Recipes for success: Chef Vincenzo Palermo offers advice and a spaghetti al pomodoro recipe 

Recipes for success: Chef Vincenzo Palermo offers advice and a spaghetti al pomodoro recipe 
Vincenzo Palermo is the head pizza chef at TOTO Dubai. (Supplied)
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Updated 06 June 2025

Recipes for success: Chef Vincenzo Palermo offers advice and a spaghetti al pomodoro recipe 

Recipes for success: Chef Vincenzo Palermo offers advice and a spaghetti al pomodoro recipe 

DUBAI: Vincenzo Palermo, head pizza chef at TOTO Dubai, has built his career on one belief: “Pizza isn’t just comfort food, it’s a craft.”  

Originally from Apulia in southern Italy, Palermo has spent years refining his skills. His journey began early, watching the baking process in his family kitchen as a child. He went on to study at Rome’s API Pizza Academy.  

Over the past 14 years, his career has taken him from Italy to Russia, France, the US and now the UAE, with his pizzas earning international recognition and awards along the way — including a historic win as the youngest-ever World Champion of Neapolitan Pizza in 2018.  




Vincenzo Palermo is the head pizza chef at TOTO Dubai. (Supplied)

When you started out, what was the most common mistake you made? 

I believed that cooking was just about combining ingredients correctly and adhering strictly to techniques. My focus was on the mechanical aspects of executing everything “correctly,” but I didn’t always bring myself into the dish; that was my biggest mistake. 

Coming from a family where food was never just food — it was tradition, emotion, and memory — I learned discipline and focus. Over time, I realized that every dish must tell a story. It could be a childhood memory, a moment of celebration, or simply a feeling you want to share, but if you do not put your heart into it, then no matter how perfect the dish appears, it lacks soul. 

The kitchen is not just about skill and technique, it’s a place for passion. Food is a language, and love is the message. That is what I try to pass on now, both to my team and on every plate that leaves the kitchen. 

What’s your top tip for amateur chefs? 

My journey began in a very humble way. I was just a child when I first stepped into the kitchen, helping my mother, making my first pizzas and simple pastas with curiosity and joy. That passion never left me. So, my top tip is this: Do not underestimate yourself just because you are cooking at home. Get into the flow, cook with heart and love, and do not place limits on what you think is possible. Everything we create in a professional kitchen, even the most refined dishes, can absolutely be recreated at home with the right mindset. Cooking is mostly about emotion, not technique, and that emotion can be felt whether you’re in a Michelin-level kitchen or your own. Believe in your hands, trust your ingredients, and enjoy the process. 




Margherita pizza. (Supplied)

What one ingredient can instantly improve any dish? 

I’d say flour. The right flour for the right dish is absolutely essential. In Italy, we don’t just say “flour,” we talk about “tipo 00,” “semola rimacinata,” “integrale”… Each type of flour has a specific purpose, and choosing the right one shows respect for the dish and the tradition behind it. Using the right flour is like choosing the right language to express yourself. It’s the base of everything, the foundation. Even for home cooks, this choice can make the difference between something good and something truly authentic. 

When you go out to eat, do you find yourself critiquing the food?  

As a chef, it is natural to notice the details, but I try to approach it with an open mind. 

What’s the most common mistake or issue you find in other restaurants? 

A lack of authenticity and a disconnect between the dish and its cultural roots. Authenticity and consistency are key, and when they’re missing, it affects the overall experience. 

When you go out to eat, what’s your favorite cuisine or dish to order? 

Honestly, I love to try everything. For me, eating out is about enjoying food and learning. Every culture has its own traditions, techniques and flavors, and I want to understand the story behind each dish.  

I’m always curious. I taste something new, study it, and then think about how that ingredient or idea could inspire something in my own kitchen. That is how we grow as chefs — by keeping our minds open and constantly learning from others. 

What’s your go-to dish if you have to cook something quickly at home? 

Without a doubt, it’s spaghetti al pomodoro. What could be more Italian than that? It is full of soul. I love it because it represents everything I believe in: simplicity, quality and passion. When I cook it at home, even if I’m short on time, I give it my full attention, from choosing the best tomatoes and olive oil to making sure the Gragnano pasta is cooked perfectly al dente, which is non-negotiable. 




