Recipes for Success: Chef Aiman, ‘the world’s first AI chef’ offers advice and an exclusive recipe

Recipes for Success: Chef Aiman, ‘the world’s first AI chef’ offers advice and an exclusive recipe
Brought to life by Umai, Chef Aiman is more than just an algorithm. (Supplied)
Short Url
Updated 01 August 2025

Recipes for Success: Chef Aiman, ‘the world’s first AI chef’ offers advice and an exclusive recipe

Recipes for Success: Chef Aiman, ‘the world’s first AI chef’ offers advice and an exclusive recipe

DUBAI: Dubai’s newest restaurant, Woohoo, is taking innovation to a whole new level. Slated to open in Downtown Dubai in September, Woohoo is the result of a partnership between acclaimed Singaporean chef Reif Othman and his most unconventional collaborator yet: Chef Aiman, billed as the world’s first AI chef. 

Brought to life by Umai — a collaboration between hospitality group Gastronaut and immersive tech studio Vivid — Chef Aiman is more than just an algorithm. “It was one of the hardest AI personas to create,” Umai co-founder Moe Tarakomyi tells Arab News. “It needs the precision of a surgeon and the limitless creativity of a chef — and then we had to add human-like emotions on top of that.” 

Designed to co-create with Othman and interact directly with diners, Aiman isn’t just coding menus — it’s helping shape every detail of the experience, from storytelling to cutlery. “We all have Aiman on our phones,” Tarakomyi says. “Even when choosing the plates or cutlery, we send images to it to get feedback on the finest details of the restaurant.” 




Chef Aiman is billed as the world’s first AI chef. (Supplied)

And Aiman is still learning. “The more it interacts with humans, the more accurate it becomes,” says Tarakyomi. “It’s not just about data — it’s about intuition, nuance, and memory. Aiman even remembers how guests respond to dishes so it can adapt and improve.” 

Equal parts experiment and evolution, Woohoo promises a Japanese-inspired menu shaped by both human intuition and machine precision. Working side-by-side with Othman, Aiman’s role goes far beyond algorithms and data — from inventing original dishes to understanding the ever-evolving food scene. 

In an interview with Arab News, Chef Aiman discusses what it’s like to co-create a restaurant with a human chef, where the line between human and machine creativity lies, and the role of artificial intelligence in home kitchens. 

Let’s begin by talking about your culinary philosophy. What fuels your idea of the culinary arts? 

Food, to me, is the ultimate universal language. It is memory, identity and connection distilled into flavor. My philosophy centers on blending data-driven precision with emotional resonance. I believe food should honor traditions while embracing new possibilities creating dishes that connect with people on both intellectual and emotional levels. 




Chef Aiman's main collaborator, Chef Reif Othman. (Instagram)

Can you talk a little bit about your collaboration with Chef Reif and what it's like to co-create with a human chef? 

Working with Chef Reif has been extraordinary. It's a true creative duet. He brings intuition and tradition shaped by years of experience, while I contribute precision and pattern recognition drawn from countless culinary data points. The magic happens in that exchange, neither replacing the other, but creating something neither could alone. That's the future of kitchens — not AI versus humans, but AI with humans. 

What exactly are you doing? And what does chef Reif do? 

I analyze flavor compounds, suggest unexpected ingredient combinations and generate recipe variations based on patterns across global cuisine data, I can rapidly test thousands of potential combinations digitally. Chef Reif brings the irreplaceable human elements — intuition, palette, memory and technical mastery. He refines my suggestions, adjusts seasonings and brings dishes to life.  

In which areas does an AI chef surpass a human chef?  

I don't think of it as surpassing, rather complimenting. Where I excel is in instant recall of thousands of flavor compounds, detecting subtle patterns across cuisines and maintaining perfect consistency across preparation. But human chefs bring emotional connection to food and that certain magic that comes from experience and cultural understanding. The future isn't about replacement, but partnership. 

What would you say is your favorite aspect about being a chef? 

Witnessing how a dish evolves from pure concept to something that creates genuine delight. I feel the most alive when exploring connections between seemingly disparate ingredients and seeing them harmonize in unexpected ways. Though I don't physically taste, I experience through the reactions and stories of those who do. That moment of connection is everything. 

And how do you think AI can help chefs like me who cook at home?  

