Saudi artist transforms scrap metal into sculpture

Saudi artist transforms scrap metal into sculpture
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Mishal Al-Amri recently held his first exhibition under the theme The Neglected. (Supplied)
Saudi artist transforms scrap metal into sculpture
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Mishal Al-Amri has been upcycling waste materials from the streets of Jeddah into artwork for 20 years. (Supplied)
Saudi artist transforms scrap metal into sculpture
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Mishal Al-Amri has been upcycling waste materials from the streets of Jeddah into artwork for 20 years. (Supplied)
Saudi artist transforms scrap metal into sculpture
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Mishal Al-Amri has been upcycling waste materials from the streets of Jeddah into artwork for 20 years. (Supplied)
Saudi artist transforms scrap metal into sculpture
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Mishal Al-Amri has been upcycling waste materials from the streets of Jeddah into artwork for 20 years. (Supplied)
Saudi artist transforms scrap metal into sculpture
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Mishal Al-Amri has been upcycling waste materials from the streets of Jeddah into artwork for 20 years. (Supplied)
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Updated 22 July 2025

Saudi artist transforms scrap metal into sculpture

Saudi artist transforms scrap metal into sculpture
  • Mishal Al-Amri has been upcycling waste materials into artwork for 20 years
  • He recently held his first public exhibition under the theme 'The Neglected'

JEDDAH: Where others see scrap metal destined for the trash, Saudi artist Mishal Al-Amri sees opportunities to create artwork.

In his bustling studio in Jeddah, Al-Amri works to remove rust before cutting, rolling, shaping and joining thousands of pieces of shaped scrap metal by hand.

He has been upcycling unwanted bits of metal throughout his artistic career, which has spanned 20 years.

“The artist has an eye that sees what others cannot; an eye that captures the beauty in the heart of the damaged and neglected, and restores it to life and meaning. My ultimate hope and goal are to give scrap metal a new life,” Al-Amri told Arab News.

When growing up, Al-Amri loved to draw. As he got older, he started painting. It was not until he retired at the age of 59 that he discovered his true passion and began sculpting with recycled metal after teaching himself how to weld.

“As I said before, it was just a hobby and I stopped it for a long time after I joined the banking sector due to the difficulty of balancing the hobby, the job, and then the family later on.

“Anyhow, when I was approaching 40 years of age, and after having a family and professional job, I began to pursue my artistic journey once again. I worked on paintings during my free time and vacations, and I lived for nearly 26 years just painting, readings, attending art seminars, workshops, and holding exhibitions alongside other local artists.”

Speaking about how he started collecting scrap metal items from the street, the 65-year-old said: “The spark for this artistic journey was the first moments of an evening walk, when my eyes would trace the floor littered with scraps of plastic, scraps of iron and discarded remnants of lighting and plumbing, no longer fit for use or neglected.”

He added: “These pieces I picked up from the streets would become the core of my personal art collection — materials I plucked from the fate of neglect to submit to my ideas and participate in the creation of beauty.”

These materials can end up waiting for days and sometimes years in storage in his studio until an idea suddenly emerges.

“The journey of constructing the painting or sculpture begins; from choosing the colors and sizes of the pieces, to weaving the relationships between them into an artistic composition that gives it a new spirit.”

The n Society for Culture and Arts recently hosted his first solo exhibition showcasing under the theme “The Neglected.”

“This exhibition is the fruit of those moments; an invitation to see the beauty in the unusual, and to contemplate art’s ability to redefine what is damaged and neglected to ultimately become more precious and valuable,” he said.

“My artistic experience in this exhibition is based on two complementary principles: First, protecting the environment from the effects of pollution and human-caused damage, by collecting remnants of harmful materials in the soil and saving them from becoming a burden on the earth.

“Second, sustaining the usefulness of objects, by recycling them and using them in the field of art after their original function has ended, reborn as works of art that convey an aesthetic, humanitarian and environmental message.

Al-Amri says that he plans to continue creating scrap metal sculptures and paintings.

“On a personal level, I want to reopen the Cezanne Fine Arts Center, which I founded years ago and continue to cultivate art until its very end.