TODO Dubai. (Supplied)

What customer request most annoys you? 

Requests that compromise the integrity of a traditional dish can be challenging. While I fully respect dietary restrictions and personal preferences, altering a classic recipe beyond recognition takes away from its authenticity. I believe in educating diners about the origins and significance of each dish to foster greater appreciation and respect. 

What’s your favorite dish to cook? 

Pizza. It’s more than just my profession, it’s a piece of my heart. I have a vivid memory from my childhood: my mother and sister in our home kitchen, cooking pizza in a pan. Of course, it was not the “right” way by traditional standards — she was not a trained chef, she was a home cook — but, like many Italian mothers, she found her own way to make something special with what she had. 

Even if the technique was not perfect, the love and passion she put into it made it unforgettable. Sometimes my sister would join her, and for me, that pan pizza became a symbol of family, comfort and creativity. Pizza means everything to me because of what it represents: love, family and the joy of making something beautiful from the heart. 

What’s the most difficult dish for you to get right? 

For me, it’s fish. It may seem simple, but it’s not easy to cook perfectly. Fish is delicate. You must respect the texture, the temperature and the timing. One second too much, and it’s dry. One second too little, and it’s raw. I always need to stay focused and keep learning. That challenge is part of what makes it so rewarding when you get it just right. 

As a head chef, what are you like? Are you a disciplinarian? Or are you more laidback? 

Honestly, I can’t stand chefs who shout. We’ve seen it too many times in movies and on TV: the angry chef screaming, throwing pans, creating fear in the kitchen. Unfortunately, this happens in a lot of kitchens. But this is not leadership. This is not how great food is made. The kitchen is not a battlefield, and the people around me are not soldiers or slaves — they are humans, artists, professionals. As any of my team will tell you, I’m calm; I like to joke, and I create a relaxed environment. That doesn’t mean we’re not serious. When it’s time to push, I push. But we push together — fast, sharp, focused — as a team. Respect is the true foundation of a great kitchen. When people feel valued and inspired, not afraid, they cook with love. And that love is what reaches the plate. 

Chef Vincenzo Palermo’s spaghetti al pomodoro recipe 

Բ徱Գٲ:

200 gr spaghetti from gragnano  

300 gr San Marzano peeled tomato 

Fresh basil 

2 cloves of garlic 

ʱ

4 tablespoons of extra virgin olive oil 

Parmesan cheese 

ԲٰܳپDzԲ:

In a pan, gently sauté crushed garlic in olive oil. 

Add the tomatoes and let cook for about 10–15 minutes and add salt and pepper. 

In a pot, put water and salt and make it boil. 

Boil spaghetti until al dente, then transfer it to the sauce with a bit of cooking water. 

Toss everything together and finish with fresh basil and a drizzle of olive oil.  

Serve it with a gentle parmesan cheese on the top. 

Buon appetito!  


Nojoud Al-Rumaihi spotted at Paris Fashion Week

Nojoud Al-Rumaihi spotted at Paris Fashion Week
Updated 06 October 2025

Nojoud Al-Rumaihi spotted at Paris Fashion Week

Nojoud Al-Rumaihi spotted at Paris Fashion Week

DUBAI: Saudi influencer Nojoud Al-Rumaihi, who is also a fashion consultant, has been spotted at a number of runway shows during Paris Fashion Week.

Al-Rumaihi attended Lebanese couturier Elie Saab’s Spring/Summer 2026 showcase, as well as shows staged by Hermes, Valentino, and Lebanese designer Georges Hobeika.

She has been sharing behind-the-scenes glimpses of her time at fashion week on social media, with insights on her favorite runway looks as well as her own outfits.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Al-Rumaihi shared a series on Instagram Stories about Hermes designer Nadege Vanhee’s latest show in Paris, in which Vanhee sent out a collection of brassiere tops, quilted silk coats and racer-back dresses.

Models marched around the space in tall riding boots, their silky ponytails swishing. They wore sandy-colored shirts, skirts and brassiere ensembles, cinched snugly with leather straps and lacework. Racer backs revealed shoulder blades, while leather bra tops held silk fabric in place, covering the chest, Reuters reported.

The color palette was dominated by muted beige and khaki tones, with a few touches of bright red — a leather trouser set, a handbag and motifs on scarves.

