Labubu mania sweeps the UAE, CEO of The Little Things says

Labubu mania sweeps the UAE, CEO of The Little Things says
Labubu has found its way into the UAE’s trend-savvy culture. (Supplied)
Short Url
Updated 07 June 2025

Labubu mania sweeps the UAE, CEO of The Little Things says

Labubu mania sweeps the UAE, CEO of The Little Things says

DUBAI: Once just a niche collectible from Asia, Labubus have now become the must-have accessory among youth, influencers and collectors of all ages.

Seen clutched in the hands of BLACKPINK’s Lisa and Rosé, flaunted by Rihanna, and even making cameos in Kim Kardashian’s social media posts, Labubu has found its way into the UAE’s trend-savvy culture.

According to Hassan Tamimi, CEO of The Little Things, the UAE’s official POP MART retailer, the demand for Labubu has reached unprecedented levels.

“Labubu has become more than a collectible here,” Tamimi told Arab News Japan. “It’s a lifestyle statement. We’re seeing people pair them with luxury handbags, sports cars, even use them in wedding shoots.”

But in a region known for its love of luxury and limited-edition goods, the blind box collectible has struck a chord, especially among Gen Z and millennial buyers seeking aesthetic, niche fandom items with resale value.

However, the spike in popularity has brought an unfortunate side effect: a flood of fake Labubu figures infiltrating the UAE market. Counterfeit toys, often dubbed “Lafufu” by collectors, have been circulating online via scam websites and unverified sellers.

“We’ve had several customers walk into our stores with fake Labubus thinking they were real,” Tamimi said. “It’s heartbreaking, especially for those who paid high prices for something inauthentic.”

Tamimi warned buyers to look out for telltale signs: typos on packaging, incorrect paint colors, poor stitching on plushies, or even the wrong number of teeth, authentic Labubu figures always have exactly nine.

To meet the overwhelming demand while keeping things fair, The Little Things has implemented a strict one-piece-per-customer policy. The company has also increased restocking efforts and trained in-store staff to help collectors verify authenticity.

Tamimi also pointed out that Labubu’s appeal lies in the thrill of the hunt.

“The blind box format taps into that collector instinct, there’s excitement, suspense, and FOMO. You never know which figure you’ll get, especially with rarer editions, and that makes each purchase feel like an event,” he told Arab News Japan.

While Labubu has long been a cult favorite in Japan, Tamimi noted that the UAE is quickly becoming a hotspot in its own right. In Dubai and Abu Dhabi especially, Labubu fans are forming communities, trading figures and sharing unboxings and display setups online.

“What’s happening here mirrors what we’ve seen in Tokyo,” he added. “The only difference is access, Japan often gets first dibs on regional exclusives. But that scarcity is part of what makes collecting in the UAE so exciting.”

As for those looking to join the Labubu craze, Tamimi has one piece of advice: stick to official sellers.

“If it’s too cheap or too easy to find online, it’s probably fake. Trust verified stores. The magic of Labubu is in the real thing.”

- This article was first published on Arab News Japan. 


Taymour Grahne brings ‘agile, experimental’ project space to Dubai

Taymour Grahne brings ‘agile, experimental’ project space to Dubai
Updated 1 min 3 sec ago

Taymour Grahne brings ‘agile, experimental’ project space to Dubai

Taymour Grahne brings ‘agile, experimental’ project space to Dubai

DUBAI: Lebanese-Finnish gallerist Taymour Grahne has inaugurated a new project space and art advisory in Dubai, offering a location for exhibitions alongside the firm’s office in London.

The inaugural show in Dubai is titled “Arranging Flowers” by US painter Gail Spaien. It presents a new body of work that reimagines domestic interiors through flattened perspectives and vibrant patterning.

Grahne told Arab News: “I wanted to start my Dubai program with an artist who has not shown in the region previously, in keeping with Taymour Grahne Projects’ ethos of introducing new artists to the region.

“And for audiences in the city to discover artistic voices they might not otherwise encounter.”

He added: “Gail’s practice explores the idea of home and domestic space as a site of meaning, while also weaving in inspirations from nature, landscape, ritual textiles, and pattern.

“These themes are universal, and they also connect strongly with life in Dubai, where ideas of belonging and home are important to many.”

The outpost is billed as a project space, rather than as a traditional gallery.

“Rather than focusing on exclusivity or long-term representation, the ‘project space’ model keeps things agile and experimental,” Grahne explained.

