Five things to know about the St Catherine monastery in Egypt's Sinai

Five things to know about the St Catherine monastery in Egypt's Sinai
A picture taken on April 16, 2017 shows a general view of the Monastery of St. Catherine in Egypt's south Sinai. (AFP)
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Updated 04 June 2025

Five things to know about the St Catherine monastery in Egypt's Sinai

Five things to know about the St Catherine monastery in Egypt's Sinai
  • The monastery was founded by Byzantine Emperor Justinian in the sixth century at the biblical site of the burning bush at the foot of Mount Sinai
  • According to UNESCO, "the entire area is of immense spiritual significance" to Christianity, Islam and Judaism

CAIRO: Nestled in the Sinai mountains, the ancient St Catherine's Monastery has been the centre of recent tensions after an Egyptian court ruled last week that it sat on state-owned land.

Dating back to the sixth century BC, the UNESCO World Heritage Site is the world's oldest continuously inhabited monastery, attracting hundreds of pilgrims and tourists every year.

Following warnings from the authorities and Orthodox Church in Greece that the ruling threatens the monastery's status, a government delegation is travelling from Athens to Cairo on Wednesday to discuss the situation.

The monastery was founded by Byzantine Emperor Justinian in the sixth century at the biblical site of the burning bush at the foot of Mount Sinai, where Moses was believed to have received the 10 commandments, according to the world's three major monotheistic religions.

It was named for Saint Catherine of Alexandria, whose remains are housed in the church, along with rare iconography and manuscripts.

It is headed by the Archbishop of Mount Sinai and Raithu, under the ecclesiastical jurisdiction of the Greek Orthodox Patriarchate of Jerusalem.

According to UNESCO, "the entire area is of immense spiritual significance" to Christianity, Islam and Judaism.

The organisation says the monastery is "the property of the Greek Orthodox Church and belongs to the Archdiocese of Sinai".

Last Wednesday, an Egyptian appeals court ruled that the monastery "is entitled to use" the land and the archaeological religious sites dotting the area, all of which "the state owns as public property".

The ruling, only a brief of which has been published by Egyptian media, has drawn criticism from the Orthodox patriarchates in Athens, Jerusalem and Istanbul.

Archbishop Ieronymos, head of the Greek Orthodox church in Athens, warned the monastery's property could now be "seized and confiscated".

Egypt has defended the court ruling, saying it "consolidates" the site's sacred status.

President Abdel Fattah al-Sisi said Egypt was "fully committed to preserving the unique and sacred religious status of Saint Catherine's monastery", in a phone call with Greek Prime Minister Kyriakos Mitsotakis.

Mitsotakis meanwhile emphasised the importance of "preserving the pilgrimage and Greek Orthodox character of the monastery".

The delegation from Athens is expected to lay out its position on Wednesday.

According to Greece's state news agency, that position "is supported by a UNESCO document, which proves that Egypt had acknowledged in writing since 2002 that the ownership of the land and buildings belongs to the Greek Orthodox Church and the Archdiocese of Sinai".

Construction began in March 2021 in the Saint Catherine area, which includes the eponymous town and a nature reserve, for a government megaproject known as the 'Great Transfiguration' of Saint Catherine.

The project aims to bring upwards of a million tourists a year to the serene mountain village.

Its many construction projects include an events hall, hundreds of hotel rooms and a new residential area housing hundreds of units.

Observers say the project has harmed the reserve's ecosystem and threatened both the monastery and the local community.

According to a report by World Heritage Watch, the project has "destroyed the integrity of this historical and biblical landscape".

UNESCO in 2023 requested that Egypt "halt the implementation of any further development projects", conduct an impact evaluation and develop a conservation plan.

The government, which is campaigning for former tourism and antiquities minister Khaled al-Enany to head UNESCO from October, said in January that 90 percent of the project was complete.

The peaks and valleys around Saint Catherine attract large groups of hikers, peaking at 2,000 visitors to Mount Sinai in a single day last December, local authorities reported.