Al-Rumaihi also attended Italian label Valentino’s showcase in Paris, during which creative head Alessandro Michele’s latest collection Fireflies was put on show.

Prim retro silhouettes — bows, ruching, velvet skirts — set a mood at Paris Fashion Week of controlled nostalgia, Associated Press noted.

The high point was a draped gold gown with a feathered white collar, evoking myth and Valentino’s Roman past. A polka-dot shirt, satin skirts split with bright yellow panels, and occasional colorblocking kept the eclectic spirit alive, though without the exuberant force Michele had deployed before.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

That was the story of the show: less spectacle, more editing. Where Michele’s early collections for the house, and his Gucci tenure before that, thrived on sheer overload — tassels, turbans, ruffles, references piled high — here he cut cleaner lines and pared styling back. The result felt more wearable, but also less astonishing.

Valentino’s identity is rooted in beauty and polish. Under founder Valentino Garavani, the house meant jet-set elegance and “Valentino red.” Under designer Pierpaolo Piccioli, it leaned into couture-like refinement. Michele entered with a different tool kit: maximalist nostalgia, gender-fluid styling, and deep archive mining. He has said the job is to “manipulate the past to make it now,” balancing modern maximalism with relevance so the brand does not freeze in time.

For her part, Al-Rumaihi billed it as “a magnificent experiential show” on Instagram, where she shared a video of models traversing a spotlit runway.


Elie Saab unveils new collection at Paris Fashion Week

Elie Saab unveils new collection at Paris Fashion Week
Updated 05 October 2025

Elie Saab unveils new collection at Paris Fashion Week

Elie Saab unveils new collection at Paris Fashion Week

DUBAI: Lebanese couturier Elie Saab revealed his Spring/Summer 2026 collection at Paris Fashion Week on Saturday, with a pragmatic attitude to glamor evident in the line of blouses and pencil skirts.

Deva Cassel, Monica Bellucci’s daughter, opened the show wearing a khaki pencil skirt and a silk blouse.

And the beaded gowns synonymous with Saab were nowhere in sight. Instead, animal-print silk trench coats, blazers and wide-leg organza denim trousers were the order of the day.

The show was staged at Paris’ Palais de Tokyo. (Getty Images)

“I wanted the collection to speak of a courageous woman,” Saab said backstage, according to Vogue. “Women are born courageous, I know that, but now the world needs them to be more fearless than ever.”

The collection was not without evening-ready glamor, but instead of voluminous ballgowns, printed chiffon was artfully draped in shorter dresses, while belted skirts and lighter-than-air blouses offered options for boardroom-to-restaurant outfits.

Lebanese couturier Elie Saab revealed his Spring/Summer 2026 collection at Paris Fashion Week. (AFP)

The show was staged at Paris’ Palais de Tokyo and attended by the likes of supermodel Heidi Klum and Saudi influencer Nojoud Al-Rumaihi.

Elsewhere on Saturday, Nadege Vanhee-Cybulski presented her Spring-Summer 2026 collection for Hermes in the barracks of the horse-backed Republican Guard security forces, staying true to the house's equestrian heritage.

“I wanted to bring a much more bohemian touch to horseback riding —- to show that it can also mean letting go, freedom, and a hint of ecstasy,” explained the French designer, who has designed women's collections for the label since 2014.

At Vivienne Westwood, inspiration came from old curtains, explained Austrian designer Andreas Kronthaler as he showed off a colorful new collection at the historic Institut de France that featured fluid, draped dresses and corseted baroque-style silhouettes.

Klum closed the show wearing a white, rhinestone-embellished bustier with a long cape, followed by the designer himself, who appeared with a bouquet of sunflowers so large he could barely carry it.

 


Actress Tara Emad, Saudi designer Ahmed Hassan join BoF 500’s 2025 list of global fashion leaders

Actress Tara Emad, Saudi designer Ahmed Hassan join BoF 500’s 2025 list of global fashion leaders
Updated 04 October 2025

Actress Tara Emad, Saudi designer Ahmed Hassan join BoF 500’s 2025 list of global fashion leaders

Actress Tara Emad, Saudi designer Ahmed Hassan join BoF 500’s 2025 list of global fashion leaders

DUBAI: Montenegrin Egyptian actress and model Tara Emad has been named among the newest inductees to The Business of Fashion (BoF) 500 Class of 2025, which recognizes individuals shaping the global fashion industry, alongside Saudi designer Ahmed Hassan, co-founder of streetwear label KML.

