Jude Law stars, but ‘Star Wars: Skeleton Crew’ lets kids take the lead 

Jude Law stars, but ‘Star Wars: Skeleton Crew’ lets kids take the lead 
Wim (Ravi Cabot-Conyers), Fern (Ryan Kiera Armstrong), KB (Kyriana Kratter) and Neel (Robert Timothy Smith) in ‘Star Wars: Skeleton Crew.’ (Disney)
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Updated 05 December 2024

Jude Law stars, but ‘Star Wars: Skeleton Crew’ lets kids take the lead 

Jude Law stars, but ‘Star Wars: Skeleton Crew’ lets kids take the lead 
  • Showrunners and stars discuss the latest Disney+ TV show 

DUBAI: “Skeleton Crew” — the latest TV series from the “Star Wars” universe to land on the Disney+ platform — ignores the lofty narrative goals of previous efforts like “Andor” and “The Mandalorian” to offer something altogether simpler — and more fun: a children’s adventure story. 

“I think there’s something beautiful in the eyes of the children being our eyes and seeing the world of ‘Star Wars’ in its complexity — the threat, the potential, the adventure, the potential for heroics, the potential for drama, the humor, the absurdity — through them. I just find that very refreshing, and I hope people embrace it,” series star Jude Law — who plays the mysterious cad Jod Na Nawood — said at a recent media roundtable at which Arab News was the sole regional representative. 

“Skeleton Crew” introduces four young troublemakers: Wim (Ravi Cabot-Conyers), who secretly dreams of being a Jedi one day; Neel  (Robert Timothy Smith), Wim’s blue elephant-y best buddy and resident goody-two-shoes; Fern (Ryan Kiera Armstrong), the rebellious, high-achieving daughter of a local official; and KB (Kyriana Kratter), Fern’s tech-whiz bestie. 

When Wim discovers a mysterious object buried in the woods close to their neighborhood, the four kids are whisked off on a galaxy-spanning adventure as they try to make their way back home, crossing paths with the likes of Law’s Jod. 




Jod Na Nawood (Jude Law) and Neel (Robert Timothy Smith) in ‘Skeleton Crew.’ (Disney)

For 13-year-old Cabot-Conyers, Wim was easy to get a handle on; he said he has been fascinated by Jedis for as long as he can remember. 

“Wim really desperately wants an adventure, because he’s stuck in the suburbs, he’s not exactly happy with it. He wants to be a Jedi. The idea of that, to him, is so fascinating. And I thought the Jedi were so cool too. That’s what actually drew me to the ‘Star Wars’ universe, Luke Skywalker interested me so much, and playing that into my performances as Wim really, really helped,” he said. 

Series creators Jon Watts and Christopher Ford have had the idea for “Skeleton Crew” for a while, they explained. 

“Ford and I both love ‘Star Wars,’” said Watts, “and felt like we had a story to tell that worked well in that universe should we ever be given the opportunity.” 

Ford added: “We had always talked about a Jude Law-like character named Jod — that’s probably why we thought of that name. And we couldn’t believe it, when we reached out to him, that no one has asked him to be in ‘Star Wars’ yet. We were the first ones to ask. And it turns out he’s a huge, huge ‘Star Wars’ fan. We gave him a little bit of a background of the project and his character, and he was all in.” 




Fern (Ryan Kiera Armstrong), KB (Kyriana Kratter), Wim (Ravi Cabot-Conyers), Neel (Robert Timothy Smith) in ‘Star Wars: Skeleton Crew.’ (Disney)

For Law, the original “Star Wars” movie, released in 1977, offered a new way of looking at entertainment. “I just have a recollection of the impact of this film on my life and on my family. No one had ever seen anything like it — the bravery of it, the vision and the realization of this incredibly imaginative universe.” 

Aside from George Lucas’ sci-fi franchise, “Skeleton Crew” also owes a debt to Steven Spielberg’s early Amblin Entertainment movies, with comparisons already being made to the classic 1985 coming-of-age movie “The Goonies.” 

