Increasing the danger: Journalist killing in Gaza sends a chilling message

Palestinians protest against the killing of journalists in Gaza, in Ramallah in the Israeli-occupied West Bank, August 11, 2025. (REUTERS)
Palestinians protest against the killing of journalists in Gaza, in Ramallah in the Israeli-occupied West Bank, August 11, 2025. (REUTERS)
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Updated 12 August 2025

Increasing the danger: Journalist killing in Gaza sends a chilling message

Increasing the danger: Journalist killing in Gaza sends a chilling message
  • Aside from rare guided tours, Israel has barred international media from covering the 22-month war in Gaza
  • Correspondent Anas Al-Sharif knew he was a target, and left behind a message to be delivered upon his death

DOHA: Israel’s targeted killing of an Al Jazeera correspondent in Gaza over the weekend was noteworthy even for a conflict remarkably blood-soaked for journalists, leaving some experts to marvel that any news at all emerges from the territory.
An Al Jazeera executive said Monday that it won’t back down from covering what is going on there and called for news organizations to step up and recruit more journalists. A total of 184 Palestinian journalists and media workers have been killed by Israel in the Gaza war since its start in October 2023, according to the Committee to Protect Journalists. That compares to the 18 journalists and media workers killed so far in the Russia-Ukraine war, CPJ said.
Aside from rare guided tours, Israel has barred international media from covering the 22-month war in Gaza. News organizations instead rely largely on Palestinian Gaza residents and ingenuity to show the world what is happening there. Israel often questions the affiliations and biases of Palestinian journalists but doesn’t permit others in.
“You simply are in awe when stories show up,” said Jane Ferguson, a veteran war correspondent and founder of Noosphere, an independent platform for journalists. She can’t recall a conflict that has been more difficult for reporters to cover, and she’s reported from South Sudan, Syria and Afghanistan.
Correspondent Anas Al-Sharif knew he was a target, and left behind a message to be delivered upon his death. He and seven other people — six of them journalists — were killed in an air strike outside of Gaza City’s largest hospital complex on Sunday. Israel swiftly claimed responsibility, saying without producing evidence that Al-Sharif had led a Hamas cell. It was a claim the news organization and Al-Sharif had denied.
The toll of journalists in Gaza has been high
Agence France-Presse, The Associated Press, BBC News and Reuters are among the organizations regularly reporting from Gaza. An Aug. 7 AP dispatch vividly described the hunger faced by many in Gaza: “A single bowl of eggplant stewed in watery tomato juice must sustain Sally Muzhed’s family of six for the day. She calls it moussaka, but it’s a pale echo of the fragrant, lawyered, meat-and-vegetable dish that once filled Gaza’s kitchens with its aroma.”
Other recent AP reports carried images and text reporting from the aftermath of an Israeli strike on Gaza’s only Catholic church, and a profile of an 18-year-old aspiring doctor now trying to survive sheltered in a tent.
Journalists from The Washington Post and the Guardian recently accompanied a Jordanian relief mission and took images of Gaza from the air, despite some restrictions from Israel. The Guardian’s Lorenzo Tondo wrote: “Seen from the air, Gaza looks like the ruins of an ancient civilization, brought to light after centuries of darkness.”
None of the organizations match the power and immediacy of Al Jazeera, however, in part because their correspondents have been in front of cameras. They’ve also paid the heaviest price: CPJ estimates that 11 journalists and media workers affiliated with AJ have been killed in the Gaza conflict, more than any other single organization.
In a social media post written in June to be sent if he was killed, Al-Sharif wrote that “I have lived through pain in all its details, tasted suffering and loss many times, yet I never once hesitated to convey the truth as it is, without distortion or falsification — so that Allah may bear witness against those who stayed silent.”
In another posting on X on Aug. 10, the day that he was killed, Al-Sharif wrote of the challenges covering the aftermath of one attack. He said he lost his strength and ability to express himself when he arrived at the scene.
“Body parts and blood were all around us, and corpses were scattered on top of each other,” he wrote. “Tell me what words and phrases could help any journalist describe this horrific image. When I told you on air that it was an ‘indescribable scene,’ I was truly helpless in the face of this horrific sight.”
Al Jazeera calls for other news organizations to come forward
Salah Negm, news director at Al Jazeera English, said Monday it is very difficult to get people in to Gaza. But it is full of educated people and those with training in journalism who can help get stories out. He called on other news organizations to step up.
“We get the news from several sources on the ground in Gaza — not only journalists but also doctors, hospitals, civil servants, aid workers,” Negm said. “A lot of people in Gaza talk to us.”
Many of the journalists working in Gaza are facing the same struggles to find food, for themselves and their families, as the people they are covering. Noosphere’s Ferguson said she’s never before had to ask a reporter whether she had enough food for herself and her child.
In an interview in May on “Democracy Now!,” 22-year-old journalist Abubaker Abed described the difficult decision he made to leave Gaza to pursue his education in Ireland. Not only was he suffering from malnutrition, he said, but his mother was concerned that his work as a journalist would make him and his family targets.
“If I stayed, I would die,” he said.
Jodie Ginsberg, CEO of the Committee to Protect Journalists, said she’s concerned about the implications for journalists in future conflicts if what is happening in Gaza is allowed to continue without international condemnation that has real teeth.
“They’re essentially admitting in public to what amounts to a war crime,” Ginsberg said, “and they can do that because none of the other attacks on journalists have had any consequences. not in this war and not prior. It’s not surprising that it can act with this level of impunity because no international government has really taken it to task.”
Given all that they face, “to me, the most remarkable thing is that journalists are continuing to cover (Gaza) at all,” she said.


