Music Cities Awards lead convention as part of Riyadh Music Week

Special Music Cities Awards lead convention as part of Riyadh Music Week
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The fifth annual Music Cities Awards were held in the Middle East for the first time on Dec. 8 at Mayadeen Village in Riyadh. (Supplied)
Special Music Cities Awards lead convention as part of Riyadh Music Week
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The fifth annual Music Cities Awards were held in the Middle East for the first time on Dec. 8 at Mayadeen Village in Riyadh. (Supplied)
Special Music Cities Awards lead convention as part of Riyadh Music Week
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The fifth annual Music Cities Awards were held in the Middle East for the first time on Dec. 8 at Mayadeen Village in Riyadh. (Supplied)
Special Music Cities Awards lead convention as part of Riyadh Music Week
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The fifth annual Music Cities Awards were held in the Middle East for the first time on Dec. 8 at Mayadeen Village in Riyadh. (Supplied)
Special Music Cities Awards lead convention as part of Riyadh Music Week
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The fifth annual Music Cities Awards were held in the Middle East for the first time on Dec. 8 at Mayadeen Village in Riyadh. (Supplied)
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Updated 10 December 2024

Music Cities Awards lead convention as part of Riyadh Music Week

Music Cities Awards lead convention as part of Riyadh Music Week
  • A number of initiatives and foundations from across the globe took home wins for their work in creating transformations across communities through music
  • Brazil’s music scene had a successful night as it took home two awards

RIYADH: Riyadh Music Week festivities continue in the capital as the fifth annual Music Cities Awards were held in the Middle East for the first time on Dec. 8 at Mayadeen Village.

A number of initiatives and foundations from across the globe took home wins for their work in creating transformations across communities through music.

Hosted by Saudi actor Hakeem Jumuah, the night kicked off with opening remarks by CEO of the Music Commission Paul Pacifico and CEO of Sound Diplomacy Music Events and Education, Luke Jones.

Jones told Arab News: “The Music Cities awards is the world’s leading (platform), and I think recognition of people doing fantastic and important policy work in the development of Music City, strategies, night time economy, and everything else that is needed to make music, entertainment and culture work in an economically viable and sustainable way around the world.

“So in Riyadh, that’s exactly what we are trying to build. It’s a real privilege and a pleasure for us to host this important award ceremony as we build our city with these important tenets in mind.”

With over 300 applications from 19 countries across six continents, this year’s competition highlights the vital role that music plays in shaping the cultural, economic, and social fabric of cities.

To the nominees and applicants this year, he said: “Your innovative projects and unwavering commitment to using music for the greater good are an inspiration to us all.

“It enriches communities, fosters creativity, and reminds us of music’s profound ability to connect. We encourage all of you to continue applying for the awards. It’s not just a competition, it is a growing database of inspiration and celebration of what is possible when using becomes a tool for transformation.”

The selection process was led by a high level global jury of 10 experts who work at the forefront of music and city development, including Helen Glengarry, music industry lead of the City of Gold Coast, Australia; Khadija El-Bennaoui, head of performing arts at the Department of Culture and Tourism in Abu Dhabi; Lawrence “Boo” Mitchell, GRAMMY Award-winning engineer, producer, composer, and owner of Royal Studios; and Nada Alhelabi, the general manager of MDLBEAST Foundation in .

Brazil’s music scene had a successful night as it took home two awards. The city of Salvador, which was designated a UNESCO Creative City of Music due to its rich Afro-Brazilian cultural influences, won Best Global Music City, while The Brazilian Symphony Orchestra Foundation took the category for best initiative to support music education and career development.

Australian entities also took home big wins. Queensland Music Festival was named the Best Music Tourism Initiative for its flagship Queensland Music Trails, while Music Victoria, a prominent organization known for its advocacy, research, and professional development within the music industry, won Best Organization Or Individual Supporting Music In The City.

Best Initiative to Support Diversity and Inclusion in Music went to the Miami Music Project, Inc., while Central Florida Community Arts won Best Initiative Using Music to Improve Health and Wellbeing.

The French Bye Bye Plastic Foundation, a women-led grassroots nonprofit focused on eliminating single-use plastics in the music industry, won Best Initiative Using Music to Support Environmental Sustainability; The Best Initiative Using Music for Economic, Social or Community Development went to the Viña del Mar International Song Festival; and Best Night-Time Economy Initiative was won by Bristol Nights, a partnership project initiated by Bristol City Council to support the city’s nightlife and those working from 6 pm to 6 a.m.