“I don’t think we ever consciously thinking, ‘Oh, let’s make this like Amblin,” said Ford. “But what’s really amazing about the Amblin films — and a lot of the films from that time period — is that they weren’t afraid to let kids be the protagonists, and they didn’t talk down to the kids, and they weren’t afraid to put the kids in real danger. We grew up with those films and we knew we wanted to do something similar. I think it’s just always been in our DNA. When you’re trying to tell an authentic story about a group of kids, you know, you go back to the best films.” 

Kratter believes the show has something for everyone, age no bar.  

“‘Skeleton Crew’ is kind of like a perfect ‘on ramp’ for a new generation of ‘Star Wars’ fans,” she said. “And not only that, it’s also going to be great their parents, because of its Amblin style, and hopefully they can get a sense of nostalgia from watching the show and also get to see a bunch of Easter eggs in there.” 


Saudi film ‘Hijra’ to represent Kingdom at Oscars

Saudi film ‘Hijra’ to represent Kingdom at Oscars
Updated 2 min 13 sec ago

Saudi film ‘Hijra’ to represent Kingdom at Oscars

Saudi film ‘Hijra’ to represent Kingdom at Oscars

RIYADH: The Saudi Film Commission has picked “Hijra” to represent the Kingdom at next year’s Oscars, the commission announced on Monday.

The movie has been selected for the Best International Feature Film category for the 98th Academy Awards, which will be held at Doly Theatre in Los Angeles in March 2026.

Picked by a committee of prominent Saudi filmmakers and industry specialists, the film will compete against dozens of submissions from around the world. 

It will undergo multiple selection stages, starting with the announcement of a preliminary list, followed by the academy’s final shortlist.

Released in August at the Venice International Film Festival, the movie is an exploration of female identity across generations.

The feature follows a grandmother, Khairiya Nazmi, and her granddaughter, Lamar Feddan, as they journey across northern to find a missing teenage girl.

Shot over more than 55 days in eight Saudi cities – Taif, Jeddah, Madinah, Wadi Al-Faraa, AlUla, Tabuk, NEOM, and Duba – the story unfolds against the backdrop of Hajj.

“It’s a story of women navigating who they are, and understanding what freedom means to them,” director Shahad Ameen told Arab News in September. 

The film won the NETPAC Award for Best Asian Film last month.

 “Scales,” Ameen’s 2019 release, was chosen as Saudi submission for the 93rd Academy Awards in 2021.

“Where ‘Scales’ was mythic, ‘Hijra’ is more intimate. It’s about the pilgrimage we make toward ourselves, and the cost of that journey,” Ameen said.

’s participation in the Oscars reflects its continued commitment to sharing its unique stories with global audiences, the Saudi Press Agency reported. This milestone highlights ’s ongoing commitment to supporting its creative industries and sharing its unique stories with global audiences, it added.

The Saudi Film Commission since its creation in 2020 has been a big part in developing the Kingdom’s movie industry, with its role under the Culture Ministry to advance the sector.

A recent report by the commission showed the national incentive programs supported 64 projects, generating more than SR1.08 billion ($288 million) in local expenditure.

In 2024, more than 17.5 million cinema tickets were sold across the Kingdom, with cinema infrastructure expanding to 64 locations and 630 screens.

The number of production companies reached 65, and 14 projects received additional support through incentive programs, with total production spending on supported films amounting to just over SR93 million.

Festivals and events also saw strong engagement, with more than 75,600 participants attending the Red Sea International Film Festival, the Saudi Film Festival, and the Gulf Cinema Festival.


How Cairo Design Week is taking Arab design to the world stage

How Cairo Design Week is taking Arab design to the world stage
Updated 13 October 2025

How Cairo Design Week is taking Arab design to the world stage

How Cairo Design Week is taking Arab design to the world stage

DUBAI: As the global design community turns its eyes to Cairo this November, the Egyptian capital is preparing to host the third edition of Cairo Design Week, a platform that highlights the region’s creativity, heritage and innovation.

At the heart of the movement is designer Hisham Mahdy, who founded the event in 2022 after decades in the design industry.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

“Over 25 years, my design vision evolved with Egypt; from decoration and function to a language shaping culture, identity and the future,” he told Arab News. “I shifted from solo projects to building an ecosystem that nurtures talent, connects creatives, and bridges heritage with innovation.”

Before Cairo Design Week came the Cairo Design Award, launched in 2017 to recognize Egypt’s growing creative community.

