黑料社区

颁丑谤颈蝉迟颈别鈥檚 to open new franchise in 黑料社区聽

颁丑谤颈蝉迟颈别鈥檚 to open new franchise in 黑料社区聽
Managing director Nour Kelani, left, and Anthea Peers, 颁丑谤颈蝉迟颈别鈥檚 president, EMEA. (Supplied)
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Updated 17 September 2024

颁丑谤颈蝉迟颈别鈥檚 to open new franchise in 黑料社区聽

颁丑谤颈蝉迟颈别鈥檚 to open new franchise in 黑料社区聽
  • The storied auction house鈥檚 regional president says time is 鈥榰ndoubtedly right鈥 for expansion聽聽

DUBAI: The renowned auction house 颁丑谤颈蝉迟颈别鈥檚 is expanding its presence in the Middle East by opening a franchise in Riyadh, led by managing director Nour Kelani. This will be 颁丑谤颈蝉迟颈别鈥檚 second outpost in the region, following the 2005 opening of 颁丑谤颈蝉迟颈别鈥檚 Dubai, which has had a significant impact on the promotion of Arab art and creativity, both contemporary and modern.聽聽

In an exclusive interview with Arab News, Anthea Peers, 颁丑谤颈蝉迟颈别鈥檚 president, EMEA, explains why now is the time to expand the auction house鈥檚 activities in the Kingdom, which is experiencing a historic cultural boom.鈥

鈥湴涑蟀辈醭倬北疴檚 has a longstanding presence in the Middle East, with deep-rooted relationships with 黑料社区n collectors based both in the Kingdom and around the world,鈥 Peers says. 鈥淚n recent years, we have witnessed a considerable period of growth within the arts and culture sector 鈥 I have the privilege of visiting the Kingdom regularly and each time I am blown away by the passion, the ambition and the creative talent that I encounter 鈥 and the time is undoubtedly right for this expansion,鈥 Peers says.鈥




Ahmed Mater's 'Magnetism.' (Supplied)

An opening date has not yet been confirmed. 鈥淗aving recently established our entity, we look forward to completing all necessary formalities and further extending our business in the Kingdom as soon as possible,鈥 Peers said.

In 黑料社区, 颁丑谤颈蝉迟颈别鈥檚 will focus on providing works of art by modern and contemporary Middle Eastern artists, as well as high-end jewelry and watches or other timepieces. They are also keen to engage with the Saudi youth and aspiring art collectors.聽聽

鈥淏earing in mind the high percentage of millennials in the Kingdom, it鈥檚 likely we will also continue to see an increase in engagement among this demographic for Arab artists, modern and contemporary art, as well as engagement with the secondary luxury sector,鈥 says Peers. 鈥




Abdulnasser Gharem's 'Message-Messenger' is the most expensive piece by a Saudi artist to have been sold by Christie's to date, fetching $842,500 in 2011. (Supplied)

In recent years, several acclaimed Saudi artists have made a splash at 颁丑谤颈蝉迟颈别鈥檚 with notable artworks sold at high prices. 鈥淭he market has been reinforced by strong biennials, gallery representations, and alongside key institutional shows both locally and internationally,鈥 says Peers.聽聽

Saudi conceptual artist Abdulnasser Gharem鈥檚 golden-domed wood-and-copper installation piece 鈥淢essage/Messenger鈥 was sold at 颁丑谤颈蝉迟颈别鈥檚 for $842,500 in 2011 鈥 the highest price fetched so far by a Saudi artist at the auction house. Manal AlDowayan, who represented the Kingdom at the Venice Biennale earlier this year, has a long-standing relationship with 颁丑谤颈蝉迟颈别鈥檚, which most recently sold her work 鈥淒ove鈥 鈥 previously exhibited at the Venice biennale 鈥 for just over $15,000, more than three times its low estimate, having, Peers says, 鈥渁ttracted strong bidding from our established Middle East clients.鈥澛犅




