Mona Tougaard fronts new fashion campaign/node/2614760/lifestyle
Mona Tougaard fronts new fashion campaign
Tougaard appeared in a sleeveless argyle-patterned knit top. (Instagram)
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Updated 10 September 2025
Arab News
Mona Tougaard fronts new fashion campaign
Runway star represents retailer for autumn, winter collection
Tougaard has been busy this year in Paris and New York shows
Updated 10 September 2025
Arab News
DUBAI: Model Mona Tougaard has added another major collaboration to her portfolio with a new campaign for H&M’s Fall/Winter 2025 collection.
The runway star, who has Danish, Turkish, Somali and Ethiopian ancestry, shared images from the shoot on Instagram this week.
In one look, she wore a flowing white pleated dress with voluminous sleeves and a high neckline, styled with a large brown fur stole, statement earrings and chunky ring.
In another image, Tougaard appeared in a sleeveless argyle-patterned knit top in black, grey and white, paired with dark brown leather pants and a crocodile-embossed clutch in matching tone.
Tougaard stars in the campaign alongside US model and influencer Alex Consani and South Korean model Sora Choi.
According to H&M’s Instagram caption, the collection “translates British sartorial codes, retro references and the creative vitality of 1990s London into an assertive, future-facing wardrobe finessed for this moment.”
Tougaard started her modeling career in 2017 after winning the Elite Model Look Denmark competition at the age of 15.
Since then, she has become a well-known figure in the fashion industry, working with top designers and luxury brands including Prada, Louis Vuitton, Fendi, Chanel and Valentino.
The model has had a busy year this year. She starred in a Versace campaign in February and was seen on video reclining on a deep orange sofa, her hair styled in a sleek, straight look with blunt bangs.
She wore a two-piece ensemble: a lilac-toned sequined crop-top featured delicate yellow floral embroidery, thin straps and a plunging neckline, with a skirt, in rich brown satin, that had an intricate overlay of cream floral lace.
During New York Fashion Week, also in February, she graced the runway for Tory Burch’s Fall/Winter 2025 show.
In January, she was a part of the Schiaparelli Haute Couture Spring/Summer 2025 show at Paris Fashion Week, when she wore a halter-neck dress with a sheer, form-fitting bodice that transitioned into a voluminous skirt with meticulously folded fabric.
Last month, she posed for Marc Jacobs’ Fall 2025 campaign, showcasing the brand’s new Cristina Satchel bag.
In the photos shared on Instagram, Tougaard was seen wearing a sleek black halter-neck dress with tall black boots, accessorizing with the statement bag.
DUBAI: Moroccan Italian model Malika El-Maslouhi appeared this week in a new holiday campaign for the French luxury label Guerlain.
In a photo shared on the brand’s Instagram page, the 26-year-old model, who has become a favorite on international runways, wore the limited-edition Rouge G lipstick from Guerlain’s Tale of Wonders Holiday Collection in shade G 877. She was also pictured holding the lipstick alongside the matching limited-edition Rouge G Stellar case.
In another image, she posed beside a gift box, wearing celestial-inspired jewelry that included dangling star-shaped earrings and matching rings featuring radiating motifs and delicate pave detailing.
El-Maslouhi, born in Milan to a Moroccan father and an Italian mother, began her modeling career at the age of 18. She has since appeared on runways for international fashion houses including Dior, Chanel, Valentino and Jacquemus, gracing the catwalks of New York, London, Milan and Paris Fashion Weeks. Over the years, she has walked for brands such as Ulla Johnson, Prabal Gurung, David Koma, Boss, Missoni, Messika and more.
She has also featured in campaigns for brands such as Calvin Klein, Off-White and Lanvin, expanding her portfolio across both luxury and contemporary fashion.
In August, she was the face of Anthropologie’s 2026 resort-wear campaign. The line blended breezy elegance with playful details including jewel-toned maxi dresses, sleek black knitted dress, and form-fitting satin gowns that would be perfect for date night.
El-Maslouhi has previously starred in Anthropologie’s summer campaigns. The catwalk star was photographed posing pool and beachside in pieces from Anthropologie’s summer offering, which include ready-to-wear, swimwear and accessories.
The model was seen sporting standout pieces including a lobster-embroidered cardigan, colorful printed shorts, loose summer dresses, tropical one-pieces, denim shorts, floral-printed maxi skirts and tie-up shirts in lightweight fabric, all from the “Sunrise, Jetset” collection.
Earlier this year, El-Maslouhi starred in Saint Levant’s music video for the song “Exile,” directed by Algerian French filmmaker Lyna Zerrouki. The video, which explores themes of longing, loss and hope, features El-Maslouhi against a striking blue backdrop, seemingly falling through the air.
