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RIYADH:����������’s cultural sector has��attracted��$500 million in��foreign investment and 1,700 non-Saudi��investors, one of the Kingdom’s leading ministers has revealed.

Speaking��at the inaugural Cultural Investment Conference in Riyadh,��Minister of Investment Khalid Al-Falih explained how ��������’s push to become a global cultural hub is accelerating.

“We have today over 50,000 investors in the Kingdom of �������� — Saudi and international — that are categorized as investors in culture and creative categories,” he said.

During the conference’s first panel, which was moderated by Arab News’ Editor-in-Chief Faisal J. Abbas, the minister detailed the rapid growth of the cultural economy.��

“I can tell you from nothing six, seven years ago��we have today over $500 million ...��in foreign investments in culture as of last year, so it is accelerating as we go, growing at double digit,” he stated.��

He further specified that a significant portion of this investment is coming from abroad, noting: “I’m happy to say that we have 1,700 international investors that are investing in culture, creative, arts, events, entertainment, and all of the things that we classify under this very broad definition of culture.”��

The conference, organized by the Ministry of Culture and held at the King Fahd Cultural Center, drew a global audience of investors, cultural leaders, and decision-makers. The event aims to position the Kingdom as a leading destination for cultural investment, a key pillar of its Saudi Vision 2030 economic diversification plan. ��

Minister Al-Falih framed the cultural investment as essential to the nation’s identity and appeal. “If you don’t have a soul as a country and as a society, you’re a no country. Nobody will want to come and visit,” he said, adding that “Riyadh and the Kingdom has become a cultural hub,” with the upcoming Riyadh Season event as a prime example.��

This drive is a core component of Saudi Vision 2030’s Quality of Life Program, which aims to enhance cultural offerings, entertainment, and overall livability for citizens and residents.��

Echoing this sentiment, Faisal Alibrahim, ��������’s minister of economy and planning, emphasized the strategic priority of the sector.

“For the Kingdom of ��������, this��is pivotal for the first wave of economic diversification that we witnessed,” Alibrahim said.��

He revealed that the cultural sector already employs approximately 235,000 people, with the target being to triple the sector’s contribution to the economy by 2030, driven significantly by exports.��

Both ministers outlined a collaborative model for growth. Al-Falih described a focused approach to creating a triangle between investment by investors, government support, and government direct investment in the sector, along with the third category, civil society. ��

He noted that the Ministry of Investment has already developed 40 specific investment opportunities in the sector, which are listed on the Invest Saudi platform.��

Minister Alibrahim highlighted that in the formative years of Vision 2030, spending on culture was “equally as important as, and maybe even more important than” traditional budget items.��

He went on to link cultural development to the Kingdom’s global reputation, saying: “People remember generosity, and today are seeing an increase in the quality of the user experience when you interact with the Kingdom.”��

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The minister highlighted the culture sector’s need for entrepreneurs, not only large corporations. Using South Korea as a model, he explained how its rapid diversification led to a boom in cultural exports, a form of soft power that even inspired Saudis to learn the language.��

Bank of Korea data shows that the country’s intellectual property exports, which includes music, films, and games,��more than tripled over the last decade to reach $9.85 billion in 2024.��

The two-day Cultural Investment Conference, featuring over 38 panel discussions, marks a significant step in ��������’s strategy to empower its cultural sector as a dynamic economic engine and strengthen its cultural presence on the world stage.��