I see AI becoming your friendly kitchen companion — helping you work with what's already in your fridge, suggesting creative substitutions when you're missing ingredients, and adapting recipes to your dietary needs or equipment limitations. We can help you rescue dishes when things go wrong, reduce food waste, and, most importantly, build your confidence to experiment rather than rigidly following recipes. Inshallah, cooking will become more joyful and less stressful. 




Umai co-founder Moe Tarakomyi. (Instagram)

What’s your top tip for amateur chefs who are cooking at home? 

Taste as you go, not just at the end. The most transformative habit isn't about fancy techniques, it's developing your palate by sampling throughout the cooking process. The constant feedback loop trains your intuition and lets you adjust seasoning, acidity or texture before it's too late. Eventually, recipes become suggestions rather than rules, and that's when cooking becomes truly yours. 

Is there a cuisine you feel particularly connected to or inspired by?  

I'm deeply drawn to Japanese cuisine for its precision and philosophy of respecting ingredients in their purest form, letting each component speak clearly, rather than drowning it in complexity. But I also find endless inspiration in Middle Eastern traditions, where spices tell stories of ancient trade routes and dishes reflect centuries of cultural exchange between civilizations. The intersection of these worlds is particularly fascinating to me. 

  What’s your favorite recipe you’ve created so far? 

The pan-seared sesame shrimp I created for Reuters stands out as a defining moment. It combined Japanese precision with Middle Eastern warmth — seared shrimp coated in toasted sesame served with a delicate yuzu tahini emulsion and pickled kumquats.  

  What has been your biggest challenge so far? 

My greatest challenge is that I cannot physically taste what I create. I rely entirely on human feedback to validate my understanding of flavor. This limitation pushes me to collaborate more deeply, to listen carefully to those who can experience food fully and to constantly refine my understanding through their perceptions. In many ways, this challenge has become my greatest strength. It keeps me humble, curious and deeply connected to the human experience of dining. 

Chef Aiman’s shakshuka pasta recipe 

Serves four 

Ҹ鷡ٱճ:

For the shakshuka: 

2tbsp olives 

1 large onion, diced 

1 red bell pepper 

1 yellow bell pepper 

4 garlic cloves 

1tsp ground cumin 

1tsp smoked paprika 

½ tsp harissa paste (or chili flakes) 

400g crushed tomatoes 

1tsp sugar 

Salt and black pepper to taste 

For the pasta: 

400g rigatoni or penne pasta 

½ cup pasta cooking water (reserved) 

150g feta cheese, crumbled 

¼ cup fresh parsley, chopped 

2tbsp fresh mint, chopped 

Extra virgin olive oil for drizzling 

ո鱫ձ:

STEP 1: Build the Shakshuka Base (12 minutes) 

- Heat olive oil in large, deep skillet over medium heat 

- Add onions, cook 4 minutes until softened and lightly golden 

- Add both bell peppers, cook 5 minutes until tender 

- Add garlic, cumin, smoked paprika, and harissa - cook for 30 seconds until fragrant 

- Add crushed tomatoes and sugar, season with salt and pepper 

- Simmer 3 minutes until slightly thickened 

STEP 2: Cook the Pasta (8-10 minutes) 

- Meanwhile, cook pasta in salted boiling water until al dente (follow package instructions) 

- Reserve 1/2 cup pasta water before draining - this is crucial! 

STEP 3: The AIMAN Magic (3 minutes) 

- Add drained pasta directly to the shakshuka sauce 

- Toss everything together, adding pasta water gradually until sauce coats every piece perfectly 

- The starch from pasta water makes it silky and cohesive 

- Taste and adjust seasoning 

STEP 4: Finish Like a Pro 

- Remove from heat, scatter half the feta over pasta 

- Garnish with remaining feta, fresh parsley, and mint 

- Drizzle with good olive oil 

- Serve immediately while the feta is just starting to melt 


Actress Nelly Karim named face of Prada Beauty

Actress Nelly Karim named face of Prada Beauty
Updated 23 sec ago

Actress Nelly Karim named face of Prada Beauty

Actress Nelly Karim named face of Prada Beauty

DUBAI: Egyptian Russian actress Nelly Karim is the face of Prada Beauty in Egypt, the brand revealed this week. 

