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Firefighters have been battling more than 600 fires in the drought-hit nation
By Friday morning, they had gained control over a major fire near the resort town of Cesme

ISTANBUL: Firefighters early Friday gained control over a major wildfire in the western Turkish province of Izmir but two others continued to ravage forests there, a minister said.

Although Turkiye was spared the recent heatwaves that hit the rest of southern Europe, firefighters have been battling more than 600 fires in the drought-hit nation over the past week which have been fueled by high winds.

By Friday morning, they had gained control over a major fire near the resort town of Cesme, some 80 kilometers (50 miles) west of Turkiye’s third city Izmir, Agriculture and Forestry Minister Ibrahim Yumakli said.

The firefighters’ “intense work overnight and the air intervention that resumed at dawn have brought the fire in Cesme under control,” he wrote on X.

But they were still battling two other wildfires, one in Buca just south of Izmir and another in Odemis, about 100 kilometers further east where an 81-year-old man and a forestry worker died on Thursday.

Forecasters said temperatures were set to rise over the weekend and would reach around 40 degrees Celsius (104 degree Fahrenheit) in the province early next week.

With the fire under control in Cesme, the road linking the peninsular to Izmir was reopened, Anadolu state news agency said.

But the motorway connecting Izmir and Aydin to the southeast was closed because of the Buca fire, which began at 4:00 p.m. on Thursday and spread quickly due to the wind, CNN Turk said.

It said two people who had been cutting iron for use in construction had been arrested on suspicion of starting the fire.

On Monday, more than 50,000 people were evacuated, mostly in the Izmir area but also from the southern province of Hatay, the AFAD disaster management agency said.

According to figures on the European Forest Fire Information System (EFFIS) website, there have been 96 wildfires in Turkiye so far this year that have ravaged more than 49,652 hectares (122,700 acres) of land.

The area of land burnt has more than doubled since Monday when it stood at nearly 19,000 hectares. EFFIS only maps fires that cover an area of 30 hectares or more.

Experts say human-driven climate change is causing more frequent and more intense wildfires and other natural disasters, and have warned Turkiye to take measures to tackle the problem.

DAMASCUS: The Syrian Arab Republic has launched a new national visual identity featuring a redesigned golden eagle emblem, in what officials described as a break from the legacy of authoritarianism and a step toward a state defined by service, unity and popular legitimacy.

Unveiled during a ceremony in Damascus on Thursday, the new emblem reimagines the iconic Syrian golden eagle with symbolic elements representing the country’s history, geography and post-conflict aspirations, the Syrian Arab News Agency reported.

The redesign forms the centerpiece of a wider national branding effort aimed at redefining Syria’s image at home and abroad.

The eagle has long held significance in Syrian history, appearing in early Islamic military symbolism, notably in the 7th-century Battle of Thaniyat Al-Uqab, and later as part of the 1945 emblem of Syria.

The new design retains this historic continuity but shifts its meaning, and the combative shield clutched by previous iterations of the eagle has been removed.

Instead, the emblem now features the eagle topped by three stars representing the people symbolically placed above the state.

The redesigned wings are outstretched, balanced rather than aggressive, with seven feathers each to represent Syria’s 14 governorates.

The tail carries five feathers symbolizing the country’s major geographical regions: north, south, east, west, and central Syria — a nod to national unity and inclusivity, SANA reported.

Officials described the design as a “visual political covenant,” aimed at linking the unity of land with the unity of national decision-making.

“The people, whose ambitions embrace the stars of the sky, are now guarded by a state that protects and enables them,” said a statement accompanying the launch. “In return, their survival and participation ensure the renaissance of the state.”

The emblem is designed to signal historical continuity with the original post-independence design of 1945, while also representing the vision of a modern Syrian state born from the will of its people, SANA said.

Officials said the elevation of the stars above the eagle was intended to reflect the empowerment and liberation of the people, and the transition from a combative state to a more civic-minded one.

The symbolism also reinforces Syria’s territorial integrity, with all regions and governorates represented equally. The design, they said, reflects a new national pact, one that defines the relationship between the state and its citizens based on mutual responsibility and shared aspirations.

The new emblem is also intended as a symbolic end to Syria’s past as a security-driven state, replacing a legacy of repression with one of reconstruction and citizen empowerment.

President Ahmad Al-Sharaa, who has positioned his administration as one of reform and renewal, described the change as emblematic of “a government emanating from the people and serving them.”

The visual identity was developed entirely by Syrian artists and designers, including visual artist Khaled Al-Asali, in a deliberate effort to ground the new identity in local heritage and creativity.

Officials said that the process was intended not only as a rebranding exercise but as a reflection of Syria’s cultural and civilizational legacy — and its future potential.

Foreign Minister Asaad Al-Shaibani, speaking at the event, framed the launch as part of a broader transformation in Syrian governance and diplomacy.

“In every encounter, we carried a new face of Syria,” he said. “Our efforts brought Syria back to the international stage — not as a delayed hope, but as a present reality.”

He said the country was now rejecting the “deteriorated reality” inherited from decades of authoritarian rule, and described the new emblem as a symbol of Syria’s emergence as a state that “guards” and empowers its people, rather than controlling them.

Al-Shaibani concluded his remarks by calling the moment “a cultural death” for the former regime’s narrative.

“What we need today is a national spirit that reclaims the scattered pieces of our Syrian identity, that is the starting point for building the future.”