2025 travel ideas: This year’s great escapes

2025 travel ideas: This year’s great escapes
Its lush rice terraces, ancient temples, volcanic mountains, and postcard-perfect beaches — and its nightlife — have made Bali famous. (Shutterstock)
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Updated 26 June 2025

2025 travel ideas: This year’s great escapes

2025 travel ideas: This year’s great escapes

Arab News writers share insights onsome of their favorite destinations.

PARIS

Paris in the springtime? Non, merci. Summer is by far the best time to visit. With many Parisians away on holiday and fewer fellow tourists to compete with, the Metro, boulevards, boat trips, bistros, pavement cafés and museums will all be quieter.

If you’re looking for culture, invest in the official Paris Museum Pass, which gives you access to more than 50 museums and monuments (but not the Eiffel tower, which has its own booking system). Also note that for some sites, including the Louvre, it’s necessary to book a timeslot.

One must-see? The Musée Rodin, a hidden gem full of the artist’s breathtaking sculptures and boasting a charming restaurant in its elegant garden. Although it’s close to the Eiffel Tower, it’s usually quiet. One must-do? Swim in the Seine at one of five supervised sites between July 5 and Aug. 31, or in the open-air riverside Joséphine Baker pool. Warning: Do not watch the movie “Under Paris” beforehand.

Jonathan Gornall

MALLORCA

Despite recent tensions over tourism, Mallorca remains one of the most welcoming places I know. The largest of the Balearic Islands is far more than the sum of its picture-perfect parts; it’s a place with soul and a unique cultural presence. Many come here seeking a slower rhythm, a certain stillness. Some say the “Isla de la Calma” is vanishing, but I’ve always found it: in the hush of Tramuntana villages, in the markets where locals linger over late-morning tapas, and in the soft blue of the sea. But Mallorca asks those seeking tranquility for something in return: attention, care, curiosity, restraint. It may slightly unkempt these days, but the island still holds a character all its own to be discovered. And in a world where nothing stays hidden for long, the question is not how to keep such places untouched, but what kind of presence we choose to have within them.

Gabriele Malvisi

ISTANBUL

Istanbul’s invigorating assault on the senses is on a par with Tokyo’s, but its chaos is far less controlled — from the higgledy-piggledy groupings of hillside houses and the bustle of the Grand Bazaar to the snatches of enticing smells and sounds that emerge from every alleyway. Famously, the city straddles Asia and Europe, and that wonderful mix of influences infuses the place — as do its millennia of history as a global center of culture. The generosity and hospitality of its people is evident through the love shown to the city’s army of street cats, who lounge carelessly everywhere, receiving the respect cats believe is their due. You could spend weeks exploring Istanbul’s museums and architecture. You could spend an equal amount of time exploring its street food, bars and restaurants. You could also shop till you’re broke, or relax in its serene parks. And whatever your creed, it’s impossible not to be moved by the awesome grandeur of the Blue Mosque.

Adam Grundey

LOCH LOMOND

Driving through the imposing forest on our way to the chocolate box village of Luss on the shores of Scotland’s Loch Lomond and The Trossachs National Park, each bend in the road offered a glimpse of breathtaking beauty: lochs, towering oak and pine trees, and craggy mountaintops misted in fog. The absolute highlight of our trip to the area last summer, though, was the Three Lochs Forest Drive near Aberfoyle. The awe-inspiring Trossachs scenery is accessible even if you can’t hike, with plenty of places to park up and take in wonderous views amid the peace and quiet of the area known as the gateway from the Scottish lowlands to the highlands. The storied Stirling Castle, home to many a Scottish monarch, sits on an imposing volcanic crag less than an hour’s drive from Loch Lomond, while the area’s rich history begins with Neolithic settlements and encompasses such famous figures as Robert the Bruce.