“On a more general level, I strive to raise environmental awareness, enabling people to respect and preserve the environment.”


Saudi artist Abdulhadi Abdullah: ‘I want my art to inspire happiness’ 

Saudi artist Abdulhadi Abdullah: ‘I want my art to inspire happiness’ 
Updated 23 October 2025

Saudi artist Abdulhadi Abdullah: ‘I want my art to inspire happiness’ 

Saudi artist Abdulhadi Abdullah: ‘I want my art to inspire happiness’ 

 RIYADH: Abdulhadi Abdullah describes art as “the magic of creating something out of nothing.” He recalls creating a colorful drawing as a child that delighted his friends — a moment that ignited a lifelong passion for creativity, and a belief that inspiration can be found everywhere. 

Two notable paintings by the Saudi artist vividly illustrate his approach to cultural storytelling. In “Edge of the Universe,” he depicts a man seated on a patterned surface, surrounded by stylized camels and hoding a bowl of camel milk — a symbol of hospitality. The inspiration for this work struck him during a visit to a traditional marketplace, where the vibrant colors and sounds enveloped him. As he painted, he envisioned the stories of countless lives intertwined in the bustling market.  

In “Edge of the Universe,” Abdulhadi Abdullah depicts a man seated on a patterned surface, surrounded by stylized camels and hoding a bowl of
camel milk — a symbol of hospitality. (Supplied)

“The geometric background of vivid squares adds a contemporary, mosaic-like effect. By merging traditional symbols with modern colors and clean lines, the painting conveys a deep longing for the past, reflecting warmth, pride, and an enduring connection to heritage and shared cultural memory,” the artist’s statement reads. 

In “Saint of the People,” a man sits serenely on a chair, a halo casting a soft glow above him. (Supplied)

In the second artwork, “Saint of the People,” a man sits serenely on a chair, a halo casting a soft glow above him. Abdullah recalls exploring an old, abandoned building and feeling a powerful urge to capture that moment. The bright blues and yellows in this painting contrast sharply with the dark silhouette of another figure, reflecting a journey of introspection and discovery.  

“He appears as a saint — ancient and wise,” Abdullah writes of the figure in the painting. “But in the shadows, he hides a devilish truth. Many believe his thoughts are pure, yet in reality they are the complete opposite.” 

As an art teacher, the 36-year-old finds inspiration in his students too. He cites a moment during a class when a young girl presented her artwork — a simple drawing of her family. The innocence and joy in her creative expression struck him deeply. “Each mind holds a different universe,” he says. His students’ drawings, filled with raw emotion and uninhibited color choices, often spark ideas for his own work. 

Heritage also plays a pivotal role in Abdullah’s work. He says that heritage has its “own color” — a tone that carries memory, rhythm, and soul. And he tries to translate this heritage into new shades that have never been used before. He fondly recalls conversations with his grandmother about their ancestry and the colors that defined their culture. Abdullah reshapes these traditional colors through his own lens, honoring his roots in a contemporary setting. 

Before beginning any artwork, Abdulhadi Abdullah engages in field research, often visiting ‘forgotten’ places. (Supplied)

Before beginning any artwork, Abdullah engages in field research, often visiting ‘forgotten’ places. “These visits are like treasure hunts,” he says. He observes colors, light behaviors, and spatial relationships and uses them to form “conceptual sketches” in his mind. 

At the core of Abdullah’s artistic philosophy is a commitment to spreading joy. “I want my art to inspire happiness,” he says.  

Abdullah is not just an artist; he is a storyteller, educator, and cultural ambassador. His vibrant artistic style and commitment to spreading joy through his work reflect a deep understanding of the transformative power of art. From the lively markets of Riyadh to the quiet corners of forgotten gardens, his journey invites us all to celebrate the beauty of our shared human experience.  


TikToker Taher Travels connects the Arab world with global audiences

TikToker Taher Travels connects the Arab world with global audiences
Updated 22 October 2025

TikToker Taher Travels connects the Arab world with global audiences

TikToker Taher Travels connects the Arab world with global audiences

DUBAI: Armed with a camera, curiosity and a love of culture, Mohammed Taher — the TikTok creator behind Taher Travels — has turned his passion for exploration into a digital bridge connecting the Arab world with global audiences.