In 2022, she was awarded the Model of the Year in Italy title.
DUBAI: Hollywood star Will Smith is set to take the stage at the UAE’s Sharjah International Book Fair 2025, which runs from Nov. 5 to 16 at Expo Center Sharjah.
The Oscar-winning actor and musician will appear as a guest speaker on Nov. 14, where fans are expecting him to share his trademark humor and personal reflections on life and creativity.
A regular visitor to the Middle East, Smith has made several trips to the region in recent years, often expressing his admiration for its culture and hospitality. He has skydived over Dubai’s Palm Jumeirah, celebrated his wedding anniversary in the city with his wife Jada Pinkett Smith, and explored landmarks across the UAE.
In 2023, he made headlines in when he attended the inaugural AlUla Camel Cup, further cementing his strong connection to the region.
Now in its 44th outing, the annual literary event returns under the theme “Between You and a Book” and will feature more than 2,350 publishers from 118 countries, alongside more than 1,200 activities and 750 workshops for readers of all ages.
This year’s program will host a remarkable roster of global literary figures, including Nigerian author Chimamanda Ngozi Adichie, Italian physicist and bestselling writer Carlo Rovelli, Irish novelist and Booker Prize winner Paul Lynch, and Indian content creator Prajakta Koli. Prominent Arab and Emirati names such as poet and filmmaker Nujoom Al Ghanem, historian Dr. Hamad bin Seray and renowned Egyptologist Zahi Hawass will also participate.
Where We Are Going Today: Julius Meinl: A taste of Vienna in Riyadh
Updated 01 November 2025
Haifa Alshammari
Founded in Vienna, Austria, in the 19th century, Julius Meinl is well known in Europe as a coffee and tea supplier, and the company has just recently opened a shop in Riyadh.
You will surely enjoy their V60 Colombian coffee beans and desserts, such as the Gers Ogaily — or traditional Kuwaiti sponge cake with saffron and cardamom — covered in chocolate.
While the Kunafah bites leave something to be desired, the coffee is flavorful; every sip is simply delicious.
Overall, the prices at this coffeehouse are high. One cup costs SR17 (approximately $5). The chocolate bites are worth SR7 each.
If you’re eco-conscious, the decor and overall aesthetics will capture your attention. The walls are covered with recycled wood, the espresso cups are all biodegradable, and, according to the coffee house, the tools they use are all sustainable.
While the coffee and tasty sweets at Julius Meinl are high-quality, the location may not be the best. Situated in Riyadh’s far north, in the Al-Narjis neighborhood, it is pretty far from the city center.
The seating is slightly uncomfortable as well.
Despite these setbacks, Julius Meinl is a good place to enjoy a coffee time with a friend, perhaps once in a while. Its rich, flavorful brews and attention to sustainability make it worth the occasional visit.
The team from Gerber Architekten discuss their RIBA-award nominated design
Updated 31 October 2025
Shyama Krishna Kumar
DUBAI: In the heart of Riyadh, a groundbreaking project is transforming a former airbase into a green oasis that promises to reshape the Saudi capital’s environmental and social landscape. King Salman Park — nominated for its inaugural Middle East Awards by the prestigious Royal Institute of British Architects — stands as a testament to innovative urban design in one of the world’s most challenging desert environments.
“Our primary vision was to transform this former (airbase) area from a desert flood zone into living, breathing nature in the heart of Riyadh,” Eckhard Gerber, founder of Gerber Architekten, the German firm behind the design and execution of the park, tells Arab News.
Thomas Lücking, the company’s managing director, adds, “The idea was to really create a forest and have under its canopy a thousand gardens. So, something to really increase the livability of the city, to attract the citizens into the green, and give them the opportunity to really understand and connect to nature.”
Concept image for Overlook Hill in King Salman Park. (Courtesy of Gerber Architekten)
The park, spanning 16 square kilometers, will reportedly be the largest urban park in the world. And it’s set to challenge conventional approaches to urban development in extreme climatic conditions.
“How to structure the park was the biggest initial challenge,” says Lücking. “And what helped us was really understanding Riyadh and the Arabian peninsulas and the wadis — a key element in the environment in and around Riyadh. Here, the main structuring element was creating a manufactured wadi.”
A second major challenge was connecting the city to the park. “That’s when we got this idea of an intertwining of the green fingers of the park with the urban ‘fingers’ of the city,” he continues. “So, the city reaches into the park, and the park reaches out into the city with those green fingers to make it, really, a vital part of the city — not just an island isolated there. And there’s no fence; there’s no boundary around the park.”