Saffiya Ansari

GEORGIA

I arrived in Georgia in the heart of winter — no crowds, bare trees, and snow-capped mountains resting peacefully. This wasn’t the Georgia of summer postcards, but a country at rest, quietly revealing its soul. Tbilisi, with its redbrick houses and winding alleys whispering centuries-old stories, felt intimate. I stood beneath the towering Chronicle of Georgia, its carved figures frozen in silent narrative, and later met the Mother of Georgia, sword and bowl in hand — a symbol of protection and hospitality.

In Mtskheta, the morning unfolded in the Check-In Garden café over rich hot chocolate and molten-cheese Khachapuri — comfort food that felt like a warm hug. The smallest details charmed me: streetside pomegranate juice, colorful Churchkhela sweets dangling in windows, and locals ready with stories or recommendations.

A road trip through Borjomi and Gudauri showcased winter’s magic: paragliding over frozen peaks, skiing down hushed slopes, racing snow buggies through pine forests. Georgia doesn’t demand your attention — it wins it, slowly, like a story shared by a crackling fire.

Nada Hameed

THE MALDIVES

The Maldives is the perfect setting to unwind, reconnect with nature and experience total peace. Surrounded by lush greenery and turquoise waters, it’s a place where time slows down. You can explore vibrant marine life in any of its many resorts, even right outside your villa. We took a boat trip to swim with manta rays — an unforgettable experience. The calm, clear waters make it easy to immerse yourself in the beauty beneath the surface, and it truly feels like entering another world. At night, the lack of light pollution makes it perfect for stargazing in complete serenity. And if you’re lucky, you might even catch a shooting star. 

But a visit to this nation of islands isn’t about checking off a list of activities — it’s about stillness, simplicity, and being fully present. The Maldives offers a rare escape; the outside world fades away, and nature becomes the only thing that matters.

Hams Saleh

MEXICO CITY

While Mexico is famed for its all-inclusive beach resorts, Mexico City — aka CDMX — offers something more real: a true melting pot of history, culture, art and food. Standing in the Zócalo, surrounded by the Metropolitan Cathedral (built over the ruins of an Aztec temple) and the National Palace (which features stunning murals by Diego Rivera) is like being transported back in time, while the upscale neighborhoods of Polanco and the hipster areas like Condesa and Roma Norte offer a stark contrast. The lush tree-lined streets of these areas are full of hidden gems, from high-end boutiques and Instagrammable eateries to unassuming cafes and quaint markets. And the real beauty of CDMX lies in its pleasant surprises, like eating probably the best sandwich I’ve ever had from a street vendor, or stumbling upon a pop-up market with dozens of local artisan stallholders. Much like the city itself, a holiday here is full of unpredicted joys.

Zaira Lakhpatwala

OMAN

Over many years in the Gulf, Oman has become my go-to place when people visit, for several reasons: The Sultan’s palace, a brilliantly colorful work of art; the crystal-clear waters of its beaches; the bustling souks; and the Royal Opera House — simple, but ornate inside and out. I remember fondly sitting with my mother at a café on the beach in Muscat’s embassy district, the sea lapping over the white sands. Nothing spectacular happened, but it was a perfect moment. Away from the city and a short drive from Nizwa is Oman’s highest point of Jebel Shams. The hike along the valley’s edge takes four to five hours — well worth it for the spectacular views of the twisted mountains and the lush, green wadi below. Then there’s Jebel Akhdar, from which you can take in stunningly beautiful landscapes lined with small plantations and tiny villages. Whether you’re in the city or wandering through its mountainous landscape, Oman is a calm and welcoming place.

Peter Harrison

BALI

Its lush rice terraces, ancient temples, volcanic mountains, and postcard-perfect beaches — and its nightlife — have made Bali famous. But what truly sets it apart as a life-changing experience is its people. I spent a month volunteering as an English-language teacher for young children in a quiet village in the heart of Ubud. Mornings began with Canang Sari — locals place offerings of rice and incense on their doorsteps as small acts of gratitude to the gods. I joined school celebrations of the full and half moon, and even attended a funeral that felt more like a festival. The villagers, living simply yet radiating warmth, permanently reshaped my understanding of happiness. It doesn’t come from achievements or luxury, but from gratitude, service, and a genuine connection with yourself, your surroundings, and people who share your values. Yes, the beaches are stunning, and the parties are vibrant, but the real magic is seeing Bali through the eyes of those who call it home.

