Crafting a kingdom — how ’s ‘Year of Handicrafts’ is preserving heritage

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Updated 23 September 2025

Crafting a kingdom — how ’s ‘Year of Handicrafts’ is preserving heritage

Crafting a kingdom — how ’s ‘Year of Handicrafts’ is preserving heritage

RIYADH: From the intricate Sadu weaving of Najd to the mountainous wicker crafts of Al-Baha and the delicate woodwork of Hijazi architecture, ’s “Year of Handicrafts” is a national effort to commemorate, support and preserve the Kingdom’s diverse cultural heritage.

“The Year of Handicrafts has a great impact on traditional handicrafts,” Dr. Dalia Al-Yahya, head of the handicraft sector at the Ministry of Culture’s Heritage Commission and general manager of the Year of Handicrafts, told Arab News.

“It sheds light on the artisans, on the handmade works and on the richness that the Kingdom of is known for.”

Driven by Vision 2030, the Year of Handicrafts is a strategic initiative to honor and preserve ’s rich cultural heritage through the time-honored tradition of passed-down crafts.

“I believe that handicrafts, this year, have an impact on two different areas,” said Al-Yahya.

“The first area is related to preserving these traditional crafts and enhancing the identity of citizens and the sense of belonging to the region, especially since the Kingdom of is characterized by the richness and diversity of its traditional crafts.

“In the other area, this year aims to enhance the status of artisans, train them and market their products, and sheds greater light on them as entrepreneurs in this field, in addition to the institutions and associations that work in the field of handicrafts.”

The Year of Handicrafts is part of a broader series of cultural years that have previously focused on topics such as Arabic calligraphy and poetry, Saudi coffee, and camels.

It aims to achieve several key objectives, such as enhancing cultural identity, empowering local artisans, promoting Saudi crafts globally, and connecting with artisans and the local and international community.

Under Vision 2030, the Heritage Commission is actively working to preserve the Kingdom’s handicrafts from each region while also sparking an entrepreneurial spirit in artisans to build a sustainable future.

The commission has dedicated a handicrafts sector that works to develop regulations, train artisans and market their products locally and internationally.

“The heritage authority has worked on many initiatives to empower artisans. The most important of these is the craft licenses,” said Al-Yahya.

Under their online platform, Ibda’a, the commission issues licenses to individual artisans and craft businesses. As of 2025, there are 4,855 licensed artisans.

A project called “Artisans House” serves as a space for raising awareness, training and developing traditional craft products while another scheme to preserve handicrafts includes the Saudi International Handicrafts Week, “Banan.”

This aims to highlight ’s heritage by promoting cultural exchange with other countries, of which more than 25 took part in the early editions. The third will be launched in November, with a focus on introducing and marketing handicrafts.

“Approximately more than 500 exhibitors, both local and international, are participating,” said Al-Yahya.

Handicrafts serve as an authentic cultural lens into a region’s identity, with each piece drawing inspiration from its diverse landscapes and local surroundings. These crafts often use specific materials native to their area.

Al-Yahya highlighted the diversity to Arab News.

“If we look at coastal crafts, such as in some areas like Yanbu, Al-Qatif, and other coastal areas, these crafts are always related to the water that exists in the place, such as the craft of fishing nets, the manufacture of wooden ships, or even jewelry and gems related to shells or pearls and other crafts,” she said.

“If we take the mountainous regions, for example in Asir, we see that the crafts are related to this location, such as stone utensils, wooden boxes, wool and others that can withstand the cold of the weather and the geographical location.”

In the northern reaches of the kingdom, the traditional skill of Al-Naddafa, or wool and cotton processing, transforming raw materials into bedding and quilts, has long been practiced

Further south in the Najran region, a different kind of artistry thrives. The crafting of the Janbiya, a ceremonial dagger, is a skill passed down through generations.

These daggers serve as cultural symbols, each one featuring an intricately decorated blade and a sheath often covered in local leather or silver, worn with a leather belt.

In the green mountainous region of Al-Baha, wicker craft is a deep-rooted tradition, primarily practiced by women. Using locally sourced plants, they weave a variety of functional, everyday items, from baskets and bags to furniture, blending practicality with artistry.