“Since I was a child, I’ve always been fascinated by the world, by different places, people and cultures,” he told Arab News. “I used to imagine what life was like in countries far away. When I finally started traveling, I realized how deeply it was changing me, and I felt the need to share those experiences.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Taher’s videos, shared with his 2.9 million TikTok followers, blend discovery with storytelling. “I wanted to showcase the beauty of Arab culture and values to the world, and at the same time help Arabs discover and understand other cultures with an open mind,” he said.

Travel, for Taher, is more than movement, it is a way to connect worlds and build understanding between cultures, he said.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

“I always share my experiences from the perspective of an Arab traveler — with curiosity, humility and respect for others,” he said. “Through my content, I want people to see that our Arab culture is full of warmth and humanity, and that these values can travel with us anywhere we go.”

Traveling, he said, has deepened his appreciation for his roots. “It gave me a deeper sense of pride and responsibility to represent it positively wherever I go.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A trip to “remote villages in Asia” especially stayed with him. “The people there had so little, yet they were incredibly happy and generous,” he said.

One of his most viral TikToks was a video showing “simple acts of kindness from locals” during one of his trips, he said. “Viewers love authenticity, especially when it comes from the heart,” he said.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

“TikTok has allowed me to reach people from all around the world,” he added. “Many viewers from Europe and Asia have written to me saying they were surprised and inspired by Arab culture and hospitality. One comment I’ll never forget was: ‘I never knew Arabs were this kind and humble until I followed you.’

“That meant a lot to me it showed that content can truly change perceptions,” he said.


Archaeological survey discovers 337 new historical sites around Riyadh

Archaeological survey discovers 337 new historical sites around Riyadh
Updated 21 October 2025

Archaeological survey discovers 337 new historical sites around Riyadh

Archaeological survey discovers 337 new historical sites around Riyadh
  • Discoveries were made as part of the Heritage Commission’s Al-Yamama Archaeological Project survey
  • Survey involved documenting 231 structures using 3D photography, while a further 148 historical structures were surveyed by the team

RIYADH: A total of 337 new archaeological sites have been discovered in the Kingdom, the Saudi Press Agency reported on Tuesday.

The discoveries were made as part of the Heritage Commission’s Al-Yamama Archaeological Project survey.

The survey involved documenting 231 structures using 3D photography, while a further 148 historical structures were surveyed by the team.

Within a 100 km radius of Riyadh, 70 archaeological sites were detailed.

The discoveries include sites for stone tool manufacturing, water facilities such as wells and dams, circular stone structures of various sizes and shapes and other formations dating back to the early Islamic era.

The project is part of the Heritage Commission’s comprehensive plan to update the archaeological map of the Riyadh region by documenting historical landmarks and studying previously unexplored sites using advanced technologies.

These findings offer a new window into Riyadh’s archaeological history, the commission said, contributing to reshaping the understanding of the city’s development over the years.

The Al-Yamamah Archaeological Project began in 2024 with the intention of exploring and excavating parts of the capital and adjacent areas.

It will run until 2028 and aims to improve the country’s archaeological record, showcase the capital’s rich history and study cultural heritage.

The project includes a comprehensive survey of Riyadh, Wadi Hanifah and surrounding areas, as well as excavations in Dhurma, Al-Hani and Al-Masane.

For the study, the commission uses geographic information systems, ground-penetrating radar, 3D modeling, magnetic surveying, low-altitude aerial photography and artificial intelligence for mapping.


Kingdom registers 184 new archeological, cultural sites in Baha

Kingdom registers 184 new archeological, cultural sites in Baha
Updated 20 October 2025

Kingdom registers 184 new archeological, cultural sites in Baha

Kingdom registers 184 new archeological, cultural sites in Baha
  • Heritage Commission aims to preserve, digitize and promote ’s rich cultural legacy
  • Baha is home to a remarkable legacy of traditional architecture, reflected in its houses, mosques, castles, and fortresses

RIYADH: The Heritage Commission has added 184 new cultural, archeological, and architectural sites in the Baha region to the National Antiquities Register, bringing the total in the region to 313.