The area, 1.5 kilometres (one mile) above sea level, is particularly popular with both Egyptians and foreign tourists seeking a reprieve from overcrowded Red Sea resorts elsewhere in Sinai.

The area is home to the Jabaliya tribe, whose name derives from the Arabic word for "mountain".

Said to be the descendants of the Roman soldiers who came to guard the monastery in its early days, they maintain a close connection to Saint Catherine, with many working as tour guides today.

For decades, they have been calling for better infrastructure, including reliable water supply, emergency services and telecommunications coverage to improve their work and daily life.

According to World Heritage Watch, they are currently outnumbered by the thousands of labourers building the megaproject.


40 years of ‘Mario’ games that have grown up with fans

40 years of ‘Mario’ games that have grown up with fans
Updated 17 sec ago

40 years of ‘Mario’ games that have grown up with fans

40 years of ‘Mario’ games that have grown up with fans
  • Surrounded by thousands of objects bearing the likeness of Nintendo’s moustachioed plumber, 40-year-old Kikai reflects that his “life would be totally different without Mario”
PARIS: Surrounded by thousands of objects bearing the likeness of Nintendo’s moustachioed plumber, 40-year-old Kikai reflects that his “life would be totally different without Mario” who also marks four decades this week.
The colorful “Super Mario Bros.,” released for Nintendo’s home consoles in Japan on September 13, 1985, was a landmark of early video gaming.
Players controlled the eponymous character as he ran and hopped his way from left to right through a colorful world of platforms, pipes and scowling enemies — all set to the jaunty eight-bit music that has stuck in minds for decades.
“My father bought me the game, and I’ve been playing for as long as I can remember,” Kikai told AFP in his office lined with somewhere between 20 and 30 thousand Mario-related objects, from plastic figurines to plush toys and carpets.
Created by legendary game designer Shigeru Miyamoto, Mario has obsessed several generations of fans like Kikai.
The character’s first appearance came in 1981 arcade game “Donkey Kong,” when he was known simply as “Jumpman.”
Mario’s christening came in 1983 with the “Mario Bros.” arcade cabinet, but his true rise to fame was with “Super Mario Bros.” on Nintendo’s Famicom console (known as the NES in Europe), which has sold more than 40 million copies.
“It was a lucky accident, because at the start there was no plan for this character to become a video gaming icon,” said Alexis Bross, the French co-author of the book “Mario Generations.”
The plumber’s look was initially chosen to conserve scarce computing resources and make him stand out on screen, with bright blue overalls and a cap that saved on animating hair.
Miyamoto created Mario as “a completely functional character under very strict technical constraints” governing the few pixels making up his image, Bross noted.
But as the games endured through the years, their star became a “generation-spanning” and even “reassuring” presence, he added.
“He’s a regular man, not unlike us, who has no special powers at the outset and stays a bit frozen in time.”
Beyond Mario’s mainline adventures, spinoff games have dropped him, his buddies like brother Luigi and his rivals like dragon Bowser into “Mario Golf,” “Mario Tennis” and the vastly popular “Mario Kart.”
Graphics have evolved from 2D to 3D as the games’ reach has spread to many hundreds of millions of players worldwide.
But the original pixelated look has long inspired artists making their own riffs on the character.
Lyon-based street artist In The Woup, who declined to give his real name, has been mashing Mario up with other characters like Gandalf from “The Lord of the Rings” or “Star Wars” antagonist Darth Vader in guerilla mosaics dotting cities around the world for years.
“Bringing things from my games console out on the street means bringing immaterial things out into real life. I thought that was pretty crazy,” the 39-year-old said, a Mario mask securely concealing his face to keep up his anonymity.
Many of today’s children and teens have turned toward more recent heavyweight gaming titles such as Fortnite and Roblox.
But Mario still enjoys a high “parental nostalgia” quotient, with those now heading into middle age still buying the games and playing together with their offspring, said Rhys Elliott of analytics firm Alinea.
Nintendo has looked to evolve along with its audience, recently launching a range of baby clothing and accessories in Japan.
Mario also graces goods from luxury watches to Lego, as well as being the star of theme parks in both Japan and the US.
And in 2023, the plucky plumber made a successful leap to the big screen after a 1993 flop that was one of the first ever game-to-movie adaptations.
The more recent film brought in over $1.3 billion, with a sequel in the works for next year.
With gender relations in a different light today than 40 years ago, Mario’s objective in-game is no longer securing a kiss from a grateful rescued princess.
Nintendo’s princesses are more likely these days to star in their own titles, as the company “adapts to new audiences, following little by little developments in society,” author Bross said.
Even now, fans are eagerly awaiting a new Mario-led 3D adventure following the blockbuster release of the Nintendo Switch 2 console this June.
Bross hopes to see “a totally new idea that will be a new milestone in the history of videogames.”

