Art in Madinah through the eyes of a local artist

Art in Madinah through the eyes of a local artist
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Artist Meshal Abdullrahman Alhujaili spoke to Arab News about how he aims to pursue simplicity with artistic depth in his work. (Supplied/Meshal Alhujaili)
Art in Madinah through the eyes of a local artist
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Artist Meshal Abdullrahman Alhujaili spoke to Arab News about how he aims to pursue simplicity with artistic depth in his work. (Supplied/Meshal Alhujaili)
Art in Madinah through the eyes of a local artist
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Artist Meshal Abdullrahman Alhujaili spoke to Arab News about how he aims to pursue simplicity with artistic depth in his work. (Supplied/Meshal Alhujaili)
Artist Meshal Abdullrahman Alhujaili spoke to Arab News about how he aims to pursue simplicity with artistic depth in his work. (Supplied/Meshal Alhujaili)
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Artist Meshal Abdullrahman Alhujaili spoke to Arab News about how he aims to pursue simplicity with artistic depth in his work. (Supplied/Meshal Alhujaili)
Artist Meshal Abdullrahman Alhujaili spoke to Arab News about how he aims to pursue simplicity with artistic depth in his work. (Supplied/Meshal Alhujaili)
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Artist Meshal Abdullrahman Alhujaili spoke to Arab News about how he aims to pursue simplicity with artistic depth in his work. (Supplied/Meshal Alhujaili)
Artist Meshal Abdullrahman Alhujaili spoke to Arab News about how he aims to pursue simplicity with artistic depth in his work. (Supplied/Meshal Alhujaili)
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Artist Meshal Abdullrahman Alhujaili spoke to Arab News about how he aims to pursue simplicity with artistic depth in his work. (Supplied/Meshal Alhujaili)
Artist Meshal Abdullrahman Alhujaili spoke to Arab News about how he aims to pursue simplicity with artistic depth in his work. (Supplied/Meshal Alhujaili)
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Artist Meshal Abdullrahman Alhujaili spoke to Arab News about how he aims to pursue simplicity with artistic depth in his work. (Supplied/Meshal Alhujaili)
Artist Meshal Abdullrahman Alhujaili spoke to Arab News about how he aims to pursue simplicity with artistic depth in his work. (Supplied/Meshal Alhujaili)
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Artist Meshal Abdullrahman Alhujaili spoke to Arab News about how he aims to pursue simplicity with artistic depth in his work. (Supplied/Meshal Alhujaili)
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Updated 01 July 2025

Art in Madinah through the eyes of a local artist

Art in Madinah through the eyes of a local artist
  • Spiritual nature of the city inspires Meshal Al-Hujaili to seek simplicity through his work
  • Madinah Art Center a ‘turning point’ for local art scene 

Riyadh: Madinah’s art scene is expanding, featuring a rich blend of traditional and contemporary influences rooted in the Kingdom’s Islamic heritage, cultural identity and historical lineage.

“The art scene in Madinah is constantly evolving, leading artists in the city to keep pace with this development and enter the artistic landscape,” artist and Madinah native Meshal Al-Hujaili told Arab News.

Al-Hujaili described how the art scene in his home town influences his work: “Madinah, with its spiritual nature and simplicity, always leads me to pursue simplicity in my work, despite its artistic depth.”

Born and raised in Madinah, Al-Hujaili contributes to the growth of the local art scene through his solo art exhibitions and collaborations with the Madinah Art Center.

The center “has been a turning point for the art scene in Madinah,” he said.

“Due to its ongoing art sessions, exhibitions and meetings, it has increased my exposure to artists who preceded me in the field,” Al-Hujaili said.

“The center provides a stimulating environment for dialogue and exchange of experiences among artists, which has opened new horizons for me in my expression and in my understanding of the role of art in society,” he said.

Al-Hujaili’s artwork, currently on display in the main gallery of the Madinah Art Center, is a result of the Madinah International Symposium 2023.

“The painting, titled ‘Flow,’ reflects my experience at the symposium, my presence among more than 200 artists from around the world, and the artistic flow that prevailed at the center,” he said.

Al-Hujaili’s latest exhibition, titled “Path,” in collaboration with curator Nouf Al-Balawi explored “reflections, each representing a pivotal stage in the artist’s life as he searches for self.”

The art exhibition shed light on the Madinah native’s life, “documenting the events around him, about the various paths of life, in an individual experience that begins with the embryo and continues through to the impact he creates,” Al-Hujaili said.

When asked where he draws his inspiration from, the artist said his natural curiosity and love for asking questions.

Al-Hujaili’s latest exhibition is inspired by five themes, the first being “From Embryo to Embryo,” a series of four works that explore the circle of life, starting from the moment the fetus is formed in the womb and continuing through parenthood, “where the first fetus never ends, but rather transforms and begins anew as the father of a fetus,” as Al-Hujaili described it.

The second theme is titled “The Child I Was Not.”

“After highlighting the fetal stage, the exhibition moves to the next stage: childhood,” he said.

This is a single work in which the artist tries to reflect on children’s perspectives on art, because “art was not part of their experience as a child,” he said.

One part of the exhibition, titled “Morning Exercises,” shifts from childhood to decision-making and commitment. It features 30 artworks documenting the artist’s dedication to a daily morning art practice, lasting up to five hours of creating new pieces.

Another section titled “What to Do?” looks at the artist questioning the definition of the artwork and discovering where the value in the artwork lies.

In the concluding “Effort and Impact” section, two works represent the artist’s journey in producing art, his commitment to daily work, and his constant questioning and research.