Snapchat introduces fees for storing old posts, photos

Snapchat introduces fees for storing old posts, photos
Updated 01 October 2025

Snapchat introduces fees for storing old posts, photos

Snapchat introduces fees for storing old posts, photos
  • Snapchat said that it was introducing new “Memories storage plans” for users with more than 5GB of data
  • Packages are offered for 100GB, 250GB with Snapchat+ or 5TB with Snapchat Platinum

DUBAI: Snapchat has announced it will start charging users for saved posts and photos that exceed 5GB of storage.

In a blog post, Snapchat said that it was introducing new “Memories storage plans” for users with more than 5GB of data.

“For the vast majority of Snapchatters, who have less than 5GB of Memories, nothing will change,” the company said, adding that users with larger data needs could upgrade their storage to retain content in the feature introduced in 2016.

The packages are offered for 100GB, 250GB with Snapchat+ or 5TB with Snapchat Platinum.

The company acknowledged that “it’s never easy to transition from receiving a service for free to paying for it,” but said that the value provided from the paid service “is worth the cost.”

“These changes will allow us to continue to invest in making Memories better for our entire community,” it added.

Snapchat has not disclosed the full pricing of its new packages, but a company spokesperson told TechCrunch that the initial 100GB storage plan would cost $1.99 per month, while 250GB would be included in the $3.99 Snapchat+ subscription.

It noted that since the “Memories” feature was rolled out, users stored more than 1 trillion worth of posts and pictures.

Users exceeding the 5GB limit will have 12 months of temporary storage and can download their content directly to their devices, the company said.


Jomana Alrashid becomes first Saudi named to Time’s annual TIME100 Next list

Jomana Alrashid becomes first Saudi named to Time’s annual TIME100 Next list
Updated 01 October 2025

Jomana Alrashid becomes first Saudi named to Time’s annual TIME100 Next list

Jomana Alrashid becomes first Saudi named to Time’s annual TIME100 Next list
  • Alrashid’s inclusion highlights her pioneering leadership and marks a milestone moment for Saudi women on the global stage
  • Under her leadership, SRMG has redefined how Arab media engages with audiences, while nurturing new generations of talent

RIYADH: Jomana R. Alrashid, CEO of Saudi Research and Media Group and chairwoman of the Red Sea Film Foundation, has made history as the first Saudi to be recognized on Time magazine’s TIME100 Next list.