Located in Toronto and Hamilton, Canada, Main Stage Rehearsal Studios won the title for Best Use of Music in Real Estate or City Planning, while the Best Digital Innovation to Support Musicians or Music in Cities went to Opulous, which has developed products that transform how users engage with the music industry.

The award show started the two-day Music Cities Convention, held Dec. 9-10, including a number of panels and workshops dedicated to discussing what it takes to create a solid foundation for a thriving music industry.

The festivities were organized by Music Cities Events, which is part of sound diplomacy events and education.

“This event is a rare opportunity for policies to be put on stages, alongside events like Soundstorm festival and XP, to give policy its rightful focus as the underpinning of everything else that we need to happen to have creative careers and successful environments,” said Pacifico.


Palestinian Jordanian artist Zeyne gears up for album release

Palestinian Jordanian artist Zeyne gears up for album release
Updated 12 October 2025

Palestinian Jordanian artist Zeyne gears up for album release

Palestinian Jordanian artist Zeyne gears up for album release

DUBAI: Palestinian Jordanian artist Zeyne is gearing up for the release of her album “Awda” on Oct. 16.

The singer shared the track list, including 13 songs, and also took to Instagram this week to share behind-the-scenes photographs from a recent performance in ’s AlUla.

Saudi label MDLBEAST this week revealed that the artist’s music has been submitted for consideration in four categories at next year’s Grammy Awards.

The record label submitted the songs “Asli Ana” and “Hilwa” for the Best Global Music Performance award and the Best Music Video award.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Zeyne’s most recent single “Hilwa” dropped in July and the artwork — shot by Zaid Allozi — shows three women interlocked by their braided hair.

“The image shows three generations — me, my mother and my grandmother — all connected by one continuous braid. It’s a symbol of inheritance; the quiet strength and love passed from one woman to the next,” Zeyne told Arab News at the time of the release. “The braid holds the kind of love that isn’t always spoken, but is deeply felt and remembered.”

Following Zeyne’s 2024 hit “Asli Ana,” which reimagined Arab rhythmic traditions through a futuristic lens, “Hilwa” pays homage to her mother and grandmother, whose love and wisdom deeply shaped her sense of identity. “While ‘Asli Ana’ was about resistance, ‘Hilwa’ is softer,” she said. 

Born Zein Sajdi in Amman in 1997, Zeyne was raised in a household where music and culture were key. Her father was a record collector, her mother led a dabke troupe and her sister trained as a classical pianist. Zeyne began performing aged five and was already writing her own lyrics in her teens.

Since the release of her 2021 debut single, “Minni Ana,” Zeyne has carved a singular lane in Arab pop — merging traditional Arabic sounds with modern, genre-defying production.

Earlier this year, she launched a three-stop regional mini tour, “The Golden-Hour Run,” that included a landmark performance at the OffLimits Festival in the UAE and stadium appearances as a special guest on Ed Sheeran’s Mathematics Tour in Qatar and Bahrain, where she performed to more than 65,000 people. 

She became the first female artist from the Levant to appear on the globally renowned music platform COLORS with her song “Ma Bansak,” and a viral performance in collaboration with Bottega Veneta blurred the lines between fashion, music and Palestinian resistance.


Review: ‘Hades 2’ is the best roguelike you will ever play

Review: ‘Hades 2’ is the best roguelike you will ever play
Updated 11 October 2025

Review: ‘Hades 2’ is the best roguelike you will ever play

Review: ‘Hades 2’ is the best roguelike you will ever play

DUBAI: “Hades 2” is a bold and dazzling sequel that leans into ambition at every turn. Where the 2020 original laid the foundation, this new chapter deepens the mythos, sharpens the combat and turns the visual dial up to 11.

The sequel follows the original hero Zagreus’ sister, Melinoe, daughter of Hades and Persephone who is born after the events of “Hades.” She returns to a shattered Underworld after Chronos usurps power and imprisons key figures.

From the first few runs, the story weaves tension and mystery: Who is the real threat of time? How do the fates and titans dodge their own destinies? The narrative is layered, with revelations gradually unlocked between runs, and many dialogue moments that feel earned.