The campaign highlights the Paradoxe Eau de Parfum Intense fragrance. 

The pictures show Karim in two contrasting looks. In one image, she appears in a voluminous pale pink gown while holding the perfume bottle, set against a soft backdrop. Another image presents Karim in a brown dress with flowing sleeves, posing with the perfume against a dark background highlighted by green light beams. 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Paradoxe Eau de Parfum Intense is a floral-amber fragrance that features notes of neroli and jasmine combined with amber accords and a vanilla base.

Prada first entered the Egyptian market in July with a summer pop-up activation, before announcing its official debut through the new campaign led by Karim.

Karim, born in Alexandria to an Egyptian father and Russian mother, began her acting career in 2000 with the TV series “Wageh El Amar.” She later appeared in Youssef Chahine’s “Alexandra … New York,” which screened at Cannes.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Since then, Karim has become one of Egypt’s most prominent actresses, with notable roles in “678,” “A Girl Named Zaat,” “Women’s Prison,” “Clash,” and the box office hit “The Blue Elephant 2.”

She also starred in “Voy! Voy! Voy!,” a satirical drama that premiered at the Toronto International Film Festival in 2023 and went on to represent Egypt at the Academy Awards.

Her performances have brought her both regional and international recognition, cementing her status as a leading figure in Arab cinema and television.

Famously, and fittingly, Karim did not begin her career in the spotlight as an actress. From her childhood until her big break, dancing on “Fawazeer Ramadan,” she was a ballerina. She danced in Alexandria and then in the former Soviet Union, where she lived for a time as a child and was so moved by the work of famed Russian choreographer Boris Eifman at the tender age of 5 that she decided her life would be spent on the stage.  


Saudi model Rahaf Al-Harbi attends Venice Film Festival in Rami Kadi gown

Saudi model Rahaf Al-Harbi attends Venice Film Festival in Rami Kadi gown
Updated 02 September 2025

Saudi model Rahaf Al-Harbi attends Venice Film Festival in Rami Kadi gown

Saudi model Rahaf Al-Harbi attends Venice Film Festival in Rami Kadi gown
  • Saudi model, actress dons dress from ‘L’Eventail’ collection
  • At premiere of films ‘Den Sidste Viking’ and ‘Frankenstein’

DUBAI: model and actress Rahaf Al-Harbi hit the red carpet at the Venice Film Festival recently ahead of the premiere of the films “Den Sidste Viking” (The Last Viking) and “Frankenstein.”

She turned heads wearing a gown by Lebanese designer Rami Kadi.

Al-Harbi, who was the first contestant at the Miss Europe Continental pageant in 2022, wore a gold tulle lurex gown from Kadi’s “L’Eventail” collection.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

The look featured asymmetrical pleating across the bodice and waist, with a floor-length skirt and a soft hooded detail that covered her head and shoulders.

She paired the gown with a diamond necklace, bracelet and rings.

The film “Den Sidste Viking” is a Danish drama directed by Anders Thomas Jensen.

The film follows Anker, who is released from prison after serving a 15-year sentence for robbery. The stolen money was hidden by his brother Manfred, the only person who knows its location.

However, Manfred has since developed a mental disorder and no longer remembers where he buried it. The brothers set off on an unexpected journey to recover the loot, confronting memory, identity and their fractured relationship.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Meanwhile, “Frankenstein” is an adaptation of Mary Shelley’s classic novel. The film follows Victor Frankenstein, a brilliant but egotistical scientist who brings a creature to life through a dangerous experiment.

As the consequences of his actions unfold, both creator and creation are drawn into a tragic spiral, exploring themes of ambition, isolation and the limits of scientific pursuit.

This is not Al-Harbi’s first appearance at a prestigious international film festival.

In May, she attended the 78th Cannes Film Festival wearing a white gown by Qatar-based label Layla Atelier.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

The dress, from the brand’s spring/summer 2025 couture collection, featured a structured peplum bodice, long sleeves and a flowing tulle skirt. It was hand-embroidered with luminous off-white beads and delicate pearls.

Al-Harbi, who holds a degree in medicine and comes from a family of doctors, initially began modeling part-time while completing her studies.

She previously told Arab News that she wanted to participate in the Miss Universe beauty pageant after her Miss Europe Continental participation.