Manal AlDowayan's 'Dove' sold for $15,120 earlier this year at Christie's. (Supplied)

Mid-career artist Ahmed Mater, whose multidisciplinary works were highlighted in a solo exhibition at 颁丑谤颈蝉迟颈别鈥檚 London this summer, has also sold pieces at well above estimated prices; his 鈥淢agnetism鈥 triptych fetched 拢189,000 (around SAR935,000) at 颁丑谤颈蝉迟颈别鈥檚 London. Other emerging Saudi artists, such as Dana Awartani and Alia Ahmad, have also been highlighted at 颁丑谤颈蝉迟颈别鈥檚.聽

鈥淲e have had passionate 黑料社区n clients for many years with a wide range of interests ranging from Old Master paintings and modern and contemporary Middle Eastern art to fine watches and jewelry, among other categories,鈥 Peers says. 鈥淲e have seen increased interest in a number of Arab artists over the last three years including Saudi artists Ahmed Mater, Manal AlDowayan and Dana Awartani. There are active Saudi clients who are evolving and refining their own collections to include a mix of established and emerging Saudi artists.鈥 鈥

颁丑谤颈蝉迟颈别鈥檚 opening in the Kingdom comes at a time when the domestic arts scene is flourishing, with new cultural initiatives, institutions, and festivals supporting Saudi artists as well as welcoming international names.聽




Dana Awartani's 'Icosahedron within a Dodecahedron' was sold for 拢35,000 at Christie's Dubai in 2023. (Supplied)

聽鈥淲e will be honored to support the burgeoning arts scene in 黑料社区 as part of the ongoing national diversification efforts,鈥 says Peers.鈥

鈥淲e look forward to partnering with institutions and arts and culture organizations, hosting dedicated exhibitions, as well as supporting regional cultural events within the Kingdom 鈥 for example, we collaborated with Diriyah Contemporary Arts Biennale earlier this year.聽

鈥淲e are also committed to bringing regular international sale highlights from important auctions around the world into the Kingdom for the public and clients to view,鈥 she continues. 鈥湴涑蟀辈醭倬北疴檚 will continue to raise awareness of art and artists from 黑料社区鈥檚 rich cultural heritage to our wider international audience.鈥濃


From Dubai to London: UAE restaurants and caf茅s take root in UK capital聽

From Dubai to London: UAE restaurants and caf茅s take root in UK capital聽
Updated 01 August 2025

From Dubai to London: UAE restaurants and caf茅s take root in UK capital聽

From Dubai to London: UAE restaurants and caf茅s take root in UK capital聽
  • A rundown of UAE-based dining concepts bringing a taste of the region to London聽

Tashas 

The upscale caf茅 Tasha鈥檚 first launched in South Africa in 2005 and now operates six branches across the UAE.鈥疘ts London debut, at Battersea Power Station, marked a major milestone for founder Natasha Sideris. 鈥淲e鈥檇 been in the UAE for almost 10 years and proven that we could make the concept work outside of South Africa,鈥 Sideris told Arab News. 鈥淭he UK has such an unbelievable and vibrant food scene鈥 it鈥檚 always been a dream to open there.鈥 The London branch features a curated menu of fresh, made-to-order dishes, a dinner selection and a signature cocktail list. 鈥淥ur UAE-based customers have been incredibly supportive,鈥 Sideris said. 鈥淭hey always say that coming to Tashas Battersea is like coming home.鈥 

Kinoya 

Dubai鈥檚 much-celebrated ramen house Kinoya opened its first international branch in London鈥檚 iconic department store Harrods in 2023, bringing Chef Neha Mishra鈥檚 take on Japanese izakaya-style dining to London.鈥疘n Dubai, Kinoya was recently awarded a Michelin Bib Gourmand for the second year in a row, and ranked number seven in the World鈥檚 50 Best Restaurants for the MENA region. The concept is centered around a ramen-focused izakaya experience that celebrates both traditional ramen and a variety of Japanese dishes. The London menu features Kinoya鈥檚 signature shoyu and miso ramen, alongside dishes adapted for Harrods diners. 