Sherouk Zakaria

AMSTERDAM

One of my all-time favorite summer destinations, there’s something about the mix of art, history, and chill vibes that just feels right about Amsterdam. Whether you’re spending hours wandering through the Van Gogh Museum, the Rijksmuseum, or just stumbling on cool street art in random corners, or strolling along the city’s many beautiful canals while chomping down warm stroopwafels, the Dutch capital is the perfect place to visit if you’re in need of inspiration. Just a short drive outside of the city, you’ll find those classic windmills and peaceful fields that look like they belong in a storybook. And for a fun but laid-back night, you can’t go wrong with Pllek in Amsterdam Noord, with its eclectic menu, upcycled decor, waterfront views, and a vibe that blends beach bar with urban cool.

Shyama Krishna Kumar


Saudi American author Eman Quotah discusses her new novel, ‘The Night Is Not For You’

Saudi American author Eman Quotah discusses her new novel, ‘The Night Is Not For You’
Updated 10 October 2025

Saudi American author Eman Quotah discusses her new novel, ‘The Night Is Not For You’

Saudi American author Eman Quotah discusses her new novel, ‘The Night Is Not For You’
  • ‘I wanted to bring together concerns that are universal,’ says Eman Quotah

JEDDAH: Saudi-American author Eman Quotah blurs the line between the real and the monstrous in her new novel “The Night Is Not For You,” a feminist horror tale about a string of murders that send shockwaves through a community.  

Quotah’s debut novel, “Bride of the Sea,” won the Arab American Book Award in 2022 and established her as a distinctive voice in Arab-American literature. 

The author was born and raised in Jeddah, but she draws deeply from a life lived between continents, languages, and traditions. She currently lives in the US, near Washington D.C., with her family. 

The landscape of Al-Baha was a source of inspiration for Quotah's new book. (Photo credit: Prof Mortel)

“, during the second half of my childhood, was so influential,” Quotah tells Arab News. Indeed, the landscapes of were a significant inspiration for her new novel, as are the fears, rumors, and suspicions that circulate when violence strikes too close to home. 

“Bride of the Sea,” set in the Kingdom and the US, was about secrets within a family. “The Night is Not For You” expands the frame to an entire community, asking how towns tell stories about themselves and what gets whispered when violence erupts. 

“This book seems really different, but, for me, the distance isn’t so far,” she says. “It’s still about family, community, history, and the stories we tell about ourselves and the people around us.” 

Eman Quotah receives the Arab American Book Award in 2022. (Photo credit: Andrew Chen)

Quotah resisted rooting the novel too firmly in one geography. Instead, she created a fictional world inspired partly by Al-Baha, Abha and Jeddah, but stitched together with details from other places.  

“I wanted it to feel real, but also not so specific that it could only be one place,” she says. “We used to take vacations in Baha, and I was also thinking about the neighborhoods and architecture in Jeddah. (It’s) a fictional world. I could draw my own boundaries. It’s not strictly Saudi society — it could be, but it could also not be. I wanted to bring together these concerns that are universal.” 

The antagonist of the novel — based loosely on a female djinn from Khaleeji folklore — becomes the focus of communal fear, a mirror for human violence and paranoia.  

The cover of Quotah's latest novel, a feminist horror story. (Supplied)

“Every culture has boogey men and women. Every culture has paranoia,” Quotah says. “I wanted readers not to say, ‘That’s how they act over there,’ but to recognize something universal: Human fears, human struggles around acts of violence.” 

Though “The Night Is Not For You” is steeped in gore and horror, Quotah insists the violence serves as more than a shock inducer.  