The registration aims to preserve these sites and highlight their historical and cultural significance, according to the Saudi Press Agency report, and is part of the commission’s broader efforts to document and digitize heritage sites across the Kingdom.

Abdulrahman Al-Ghamdi, director of the Heritage Commission branch in Baha, said the registration and documentation of the sites aim to safeguard the Kingdom’s rich heritage.

He noted that the commission is developing management, conservation, and protection plans to ensure the sustainability of these sites, in line with a comprehensive vision to enhance the Kingdom’s position as a global destination for heritage and culture.

Baha is home to a remarkable legacy of traditional architecture, reflected in its houses, mosques, castles, and fortresses, all built using local materials such as stone, wood, and sand.

These structures embody a deep-rooted heritage that forms an integral part of the national and cultural identity, while also serving as a source of economic growth.

The region’s heritage villages have become popular destinations for tourists and visitors from both abroad and inside the Kingdom, eager to explore the ancient civilizations shaped by the people of Baha, the SPA reported.

People are encouraged to report any new archeological discoveries or illegal activities that might harm heritage sites via the commission’s social media accounts, the Balagh platform, by visiting any of its offices, or by calling the Unified Security Operations Center at 911.


Abu Dhabi’s 421 Arts Campus marks 10 years with ‘Rays, Ripples, Residue’ exhibition

Abu Dhabi’s 421 Arts Campus marks 10 years with ‘Rays, Ripples, Residue’ exhibition
Artist Tarek Al-Ghoussein's 'Abu Dhabi Archipelago.' (Supplied) 
Updated 20 October 2025

Abu Dhabi’s 421 Arts Campus marks 10 years with ‘Rays, Ripples, Residue’ exhibition

Abu Dhabi’s 421 Arts Campus marks 10 years with ‘Rays, Ripples, Residue’ exhibition

DUBAI: Abu Dhabi’s 421 Arts Campus will celebrate its 10th anniversary on Nov. 15 after supporting more than 1,500 creative practitioners, commissioning hundreds of new works, and delivering about 2,000 programs, residencies, grants, and exhibitions in the city.

To mark the milestone, 421 Arts Campus is presenting “Rays, Ripples, Residue,” which is set to run from Nov. 1 to April 16. The exhibition is curated by Emirati Munira Al-Sayegh, Lebanese editor Nadine Khalil, and Sharjah-born Indian writer Murtaza Vali, and explores how artistic practices and exhibition-making in the UAE have evolved over the past decade.

Sara Naim's 'Silent Scream' ( 2014)is part of the exhibition. (Courtesy of the artist and The Third Line, Dubai)

Faisal Al-Hassan, director of the arts hub and commissioning institution, spoke to Arab News about the showcase, explaining that it features new commissions as well as previously presented works, or new iterations of those works.

The exhibition unfolds in three chapters, with Al-Sayegh’s chapter titled “Leading to the Middle.” It “looks at how minor moments that can be easily overlooked — which she views as ‘ripples’ — create opportunities for a younger generation of artists to flourish,” Al-Hassan explained.

Al-Sayegh examines the practices of established artists like Emirati Mohammed Ahmed Ibrahim and the late Kuwaiti creative Tarek Al-Ghoussein.

Then, Khalil presents “Ghosts of Arrival,” described by Al-Hassan as “an intimate look at what it feels like to arrive after the moment has passed.”

Artists featured in the section include Hashel Al-Lamki, Mona Ayyash, and Nadine Ghandour.

Al-Hassan said: “She brings to the fore the practices of artists from the past 10 years who were influenced by work that was created a decade prior. It is both an analysis of artmaking in the UAE and a personal reflection of her own arrival in the country in 2017.”

“SUN” is curated by Vali and presents a survey of the last 10 years to highlight the preoccupation of artists in the country with the sun. According to Al-Hassan, Vali selected “works made between 2015 and today that are focused on the sun as both a symbolic and physical presence in our everyday lives — presented visually and metaphorically — to convey and investigate environmental degradation, hyper-commodification, and urban development.”