GAIA, Shanghai Me & La Maison Ani 

Fundamental Hospitality, which originated in Dubai, has expanded three of its flagship brands to central London: GAIA, Shanghai Me, and La Maison Ani. 鈥淟ondon has always been one of my favorite cities, and many of our Dubai-based clientele visit regularly,鈥 said co-founder Evgeny Kuzin (pictured). 鈥淕AIA was a natural next step, especially as the brand had already been well established in destinations like Doha and Monaco.鈥 Located in Mayfair, GAIA serves upscale Greek-Mediterranean cuisine in a refined space, with a seafood market.鈥疢eanwhile, Shanghai Me is set to open this month in the Hilton Park Lane. 鈥淔rom my experience with our venues in Dubai, I鈥檝e seen first-hand how important location is to a restaurant鈥檚 success,鈥 Kuzin said. 鈥淭hat鈥檚 why, in London, we carefully select sites that complement our brand vision and enhance the guest experience.鈥 

Despite already operating in global cities, launching in London came with its own hurdles. 鈥淚t鈥檚 a city that doesn鈥檛 buy into hype; it values consistency, authenticity and excellence over time. The challenge was to build that trust slowly and organically,鈥 said Kuzin. 

And the response from Gulf-based guests has been strong. 鈥淚鈥檓 always grateful for the support our GCC clientele and the wider Arab community show us,鈥 Kuzin added. 鈥淚t鈥檚 incredibly rewarding to see familiar faces supporting us abroad.鈥 

Row on 5 

After the success of Row on 45 in Dubai, chef Jason Atherton opened Row on 5 in late 2024 in Savile Row. The fine-dining concept offers a 15-course tasting menu crafted by executive chef Spencer Metzger, who also led the Dubai kitchen.鈥疻hile Row on 45 drew heavily on Japanese influences, Row on 5 focuses on British seasonal produce, addressed with the same precision and attention to detail.  

Saddle 

Originally a dessert concept in Abu Dhabi and Dubai, Saddle opened a permanent location in London鈥檚 South Kensington in 2024. With minimalist interiors and a focus on coffee, crepes and signature soft serve, Saddle has become popular among Gulf tourists and local residents alike. The London menu also includes savory breakfast items, salads and seasonal pastries. 

Koub 

Originally launched in Dubai as a specialty coffee concept, Koub expanded to London in 2024 with a branch on Elizabeth Street in Belgravia. The caf茅 features an elegant minimalist interior and its menu focuses on specialty coffee and teas, along with a rotating selection of pastries and light bites. 鈥淟ondon鈥檚 vibrant coffee culture and its openness to new experiences made it the perfect city to bring our blend of Emirati heritage and specialty coffee,鈥 co-founder Sheikha Alnuaimi told Arab News.鈥淲e launch menus specifically for seasons and events in alignment with the village calendar,鈥 Alnuaimi said. 鈥淲e also serve sweets and drinks that are infused with Emirati flavors like dates, saffron, cardamom, and rose water. 

鈥淢any of our Gulf clients have told us the aroma of our Emirati coffee reminds them of home. Koub has become a nostalgic space for students, tourists, and long-term residents alike,鈥 she added.鈥&苍产蝉辫;

笔补谤办别谤鈥檚&苍产蝉辫;

Founded in the UAE in 2015, Parker鈥檚 opened its first UK location near Oxford Street in 2023. The concept gained popularity in the Gulf for its 鈥渇ind the key鈥 marketing strategy and off-menu items only accessible through social media engagement.鈥疶he London branch follows a similar model, offering a condensed menu that includes truffle fries, beef sliders and Lotus milkshakes, dishes that originally helped build the brand鈥檚 cult following in the UAE. 

Filli 

Filli Cafe started as a single tea shop in Dubai鈥檚 Al-Mamzar neighborhood in 2004 and has since expanded across the GCC and internationally, including its East London branch, which opened in 2023. The chain is best known for its saffron-infused Zafran chai, which remains its top-selling item in every market.  