“I wanted it to have the quality of campfire stories, but also to move the plot forward, to make us feel the grief of people whose loved ones were violently murdered, not just see the violence and move on,” she says. “I wanted to show the conversations that happen around it, how communities make sense of it.” 

She was able to draw on her own experiences to ground the novel in reality. 

“I actually know two people who were murdered,” she says. “It’s something I don’t often bring up in conversation. Having had that experience myself helped me write about violence. Because it happens to real people, and families have to keep living with it. I dedicated the book to those two people.” 

For Quotah, horror is not simply escapism; it “helps us make sense of the really violent stuff of real fears.” 

Quotah says she was six when she decided she wanted to be a writer. Along the way, her mother kept her shelf filled with books brought from the US, and her father pushed her to study abroad even when few Saudi women were doing so. It was something he had done, making him a part of history that often goes unacknowledged.  

“When I won the Arab American Book Award, I went to Dearborn, to the Arab American National Museum (to receive the award),” she recalls. “And there was this one small display about students from the Gulf who came to the US to study, and I thought, ‘There we are! A small part of Arab-American history.’ To see how my father’s story was part of that larger history was really meaningful.” 

Having her novels published is not only a personal milestone but, Quotah believes, part of a larger literary shift in the US. “There’s been a history of struggle for Arab-American writers to get published,” she says. “But over the past decade, we’ve really seen wonderful growth.” 

She recommends a few books from her two stints as a judge for the Arab American Book Award: “The Stardust Thief” by Chelsea Abdullah; “If An Egyptian Cannot Speak English” by Noor Naga; Deena Mohamed’s graphic novel “Shubeik Lubeik”; and “Dearborn” by Ghassan Zeineddine. “There’s still more to accomplish,” she adds, “but we’re definitely having a moment.” 

And she is doing her share to ensure that moment continues. Aside from her own writing, she is also a board member of the Radius of Arab American Writers.  

“No one writer can represent a culture,” she says. “We need more — more Saudi voices, more Arab-American voices, more translations, more cultural exchange. I want my books to be in conversation with other works by Saudi, or Arabian Peninsula, writers.”   

Her advice to aspiring writers in reflects that ethos: “Read a lot, write a lot, and find community. If you don’t see it, create it. Publish your friends, publish the people you admire. There’s someone waiting for what you’re writing.” 


‘Tron: Ares’ star and director on exploring the future of AI

‘Tron: Ares’ star and director on exploring the future of AI
Updated 09 October 2025

‘Tron: Ares’ star and director on exploring the future of AI

‘Tron: Ares’ star and director on exploring the future of AI
  • Jodie Turner-Smith and Joachim Ronning discuss the latest installment in the seminal sci-fi franchise

DUBAI: When British actress Jodie Turner-Smith stepped into the sleek, neon-lit world of “Tron: Ares,” she wasn’t just joining an iconic sci-fi franchise — she was diving headfirst into a meditation on the intersection of technology and humanity. 

In the latest installment, “Tron: Ares,” Jared Leto plays Ares — a sophisticated digital program sent into the real world on a perilous mission. It’s humankind’s first encounter with artificial intelligence in the flesh and a test of what happens when code meets conscience.  

 

Alongside Greta Lee’s Eve Kim — the ENCOM CEO searching for the elusive code written by software engineer Kevin Flynn (the protagonist of 1982’s “Tron”) — Ares finds himself questioning not just his programming but his place in a world full of unpredictable humans. 

At Ares’ side — and mostly at odds with him — stands Athena, his second-in-command, portrayed by Turner-Smith. Describing her character, the actress said, “I think it’s always fun when a character represents more of the chaos. In her own way, Athena is the chaos that can come when nuance is unable to be interpreted. And that’s Athena’s struggle throughout the movie; interpreting nuance while she’s having this experience that is changing her. 

“I think we made a really fun movie, and ultimately, I think that’s what we go to the cinema for: to have an experience,” she continued. “I love to go to watch movies for fun. ‘Tron: Ares’ really is event cinema. It’s so immersive and interesting.” 