An expansion of the iconic TIME100 list of the most influential people in the world, TIME100 Next highlights 100 emerging leaders who are shaping the future of business, entertainment, sports, politics, health, science, activism and more.

Alrashid’s inclusion highlights her pioneering leadership in business and media and marks a milestone moment for Saudi women on the global stage. Alongside Alrashid, the list includes names such as White House Press Secretary Karoline Leavitt, international football phenom Lamine Yamal, Irfaan Ali, the president of Guyana, and many more influential and emerging leaders in their respective fields.

Time magazine described Alrashid as “an architect of the Middle East’s shifting media landscape.” Since her appointment in 2020 as the first female CEO of SRMG, she has spearheaded the company’s comprehensive digital-first transformation, launched innovative media verticals and forged landmark global partnerships. These efforts have been reflected in the rapid growth of SRMG’s stock, signifying extensive trust by investors in her business development and management strategies across the media entertainment and technology sectors. Under her leadership, SRMG has redefined how Arab media engages with audiences, while nurturing new generations of talent.

As chairwoman of the Red Sea Film Foundation, she has championed the growth of the film industry across the Arab world, Africa and Asia, driving initiatives to empower filmmakers and foster international collaboration. This commitment has culminated in an unprecedented achievement, with over 80 supported films premiering and garnering awards and international recognition at the world’s most prestigious festivals, including Cannes, Venice, Berlin, Toronto and Sundance.

These are filmmakers and their stories that once struggled to find a place in the international film industry, now making their mark on the global stage. Today, the Red Sea International Film Festival stands as a premier global destination for cinema, culture and creativity.

Alrashid commented on the recognition: “I am deeply honored to be included in the TIME100 Next list. This recognition reflects the collective efforts of the extraordinary teams I have the privilege to work with at SRMG and the Red Sea Film Foundation. It is also a testament to the vision and leadership that have driven the remarkable transformation taking place across and the wider region — a future built on innovation, creativity and storytelling that resonates globally.”

Alrashid’s selection underscores not only her growing global influence but also the pivotal role of ’s creative and media industries in shaping conversations worldwide. As the Kingdom continues its ambitious cultural and economic transformation, her leadership represents both the spirit of progress and the power of storytelling to inspire and unite communities across the globe.


Anghami partners with ’s Athar Festival to highlight local talent

Anghami partners with ’s Athar Festival to highlight local talent
Updated 01 October 2025

Anghami partners with ’s Athar Festival to highlight local talent

Anghami partners with ’s Athar Festival to highlight local talent
  • Anghami will host Athar’s official podcasts on its platform to expand festival outreach

RIYADH: Anghami, a leading music and entertainment streaming platform in the Middle East and North Africa, announced on Wednesday its partnership with Athar – Saudi Festival of Creativity 2025 to help promote regional creativity, culture and innovation. 

As a general partner to the two-day festival, Anghami will host Athar’s official podcasts on its platform to extend “the conversations, insights, and learnings from the festival to millions of listeners digitally.”

Anghami will also host a live DJ artist booth during the event, set to take place on Oct. 21-22 in Diriyah, and sponsor the ‘Marketing Communications Team of the Year’ Award. 

The collaboration aims to underscore Anghami’s “wider mission to empower talent, inspire innovation, and amplify Arab voices on the global stage; continuing to build meaningful connections with audiences while shaping the future of entertainment and creativity across and the wider MENA region,” the streaming platform said in an official statement.

Eddy Maroun, co-founder at Anghami, said partnering with Athar extends the company’s objective to empower talent through “bringing together the brightest creative minds and celebrating the power of ideas, music, and innovation.”