Concept image for Overlook Hill in King Salman Park. (Courtesy of Gerber Architekten)
The project’s ambition goes far beyond creating a simple green space. It represents a comprehensive approach to urban regeneration, addressing critical environmental challenges while giving citizens a new way to interact with nature in a desert metropolis.
Water management emerged as a crucial innovation. Lücking highlights the firm’s pioneering approach: “We’re using treated wastewater from the city — approximately 150,000 cubic meters daily — which is polished to near-drinking water quality.”
This approach not only solves waste-management issues but provides a sustainable irrigation solution for the park’s ambitious green infrastructure.
Concept image for Museum of the Earth. (Courtesy of Gerber Architekten)
Even the park’s soil is a marvel of scientific engineering. The team dug down 2.5 meters, breaking up compacted airport ground and creating what Lücking describes as “regenerative soil,” and by incorporating red sands, pumice, biochar, and microorganisms, they’ve developed a living ecosystem that can absorb rainwater like a sponge and support an extraordinary diversity of plant life.
The park — which should be complete by 2030, although some areas will open sooner than that — will apparently host more than 700 plant species, a dramatic increase from the 100-120 species currently cultivated in Riyadh. Approximately half of them are indigenous to , so many of them are being newly introduced to the region’s horticultural landscape. “We wanted to create a place where people can truly enjoy nature,” Gerber emphasizes.
The park’s design incorporates varied landscape types, including valleys, mountains, and water bodies, with elevation changes spanning 35 meters to create diverse microclimates and viewing experiences.
Concept image for one of the park's valleys. (Courtesy of Gerber Architekten)
Architectural elements are deliberately integrated into the landscape, rather than imposed on it. The Museum of the Earth, for instance, appears initially as a natural canyon, with building facades subtly emerging as visitors explore deeper. Pedestrian bridges mimic tree branches, and rest areas are designed to resemble natural caverns.
The park’s design philosophy rejects the typical approach of creating an entertainment zone. “We didn’t want hundreds of artificial attractions,” says Lücking. “Instead, we aimed to create a piece of manufactured nature where people can connect with their environment, explore, and occasionally get delightfully lost.”
The nomination for the RIBA Awards, for which the winners will be announced Nov. 5, represents more than just architectural recognition for the firm. “It’s our first opportunity to showcase what’s possible in ,” notes Gerber.
Kathryn Bigelow’s ‘A House of Dynamite’ is a damp squib
Updated 31 October 2025
Adam Grundey
DUBAI: It looked so good on paper. A nuclear war-themed thriller with a script from award-winning screenwriter Noah Oppenheim, directed by Oscar-winning filmmaker Kathryn Bigelow, and starring a handful of excellent actors including Rebecca Ferguson, Idris Elba, Jared Harris and Gabriel Basso.
And for the first 20 minutes or so, “A House of Dynamite” delivers. We meet Captain Olivia Walker (Ferguson), the oversight officer for the White House Situation Room, on her way to work, where she’s informed of several significant geopolitical developments involving — separately — China, Iran, and North Korea. Then the US early-warning radar system detects an unidentified intercontinental ballistic missile (i.e. a missile with the capability to carry a nuclear warhead a very long way) already in flight (it missed the launch point, so no one knows who’s responsible for firing it) over the Pacific. At first, it’s assumed to be a routine test by North Korea, so no one really panics. But when the ICBM enters low orbit, and they figure out its likeliest destination will be Chicago, everyone really panics. With less than 20 minutes until impact, there are some horrifying decisions to be made, particularly when the two ground-based interceptors launched to intercept the ICBM fail to do so.
As the countdown to impact heads ever closer, a wave of resignation hits. Those on the video conference call between the Situation Room, the Pentagon, and various armed forces commanders await the decision of the president (Elba) on how to respond to what now seems very likely to be a nuclear attack on the US that will cause tens of millions to die. But with no real knowledge of who’s responsible (both Russia and China deny involvement), can he really decide to launch a nuclear attack of his own to avoid looking weak and inviting further aggression?
We don’t find out because, just before impact, the film jumps back 20 minutes to replay the scene from some different people’s perspectives, including Secretary of Defense Reid Baker (Harris), with snatches of dialogue from previous sections now making more sense as we catch the other ends of the conversations. Twenty minutes later, we do the same again, switching to the perspectives of the president and his entourage. Neat trick. But worth building a movie around?
The story is gripping and terrifying — at least the first time around (it’s hard to get quite as invested once you know what does or doesn’t happen). But because of the limited screen time, none of the excellent cast has a chance to go beyond Acting 101. It all makes for an odd viewing experience; one in which, despite the incredibly high stakes, it feels like there’s no real jeopardy.
In the end, “A House of Dynamite” is — much like America’s missile defense system as portrayed here — an expensive waste of time.