While “Tron: Ares” promises the spectacle fans expect — breathtaking visuals, kinetic action, and a pulse-pounding soundtrack from industrial rockers Nine Inch Nails — Turner-Smith says it also leaves room for reflection. “I want people to go away having a conversation,” said the 39-year-old. “There’s so much talk about the doom and gloom of artificial intelligence and all the bad things that can happen, but I want people to walk away from the film with the state of mind of Dr. Eve Kim, who is thinking, ‘How do we keep this technology human-centered? How do we use it to make the world a better place?’ 

 “Our movie is not answering these questions, but it is sitting in the question, which I think is important for any film. It’s to make you think and to make you talk,” she continued. “And hopefully there’s going to be a kid watching this movie who is a future programmer, who is the genius who is going to create a program like Ares that improves the world.” 

Jodie Turner-Smith as Athena in 'Tron-Ares.' (Supplied)

Director Joachim Ronning says the film reflects his own ambivalence toward AI. “I think it’s a little bit of both,” he said when asked if the movie envisions a utopia or a dystopia. “I have mixed emotions about it. As a filmmaker and an artist, I guess I’m nervous — I hope that we can move forward carefully and with some guardrails to AI. But on the other hand, it could also help advance humanity and find solutions to things that we wouldn’t otherwise.” 

For Turner-Smith, the emotional weight of “Tron: Ares” was clear from the moment she read the script. “It had heart, it had humor — it struck me how funny it was; I didn’t expect that — and it was cool, you know?” 

 Jared Leto (L) and Jodie Turner-Smith at the premiere of 'Tron-Ares' in Hollywood on Oct. 6. (AFP)

Working with Leto, she said, was an especially rewarding experience. “I had a blast with him, really. He is a ‘Tron’ head. He’s a huge fan of this franchise. And you could feel how much he loved and cared about it.” 

That energy, she added, was infectious. “He was super-supportive of me, very encouraging. I loved doing our stuff together as Athena and Ares, I really did, but I wanted more. I feel like we didn’t have enough. I’m looking forward to ‘Tron 4’ when Athena returns.” 


Vivienne Westwood to open Riyadh Fashion Week with debut Middle East show

Vivienne Westwood to open Riyadh Fashion Week with debut Middle East show
Updated 09 October 2025

Vivienne Westwood to open Riyadh Fashion Week with debut Middle East show

Vivienne Westwood to open Riyadh Fashion Week with debut Middle East show
  • Plan to promote Saudi traditions and designers, says CEO Carlo D’Amario

DUBAI: British brand Vivienne Westwood is set to make its Middle East debut at Riyadh Fashion Week on Oct. 16.

The label will open the event with a show that blends British fashion heritage with craftsmanship.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

In a recent interview with WWD, the CEO of Vivienne Westwood, Carlo D’Amario, outlined his plans.

“We are working on a special collection of embroidered gowns, a result of the union of the expertise of our couture team and the craftsmanship of local artisans — a concrete way to promote local traditions through an international perspective.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

This marks the first time Riyadh Fashion Week has opened its calendar to international labels.

Returning for its third edition from Oct. 16 to 21, the six-day event will feature more than 25 runway shows, 10 designer presentations, a curated showroom, and citywide activations.

Organized by the Saudi Fashion Commission, a part of the Ministry of Culture, the event will also spotlight emerging and established Saudi designers.


‘Niyū Yūrk’ exhibition explores MENA influence on the Big Apple

‘Niyū Yūrk’ exhibition explores MENA influence on the Big Apple
Updated 09 October 2025

‘Niyū Yūrk’ exhibition explores MENA influence on the Big Apple

‘Niyū Yūrk’ exhibition explores MENA influence on the Big Apple
  • Inside the first show dedicated to NYC’s Public Library’s Middle Eastern collections

RIYADH: Outside The New York Public Library’s Stephen A. Schwarzman Building, the unmistakable scent of a halal food cart mingles with the sounds of various Arabic dialects, while two marble lions stand guard over Fifth Avenue. Inside, entire worlds are waiting to be discovered — including the often-overlooked stories of New York’s Middle Eastern and North African communities. 