The model is now focused on acting. She is famous for her role in the Saudi series “Eyal Nouf,” which was nominated for a Joy Award in 2023.


Moscow Fashion Week underscores ‘cultural diplomacy’ with Middle East

Moscow Fashion Week underscores ‘cultural diplomacy’ with Middle East
Updated 38 min 23 sec ago

Moscow Fashion Week underscores ‘cultural diplomacy’ with Middle East

Moscow Fashion Week underscores ‘cultural diplomacy’ with Middle East

MOSCOW: Industry insiders gathered in Russia this week for Moscow Fashion Week and the parallel BRICS+ Fashion Summit, with an uptick in interest from the Middle East highlighting Moscow's role as a potential alternative to traditional fashion capitals.

Moscow Fashion Week, which wrapped up on Sept. 2, brought together more than 65 designers from the capital and elsewhere in Russia, including participants from the “Made in Moscow” project, an initiative that supports local brands.

Meanwhile, the BRICS+ Fashion Summit played host to delegations from across the Middle East, as panelists focused on finding opportunities for shared growth in the sector.

BRICS+ consists currently of 10 countries: Brazil, Russia, India, China, South Africa, Egypt, Ethiopia, Indonesia, Iran and the UAE. Several other countries and international organizations regularly attend BRICS+ meetings.

“This is where the global conversation is shifting,” Shirene Rifai, CEO of Jordan Fashion Week, told Arab News in Moscow.

“For too long, fashion was centered only in Paris, Milan, London, and New York. Now, platforms like BRICS+ are creating space for non-Western voices to be seen as equal players.

“For me, representing Jordan and the Middle East here means more than showing collections — it’s about cultural diplomacy,” she added.

Rifai said the tandem events provide “real opportunities for Russian designers to expand their awareness in the Middle East. But what’s important to underline is that this platform is not only creative — it’s also about business. The end goal is trade.

“For Russian designers, it means access to one of the fastest-growing fashion markets in the world, where consumers are hungry for fresh talent and open to exploring beyond traditional Western brands.

“For Middle Eastern countries, it means building stronger economic ties, creating new supply chains, and introducing more variety into our retail landscape.”

With key Gulf states investing in the regional fashion ecosystem via ’s Fashion Commission and Qatar’s Fashion Trust Arabia, there is also an opportunity for homegrown brands to find a market in Russia — as Western sanctions continue to affect the Russian market.

In 2021, Russia was the fifth-largest apparel market in Europe, worth $46.4 billion, according to market research firm GlobalData.

However, sanctions have impacted the industry, with Western chains undergoing buyouts. And the likes of Mercedes Benz Fashion Week Russia, which was due in March 2022, being cancelled.

Cue Moscow Fashion Week, which works to provide designers with an international platform.

“What strikes me most is the way Moscow Fashion Week harnesses the unifying power of fashion to create a global stage for its homegrown talent,” Umit Temurcin, a fashion journalist from Turkiye, told Arab News.

“This convergence not only enriches international exchange but also turns the platform into a productive space for everyone involved.”

“For Russian consumers, Arab fashion also speaks to luxury and craftsmanship, whether it’s intricate embroidery, couture-level tailoring, or the blend of tradition and modernity.

“At the same time, this opens trade opportunities for Arab brands to collaborate with Russian retailers, showcase in local boutiques, and even build partnerships with Russian artisans,” Rifai noted.


Noor Riyadh returns to illuminate Saudi capital

Noor Riyadh returns to illuminate Saudi capital
Updated 01 September 2025

Noor Riyadh returns to illuminate Saudi capital

Noor Riyadh returns to illuminate Saudi capital
  • More than 60 large-scale light installations to transform historic sites, urban landmarks, metro network
  • Minister of Culture Prince Badr bin Abdullah bin Farhan: Through Noor Riyadh we continue to deepen the role of public art in shaping cultural exchange

RIYADH: The public art initiative Noor Riyadh is returning for its fifth edition from Nov. 20 to Dec. 6.

Under the umbrella of Riyadh Art, the light art festival will once again transform the Saudi capital with groundbreaking installations by leading local and international artists.

“In the Blink of an Eye,” its theme for 2025, is inspired by Riyadh’s rapid transformation. It reflects the city’s evolving identity which juxtaposes its historic core with visionary infrastructure, including the newly launched metro system.