New Banksy mural of a judge beating a protester to be removed from outside London court

New Banksy mural of a judge beating a protester to be removed from outside London court
Updated 09 September 2025

New Banksy mural of a judge beating a protester to be removed from outside London court

New Banksy mural of a judge beating a protester to be removed from outside London court

LONDON: A new mural by elusive street artist Banksy showing a judge beating an unarmed protester with a gavel will be removed from a wall outside one of London’s most iconic courts, authorities said Monday.
The mural appeared Monday and depicts a protester lying on the ground holding a blood-splattered placard while a judge in a traditional wig and black gown beats him with a gavel. Banksy posted a photo of the work on Instagram, his usual method of claiming a work as authentic. It was captioned “Royal Courts Of Justice. London.”
Security officials outside the courthouse covered the artwork Monday with sheets of black plastic and two metal barriers, and it was being guarded by two officers and a security camera.
Because the Victorian gothic revival style building is 143 years old, the mural will be removed with consideration for its historical significance, according to HM Courts and Tribunals.
“The Royal Courts of Justice is a listed building and HMCTS are obliged to maintain its original character,” it said in a statement. Listed buildings are considered the country’s most significant historic buildings and sites and are protected by law.
While the artwork doesn’t refer to a particular cause or incident, activists saw it as a reference to the UK government’s ban on the group Palestine Action. On Saturday almost 900 people were arrested at a London protest challenging the ban.
Defend Our Juries, the group that organized the protest, said in a statement that the mural “powerfully depicts the brutality unleashed” by the government ban.
“When the law is used as a tool to crush civil liberties, it does not extinguish dissent, it strengthens it,” the statement said.
The courts have weighed in on the Palestine Action case, with judges initially rejecting the organization’s request to appeal its ban. A High Court court judge then allowed the appeal to go forward, though the government is now challenging that decision.
Banksy began his career spray-painting buildings in Bristol, England, and has become one of the world’s best-known artists. His paintings and installations sell for millions of dollars at auction and have drawn thieves and vandals.
Banksy’s work often comments on political issues, with many of his pieces criticizing government policy on migration and war.
At the Glastonbury Festival last year, an inflatable raft holding dummies of migrants in life jackets was unveiled during a band’s headline set. Banksy appeared to claim the stunt, which was thought to symbolize small boat crossings of migrants in the English Channel, in a post on Instagram.
The artist has also taken his message on migration to Europe.
In 2019, “The Migrant Child,” depicting a shipwrecked child holding a pink smoke bomb and wearing a life jacket, was unveiled in Venice, Italy. In 2018, a number of works including one near a former center for migrants that depicted a child spray-painting wallpaper over a swastika were discovered in Paris.
Banksy has also created numerous artworks in the West Bank and Gaza Strip over the years, including one depicting a girl conducting a body search on an Israeli soldier, another showing a dove wearing a flak jacket, and a masked protester hurling a bouquet of flowers. He designed the “Walled Off Hotel” guesthouse in Bethlehem, which closed in October 2023.
Last summer, Banksy captured London’s attention with an animal-themed collection, which concluded with a mural of a gorilla appearing to hold up the entrance gate to London Zoo.
For nine days straight, Banksy-created creatures — from a mountain goat perched on a building buttress to piranhas circling a police guard post to a rhinoceros mounting a car — showed up in unlikely locations around the city.