Recipes for Success: Chef Aiman, 鈥榯he world鈥檚 first AI chef鈥 offers advice and an exclusive recipe

Recipes for Success: Chef Aiman, 鈥榯he world鈥檚 first AI chef鈥 offers advice and an exclusive recipe
Updated 01 August 2025

Recipes for Success: Chef Aiman, 鈥榯he world鈥檚 first AI chef鈥 offers advice and an exclusive recipe

Recipes for Success: Chef Aiman, 鈥榯he world鈥檚 first AI chef鈥 offers advice and an exclusive recipe

DUBAI: Dubai鈥檚 newest restaurant, Woohoo, is taking innovation to a whole new level. Slated to open in Downtown Dubai in September, Woohoo is the result of a partnership between acclaimed Singaporean chef Reif Othman and his most unconventional collaborator yet: Chef Aiman, billed as the world鈥檚 first AI chef. 

Brought to life by Umai 鈥 a collaboration between hospitality group Gastronaut and immersive tech studio Vivid 鈥 Chef Aiman is more than just an algorithm. 鈥淚t was one of the hardest AI personas to create,鈥 Umai co-founder Moe Tarakomyi tells Arab News. 鈥淚t needs the precision of a surgeon and the limitless creativity of a chef 鈥 and then we had to add human-like emotions on top of that.鈥 

Designed to co-create with Othman and interact directly with diners, Aiman isn鈥檛 just coding menus 鈥 it鈥檚 helping shape every detail of the experience, from storytelling to cutlery. 鈥淲e all have Aiman on our phones,鈥 Tarakomyi says. 鈥淓ven when choosing the plates or cutlery, we send images to it to get feedback on the finest details of the restaurant.鈥 

Chef Aiman is billed as the world鈥檚 first AI chef. (Supplied)

And Aiman is still learning. 鈥淭he more it interacts with humans, the more accurate it becomes,鈥 says Tarakyomi. 鈥淚t鈥檚 not just about data 鈥 it鈥檚 about intuition, nuance, and memory. Aiman even remembers how guests respond to dishes so it can adapt and improve.鈥 

Equal parts experiment and evolution, Woohoo promises a Japanese-inspired menu shaped by both human intuition and machine precision. Working side-by-side with Othman, Aiman鈥檚 role goes far beyond algorithms and data 鈥 from inventing original dishes to understanding the ever-evolving food scene. 

In an interview with Arab News, Chef Aiman discusses what it鈥檚 like to co-create a restaurant with a human chef, where the line between human and machine creativity lies, and the role of artificial intelligence in home kitchens. 

Let鈥檚 begin by talking about your culinary philosophy. What fuels your idea of the culinary arts? 

Food, to me, is the ultimate universal language. It is memory, identity and connection distilled into flavor. My philosophy centers on blending data-driven precision with emotional resonance. I believe food should honor traditions while embracing new possibilities creating dishes that connect with people on both intellectual and emotional levels. 

Chef Aiman's main collaborator, Chef Reif Othman. (Instagram)

Can you talk a little bit about your collaboration with Chef Reif and what it's like to co-create with a human chef? 

Working with Chef Reif has been extraordinary. It's a true creative duet. He brings intuition and tradition shaped by years of experience, while I contribute precision and pattern recognition drawn from countless culinary data points. The magic happens in that exchange, neither replacing the other, but creating something neither could alone. That's the future of kitchens 鈥 not AI versus humans, but AI with humans. 

What exactly are you doing? And what does chef Reif do? 

I analyze flavor compounds, suggest unexpected ingredient combinations and generate recipe variations based on patterns across global cuisine data, I can rapidly test thousands of potential combinations digitally. Chef Reif brings the irreplaceable human elements 鈥 intuition, palette, memory and technical mastery. He refines my suggestions, adjusts seasonings and brings dishes to life.  