“Niyū Yūrk: Middle Eastern and North African Lives in the City,” the first exhibition dedicated to the Library’s Middle Eastern collections, opened Oct. 4. It will remain on view in the Ispahani-Bartos Gallery until March 8. 

Berenice Abbott’s photograph from the 1930s of Syrian-owned The Lebanon Restaurant and an Arabic record store next door on Washington Street in New York. (Courtesy of The New York Public Library)

Curated by Hiba Abid, the exhibition contains around 60 objects — photos, books, periodicals and audio — dating from the 1850s to 2024. It centers specifically on the library’s own holdings, rather than attempting to tell a comprehensive history of MENA life in New York, Abid tells Arab News. 

Drawing from over a century of rare materials the exhibition uses tangible objects to express the intangible: memory, identity and immigrant culture.  

“It’s not a love letter. It’s a realistic letter,” Abid says, adding that these communities have long navigated complex questions of belonging, language, and preservation.  

Curator Hiba Abid. (Supplied)

“The communities, from the very beginning, were wondering, ‘Where should our kids go to school? If they go to the public New York schools, they would probably lose their language, but we want them to still know Arabic and be aware of our traditions and values,’” she said. 

The exhibition is divided into four chronological sections, designed to help guide visitors of all ages, from young children to seasoned scholars. 

The first section, “Roads to New York,” focuses on the earliest waves of immigration. One of the first featured figures is Hatchik Oscanyan — later known as Christopher Oscanyan — an Armenian man born in what is now Türkiye. He came to New York in the mid-19th century and sought to educate Americans about the complexity of the Ottoman Empire. He wrote plays and newspaper articles, as well as “The Sultan and His People,” a book that offers insight into the region’s diverse ethnic and religious makeup.  

The second section, “A Life in the City,” explores how immigrant communities began to form and thrive in New York, including in what was once known as Little Syria on Manhattan’s Lower West Side — an area that still exists today. They were entrepreneurs who opened restaurants, shops, and began publishing Arabic newspapers.

Richard Kasbaum’s photograph of Moroccan impresario Hassan Ben Ali, who toured the States with a troupe of acrobats, dancers, musicians and actors. (Courtesy of The New York Public Library)

One of the most groundbreaking was Al-Hoda, founded by Naoum Antoun Mokarzel and his brother Salloum. “In the basement of Al-Hoda Press, they adapted the linotype machine from Latin characters to Arabic characters, which is very hard (because Arabic is) a cursive language,” Abid says. “By this technological innovation, he actually allowed other presses to form and to publish newspapers, periodicals, and books,” which then circulated throughout North and Latin America — and back to the Middle East. 

In other words, New York was instrumental in literally building the Arabic press and exporting news to the Middle East.  

Abid emphasizes how vital the library’s historical collections are to telling these stories.  

“The library has been collecting these materials since the late 19th century,” she says, adding that many of them have been digitized, enabling audiences to interact with them in a new way. 

The third section, “Impressions,” flips the gaze, revealing how Middle Eastern immigrants perceived New York and the US.  

“Many immigrant groups embraced American values… but many (Arabs) actually didn’t like New York and didn’t like American values and left after a few years here or after a few months.” The exhibit highlights these ambivalences and the tensions of assimilation. 

The final section, “In Our Own Skin,” is the most contemporary and, for Abid, the most personal. It includes raw, vulnerable stories that reflect racial identity, Islamophobia, and resistance. Among the most powerful pieces is the short documentary “In My Own Skin,” directed by Jennifer Jajeh and Nikki Byrd, which features interviews with five Arab women in New York, and was filmed just one month after the events of Sept. 11, 2001.  