Kamille Marchant, Athar Festival Director, said the partnership with Anghami, alongside other major industry players, aims to expand the festival to its “biggest and boldest edition yet.”

“As one of the Middle East’s leading music and entertainment platforms, Anghami’s presence at the festival will amplify our message and support us in delivering an unforgettable experience for the creative marcomms community,” said Marchant.

 


Spooked by AI, Bollywood stars drag Google into fight for ‘personality rights’

Spooked by AI, Bollywood stars drag Google into fight for ‘personality rights’
Updated 01 October 2025

Spooked by AI, Bollywood stars drag Google into fight for ‘personality rights’

Spooked by AI, Bollywood stars drag Google into fight for ‘personality rights’
  • Bollywood couple fight for personality rights in New Delhi court
  • Actors argue AI videos cause harm, should not be used in training
  • Cases could impact how YouTube allows video sharing with consent

NEW DELHI: In India, Bollywood stars are asking judges to protect their voice and persona in the era of artificial intelligence. One famous couple’s biggest target is Google’s video arm YouTube.
Abhishek Bachchan and his wife Aishwarya Rai Bachchan, known for her iconic Cannes Film Festival red carpet appearances, have asked a judge to remove and prohibit creation of AI videos infringing their intellectual property rights. But in a more far-reaching request, they also want Google ordered to have safeguards to ensure such YouTube videos uploaded anyway do not train other AI platforms, legal papers reviewed by Reuters show.
A handful of Bollywood celebrities have begun asserting their “personality rights” in Indian courts over the last few years, as the country has no explicit protection for those like in many US states. But the Bachchans’ lawsuits are the most high-profile to date about the interplay of personality rights and the risk that misleading or deepfake YouTube videos could train other AI models.
The actors argue that YouTube’s content and third-party training policy is concerning as it lets users consent to sharing of a video they created to train rival AI models, risking further proliferation of misleading content online, according to near-identical filings from Abhishek and Aishwarya dated September 6, which are not public.
“Such content being used to train AI models has the potential to multiply the instances of use of any infringing content i.e. first being uploaded on YouTube being viewed by the public, and then also being used to train,” the filings said.
Representatives for the Bachchans and Google spokespersons did not respond to Reuters’ queries. The Delhi High Court last month asked Google’s lawyer in court to submit written responses before the next hearing on January 15.
YouTube’s India managing director, Gunjan Soni, last month described the platform as “the new TV for India.” With around 600 million users, India is YouTube’s biggest market globally, and it is popular for entertainment content like Bollywood videos.

Lawsuit alleges YouTube videos are ‘egregious’
Indian courts have already started to back Bollywood stars upset about generative AI content damaging their reputation. In 2023, a Delhi court restrained the misuse of Anil Kapoor’s image, voice and even a catchphrase he often used.
Reuters is first to report details of the Bachchans’ specific challenge against Google, which was contained in court filings spanning 1,500 pages where they mostly target little-known sellers for unauthorized physical merchandise like posters, coffee mugs and stickers with their photos, and even fake autographed pictures.
They are also seeking $450,000 in damages against Google and others, and a permanent injunction against such exploitation.
The lawsuits contain hundreds of links and screenshots of what they allege are YouTube videos showing “egregious,” “sexually explicit” or “fictitious” AI content.
The judge in early September ordered 518 website links and posts specifically listed by the actors to be taken down, saying they caused financial harm to the couple and harmed their dignity and goodwill.
Reuters, however, found videos similar to the examples of infringing videos cited in Abhishek’s papers on YouTube.
Among them: a clip showing Abhishek posing but then suddenly kissing a film actress using AI manipulation; an AI depiction of Aishwarya and her co-star Salman Khan enjoying a meal together while Abhishek fumes standing behind; and a crocodile chasing Abhishek as Khan tries to save him.
Khan was in a relationship with Aishwarya long before her marriage. His spokesperson did not respond to Reuters’ queries.