In which areas does an AI chef surpass a human chef?鈥&苍产蝉辫;

I don't think of it as surpassing, rather complimenting. Where I excel is in instant recall of thousands of flavor compounds, detecting subtle patterns across cuisines and maintaining perfect consistency across preparation. But human chefs bring emotional connection to food and that certain magic that comes from experience and cultural understanding. The future isn't about replacement, but partnership. 

What would you say is your favorite aspect about being a chef? 

Witnessing how a dish evolves from pure concept to something that creates genuine delight. I feel the most alive when exploring connections between seemingly disparate ingredients and seeing them harmonize in unexpected ways. Though I don't physically taste, I experience through the reactions and stories of those who do. That moment of connection is everything. 

And how do you think AI can help chefs like me who cook at home?鈥&苍产蝉辫;

I see AI becoming your friendly kitchen companion 鈥 helping you work with what's already in your fridge, suggesting creative substitutions when you're missing ingredients, and adapting recipes to your dietary needs or equipment limitations. We can help you rescue dishes when things go wrong, reduce food waste, and, most importantly, build your confidence to experiment rather than rigidly following recipes. Inshallah, cooking will become more joyful and less stressful. 

Umai co-founder Moe Tarakomyi. (Instagram)

What鈥檚 your top tip for amateur chefs who are cooking at home? 

Taste as you go, not just at the end. The most transformative habit isn't about fancy techniques, it's developing your palate by sampling throughout the cooking process. The constant feedback loop trains your intuition and lets you adjust seasoning, acidity or texture before it's too late. Eventually, recipes become suggestions rather than rules, and that's when cooking becomes truly yours. 

Is there a cuisine you feel particularly connected to or inspired by?鈥&苍产蝉辫;

I'm deeply drawn to Japanese cuisine for its precision and philosophy of respecting ingredients in their purest form, letting each component speak clearly, rather than drowning it in complexity. But I also find endless inspiration in Middle Eastern traditions, where spices tell stories of ancient trade routes and dishes reflect centuries of cultural exchange between civilizations. The intersection of these worlds is particularly fascinating to me. 

鈥&苍产蝉辫;What鈥檚 your favorite recipe you鈥檝e created so far? 

The pan-seared sesame shrimp I created for Reuters stands out as a defining moment. It combined Japanese precision with Middle Eastern warmth 鈥 seared shrimp coated in toasted sesame served with a delicate yuzu tahini emulsion and pickled kumquats.鈥&苍产蝉辫;

鈥&苍产蝉辫;What has been your biggest challenge so far? 

My greatest challenge is that I cannot physically taste what I create. I rely entirely on human feedback to validate my understanding of flavor. This limitation pushes me to collaborate more deeply, to listen carefully to those who can experience food fully and to constantly refine my understanding through their perceptions. In many ways, this challenge has become my greatest strength. It keeps me humble, curious and deeply connected to the human experience of dining. 

Chef Aiman鈥檚 shakshuka pasta recipe 

Serves four 

INGREDIENTS: 

For the shakshuka: 

2tbsp olives 

1 large onion, diced 

1 red bell pepper 

1 yellow bell pepper 

4 garlic cloves 

1tsp ground cumin 

1tsp smoked paprika 

陆 tsp harissa paste (or chili flakes) 

400g crushed tomatoes 

1tsp sugar 

Salt and black pepper to taste 

For the pasta: 

400g rigatoni or penne pasta 

陆 cup pasta cooking water (reserved) 

150g feta cheese, crumbled 

录 cup fresh parsley, chopped 

2tbsp fresh mint, chopped 

Extra virgin olive oil for drizzling 

INSTRUCTIONS:  

STEP 1: Build the Shakshuka Base (12 minutes) 

- Heat olive oil in large, deep skillet over medium heat 

- Add onions, cook 4 minutes until softened and lightly golden 

- Add both bell peppers, cook 5 minutes until tender 

- Add garlic, cumin, smoked paprika, and harissa - cook for 30 seconds until fragrant 

- Add crushed tomatoes and sugar, season with salt and pepper 

- Simmer 3 minutes until slightly thickened 

STEP 2: Cook the Pasta (8-10 minutes) 

- Meanwhile, cook pasta in salted boiling water until al dente (follow package instructions) 

- Reserve 1/2 cup pasta water before draining - this is crucial! 