He added that “by not having a fixed roster, I can continually bring fresh perspectives from around the globe to the project space.”

Just a few of the artists whom Grahne has exhibited in the past — he previously ran a project space in New York — include contemporary creatives Francesca Mollett, Dominique Fung, Lamia Joreige, and Faycal Baghriche.

Meanwhile, Grahne and his team have placed artworks in major museum collections, including at The Metropolitan Museum of Art, New York; The Guggenheim Museum, New York; The Barjeel Art Foundation, Sharjah; The Dalloul Art Foundation, Beirut; and The British Museum, London.

“My expertise spans both modern and contemporary art from the Middle East as well as international contemporary art, with a strong focus on the art scenes of New York, London, and Los Angeles.

“That allows me to tailor collections that are globally relevant while also being deeply connected to the region’s own artistic heritage,” Grahne explained.

He added that his Middle Eastern and European background, as well as a childhood spent between London, Beirut and New York, has helped him “connect with collectors across geographies.”

As for why he chose Dubai for the first Taymour Grahne Projects in the region, he points to the city’s unique role as a connective hub.

“Dubai sits at the crossroads of Abu Dhabi, Doha, Riyadh, and beyond, with each of these cities making huge investments in culture … while my immediate focus is on Dubai, I see the region as deeply interconnected,” he said.

 


Noon by Noor presents ‘Mirage’ at London Fashion Week

Noon by Noor presents ‘Mirage’ at London Fashion Week
Updated 21 September 2025

Noon by Noor presents ‘Mirage’ at London Fashion Week

Noon by Noor presents ‘Mirage’ at London Fashion Week

DUBAI: Bahraini label Noon by Noor presented its Spring/Summer 2026 collection titled “Mirage” at London Fashion Week, with the designers drawing on art and the concept of memories for inspiration.

“Mirage is about the beauty of what you can’t quite hold onto. The shimmer of fabric as it catches the sun, the way a silhouette disappears into light. We wanted the collection to feel like that — delicate, fluid, always changing depending on how you see it,” co-founder Shaikha Noor Al-Khalifa said in a released statement.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Founded in 2008 by Shaikha Noor Al-Khalifa and Shaikha Haya Al-Khalifa, the brand is known for its blend of relaxed tailoring and refined detailing. The designers, who are cousins, both studied fashion in the US and returned to Bahrain to launch their label, which combines masculine tailoring with subtle feminine details.

This color palette for their latest line, which was unveiled at London’s Somerset House over the weekend, boasts white, pale gold, khaki, dark red and cherry blossom pinks. Lightweight fabrics used in the collection blend metallic cotton mixes, cotton silk voiles, linens, silks, viscose silk, challis, silk chiffons and georgette.

“Mirage” also features embellishments in the form of cotton cord, handcrafted knotted belts and tops, printed silks in patterns designed by the brand, trompe l’oeil appliques and pintucks.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

One highlight on the runway included a raincoat spliced at the waist with a macrame belt, while dresses were ethereal and flowing.

Production remains largely based in Bahrain, with the brand committed to preserving craftsmanship and creative control locally. In 2024, Noon by Noor opened a boutique at the Ritz-Carlton in Manama, further cementing its presence in the region. 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

One of the only Arab labels on the international fashion week schedule — besides Paris Fashion Week — the Bahraini brand previously showed its collections at New York Fashion Week before switching to London.

In February, the Fall/Winter 2025 collection was presented in the British capital with a salon-style display at Somerset House.

The designs were inspired by Bahrain’s architectural landscape, specifically the work of Swiss architect Christian Kerez, whose multi-story car parks in Muharraq have become a cultural hub.

The four car parks were commissioned by the Bahrain Authority for Culture and Antiquities as part of a wider preservation and development project in the city, which served as the Bahraini capital until 1932.


to host second edition of new song contest Intervision in 2026

 to host second edition of new song contest Intervision in 2026
Updated 21 September 2025

to host second edition of new song contest Intervision in 2026

 to host second edition of new song contest Intervision in 2026
  • 2026 edition expected to attract record participation, more than the 23 countries at the inaugural edition in Moscow
  • Topping the first edition was Vietnam’s Duc Phuc, who won a grand prize of 30 million rubles (about $360,000)

RIYADH: will host the second edition of the new song contest Intervision, whose inaugural version was concluded early Sunday in Moscow, the Saudi Press Agency reported.