“The interviews are absolutely amazing. Every time I talk about it, I have goosebumps,” Abid says. “The way they talk about it — it is still very relevant today, as if nothing changed much, except that we’re probably more powerful because we are aware of this and we know how to organize and to fight back. We have the vocabulary now, and the community.” 

That spirit of organization is embodied by Malikah, a grassroots collective founded by Rana Abdelhamid in 2010 as a self-defense class for Muslim women on Steinway Street in Queens. The movement has since expanded into a larger project of empowerment, healing, and solidarity — and is featured in the exhibit’s final section. The powerful sound of the athan, or call to prayer, has been important to this cultural shift. 

While images of the Statue of Liberty — based on an Egyptian woman — didn’t make the cut, but Abid stresses its significance on each guided tour. On this occasion, though, she wanted to focus the visitors on lesser-known gems. 

Having lived in New York for the past four years as a Tunisian immigrant who spent much of her life in France, Abid says she finds New York to be more diverse than anywhere else she has ever lived.  

“I live on Atlantic Avenue in the Syrian corner. The things I witnessed here and in Middle Eastern parts of New York, like Astoria, I could never see anywhere else — even Paris,” she says. “When you go to the exhibition, you actually think, ‘Damn! We actually did a lot. And we’re here, you know—we’re here. 

“It shows how New York was central to all of these struggles and how New York — thanks to its MENA community — was actually connected and aware. It puts New York on a global map, you know? I think New York is incredible terrain for this. It’s the space for it. That’s what this show is about, ultimately.”  


Saudi hotels earn Michelin Keys as two Mideast properties nab special awards at Paris ceremony

Saudi hotels earn Michelin Keys as two Mideast properties nab special awards at Paris ceremony
Updated 09 October 2025

Saudi hotels earn Michelin Keys as two Mideast properties nab special awards at Paris ceremony

Saudi hotels earn Michelin Keys as two Mideast properties nab special awards at Paris ceremony
  • Four hotels in were awarded two Michelin Keys, while three Saudi hotels earned one Michelin Key status
  • La Mamounia in Morocco, Kasbah Tamadot in Morocco, Four Seasons Hotel Istanbul at Sultanahmet district and Atlantis The Royal in Dubai all earned three Michelin Keys

PARIS: Known for awarding coveted stars to restaurants around the world, the Michelin Guide also operates the Michelin Key Selection recognizing hotels, the latest awardees of which were named at a gala event in Paris on Wednesday with two hotels from the MENA region scoring special awards and multiple Saudi hotels earning Keys.

The organizers handed out four prizes for excellence in specific areas, including an Architecture and Design Award, Wellness Award, Local Gateway Award — for hotels that offer guests immersive connections to their surroundings — and the year’s Best New Opening Award.

 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

 

Nominations for the four awards were unveiled over the past few months, with hotels from the Middle East making the cut.

La Fiermontina Ocean, Morocco was nominated for the Local Gateway Award for its “authentic access to rural Moroccan life; Atlantis The Royal in Dubai was nominated for the Architecture and Design Award for its “stacked geometry redefining Dubai’s skyline; and Shebara Resort in was nominated in the same category for its “futuristic chrome pearls camouflaged by the Red Sea.”

 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

 

On Wednesday night, La Fiermontina Ocean in Morocco scored the Local Gateway Award and Atlantis The Royal in Dubai nabbed the Architecture and Design Award.

The year’s Best New Opening Award went to The Burman Hotel, Estonia, and the Wellness Award went to Bürgenstock Resort Switzerland.

Introduced over the past year in 15 countries across North America, Europe and Asia, the awards ceremony for the first-ever global list took place at the Musee des Arts Decoratifs in the French capital. In total, 2,457 hotels received one (1,742), two (572) or three (143)  Keys across the globe.