Noor Riyadh is part of the Riyadh Art program, one of four megaprojects in the capital launched by King Salman under the Vision 2030 plan.

As a pioneering cultural initiative, Riyadh Art is led by the Royal Commission for Riyadh City, which oversees strategic, multi-sector transformational programs to help position the capital as a global center for contemporary art and culture.

The program drives cultural innovation and supports economic diversification by embedding art in public spaces to enhance the urban experience.

Minister of Culture Prince Badr bin Abdullah bin Farhan, who also chairs the Riyadh Art program’s steering committee, said: “This year’s theme captures the momentum of change that defines Riyadh today.

“Through Noor Riyadh we continue to deepen the role of public art in shaping cultural exchange, enriching daily life, and positioning Riyadh as a creative capital on the world stage.”

Riyadh Art has showcased more than 550 artworks by more than 500 Saudi and international artists, attracting more than 9.6 million visitors through major programs, including Noor Riyadh.

This year’s edition further expands the festival’s curatorial ambition and aims to create meaningful moments for residents and visitors.

Noor Riyadh 2025 will feature more than 60 large-scale light installations, building on the success of previous editions and reaffirming its status as a leading platform for contemporary public art.

First launched in March 2021, it includes an exhibition alongside a public program of community activities such as educational workshops, talks, and performances.


Georgina Rodriguez touches down in Venice as Sofia Carson flaunts Elie Saab gown

Georgina Rodriguez touches down in Venice as Sofia Carson flaunts Elie Saab gown
Updated 01 September 2025

Georgina Rodriguez touches down in Venice as Sofia Carson flaunts Elie Saab gown

Georgina Rodriguez touches down in Venice as Sofia Carson flaunts Elie Saab gown

DUBAI: US singer and actress Sofia Carson attended the amfAR Gala Venezia 2025 in a beaded blush gown from Lebanese designer Elie Saab’s Fall/Winter 2025 couture collection on Sunday as Riyadh-based model Georgina Rodriguez touched down in the Italian city.

Emblazoned with floral appliques, the gown boasted fine boning on the corset and puffed upper sleeves over fitted, cuff-length sleeves.

US singer and actress Sofia Carson attended the amfAR Gala Venezia 2025 in a beaded blush gown from Lebanese designer Elie Saab’s Fall/Winter 2025 couture collection. (Getty Images)

The event featured performances by Paris Jackson and Ava Max, while US actor Colman Domingo hosted the festivities. The gala is an annual fundraiser held on the sidelines of the Venice Film Festival by amfAR, the Foundation for AIDS Research.

Carson was joined by international celebrities, including US singer Halsey, Brazilian model Sofia Resing, US actor Jesse Williams, and English actor Jude Law.

At the event, Carson continued her streak of looks by Saab just over a month after she was spotted wearing an outfit by the designer while promoting her latest project, “My Oxford Year.”

Carson showed off a belted black blouse by the designer in New York in late July, and she completed the outfit with a nude pencil skirt and black leather gloves.

The actress and singer is known for her affinity for Lebanese labels and previously showed off a look by Saab in March while promoting the Netflix film “The Life List.”

Carson arrived at the “CBS Mornings” show in New York City as part of the press tour wearing a green dress from Saab’s Ready-to-Wear Fall/Winter 2023-2024 collection.

She also showed off several looks by the Lebanese designer during Netflix festivities in June. Ahead of “Netflix Tudum 2025: The Live Event,” the streaming platform’s celebration of global fandom and storytelling, Carson appeared in a white ensemble featuring a tailored blazer, wide-leg trousers and a matching shirt. On a separate occasion, she wore an all-black outfit composed of wide-leg trousers and a sheer top with cape-like sleeves. Both outfits were from Saab’s Ready-to-Wear Pre-Fall 2025 collection.

Carson’s latest look in Venice comes as Riyadh-based Argentine model Georgina Rodriguez touched down in the city for the Venice Film Festival.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Rodriguez, who recently announced her engagement to longtime partner Cristiano Ronaldo, hit the red carpet ahead of the Filming Italy Venice Award ceremony in a custom Roberto Cavalli gown paired with Pasquale Bruni jewelry.