This was also announced by organizers of Intervision, Russia's answer to the Eurovision song contest. 

Artists from more than 20 countries — including — competed in the inaugural edition in the Russian capital, which was won by Vietnamese singer Duc Phuc.

According to SPA, the Kingdom’s delegation, organized by the Saudi Music Commission, featured Saudi singer and songwriter Zeina Emad, who performed a specially commissioned piece titled “Just a Concern.” 

“I wanted to give voice to that feeling when someone finally says, ‘I am concerned about you,’ even if everyone else isn’t. This is one of the most personal songs I have ever performed,” Emad told the Intervision online site www.intervision.world

Saudi singer and songwriter Zeina Emad sang the specially commissioned piece titled “Just a Concern.”  (X: @intervisionwld)

In its report, SPA said the 2026 edition in "is expected to attract record participation, with innovative performances that highlight cultural heritage and creativity."

"The contest provides a global stage for artistic diversity, bringing together nations through live musical performances that highlight creativity and cultural exchange," the report added.

Revival of Soviet-era contest

Intervision 2025 has been hailed by some as a revival of the Soviet-era contest hosted in Czechoslovakia between 1965 and 1968, and Poland between 1977 and 1980. 

During Saturday’s contest in Moscow, Russian President Vladimir Putin spoke to participants in a video address, hailing its main theme of “respecting traditional values and different cultures.”

“Today, Intervision is gathering a second wind, while remaining faithful to its traditions,” Putin added.

Spectators watch a video address of Russian President Vladimir Putin during the Intervision International Music Contest 2025 in Moscow on September 20, 2025. (REUTERS)

Participating in Intervision 2025 were contestants from Belarus, Brazil, China, Colombia, Cuba, Egypt, Ethiopia, India, Kazakhstan, Kenya, Kyrgyzstan, Madagascar, Qatar, Russia, , Serbia, South Africa, Tajikistan, the UAE, Uzbekistan, Venezuela and Vietnam.

The US also took part but moments before its entrant, Australian-born Vassy, was due to take to the stage, the show’s presenters announced that she would not be able to perform because of “political pressure” from the Australian government. 

Another act, singer-songwriter Brandon Howard, had been slated to perform for the US until three days before the final show. He ultimately dropped out due to “unforeseen family circumstances.”

In a show overflowing with thundering vocals and pyrotechnics, Vietnam’s Duc Phuc’s song “Phu Dong Thien Vuong,” a heady mix of pop, rap and dubstep, saw off second-place Kyrgyzstan to take home the grand prize of 30 million rubles (about $360,000).

Other acts included Cuban singer Zulema Iglesias Salazar with a joyful rumba, Qatar’s Dana Al Meer, who sang at the 2022 World Cup opening ceremony, and Serbia’s Slobodan Trkulja, who dedicated his song “Three Roses” to his three daughters.

Russia’s entrant, Shaman, a singer known for his patriotic concerts, presented a lyrical song before asking the international jury not to consider Russia’s performance.

“Russia has already won by inviting so many countries to join us,” he said. 

(With Agencies)


Russia’s Soviet-era rival to ‘decadent’ Eurovision born anew

Russia’s Soviet-era rival to ‘decadent’ Eurovision born anew
Updated 21 September 2025

Russia’s Soviet-era rival to ‘decadent’ Eurovision born anew

Russia’s Soviet-era rival to ‘decadent’ Eurovision born anew
  • Vietnamese singer Duc Phuc proclaimed winner with a song inspired by a poem about bamboo
  • Putin relaunched the USSR-era contest after Russia was banished from Eurovision over its offensive in Ukraine

MOSCOW: With artists from more than 20 countries and ambitions for a billion-plus viewers, Russia on Saturday revived its Intervision song contest, which Moscow hopes will compete with a “decadent” Eurovision.

First held in the Soviet era and relaunched in February on President Vladimir Putin’s orders, the concert-as-soft-power tool was held at an arena near the Russian capital, with Vietnamese singer Duc Phuc proclaimed the winner with a song inspired by a poem about bamboo.

The performer, who won the Vietnamese version of reality TV series “The Voice” 10 years ago, emotionally thanked the audience “for every second” spent watching the competition, which lasted around four hours.

With Russia banished from Eurovision, the song contest extravaganza born on the other side of the Iron Curtain, over its offensive in Ukraine, the Kremlin has pushed Intervision as a means to lay the anti-Western narratives on thick while striving for new cultural and political alliances.