And in the Hijaz region, woodwork known as Al-Rawasheen, has had a deep impact on the area’s historic architecture. It is visible in the decorative wooden protrusions on buildings in cities like Jeddah, Makkah, and Taif and, beyond the design, these structures serve a practical purpose — providing shade, privacy, and airflow in the hot climate.

Another example of a Saudi handicraft is Sadu weaving, recognized by UNESCO, which uses yarn made from sheep wool, camel hair, and goat hair to create blankets and other items featuring distinct symbols inspired by the desert.

Al-Yahya said the work led by the Heritage Commission also contributed to supporting the local economy by increasing artisans’ income.

“The biggest challenge we faced was balancing the need to find or preserve the authenticity of handicrafts with the current market needs,” she said.

“However, at the Heritage Commission we’ve launched many initiatives to strengthen this aspect and preserve the authenticity of these crafts.”

She said the commission’s “Craft Houses” initiative empowered craftspeople to create new designs, blending traditional heritage with modern standards.

“We have over 14 craft houses across the Kingdom, and each one focuses on the crafts found in its region,” she said.

“By reviving these crafts, there has been greater marketing for these traditional products, especially from visitors from outside the Kingdom of . So every visitor wants to get a piece connected to this place.”


Korea-Arab Friendship Caravan strengthens cultural ties in Riyadh

Korea-Arab Friendship Caravan strengthens cultural ties in Riyadh
Updated 10 sec ago

Korea-Arab Friendship Caravan strengthens cultural ties in Riyadh

Korea-Arab Friendship Caravan strengthens cultural ties in Riyadh
  • Event part of drive to boost cultural understanding between regions
  • Live performances showcase different elements of Korean heritage

RIYADH: The 18th Korea-Arab Friendship Caravan stopped in Riyadh on Friday, presenting a full program of traditional and contemporary Korean performing arts at Prince Sultan University as part of an annual cultural exchange between South Korea and the Arab world.

The event was organized by the Korea-Arab Society in cooperation with the Embassy of South Korea in . It is part of a broader tour aimed at strengthening cultural understanding and people-to-people ties between the two regions.

This year’s edition introduced Saudi audiences to five live performances showcasing different elements of Korean heritage and modern entertainment.

The lineup included the folk percussion act Pangut, the ritual dance Bokgae-Chum, the fan dance Buchae-Chum, the percussion-based Samulnori and the B-boy theater show Marionette by the award-winning Expression Crew.

Speaking to Arab News after the performance, Korean artist Ko You Min from the Pangut team said it was the first time the group had performed in the Kingdom.

“It was a really valuable and good experience for us. It was our first time performing in and it was a meaningful event for us,” he said.

Founded in 2008, the Korea-Arab Society is a nonprofit organization supported by government and institutional partners in both regions, working to promote cultural, economic and academic cooperation. Its longest running program, the caravan, is staged annually across multiple Arab capitals.

Each segment of Friday’s show highlighted a different aspect of Korean artistic identity.

Pangut featured musicians in traditional hats spinning long ribbons while performing on drums and wind instruments. Bokgae-Chum showcased a symbolic rice-bowl lid used in Korean folk culture to convey blessings and protection.

Buchae-Chum displayed synchronized fan movements representing nature, while Samulnori emphasized the rhythmic energy of Korea’s four core percussion instruments.

The closing act, Marionette, offered a different tone, combining hip-hop choreography with silent theater and visual storytelling.

Established in 1992, Expression Crew is one of Asia’s most influential B-boy groups and has performed worldwide.

The event attracted a diverse audience of students, faculty, diplomats and others, reflecting the Kingdom’s growing interest in international cultural programs.

Prince Sultan University hosted the performance as part of its extracurricular initiatives to expose students to global arts and traditions.

Organizers described the Riyadh stop as part of a broader effort to “connect cultures through performance” and said that the caravan blended heritage acts with modern Korean entertainment to engage new audiences in the region.

The Korea-Arab Friendship Caravan will continue to tour Arab countries and present the same program in different settings throughout the year.