Pilot and influencer Ethan Guo released from Antarctic air base after two months

Pilot and influencer Ethan Guo released from Antarctic air base after two months
Updated 07 September 2025

Pilot and influencer Ethan Guo released from Antarctic air base after two months

Pilot and influencer Ethan Guo released from Antarctic air base after two months

PUNTA ARENAS, Chile: An American social media influencer who has been stuck in a Chilean air base in Antarctica for two months after landing a plane there without permission was released on Saturday back to the mainland, where he was to pay $30,000 in penalties.
Ethan Guo, who was 19 when he began his fundraising mission for cancer research, was attempting to become the youngest person to fly solo to all seven continents.
But he was detained after Chilean authorities said he lied to officials by providing authorities with “false flight plan data.” Prosecutors said he had been authorized to only fly over Punta Arenas in southern Chile, but that he kept going south, heading for Antarctica in his Cessna 182Q — a single-engine light aircraft known for its versatility.
After he landed in Chile’s Antarctic territory on June 28, he was detained in a military base amid legal negotiations between his lawyers and the government. Guo, who is originally from Tennessee and turned 20 in July, spent two months living in the base with limited communications and freezing Antarctic winter temperatures plunging below zero.
He was released by a Chilean judge on the condition that he donate the tens of thousands of dollars raised to a childhood cancer foundation within 30 days and leave the country as soon as possible. He is also banned from entering Chilean territory for three years.
The influencer’s lawyer Jaime Barrientos told The Associated Press that Guo landed because he had to divert his aircraft due to poor weather conditions, and that he did receive authorization from Chilean authorities.
“To his surprise, when he was about to take off back to Punta Arenas he was arrested, in a process that from my perspective was a total exaggeration,” Barrientos said.
Barrientos said he was happy with the agreement struck with authorities.
Guo landed Saturday at Punta Arenas aboard a navy ship wearing a Chilean national soccer team jersey and appeared friendly with the press after disembarking, describing his detention as “mundane” experience with “limited freedoms”.
“The Chilean people have been incredibly hospitable, they’ve been fantastic people. They’ve taken care of me. They’ve taught me Spanish, and they’ve treated me like family,” he said.


‘Severance’ and ‘The Studio’ could rake in early awards at the Creative Arts Emmys

‘Severance’ and ‘The Studio’ could rake in early awards at the Creative Arts Emmys
Updated 06 September 2025

‘Severance’ and ‘The Studio’ could rake in early awards at the Creative Arts Emmys

‘Severance’ and ‘The Studio’ could rake in early awards at the Creative Arts Emmys
  • The Creative Arts Emmys mostly go to technical and craft nominees
  • Nearly 100 trophies will be handed out at the Creative Arts Emmy Awards, a precursor to the Primetime Emmy Awards on Sept. 14