 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

 

In the one Michelin Key category, awardees from the Gulf region included Banyan Tree AlUla in ; The St. Regis Red Sea Resort in ; Waldorf Astoria Jeddah - Qasr Al-Sharq; ERTH Hotel in Abu Dhabi; Jumeirah Saadiyat Island;  The St. Regis Dubai, The Palm; Fairmont, Amman; Four Seasons Hotel, Amman; The Ritz-Carlton, Amman; The St. Regis, Amman; Bratus Hotel in Aqaba, Jordan, Four Seasons Hotel Kuwait at Burj Alshaya; The St. Regis, Kuwait; The Chedi, Muscat; Six Senses Zighy Bay, Oman; Fairmont, Doha; Four Seasons, Doha; Mandarin Oriental; Doha; Marsa Malaz Kempinski, The Pearl in Doha; Rosewood Doha; Sharq Village & Spa, a Ritz-Carlton Hotel in Doha; The Ned Doha; Conrad Abu Dhabi Etihad Towers; Four Seasons Hotel Abu Dhabi at Al Maryah Island; Rixos Premium Saadiyat Island; Rosewood Abu Dhabi; Address Beach Resort; Al Maha, A Luxury Collection Desert Resort & Spa; Armani Hotel Dubai; Bab Al Shams Desert Resort & Spa; Mandarin Oriental Jumeirah, Dubai; ME Dubai by Melia; The Lana, Dorchester Collection; The St. Regis Downtown Dubai; Anantara Qasr al Sarab Desert Resort.

 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

 

Meanwhile, 49 hotel properties in Morocco, Turkey and Egypt were awarded one Key status.

 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

 

In the two Michelin Key category, awardees from included Nujuma, a Ritz-Carlton Reserve; Six Senses Southern Dunes, The Red Sea; Shebara Resort; and Desert Rock Resort. 

 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

 

Also awarded two Keys were La Fiermontina Ocean in Morocco; Four Seasons Resort Sharm El Sheikh in Egypt; Royal Mansour Casablanca in Morocco; Raffles Al Areen Palace Bahrain; Alila Jabal Akhdar; Four Seasons Resort and Residences at The Pearl – Qatar; Raffles Doha; The Chedi Katara Hotel & Resort; Emirates Palace Mandarin Oriental Abu Dhabi; Bulgari Resort Dubai; Burj Al Arab Jumeirah; and One&Only The Palm Dubai.

 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

 

Across the rest of the region, hotels that earned two keys included Al Moudira Hotel in Egypt; Amanjena in Morocco; Royal Mansour in Marrakech; The Oberoi, Marrakech; Royal Mansour Tamuda Bay in Morocco; The Peninsula Istanbul; Argos in Cappadocia; and Museum Hotel in Turkey.

La Mamounia in Morocco, Kasbah Tamadot in Morocco, Four Seasons Hotel Istanbul at Sultanahmet district and Atlantis The Royal in Dubai all earned three Michelin Keys.

 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

 

The candidates were assessed by Michelin Guide inspectors based on five criteria: excellence in interior design and architecture; quality and consistency in service, comfort and maintenance; consistency between the level of experience and the price paid; uniqueness, personality and authenticity; and whether the hotel was a gateway to a destination. 

Like Michelin stars, the keys are awarded in line with a three-tier system.

 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

 

One key signifies “a very special stay,” according to the guide. This is awarded to properties that “may break the mold, offer something different, or simply be one of the best of its type. Service always goes the extra mile and provides significantly more than similarly priced establishments.”

Two keys are awarded to properties that provide “an exceptional stay … where a memorable experience is always guaranteed.” These hotels also boast “character, personality and charm that’s operated with obvious pride and considerable care … eye-catching design or architecture and a real sense of the locale make this an exceptional place to stay.”

Three keys indicate an extraordinary stay, according to the guide.

“It’s all about astonishment and indulgence here — this is the ultimate in comfort and service, style and elegance. It is one of the world’s most remarkable and extraordinary hotels and a destination for that trip of a lifetime. All the elements of truly great hospitality are here to ensure any stay will live long in the memory and hearts of travelers.”