“We had talent but no platform to showcase it, so I launched the Cairo Design Award as a statement that design matters,” Mahdy said. “CDA became a space for creatives to connect and be seen. But it needed a bigger stage — one that brought design into public life. That’s how Cairo Design Week was born.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Now entering its third year, the event continues to expand across Cairo’s districts, activating heritage sites and building stronger global collaborations.

“The first edition tested the waters; the second proved its staying power. Now we’ve expanded into new districts, activated more heritage sites, and deepened collaborations,” Mahdy said. “CDW is no longer just an event; it’s becoming a movement.”

This year’s edition will feature exhibitions, fashion shows, installations and talks under the theme “Design, So I Can See You,” inspired by the Greek philosopher Socrates.

“For us, Arab identity isn’t something to be preserved behind glass — it’s living and evolving,” Mahdy said. “We’re not imitating global trends. We’re contributing to them from our own cultural lens."


Palestinian Jordanian artist Zeyne gears up for album release

Palestinian Jordanian artist Zeyne gears up for album release
Updated 12 October 2025

Palestinian Jordanian artist Zeyne gears up for album release

Palestinian Jordanian artist Zeyne gears up for album release

DUBAI: Palestinian Jordanian artist Zeyne is gearing up for the release of her album “Awda” on Oct. 16.

The singer shared the track list, including 13 songs, and also took to Instagram this week to share behind-the-scenes photographs from a recent performance in ’s AlUla.

Saudi label MDLBEAST this week revealed that the artist’s music has been submitted for consideration in four categories at next year’s Grammy Awards.

The record label submitted the songs “Asli Ana” and “Hilwa” for the Best Global Music Performance award and the Best Music Video award.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Zeyne’s most recent single “Hilwa” dropped in July and the artwork — shot by Zaid Allozi — shows three women interlocked by their braided hair.

“The image shows three generations — me, my mother and my grandmother — all connected by one continuous braid. It’s a symbol of inheritance; the quiet strength and love passed from one woman to the next,” Zeyne told Arab News at the time of the release. “The braid holds the kind of love that isn’t always spoken, but is deeply felt and remembered.”

Following Zeyne’s 2024 hit “Asli Ana,” which reimagined Arab rhythmic traditions through a futuristic lens, “Hilwa” pays homage to her mother and grandmother, whose love and wisdom deeply shaped her sense of identity. “While ‘Asli Ana’ was about resistance, ‘Hilwa’ is softer,” she said. 

Born Zein Sajdi in Amman in 1997, Zeyne was raised in a household where music and culture were key. Her father was a record collector, her mother led a dabke troupe and her sister trained as a classical pianist. Zeyne began performing aged five and was already writing her own lyrics in her teens.

Since the release of her 2021 debut single, “Minni Ana,” Zeyne has carved a singular lane in Arab pop — merging traditional Arabic sounds with modern, genre-defying production.

Earlier this year, she launched a three-stop regional mini tour, “The Golden-Hour Run,” that included a landmark performance at the OffLimits Festival in the UAE and stadium appearances as a special guest on Ed Sheeran’s Mathematics Tour in Qatar and Bahrain, where she performed to more than 65,000 people. 

She became the first female artist from the Levant to appear on the globally renowned music platform COLORS with her song “Ma Bansak,” and a viral performance in collaboration with Bottega Veneta blurred the lines between fashion, music and Palestinian resistance.


Vocalists chase singing glory as Pakistan Idol returns after 12 years

Vocalists chase singing glory as Pakistan Idol returns after 12 years
Updated 12 October 2025

Vocalists chase singing glory as Pakistan Idol returns after 12 years

Vocalists chase singing glory as Pakistan Idol returns after 12 years
  • The reality TV singing show is streaming on seven Pakistani channels simultaneously
  • Judges include Fawad Khan, Rahat Fateh Ali Khan, Bilal Maqsood and Zeb Bangash

KARACHI: Aspiring vocalists from across Pakistan lined up to chase stardom as Pakistan Idol returned to the country after a 12-year hiatus with a star-studded jury, wider reach, and a renewed promise to spotlight the country’s untapped musical talent.

