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Author: Haruki Murakami

Haruki Murakami’s “Men Without Women” is a poignant and masterfully crafted collection of short stories that delve into the loneliness and disorientation experienced by men after the women central to their lives have departed.  

It was published in English in 2017, translated from Japanese by Phillip Gabriel and Ted Goossen.

As the title suggests, each narrative explores a man grappling with absence. We meet Kafuku, an actor dissecting decades of grief and his wife’s infidelity during introspective taxi rides; Kitaru, who inexplicably asks his friend to date his girlfriend; and Dr. Tokai, a commitment-phobic surgeon shattered by unrequited love for a married woman.  

Elsewhere, Habara, confined indoors, finds enigmatic connection with his housekeeper; Kino flees his collapsed marriage only to face uncanny visitations in his bar; and a man undergoes a surreal reversal — transformed from insect to human — in a direct homage to Kafka’s Gregor Samsa. Each protagonist carries a palpable void, that missing jigsaw piece in their heart. 

Murakami’s genius lies in his acute observation of fragility in the human spirit and the unpredictability of emotions. Themes resonate powerfully: paralyzing grief, the sting of unreciprocated love, and the suffocating safety of chosen isolation.

His prose seamlessly blends the mundane with the surreal, creating a hypnotic atmosphere that immerses readers in these internal landscapes. The collection flows with remarkable cohesion. 

While undeniably melancholic, “Men Without Women” is a moving exploration of love, loss, and the haunting silence that remains.

Murakami compels readers to undertake the difficult task upon which Kafuku reflects: to look inside their own heart as perceptively and seriously as possible, and to make peace with what they find there. A must-read for insights into solitude’s weight. 

Author: Rebecca M. Rush

In his 1668 preface to Paradise Lost, John Milton rejected the use of rhyme, portraying himself as a revolutionary freeing English verse from “the troublesome and modern bondage of Riming.” 

Milton, however, was not initiating a new line of thought — English poets had been debating about rhyme and its connections to liberty, freedom, and constraint since Queen Elizabeth’s reign.

“The Fetters of Rhyme” traces this dynamic history of rhyme from the 1590s through the 1670s. Rebecca Rush uncovers the associations early modern readers attached to rhyming forms.