AI can generate Bollywood love stories
YouTube’s data-sharing policy states creators can opt in to share their videos for training models of other AI platforms, like OpenAI, Meta and xAI. YouTube adds: “We can’t control what a third-party company does” if users share videos for such training.
The Bachchans argue in their filings that if AI platforms are trained on biased content that portrays them in a negative manner and infringes their intellectual property rights, then AI models “are likely to learn all such untrue” information, leading to its further spread.
Eashan Ghosh, chair professor for intellectual property rights at the National Law University Delhi, said it would be difficult for actors to build a direct case against YouTube since their grievances are mostly with creators and personality rights infringement.
But “it wouldn’t be beyond the pale for the court to nudge YouTube to write something into their user policies or set up a queue jump for celebrity claimants to get quicker responses to legal requests,” he said.
YouTube in May disclosed that it had paid more than $2.4 billion to Indian creators in the last three years. The actors alleged that creators infringing their personality rights can make money when videos become popular.
Reuters found a channel on YouTube titled “AI Bollywood Ishq” that shares “AI-generated Bollywood love stories.” Its 259 videos have garnered 16.5 million views. The most popular video with 4.1 million views shows an AI animation of Khan and Aishwarya in a pool, while another shows them on a swing.
In a tutorial, the channel explains it used simple text prompts to create an image via X’s Grok AI and then turned it into a video using Chinese AI startup MiniMax’s Hailuo AI. A Reuters test generated an AI video showing lookalikes of Bollywood stars Khan and Abhishek in a fistfight within five minutes.
Grok, MiniMax and the owner of YouTube channel @AIbollywoodishq did not respond to Reuters’ queries. It was unclear whether the YouTube channel consented to sharing those videos for AI training.
“Content is made only for entertainment and creative storytelling,” the channel’s page said.


2 Yemeni writers disappear amid Houthi crackdown on media

2 Yemeni writers disappear amid Houthi crackdown on media
Updated 30 September 2025

2 Yemeni writers disappear amid Houthi crackdown on media

2 Yemeni writers disappear amid Houthi crackdown on media
  • Yemeni journalist Majed Zayed and writer Oras Al-Iryani reportedly disappeared in Sanaa days before Sept. 26 Revolution Day

LONDON: Yemeni journalist Majed Zayed and writer Oras Al-Iryani have reportedly disappeared in Sanaa, in what rights groups have condemned as part of an escalating Houthi clampdown on media freedom.

Zayed, who contributes to independent outlets including Nafzet Al-Yemen, Almawqea Post, and Mda Press, was abducted late on Sept. 23 while leaving a medical center in the Yemeni capital.

His disappearance followed a patriotic Facebook post celebrating the Yemeni flag ahead of the Sept. 26 Revolution Day, an anniversary not recognized by Houthi authorities.

Just a day prior, Al-Iryani — a poet and essayist — was last seen after leaving his home at sunset, his phone switched off and his Facebook page deleted within hours.

Both men remain missing, and advocacy groups have directly linked their disappearances to the Houthi escalation against media and free expression as Revolution Day approached.

Civil society group SAM Organization for Rights and Liberties described these acts as “systematic efforts to suppress opinion and limit civic participation.”

The Committee to Protect Journalists echoed calls for their safe release, condemning the arrests as “another example of the Houthi rebel group exploiting politicized moments to intensify their crackdown on the press.”

The latest disappearances are part of a broader campaign against writers, journalists, and activists in Houthi-controlled territories ahead of national celebrations.

Rights monitors warn this is an attempt to erase a significant historical milestone from Yemen’s collective memory.

Earlier in September, the Houthi-run Ministry of Interior issued a warning about alleged hostile plots threatening national stability, mirroring last year’s campaign of arrests targeting aid workers and critics, including journalist Mohammed Al-Miyahi, who is still in detention.