Closing the interview, the artist emphasized how the Madinah Art Center supports his work and the work of other artists across the Kingdom: “The gallery encourages artists to explore new experiences and view the work of other artists,” he said.

“The center also offers numerous training courses and dialogue sessions that help artists become part of the artistic movement taking place in Madinah across various artistic fields,” he said.

When asked what he hopes to accomplish in the Madinah art scene, he said: “I have always dreamed of making a real impact on how people view art and representing the Kingdom of .”

Al-Hujaili said he hopes his work will be immortalized in history.


Paperback is back for three days at JAX

Organized by the Diriyah Biennale Foundation, the now-annual event has become a fixture in its cultural calendar. (AN photo)
Organized by the Diriyah Biennale Foundation, the now-annual event has become a fixture in its cultural calendar. (AN photo)
Updated 11 sec ago

Paperback is back for three days at JAX

Organized by the Diriyah Biennale Foundation, the now-annual event has become a fixture in its cultural calendar. (AN photo)
  • This year’s lineup features 30 publishers selected after extensive research by the Biennale team

DIRIYAH: Rows of art books, a DJ spinning records and an endless sea of colorful posters can mean only one thing — the second annual Paperback Art Book Fair is back at JAX District in Diriyah, running for three days and ending this Saturday.

Organized by the Diriyah Biennale Foundation, the now-annual event has become a fixture in its cultural calendar and will continue to take place during the first week of November each year.

Organized by the Diriyah Biennale Foundation, the now-annual event has become a fixture in its cultural calendar. (AN photo)

“Paperback happens at JAX — a very creative district that houses multiple creative tenants across the board, from artists to creative organizations, businesses, you name it,” Sybel Vazquez, director of public programs at the Biennale, told Arab News.

“Paperback is happening between the two biennales,” she said, referring to the Islamic Arts and Contemporary Art Biennales, which now open in January each year over the past half decade.

HIGHLIGHT

Two new book launches headline the event: ‘Raw, Print, Scripted Spaces’ by Jeddah-based architecture and design studio Bricklab, co-founded by brothers Abdulrahman and Turki Gazzaz, and ‘Dwelling Futures: Future of Gulf Housing’ by the UAE-based Sawalif Collective.

“We have a lot of contemporary artists who are self-published or work with books as a medium — there’s at least one artist that is in the biennale that actually also has a booth at Paperback.”

The second annual Paperback Art Book Fair is back at JAX District in Diriyah, running for three days and ending this Saturday. (AN photo)

Vazquez added that the fair is designed to encourage curiosity and creative experimentation.

“Paperback is also to nurture print culture. It is really a celebration of creative publishing,” she said.

Organized by the Diriyah Biennale Foundation, the now-annual event has become a fixture in its cultural calendar. (AN photo)

“The reason why Paperback exists is because we want to create a gathering for print culture … Paperback is intended to spark conversation, exchange and learning for what is still very nascent locally.”

When the first event debuted last year, the response far exceeded expectations.

“We had no idea if there would be a demand for art books,” she confessed — but her worries were unjustified.

“People came by the thousands. We ran out of books very quickly — too quickly,” Vazquez said. “It’s a good problem to have but nonetheless a problem because people kept coming in. There was nothing left.”

This year’s lineup features 30 publishers selected after extensive research by the Biennale team.

Three Saudi participants: Rawdah Print, Bin Atiah Studio and Misk Art Institute join international exhibitors from places such as Spain, Italy, Japan, the US, Egypt, Greece, China and Malaysia, among other countries.

Two new book launches headline the event: “Raw, Print, Scripted Spaces” by Jeddah-based architecture and design studio Bricklab, co-founded by brothers Abdulrahman and Turki Gazzaz, and “Dwelling Futures: Future of Gulf Housing” by the UAE-based Sawalif Collective.

Workshops during the three-day program include “Making Zines for Kids” and “Bookmaking: Pamphlets, Concertinas, Japanese Binding,” both by Saudi-based Creative Girls Club, as well as sessions led by other publishers.

Among the returning participants is “Reliable Copy,” a publishing house and curatorial practice founded in Bangalore, India, in 2018. 

Sarasija Subramanian of “Reliable Copy” told Arab News that the atmosphere at Paperback stood out from larger fairs abroad.

“Last year was amazing,” she said. “This is very different from the other fairs that we’ve done because usually we do fairs in Europe and the USA, which are exponentially larger — like 200 publishers instead of 30. It’s a lot more warm and friendly because it’s smaller and easier to access.”

She added that the more intimate setting allows readers to interact one-on-one with publishers.

“Everything (for sale at their booth) is an artist’s book — everything is either by an artist or with an artist. But what the individual books are is a very wide range; there’s a cookbook, a bunch of photo books, some science fiction.”

“I think the general audience response is really, really great. Even last time, most of the publishers sold out— that’s not something you often experience,” she added.  

Also returning is Shashasha, an online bookshop based in Tokyo that specializes in photobooks and artbooks. They came armed with just under 100 books last year and sold-out quickly, so they doubled their offerings this time around.

A Japanese graduate student — who had a badge adorned with the name-tag Keishin — told Arab News about his sophomore participation.

“Since last year, Shashasha has been invited to this event, and I was the only one studying Islam, so I was entrusted with this. I’m at an age where anything I experience is useful, so I’m enjoying it,” he said.

For Vazquez and the Biennale Foundation, the goal remains simple; to make books accessible, tactile and a catalyst for community.

“Print is not dead — print is back on Nov. 6-8!” she said.