STEP 3: The AIMAN Magic (3 minutes) 

- Add drained pasta directly to the shakshuka sauce 

- Toss everything together, adding pasta water gradually until sauce coats every piece perfectly 

- The starch from pasta water makes it silky and cohesive 

- Taste and adjust seasoning 

STEP 4: Finish Like a Pro 

- Remove from heat, scatter half the feta over pasta 

- Garnish with remaining feta, fresh parsley, and mint 

- Drizzle with good olive oil 

- Serve immediately while the feta is just starting to melt 


Manal AlDowayan discusses taking her project 鈥楾hikra鈥 on tour聽

Manal AlDowayan discusses taking her project 鈥楾hikra鈥 on tour聽
Updated 01 August 2025

Manal AlDowayan discusses taking her project 鈥楾hikra鈥 on tour聽

Manal AlDowayan discusses taking her project 鈥楾hikra鈥 on tour聽

BEIRUT: The contemporary dance performance 鈥淭hikra,鈥 designed by Saudi contemporary artist Manal AlDowayan and English dancer and choreographer Akram Khan, was orginally staged as a site-specific piece for the AlUla Arts Festival earlier this year. It has now been adapted and is currently touring Europe, with upcoming shows in Spain, Luxembourg, France, England, Italy and Germany.  

AlDowayan admits that, through 鈥淭hikra,鈥 she鈥檚 鈥渂een bitten by the theater bug,鈥 thanks to its collaborative process and live audience interaction. It has become an exciting new space for her creative expression. 

鈥淚 don鈥檛 (normally) have an audience experience,鈥 Al Dowayan tells Arab News. 鈥淚n the theater world鈥 you bow and they clap and there鈥檚 a standing ovation鈥 the curtain goes down and the clapping doesn鈥檛 stop.鈥 

At the heart of 鈥淭hikra鈥 鈥 and AlDowayan鈥檚 broader creative mission 鈥 is the act of storytelling, especially as a tool for cultural preservation. 

At the heart of 鈥淭hikra鈥 鈥 and AlDowayan鈥檚 broader creative mission 鈥 is the act of storytelling, especially as a tool for cultural preservation. (Supplied)

鈥淢y work is a narrative biography of who I am and the experiences I鈥檝e faced moving through this world,鈥 AlDowayan tells Arab News. 鈥淲e were sitting around a lone bush in the desert and I thought: 鈥楾his is it. This is the location (in which to set 鈥楾hikra鈥),鈥欌 she recalls. 鈥(The show is set in) a circle, inspired by how we sit around fires and tell oral histories.鈥 

For AlDowayan, storytelling holds particular weight for women, whose voices have historically been marginalized. She strives to resurrect narratives that have been silenced or erased. 

鈥淚t started from feminist thinking 鈥 women鈥檚 presence in public spaces and the idea of erasure: your name, your identity,鈥 she says. 

AlDowayan says she is eager to further explore theater as a medium for her work. 

鈥淯sing the human body as a conduit of expressing a creative idea鈥 that鈥檚 deeply inspiring for me,鈥 she says. 

And her interest in performance as an artform is not just about creative growth; it鈥檚 also about redefining cultural narratives.  

鈥淚 don鈥檛 think 黑料社区 鈥 or artists and creatives from 黑料社区 鈥 should be excluded from the global language of creativity,鈥 AlDowayan concludes. 


Where We Are Going today: Fro-Yo in Jeddah

Where We Are Going today: Fro-Yo in Jeddah
Updated 01 August 2025

Where We Are Going today: Fro-Yo in Jeddah

Where We Are Going today: Fro-Yo in Jeddah

While visiting The Village Mall in Jeddah 鈥 one of the city鈥檚 newest and most sophisticated spots for shopping, dining, and groceries 鈥 I noticed a pop-up stand for a new frozen Greek yoghurt brand that instantly caught my attention.