Visually, “Hades 2” is a triumph, even if early runs may feel a little too familiar to the original. Every character is richly drawn; the environments shift from the, at times, claustrophobic corridors of the Underworld to the majestic heights of Olympus (and beyond) with grace. The color palette moves beyond reds and blacks, embracing verdant hues, turquoise veils and shimmering light. Even in fast-paced combat, the animations remain crisp and fluid.

Mechanically, “Hades 2” innovates significantly while retaining its signature intensity. Melinoe wields physical weapons but also commands Magick, with a new “Magick Bar” that depletes and recovers based on your actions. Boons now carry elemental affinities and infusions; Arcana cards add constant passive effects you choose pre-run; Hexes summon powerful spells that evolve mid-run; and the sprint mechanic encourages fluid repositioning rather than repetitive dashing.

While the added complexity is demanding and can be frustrating at times, it is definitely worth it.

In short, “Hades 2” offers a richer and more expansive mythic journey, stunning visuals, and a combat system that feels both familiar and fresh; standing as a worthy — and, often, superior — successor.


‘Tron: Ares’ star and director on exploring the future of AI 

‘Tron: Ares’ star and director on exploring the future of AI 
Updated 09 October 2025

‘Tron: Ares’ star and director on exploring the future of AI 

‘Tron: Ares’ star and director on exploring the future of AI 
  • Jodie Turner-Smith and Joachim Ronning discuss the latest installment in the seminal sci-fi franchise 

DUBAI: When British actress Jodie Turner-Smith stepped into the sleek, neon-lit world of “Tron: Ares,” she wasn’t just joining an iconic sci-fi franchise — she was diving headfirst into a meditation on the intersection of technology and humanity. 

In the latest installment, “Tron: Ares,” Jared Leto plays Ares — a sophisticated digital program sent into the real world on a perilous mission. It’s humankind’s first encounter with artificial intelligence in the flesh and a test of what happens when code meets conscience.  

 

Alongside Greta Lee’s Eve Kim — the ENCOM CEO searching for the elusive code written by software engineer Kevin Flynn (the protagonist of 1982’s “Tron”) — Ares finds himself questioning not just his programming but his place in a world full of unpredictable humans. 

At Ares’ side — and mostly at odds with him — stands Athena, his second-in-command, portrayed by Turner-Smith. Describing her character, the actress said, “I think it’s always fun when a character represents more of the chaos. In her own way, Athena is the chaos that can come when nuance is unable to be interpreted. And that’s Athena’s struggle throughout the movie; interpreting nuance while she’s having this experience that is changing her. 

“I think we made a really fun movie, and ultimately, I think that’s what we go to the cinema for: to have an experience,” she continued. “I love to go to watch movies for fun. ‘Tron: Ares’ really is event cinema. It’s so immersive and interesting.” 

While “Tron: Ares” promises the spectacle fans expect — breathtaking visuals, kinetic action, and a pulse-pounding soundtrack from industrial rockers Nine Inch Nails — Turner-Smith says it also leaves room for reflection. “I want people to go away having a conversation,” said the 39-year-old. “There’s so much talk about the doom and gloom of artificial intelligence and all the bad things that can happen, but I want people to walk away from the film with the state of mind of Dr. Eve Kim, who is thinking, ‘How do we keep this technology human-centered? How do we use it to make the world a better place?’ 

 “Our movie is not answering these questions, but it is sitting in the question, which I think is important for any film. It’s to make you think and to make you talk,” she continued. “And hopefully there’s going to be a kid watching this movie who is a future programmer, who is the genius who is going to create a program like Ares that improves the world.” 

Jodie Turner-Smith as Athena in 'Tron-Ares.' (Supplied)

Director Joachim Ronning says the film reflects his own ambivalence toward AI. “I think it’s a little bit of both,” he said when asked if the movie envisions a utopia or a dystopia. “I have mixed emotions about it. As a filmmaker and an artist, I guess I’m nervous — I hope that we can move forward carefully and with some guardrails to AI. But on the other hand, it could also help advance humanity and find solutions to things that we wouldn’t otherwise.” 

For Turner-Smith, the emotional weight of “Tron: Ares” was clear from the moment she read the script. “It had heart, it had humor — it struck me how funny it was; I didn’t expect that — and it was cool, you know?” 

