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DUBAI: Dubai Lynx, a regional creative festival and awards program organized by Cannes Lions, is now accepting entries for the 2026 awards.

This year sees the addition of a new category, the Luxury Lynx Awards.

Marian Brannelly, global director of Awards, LIONS, told Arab News: “The luxury sector is evolving rapidly.

“Driven by innovation and an increasingly discerning audience, brands in this sector are at the cutting edge of culture, shaping and reframing excellence.”

The award will spotlight “branded communications and solutions that drive business performance and brand loyalty,” and aim to “set a new benchmark” for the regional luxury industry, according to Dubai Lynx.

Other categories have also been updated to reflect the region’s evolving creative landscape.

The Design Lynx Award now features a new section, Transformative Design, which will recognize the role of design in driving innovation while delivering measurable impact.

The Social & Creator Lynx Award, previously known as the Social & Influencer Lynx Award, has been renamed and expanded, with five new sub-categories, to recognize the growing role of influencers and content creators in marketing.

Dubai Lynx is also broadening the scope of Glass: The Award for Change, extending its focus beyond gender to include issues such as disability, race, sexuality and social inequity.

Entrants must specify the community the work represents; explain the problem it addresses and demonstrate its impact on that community.

Other changes include updates to the Digital Craft and Creative Commerce categories, along with the introduction of a new Cultural Engagement sub-category across multiple awards.

“Each year, the awards spotlight the work that not only defines the MENA creative landscape but also demonstrates the power of creativity to deliver real business results and cultural impact,” said Kamille Marchant, director of Dubai Lynx.

“As the industry evolves, Dubai Lynx remains a platform that celebrates those setting new standards, pushing boundaries and driving the future of creativity forward,” he told Arab News.

The deadline for submissions is Jan. 22, 2026, and the awards ceremony will take place on April 1, 2026, in Dubai.

PARIS: A new documentary tells the story of AFP journalists who were trapped in the Gaza Strip at the beginning of the Israeli offensive, witnessing the destruction of their own reality through a lens.
Independent journalist Helen Lam Trong’s documentary “Inside Gaza” will be screened at the Bayeux prize for war reporters award ceremony on Thursday in the presence of six of the seven permanent AFP journalists who covered the beginning of the Gaza conflict, before being broadcast on French-German TV channel Arte on December 2.
It traces their daily lives after October 7, 2023, when Hamas attacks in Israel led to the deaths of more than 1,200 people, according to an AFP tally based on official Israeli figures.
Then came the Israeli offensive, which has killed more than 67,000 people, according to figures from the Hamas-run health ministry — figures the United Nations considers reliable.
Day after day, the journalists had no choice but to document the unimaginable suffering of their own people.
“I wanted to explain what this profession is, which is primarily carried out in the field,” Trong, who co-produced the documentary with AFP’s documentary production unit Factstory, told AFP.
“Inside Gaza” almost exclusively relies on AFP images, mostly taken by the journalists who testify in it.

Attempts to discredit

Reporting in Gaza means being surrounded by children who are injured or in shock, and dead bodies wrapped in shrouds or buried under the rubble.
There is no let-up, as Israel has forbidden foreign journalists from entering the Palestinian territory.
“They are seasoned journalists in their fifties, and they know how to maintain their rigour under conditions of extreme urgency and discomfort,” said Trong, who conducted lengthy interviews with them after they left Gaza in early 2024.
But attempts to discredit these journalists are frequent.
AFP journalist Mohammed Abed recalls several Western media outlets asking him to prove that a child had died, after pro-Israel lobby groups claimed that a photo he had taken of a father embracing his dead child in a shroud was actually that of a doll.
“We have rarely seen such questioning of information disseminated by experienced journalists,” said Trong. “Palestinian journalists have faced the ultimate level of distrust from the media.”

Journalists a target

What is broadcast is “far, far from reality,” the director said, describing a careful curation process and a decision to remove the most disturbing footage from the film — a difficult task given the extent of Gaza’s destruction.
AFP’s seven journalists and their families were evacuated between February and April 2024 and now reside in Doha, Cairo and London, struggling with post-traumatic stress disorder.
The news agency is now working with a dozen freelancers in Gaza.
“The purpose of the film is to provoke reflection on what journalists do” as the profession faces global threats — particularly in Gaza, where the press is constantly targeted, said film producer and Factstory’s documentary unit head Yann Ollivier.
“I hope that those who claim there are no journalists in Gaza will be compelled, after watching this film, to acknowledge that there are indeed journalists there, and that they adhere to the ethics of factual journalism,” he told AFP.
Around 200 journalists have been killed in the Gaza Strip since the war began, according to the Committee to Protect Journalists and Reporters Without Borders.