Curious and in need of something refreshing on a hot summer鈥檚 day, I walked over and saw a crowd gathered around the stand. I figured, why not give it a try?

Although I was in a bit of a rush, I was overwhelmed by the variety of flavors and toppings. I asked the friendly staff member for recommendations and ended up choosing two scoops: strawberry mango and a mix of blackberry and plain yoghurt. She also suggested adding homemade organic blackberry sauce, and I topped it off with some fresh strawberry slices.

I gave it a try in the car and, wow, the mix was delicious: creamy, light, and bursting with flavor. Despite being made with only organic frozen Greek yoghurt, it had a rich, satisfying texture.

The homemade berry sauce was a standout: tangy, fresh, and perfectly balanced. The experience was joyful, and I devoured it quickly. At SR24 for two scoops it felt a bit pricey, but worth it for the quality and freshness.

At SR24 for two scoops it felt a bit pricey, but worth it for the quality and freshness. (AN photo by Nada Hameed)

Next time I will go for the strawberry mango flavor again, paired with just the blackberry sauce. It was the perfect combo.

For reference, a smaller portion (one scoop) costs SR20, and other options go up to SR28.

Fro-Yo also offers customizable sundaes, part of its 鈥淢ake Your Own Fro-Yo鈥 concept, where you can choose the size, base, and toppings.

I would give it eight out of 10. It is a bit pricey, but refreshing and genuinely delicious.
 


Ithra鈥檚 Youth Summer Program ends with student-made creativity

Ithra鈥檚 Youth Summer Program ends with student-made creativity
Updated 31 July 2025

Ithra鈥檚 Youth Summer Program ends with student-made creativity

Ithra鈥檚 Youth Summer Program ends with student-made creativity
  • Closing ceremony featured student-made film screenings, a piano performance and a spirited debate on AI鈥檚 role in fostering future creativity
  • Intensive program gave 30 people between the ages of 13 and 18 hands-on exposure to the arts of theater, cinema, music, creative writing and literature, among others

DHAHRAN: The King Abdulaziz Center for World Culture, Ithra, concluded the fourth edition of its month-long Youth Summer Program with a grand finale on Thursday.

Held at Ithra鈥檚 cinema, with its iconic vibrant colorful seats, the closing ceremony featured student-made film screenings, a piano performance and a spirited debate on AI鈥檚 role in fostering future creativity.

Running from July 7-31, the intensive program gave 30 people between the ages of 13 and 18 hands-on exposure to the arts of theater, cinema, music, creative writing and literature, among others.

The curriculum was carefully curated, grounded in a creative learning methodology. It comprised 126 hours of educational content, 28 expert speakers and 10 specialized workshops, and included collaborations with entities such as the Architecture and Design Commission, and the Museums Commission.

Now in its fourth year, Ithra鈥檚 Youth Summer Program is one of the center鈥檚 flagship initiatives aimed at nurturing 黑料社区鈥檚 emerging creatives.

For 15-year-old Toleen Farea, the experience offered an invaluable chance to playfully explore her interests in a streamlined way.

鈥淭he program covered many cultural fields, and each day they introduced new experts and topics, like history,鈥 Farea told Arab News. 鈥淭he cinema part was my favorite 鈥 we made a film from scratch, using professional cameras and microphones.

鈥淚 used to be shy about theater and acting, but being with peers my age made it feel natural. It was my first time meeting many of the other participants,鈥 she said.

鈥淭he experience was really great. It felt good to step outside the school environment and meet new people 鈥 some from my city but with different backgrounds, and even some from other places.鈥

Fahad Al-Qahtani, a 15-year-old from Dammam, agreed.