 Jared Leto (L) and Jodie Turner-Smith at the premiere of 'Tron-Ares' in Hollywood on Oct. 6. (AFP)

Working with Leto, she said, was an especially rewarding experience. “I had a blast with him, really. He is a ‘Tron’ head. He’s a huge fan of this franchise. And you could feel how much he loved and cared about it.” 

That energy, she added, was infectious. “He was super-supportive of me, very encouraging. I loved doing our stuff together as Athena and Ares, I really did, but I wanted more. I feel like we didn’t have enough. I’m looking forward to ‘Tron 4’ when Athena returns.” 


‘Window on Palestine’ returns to El-Gouna Film Festival

‘Window on Palestine’ returns to El-Gouna Film Festival
Updated 08 October 2025

‘Window on Palestine’ returns to El-Gouna Film Festival

‘Window on Palestine’ returns to El-Gouna Film Festival

DUBAI: Egypt’s El-Gouna Film Festival is bringing back its “Window on Palestine” program for the third year.

Set to run from Oct. 16 to 24, the festival’s eighth edition will play host to a roster of Palestinian films in the special section.

This year will feature seven short documentaries from the “From Ground Zero+” initiative, offering portrayals of life in Gaza.

The documentaries were created through the Masharawi Fund for Films & Filmmakers in Gaza, in collaboration with Coorigine Production in France. All the films are in Arabic with English subtitles.

The selected works include “Colors Under the Sky” by Reema Mahmoud, which follows a displaced artist struggling to create music amidst destruction; and “Dreams of Farah and Zahra” by Mostafa Al-Nabeeh about two young girls who hold on to creativity as an act of defiance.

In addition, “Gaza to Oscar” by Alaa Damo follows filmmakers who risk their lives to tell their stories; “The Wish” by Aws Al-Banna in which theater becomes a tool for recovery; and “Hassan” by Muhammad Al-Sharif about how a Palestinian teenager’s attempt to get a sack of flour leads to detention.

Also showing is “Unfinished Stories” by Nidal Damo in which a filmmaker drifts from one unfinished story to another; and “Very Small Dreams” by I’timad Wishah about women in Gaza’s refugee camps as they struggle to maintain their dignity and health.

Marianne Khoury, artistic director of the festival, said: “Our commitment to the ‘Window on Palestine’ program is not just a curatorial choice; it is a fundamental part of our mission as a festival in the region.

“Cinema has a profound power to document and to heal, and it is our duty to provide a space where the world can witness the incredible resilience and artistry of the Palestinian people.”


US comedian Andrew Schulz delivers a stellar Dubai debut

US comedian Andrew Schulz delivers a stellar Dubai debut
Updated 08 October 2025

US comedian Andrew Schulz delivers a stellar Dubai debut

US comedian Andrew Schulz delivers a stellar Dubai debut
  • The comedian is set to perform in Riyadh as a part of the comedy festival on Oct. 8

DUBAI: US comedian Andrew Schulz brought the house down during his Dubai debut at the Coca-Cola Arena on Tuesday night, delivering a high-energy set that left the crowd roaring with laughter from start to finish.

Following a successful show in Abu Dhabi in 2024, the comedian returned to the UAE accompanied by the co-hosts of his hit podcast Flagrant.

Opening for Schulz were Mark Gagnon, Akaash Singh, and Emirati comedian Abz Ali.

As part of the Dubai Comedy Festival, Schulz performed a classic American-style standup routine infused with his trademark self-deprecating humor.

And, to the audience’s delight, provided plenty of region-specific jokes about life in the UAE.

Unlike his Abu Dhabi show, this set leaned more toward sharp, quick-fire standup and crowd interaction rather than an overarching narrative, which had characterized his previous Life Tour performances.

From poking fun at Dubai’s traffic to riffing on the city’s obsession with Emaar buildings, Schulz showcased an impressive grasp of local culture and humor.

Throughout the night, his quick wit and spontaneous comebacks during audience interactions had the crowd in stitches.

To close the show, Schulz invited the rest of the lineup back on stage for a lighthearted Q&A segment, where they offered tongue-in-cheek advice.

With laughter, tears, and plenty of surprises, Schulz’s Dubai debut was a memorable addition to his growing list of UAE performances.

The comedian is set to perform in Riyadh as a part of the comedy festival on Oct. 8.