The contest kicked off with an opening ceremony hitching future-looking technology to nostalgia for the Soviet past, before giant augmented-reality projections of dancing silhouettes in traditional costumes were displayed to represent each contestant.

In a video address to participants, including traditional allies Brazil, India and China, Putin hailed the contest’s “main theme” of “respecting traditional values and different cultures.”

Spectators watch a video address of Russian President Vladimir Putin during the Intervision International Music Contest 2025 in Moscow on September 20, 2025. (REUTERS)

“Today, Intervision is gathering a second wind, while remaining faithful to its traditions,” the veteran strongman added.

Twenty-three countries were originally slated to take part in the contest, including Russia’s old Cold War foe the United States.

But the US representative — Australian pop singer Vasiliki Karagiorgos, known as Vassy — had to pull out at the last minute because of “unprecedented political pressure from the Government of Australia,” the organizers said.

No performers from an EU country took part.

But former Soviet republics Uzbekistan and Kazakhstan dispatched artists to Russia for the spectacle.

Other acts included Cuban singer Zulema Iglesias Salazar with a joyful rumba, Qatar’s Dana Al Meer, who sang at the 2022 World Cup opening ceremony, and Serbia’s Slobodan Trkulja, who dedicated his song “Three Roses” to his three daughters.

Russia’s entrant, Shaman, a singer known for his patriotic concerts, presented a lyrical song before telling the jury he did not want to be named the winner.

“Hospitality is an inalienable part of the Russian soul... and according to the law of hospitality, I don’t have the right to be among those vying to win,” he said.

Besides Putin, the contest’s kick-off drew in Dima Bilan, Eurovision winner in 2008, and Polina Gagarina, the contest’s runner-up in 2015.

American rocker Joe Lynn Turner, formerly of the band Deep Purple, was a member of the jury.

Vietnam's Duc Phuc holds his trophy after winning the International Music Competition "Intervision" at the Live Arena outside Moscow on Sept. 21, 2025. (AP)

A billion viewers?

Each country’s act sang in their native language — “unlike Eurovision, where most songs are often sung in English,” the organizers were at pains to point out.

In the build-up to the contest, Moscow voiced high hopes for the TV viewership.

The participating countries represented 4.3 billion people — or more than half the planet’s population, according to the organizers.

“If at least one-in-three or at least one-in-four people watch the contest, it’ll be an audience without precedent,” said Konstantin Ernst, director general of the broadcaster Pervy Kanal, ahead of the contest.

The last edition of Eurovision, held in May, drew a record audience of 166 million viewers, according to organizers.

First organized in 1965 in Prague, Intervision was suspended after the anti-Soviet uprising in Czechoslovakia three years later.

It was then revived in Poland in the 1970s and held across various cities of the former Communist bloc.

Another difference from Eurovision? No public vote. An international jury alone decided the winner.

Organizers announced the next edition of Intervision would be held in in 2026.


Canada bans Irish rap group Kneecap from entering country

Canada bans Irish rap group Kneecap from entering country
Updated 20 September 2025

Canada bans Irish rap group Kneecap from entering country

Canada bans Irish rap group Kneecap from entering country

TORONTO: Irish rap group Kneecap was banned from entering Canada this week, with the country’s government saying the band “publicly displayed support for terrorist organizations such as Hezbollah and Hamas.”

The group has faced criticism for political statements seeming to glorify militant groups and has previously been banned from Hungary.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Liberal lawmaker Vince Gasparro, parliamentary secretary for combating crime, said in a social media video: “Canada stands firmly against hate speech, incitement to violence and the glorification of terrorism. Political debate and free speech are vital to our democracy, but open endorsements of terrorist groups are not free speech.”

Kneecap has accused critics of trying to silence the band because of its support for the Palestinian cause. Its members say they do not support Hezbollah or Hamas, and nor do they condone violence.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

In an Instagram post, Kneecap said Gasparro’s comments were “wholly untrue and deeply malicious.”

“We have today instructed our lawyers to initiate legal action against you,” said the band’s statement. “We will be relentless in defending ourselves against baseless accusation to silence our opposition to a genocide being committed by Israel.”

Kneecap was scheduled to perform in Toronto and Vancouver next month. The group performed at Coachella in April when members accused Israel and the US of genocide against Palestinians, prompting calls to revoke their visas and leading to several canceled shows.