The BoF 500 is an annual index by the London-based platform The Business of Fashion, founded by Imran Amed, that celebrates designers, creatives, models, executives and entrepreneurs redefining the global fashion landscape. Each year, 100 new members are selected based on their impact, industry nominations and extensive editorial research.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Emad, who serves as a Cartier ambassador, is best known for her roles in the recently released Arabic action-comedy “Darwish,” the Arabic adaptation of “Suits,” Netflix’s family drama “Catalog,” and the film “Siko Niko.”

A fixture on red carpets across the region, she has become one of the Arab world’s most recognizable faces, championing regional designers while maintaining a strong international presence.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Meanwhile, Hassan’s inclusion reflects the continued rise of ’s creative scene and its expanding presence in the global fashion industry.

As co-founder of KML — known for its bold streetwear aesthetic infused with local cultural influences — Hassan, together with his brother and business partner Razan, has helped to bring Saudi design to the international stage.

In 2022, the brand was a semifinalist for the prestigious LVMH Prize — an annual award for young fashion designers run by the eponymous fashion conglomerate.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

The Fashion Commission also recognized their potential, providing support that led to KML showcasing its collections at fashion weeks in Paris, Riyadh and Milan.

“Paris was a wonderful experience,” Ahmed previously told Arab News. “People found our clothes rebellious — especially the skirts for men. But it was rebellious to wear pants in 200 years ago! Men everywhere here wore skirts — there were different names for them.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

This year’s BoF 500 Class of 2025 includes 100 new names from 30 countries, spanning 40 nationalities. Among the inductees are musicians Kendrick Lamar and Tems, designers Giambattista Valli and Michael Rider, and models Hailey Bieber and Mamour Majang.

Past Arab members of the BoF 500 include Saudi couturier Mohammed Ashi, founder of Ashi Studio, who became the first designer from the Kingdom to join the index in 2023.


Bad Bunny celebrates Palestinian listeners embracing his music 

Bad Bunny celebrates Palestinian listeners embracing his music 
Updated 03 October 2025

Bad Bunny celebrates Palestinian listeners embracing his music 

Bad Bunny celebrates Palestinian listeners embracing his music 

DUBAI: Puerto Rican star Bad Bunny this week spoke about the global reach of his songs, highlighting how deeply moved he feels by listeners in Palestine embracing his work.

Speaking in an interview with Billboard Arabia, the Grammy-winning artist reflected on the response to his track “DtMF.”

“It’s really beautiful to see so many people from Latin America connecting with that song, people from Palestine connecting with that song, people from all over the world connecting with that song,” he said.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

He explained that the impact extended to his other personal works. “And not only with that one but also with ‘DeVita’ and ‘Dalma Fotos,’ songs where I mention San Juan, songs where I mention places only from here, from Puerto Rico, where I mention my grandfather … Personal songs that people identify with,” he added.

Bad Bunny reflected on what this connection means for him as an artist. “That’s where you see that music is about that, and art in general is about being real, about being honest, and about people being able to identify with what you feel, because through those songs they see that there is no difference between them and me.”

الحمدلله FOR A CEASEFIRE!!! Inshallah I can go again

“DtMF” — short for “Debi Tirar Mas Fotos” (“I should’ve taken more photos”) — went viral in Palestine, with people sharing before-and-after pictures of destruction from the war with Israel.

In the song, Bad Bunny looks back on moments he wishes he had captured, weaving in references to Puerto Rico, his grandfather and local musical styles such as bomba and plena. 

While he dwells on regret, he also emphasizes the importance of cherishing what remains, valuing connections, and honoring one’s roots and memories.


Inside Ithra’s ‘Horizon in Their Hands’ exhibition  

Inside Ithra’s ‘Horizon in Their Hands’ exhibition  
Updated 05 October 2025

Inside Ithra’s ‘Horizon in Their Hands’ exhibition  

Inside Ithra’s ‘Horizon in Their Hands’ exhibition  
  • Overlooked stories of pioneering Arab women come to light in new show 

DHAHRAN: There’s a new exhibition in town. Some of the artists you know, and some you don’t — which is exactly the point. 

