. That’s how Cairo Design Week was born.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Now entering its third year, the event continues to expand across Cairo’s districts, activating heritage sites and building stronger global collaborations.

“The first edition tested the waters; the second proved its staying power. Now we’ve expanded into new districts, activated more heritage sites, and deepened collaborations,” Mahdy said. “CDW is no longer just an event; it’s becoming a movement.”

This year’s edition will feature exhibitions, fashion shows, installations and talks under the theme “Design, So I Can See You,” inspired by the Greek philosopher Socrates.

“For us, Arab identity isn’t something to be preserved behind glass — it’s living and evolving,” Mahdy said. “We’re not imitating global trends. We’re contributing to them from our own cultural lens."


Palestinian Jordanian artist Zeyne gears up for album release

Palestinian Jordanian artist Zeyne gears up for album release
Updated 12 October 2025

Palestinian Jordanian artist Zeyne gears up for album release

Palestinian Jordanian artist Zeyne gears up for album release

DUBAI: Palestinian Jordanian artist Zeyne is gearing up for the release of her album “Awda” on Oct. 16.

The singer shared the track list, including 13 songs, and also took to Instagram this week to share behind-the-scenes photographs from a recent performance in ’s AlUla.

Saudi label MDLBEAST this week revealed that the artist’s music has been submitted for consideration in four categories at next year’s Grammy Awards.

The record label submitted the songs “Asli Ana” and “Hilwa” for the Best Global Music Performance award and the Best Music Video award.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Zeyne’s most recent single “Hilwa” dropped in July and the artwork — shot by Zaid Allozi — shows three women interlocked by their braided hair.

“The image shows three generations — me, my mother and my grandmother — all connected by one continuous braid. It’s a symbol of inheritance; the quiet strength and love passed from one woman to the next,” Zeyne told Arab News at the time of the release. “The braid holds the kind of love that isn’t always spoken, but is deeply felt and remembered.”

Following Zeyne’s 2024 hit “Asli Ana,” which reimagined Arab rhythmic traditions through a futuristic lens, “Hilwa” pays homage to her mother and grandmother, whose love and wisdom deeply shaped her sense of identity. “While ‘Asli Ana’ was about resistance, ‘Hilwa’ is softer,” she said. 

Born Zein Sajdi in Amman in 1997, Zeyne was raised in a household where music and culture were key. Her father was a record collector, her mother led a dabke troupe and her sister trained as a classical pianist. Zeyne began performing aged five and was already writing her own lyrics in her teens.

Since the release of her 2021 debut single, “Minni Ana,” Zeyne has carved a singular lane in Arab pop — merging traditional Arabic sounds with modern, genre-defying production.

Earlier this year, she launched a three-stop regional mini tour, “The Golden-Hour Run,” that included a landmark performance at the OffLimits Festival in the UAE and stadium appearances as a special guest on Ed Sheeran’s Mathematics Tour in Qatar and Bahrain, where she performed to more than 65,000 people. 

She became the first female artist from the Levant to appear on the globally renowned music platform COLORS with her song “Ma Bansak,” and a viral performance in collaboration with Bottega Veneta blurred the lines between fashion, music and Palestinian resistance.


Vocalists chase singing glory as Pakistan Idol returns after 12 years

Vocalists chase singing glory as Pakistan Idol returns after 12 years
Updated 12 October 2025

Vocalists chase singing glory as Pakistan Idol returns after 12 years

Vocalists chase singing glory as Pakistan Idol returns after 12 years
  • The reality TV singing show is streaming on seven Pakistani channels simultaneously
  • Judges include Fawad Khan, Rahat Fateh Ali Khan, Bilal Maqsood and Zeb Bangash

KARACHI: Aspiring vocalists from across Pakistan lined up to chase stardom as Pakistan Idol returned to the country after a 12-year hiatus with a star-studded jury, wider reach, and a renewed promise to spotlight the country’s untapped musical talent.

Pakistan Idol is part of the global ‘Idol’ franchise, a reality television singing competition format created by British producer Simon Fuller and developed by British firm, Fremantle Limited, which also owns non-scripted formats like Got Talent and The X Factor.

The MHL Global production company, which secured rights for Pakistan Idol 2025 from Fremantle, last month announced that Badar Ikram will produce the show, with Fawad Khan, Rahat Fateh Ali Khan, former Strings band mate Bilal Maqsood and Zeb Bangash as judges.

The first episode of the show went on air on Oct. 4, followed by the second on Oct. 5., broadcast on seven Pakistani TV channels simultaneously.

“Pakistani talent is our real asset. If we don’t provide them with our platform, then it would be an unfair thing,” Rahat Fateh Ali Khan told Arab News, on the sidelines of the auditions in Karachi.

“It isn’t a good thing that the show has come back after 12 years but the best part is that we have come fully prepared this time.”

Ikram said producing the show is “an honor and a responsibility” for him.

“We are determined to deliver a show that reflects the passion, diversity, and raw talent of Pakistan,” he said in a statement prior to airing of the first episode.

“From auditions to the grand stage, our team is working tirelessly to ensure the audience experiences the magic of music and storytelling at a truly global standard.”

The first edition of Pakistan Idol aired in Dec. 2013, featuring Bushra Ansari, Hadiqa Kiani and Ali Azmat as judges.