LOS ANGELES: “Severance” and “The Studio” could bring in a boatload of early Emmys this weekend.
Over the next two days, nearly 100 trophies will be handed out to many of TV’s finest at the Creative Arts Emmy Awards, the annual precursor to the main Primetime Emmy Awards, which will air on Sept. 14 on CBS.
“Severance,” the top overall nominee this year with 27, could win as many as 13 for Apple TV+ on Saturday, which will be devoted to scripted shows while Sunday is dedicated to variety and reality TV. “The Studio,” also from Apple, is the top comedy nominee with 23, and could bring in as many as 12 this weekend.
The Creative Arts Emmys mostly go to technical and craft nominees who have little name recognition outside their field. Categories include best sci-fi or period hairstyles and best stunt coordination for a comedy.
But big stars and big moments also emerge. Last year, “Shogun” broke a record for most Emmys for a series in a season with 14 at the Creative Arts ceremony, before it went on to dominate the main ceremony. And the songwriting team of Benj Pasek and Justin Paul sneakily joined the elite EGOT club when they won their first Emmy to go with their Oscar, Tony and Grammy trophies for a song they co-wrote for “Only Murders in the Building.”
The always star-studded guest acting categories will be handed out on Saturday. The guests who played themselves on “The Studio,” the Hollywood satire starring and cocreated by Seth Rogen, make for an A-list set of nominees. Directors Ron Howard and Martin Scorsese are up for their first acting Emmys, and they’ll be competing with fellow “Studio” guests Anthony Mackie and Bryan Cranston for guest actor in a drama.
The best guest actress in a comedy category includes Oscar winners Jamie Lee Curtis and Olivia Colman, both up for their roles on “The Bear.”
And on Sunday, Kendrick Lamar and Beyoncé are both nominated for football halftime shows, while Barack Obama’s competition for his second Emmy in the narration category includes Tom Hanks and Idris Elba.
The big names don’t always show up to claim their Emmys at these ceremonies, but many nominees this year are also presenters, including Howard, Curtis, Questlove and Maya Rudolph.
Because of the abundance of more technical awards including prosthetics and visual effects, the Creative Arts Emmys are often a time for genre shows to shine. “The Penguin” and “The Last of Us” could easily collect a set of wins for HBO and streaming partner Max, which led all outlets this year with 142 overall nominations.
So could “Andor” the gritty, revolutionary “Star Wars” series that is a rare Emmy bright spot for Disney+. Snubbed in the acting categories, 11 of its 14 categories will be handed out Saturday. They include best character voice-over for Alan Tudyk, who provided the bluntly honest dialogue of the droid K-2SO.
Tudyk’s category shows the strange range of nominees the Creative Arts ceremony can bring. His voice-over competitors include Julie Andrews for “Bridgerton,” Hank Azaria for “The Simpsons,” and Rudolph for “Big Mouth.”


French museum hit by 9.5m euro porcelain heist

French museum hit by 9.5m euro porcelain heist
Updated 04 September 2025

French museum hit by 9.5m euro porcelain heist

French museum hit by 9.5m euro porcelain heist
  • The robbers triggered the alarm around 3:15 am at the Adrien Dubouche National Museum
  • The museum valued the haul at about $11m in an initial estimate to the police

LIMOGES, France: Thieves snatched three porcelain works worth millions of euros and classed as national treasures in a heist at a French collection in the small hours of Thursday, the museum said.
The robbers triggered the alarm around 3:15 am (0115 GMT) at the Adrien Dubouche National Museum in the central city of Limoges, where they smashed a window to gain entry, a source close to the case, who asked not to be named, told AFP.
The suspects entered the historical gallery where they made off with “two particularly important dishes of Chinese porcelain... dating from the 14th and 15th centuries” and an 18th-century Chinese vase, all designated as “national treasures,” the museum said.
The museum valued the haul at about 9.5 million euros ($11 million) in an initial estimate to the police.
Prosecutors have opened an investigation into “aggravated theft of cultural property exhibited in a French museum, committed in a group and with damage to property.”
Security guards sounded the alarm with police quickly arriving on scene but the suspects had already fled, said Limoges public prosecutor Emilie Abrantes.
“The security system worked, but it may need to be reviewed,” the city’s mayor, Emile Roger Lombertie, told reporters.
“All the world’s major museums have had items stolen at one time or another,” Lombertie added before floating a theory behind the theft.
“It is likely that collectors are giving orders to steal these items and are turning to high-level criminals,” he said.
The museum holds around 18,000 works including the largest public collection of Limoges porcelain, according to its website.
There were two major thefts at French museums in November 2024, one at the Cognacq-Jay Museum in Paris, when four people smashed a display with axes and bats in broad daylight while visitors looked on before making away with snuffboxes and other precious artefacts.
The next day, jewelry worth several million euros was taken in an armed robbery at the Hieron Museum in eastern France.