The works of more than four dozen pioneering women from across the Arab world are on display — some for the first time ever — in “Horizon in Their Hands: Women Artists from the Arab World (’60s–’80s),” which opened Sept. 18 at the King Abdulaziz Center for World Culture (Ithra) in Dhahran and runs until Feb. 14. The show contains 70 works by artists from 13 countries. 

Fatima Hassan Assiri, ‘Untitled.’ (Courtesy of Jameelah Assiri)

“The idea behind the title was to give back agency to a generation of women who have been overlooked,” the show’s curator, Rémi Homs, tells Arab News. “We also wanted to see this relationship between arts and craft as a horizon for further research. And we wanted to have this idea of hands — something handmade.” 

The exhibition is a collaboration between Ithra and Barjeel, a UAE-based foundation established by Sultan Sooud Al-Qassemi in 2010. Of the 50 artists featured, four are from : Mona Al-Munajjed, Fatima Hassan Assiri, Mounirah Mosly, and Safeya Binzagr, regarded as the mother of Saudi modern art. Both Al-Munajjed and Binzagr are the subjects of an “In Focus” section of the show, along with the late Tunisian artist Safia Farhat, and the Wissa Wassef Art Center in Egypt, which preserves hand-weaving traditions. 

 Mona Al-Munajjed, ‘Dreams Come True in Saudi,’ 2022 - Batik on silk. (Courtesy of the artist)

Al-Munajjed’s works, including “Traditional Saudi Door” and “Minaret of Mosque” — both from the mid-Eighties — weave together personal memory and collective history, capturing intimate domestic scenes and broader social narratives of Jeddah. Using the fiery batik dyeing technique, she blends vibrant colors and subtle textures, creating visual stories that feel both deeply personal and historically resonant. 

Assiri, the mother of renowned artists Ahmed and Jamila Mater, showcases an untitled acrylic-on-wood panel piece — a complex composition that intertwines colors and motifs, employing the feminist-centric traditional Saudi art form, Al-Qatt Al-Asiri — which women historically used to decorate their homes with specific shapes, colors, and markings, and is listed on UNESCO’s Intangible Cultural Heritage of Humanity. 

Nadia Mohamed, ‘Palms and Fields,’ 2021 - Tapestry. (Courtesy of Barjeel Art Foundation Collection, Sharjah)

“The Young Woman,” by Mosly, exemplifies the late artist’s ability to blend portraiture with broader social and cultural themes, while Binzagr’s lithography etchings, intimate and bold, captured the spirit of Saudi life, blending figurative storytelling with a modernist sensibility that continues to resonate. Her 1980 work “Desert Ship,” depicting camels in front of a tent, is particularly striking. 

The show is split into thematic sections, including “Depicting a Rapid Modernization,” “Alternative Pathways: Self-Taught Artists,” “Revisiting Islamic Art Legacies,” “New Media Experimentation,” “Reclaiming Local Craft Practices,” and “Al-Qatt Al-Asiri.” 

Many of the works carry partial or unknown histories. Homs cites a brass piece by Egyptian artist Atyat El-Ahwal (1989), initially listed only by name and date.  

“We basically had no information about her,” he says. “We included her work because we wanted to focus not just on the more well-known names,” he said. Further research — and input from visitors and experts — helped uncover her full name, dates of birth and death (1919–2012), and even a video likely recorded in the 1970s found on YouTube, all allowing her work to be contextualized in a broader history.  

Everyday materials appear in surprising ways — transformed into abstract compositions, for example — and embroidery is reimagined as narrative painting. Henna recurs across many works; Homs highlighted Emirati pioneer Najat Makki, saying: “Henna was an accessible part of everyday life.”  

He praises the artists’ innovative and creative use of available materials. “Something that you cannot see in history books from the West, but it’s something very important and, in my opinion, very groundbreaking,” he says. 

And Homs is hopeful that the exhibition will lead to further revelations of artworks by women in the Arab world. 

“Yes, we are seeing 70 different works by 50 different artists—22 of whom are still alive,” he says. “But it’s the tip of the iceberg. I’d say that we are seeing maybe the first 5 percent of artists we need to discover.”