Pakistan Idol is part of the global ‘Idol’ franchise, a reality television singing competition format created by British producer Simon Fuller and developed by British firm, Fremantle Limited, which also owns non-scripted formats like Got Talent and The X Factor.

The MHL Global production company, which secured rights for Pakistan Idol 2025 from Fremantle, last month announced that Badar Ikram will produce the show, with Fawad Khan, Rahat Fateh Ali Khan, former Strings band mate Bilal Maqsood and Zeb Bangash as judges.

The first episode of the show went on air on Oct. 4, followed by the second on Oct. 5., broadcast on seven Pakistani TV channels simultaneously.

“Pakistani talent is our real asset. If we don’t provide them with our platform, then it would be an unfair thing,” Rahat Fateh Ali Khan told Arab News, on the sidelines of the auditions in Karachi.

“It isn’t a good thing that the show has come back after 12 years but the best part is that we have come fully prepared this time.”

Ikram said producing the show is “an honor and a responsibility” for him.

“We are determined to deliver a show that reflects the passion, diversity, and raw talent of Pakistan,” he said in a statement prior to airing of the first episode.

“From auditions to the grand stage, our team is working tirelessly to ensure the audience experiences the magic of music and storytelling at a truly global standard.”

The first edition of Pakistan Idol aired in Dec. 2013, featuring Bushra Ansari, Hadiqa Kiani and Ali Azmat as judges.

Auditions of participants from Karachi, Lahore, Islamabad, Rawalpindi, Multan and Sukkur are being aired since Saturday, Oct. 4, trying to make it to the top 30 contestants that will eventually lead to 16 finalists on the show.

Maham Tahir, who hails from the Rahim Yar Khan district, said her audition experience was “really good” and she found the judges to be “kind.”

“[Platforms like Pakistan Idol] are very important for us. Singers like myself, who aren’t valued in the world on a big level, are valued by platforms like these,” Tahir, a student of Lahore’s GC University who was among the top 30 contestants, told Arab News.

“I am fortunate [to make it to the next round]. It’s a miracle for me.”

Bangash, the only woman on the judges’ panel, said they were also looking for females as much as they were looking for male singers.

“Although, I have to say that there are more contestants that are men,” she said, “but that has nothing to do with the platform. I think, as the seasons keep progressing, we’re going to have more and more interest from women.”

Bangash shared they were judging the performances based on a number of things.

“We are trying to be as transparent as we can but at the end of the day, I say that judging music is an interesting idea to begin with because it’s creative expression,” she said. “So, sometimes, it’s subjective, sometimes it’s just the moment [and] sometimes it’s just the song selection.”

Pakistan Idol Season 2 will also be streamed worldwide via UAE-based platform, Begin, that has secured the rights for the show. Viewers in , UAE, Canada and the US will be able to watch it on the Begin app. For those based in the UK, Germany, India, Australia, South Africa and Nigeria, the show can be watched directly via begin.watch.

“The international distribution of Pakistan Idol demonstrates how far South Asian entertainment has come in reaching global audiences,” MHL Global Director Zoya Merchant told Arab News.

“We are proud to see a format rooted in local culture and talent become accessible to viewers worldwide. This collaboration with Begin represents an important step toward integrating Pakistani creativity into the broader entertainment ecosystem.”


Frieze to launch Abu Dhabi art fair in 2026

Frieze to launch Abu Dhabi art fair in 2026
Updated 11 October 2025

Frieze to launch Abu Dhabi art fair in 2026

Frieze to launch Abu Dhabi art fair in 2026

DUBAI: Leading art organization Frieze announced this week its expansion into the Gulf region with the launch of Frieze Abu Dhabi, scheduled to debut in November 2026.

Under a new partnership between the Abu Dhabi Department of Culture and Tourism and Frieze, Abu Dhabi’s flagship art fair will be rebranded as Frieze Abu Dhabi.

The change marks a new phase for Abu Dhabi Art, which has been held annually since 2007 and established itself as a key fixture on the region’s art calendar.

The new fair will represent Frieze’s first venture in the Middle East and its eighth international edition. The organization currently stages two editions in London, along with annual fairs in New York, Los Angeles and Seoul, as well as The Armory Show in New York and Expo Chicago.