Auditions of participants from Karachi, Lahore, Islamabad, Rawalpindi, Multan and Sukkur are being aired since Saturday, Oct. 4, trying to make it to the top 30 contestants that will eventually lead to 16 finalists on the show.

Maham Tahir, who hails from the Rahim Yar Khan district, said her audition experience was “really good” and she found the judges to be “kind.”

“[Platforms like Pakistan Idol] are very important for us. Singers like myself, who aren’t valued in the world on a big level, are valued by platforms like these,” Tahir, a student of Lahore’s GC University who was among the top 30 contestants, told Arab News.

“I am fortunate [to make it to the next round]. It’s a miracle for me.”

Bangash, the only woman on the judges’ panel, said they were also looking for females as much as they were looking for male singers.

“Although, I have to say that there are more contestants that are men,” she said, “but that has nothing to do with the platform. I think, as the seasons keep progressing, we’re going to have more and more interest from women.”

Bangash shared they were judging the performances based on a number of things.

“We are trying to be as transparent as we can but at the end of the day, I say that judging music is an interesting idea to begin with because it’s creative expression,” she said. “So, sometimes, it’s subjective, sometimes it’s just the moment [and] sometimes it’s just the song selection.”

Pakistan Idol Season 2 will also be streamed worldwide via UAE-based platform, Begin, that has secured the rights for the show. Viewers in , UAE, Canada and the US will be able to watch it on the Begin app. For those based in the UK, Germany, India, Australia, South Africa and Nigeria, the show can be watched directly via begin.watch.

“The international distribution of Pakistan Idol demonstrates how far South Asian entertainment has come in reaching global audiences,” MHL Global Director Zoya Merchant told Arab News.

“We are proud to see a format rooted in local culture and talent become accessible to viewers worldwide. This collaboration with Begin represents an important step toward integrating Pakistani creativity into the broader entertainment ecosystem.”


Frieze to launch Abu Dhabi art fair in 2026

Frieze to launch Abu Dhabi art fair in 2026
Updated 11 October 2025

Frieze to launch Abu Dhabi art fair in 2026

Frieze to launch Abu Dhabi art fair in 2026

DUBAI: Leading art organization Frieze announced this week its expansion into the Gulf region with the launch of Frieze Abu Dhabi, scheduled to debut in November 2026.

Under a new partnership between the Abu Dhabi Department of Culture and Tourism and Frieze, Abu Dhabi’s flagship art fair will be rebranded as Frieze Abu Dhabi.

The change marks a new phase for Abu Dhabi Art, which has been held annually since 2007 and established itself as a key fixture on the region’s art calendar.

The new fair will represent Frieze’s first venture in the Middle East and its eighth international edition. The organization currently stages two editions in London, along with annual fairs in New York, Los Angeles and Seoul, as well as The Armory Show in New York and Expo Chicago.
 


REVIEW: ‘Chad Powers’ — Glen Powell’s charm rescues Disney’s sports comedy

REVIEW: ‘Chad Powers’ — Glen Powell’s charm rescues Disney’s sports comedy
Updated 11 October 2025

REVIEW: ‘Chad Powers’ — Glen Powell’s charm rescues Disney’s sports comedy

REVIEW: ‘Chad Powers’ — Glen Powell’s charm rescues Disney’s sports comedy

DUBAI: The race for the next “Ted Lasso” continues with “Chad Powers,” which seems like it was put together by a bunch of Disney execs based on focus-group results. Sports? Check (American football). Humor? Check. Recognizable storyline that plays well across demographics? Check. Recognizable star who plays well across demographics? Double-check (Glen Powell plays two roles.)

Fortunately, “Chad Powers” is not as horrific as that scenario sounds. And that’s largely due to the undeniable charisma of its star and co-creator. Powell brings his A-game to a pretty flimsy and derivative plot, and the result is a surprisingly layered take on an old idea.

Powell is Russ Holliday, star quarterback at a major US college whose talent is matched by his narcissism. He manages to ruin his chances of a pro career by melting down in spectacular fashion at a televised championship game, punching a fan into a wheelchair-bound kid with cancer.

Time passes and Holliday is working for his dad — a prosthetics specialist for Hollywood movies with whom he has a shaky relationship at best. Russ is asked to deliver some of said prosthetics to a movie studio. On his drive there, he sees (a) a report that the floundering South Georgia Catfish are holding an open call for a new quarterback and (b) a poster for “Mrs. Doubtfire” (in which Robin Williams’ character disguises himself as an old Scottish woman to maintain contact with his kids following the breakdown of his marriage). You see where this is going?

You do.

Holliday heads to South Georgia, where he dons a wig and prosthetics and becomes Chad Powers, a bumpkin who has rarely left the house at which he was home-schooled (a ruse dreamed up with the help of the team’s mascot, Danny — the only person who knows Chad is really Russ). Cue various set-pieces in which Chad must avoid losing his prosthetics or wig.

And Russ needs not only to maintain his disguise, but to nurture a character entirely unlike his own — i.e. humble, likeable, and a team player. Powell convinces both as the preening braggard Russ and the shy, mumbling Chad.

Along the way, of course, lessons are learned and opportunities open up, including a possible romance with the head coach’s daughter, Ricky (Perry Mattfeld). Which sounds cheesy, but the show manages — sometimes — to undercut its often-easy choices with an uneasy tension that makes “Chad Powers” more than the sum of its unimaginative parts.