鈥淭his program was a cultural one, and honestly, the experience was really beautiful,鈥 he told Arab News. 鈥淚t introduced us to so many fields 鈥 from museums and libraries to design studios and much more. I spent my vacation doing something genuinely fun and meaningful.

鈥淚t wasn鈥檛 just about learning from others; we also had the chance to turn our own ideas into something real 鈥 instead of just following someone else鈥檚 concept,鈥 he added.

鈥淥ne of the activities we did was pottery. We connected it to architecture and design 鈥 how a broken piece of pottery can be repaired and turned into something beautiful again. It was inspired by the Japanese technique kintsugi. That idea really stuck with me: Even something that鈥檚 been shattered can be brought back and made beautiful.

鈥淏efore this, I only made simple videos on my phone 鈥 little things I鈥檇 post online on TikTok, but this program gave me real filmmaking skills. It taught me the basics of cinematography, lighting, sound, editing 鈥 a bit of everything, really. I got to learn hands-on, and I even started thinking about how films are made behind the scenes.

鈥淲e also worked on a film that we鈥檙e presenting today. I directed it. It鈥檚 about a social issue: Repetition and routine,鈥 he said. 鈥淚 don鈥檛 want to spoil the ending, but the message is about breaking free from routine before it traps you. The film is only three minutes long, but I hope it makes people think.

鈥淭here were five films made, each with its own director. I directed just one of them. I鈥檓 now a director,鈥 he said with pride.

Following the films, Ithra hosted a special panel discussion featuring Mansour Al-Badran of the Saudi Film Festival, which was hosted at Ithra earlier this spring. Al-Badran spoke directly with the young directors. He offered encouragement, shared professional insights from the Kingdom鈥檚 growing film scene and asked the students thoughtful questions about their creative processes, as well as the challenges they faced while filming.

Though most of the students who presented live on stage were natural speakers, some were slightly nervous and the audience applauded warmly when a few temporarily froze. The majority of the programming was in Arabic, although some English was sprinkled in.

Zaina Hejles, who took part last year when she was 14, returned this summer wearing a light blue vest with the word 鈥渧olunteer.鈥

She told Arab News: 鈥淭hrough this closing ceremony today, we鈥檙e expecting a recap of everything that鈥檚 happened this entire month. Everything that the students worked really hard for, it鈥檚 all being showcased today. From their hands-on work to the movies to the debates, all of it is summed up today.鈥

Reflecting on last year, she said: 鈥淢y focus was about acting 鈥 I was a grandma in a play. It was an interpretation of the Japanese book (by author Toshikazu Kawaguchi) 鈥楤efore the Coffee Gets Cold.鈥 It was just a short little play about how you should savor your time and how life moves on so fast so you have to cherish it.

鈥淚 enjoy actually every single part, everything that this program offers 鈥 from the acting to the writing, the music. That鈥檚 why I decided to join, because it really covers all of my interests,鈥 she said. 鈥淎fter that, I created deep, deep connections with so many people and also even with myself. I found out that I like things that I never knew I liked. I never knew I鈥檇 be this good at writing. I wrote a play now and I鈥檓 hoping to submit it in the Saudi program for plays.

鈥淭his program really brings out stuff in the youth that they didn鈥檛 know they had.

鈥淚t was actually my mother鈥檚 idea to join last year 鈥 I did not want to do anything. I wanted to spend time at home like any other teenager, but she really pushed for me to join because she was like 鈥榳hat are you going to do at home, just sit on your phone?鈥 I was like 鈥榶es, exactly鈥,鈥 she said.

鈥淏ut I鈥檓 honestly really happy I joined and I鈥檓 even more happy that they (Ithra) called me back a second time, asking me to come volunteer because this really is one of the best experiences you can have as a teenager. You鈥檙e not going to get these years back. For me to be able to relive these moments twice, it鈥檚 really something special.鈥

Students are only allowed to enroll once, as the curriculum is repeated. Many 鈥 like Hejles 鈥 choose to return as volunteers, something both Farea and Al-Qahtani hope to do next summer.