黑料社区

Princess Reema bint Bandar wears Honayda design to welcome President Trump to 黑料社区

Princess Reema bint Bandar wears Honayda design to welcome President Trump to 黑料社区
Princess Reema bint Bandar, 黑料社区鈥檚 ambassador to the US, wore a bespoke creation by Saudi label Honayda. (Getty Images)
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Updated 14 May 2025

Princess Reema bint Bandar wears Honayda design to welcome President Trump to 黑料社区

Princess Reema bint Bandar wears Honayda design to welcome President Trump to 黑料社区

DUBAI: Princess Reema bint Bandar, 黑料社区鈥檚 ambassador to the US, wore a bespoke creation by Saudi designer Honayda Serafi during President Donald Trump鈥檚 visit to Riyadh.

The ensemble consisted of a royal blue floor-length abaya with detailed gold embroidery. The symmetrical patterns extended across the bodice and sleeves, while smaller gold motifs were scattered throughout the lower part of the garment. The dignitary鈥檚 look was completed with a matching blue headscarf.

Honayda Serafi, founder of Honayda, shared a statement on Princess Reema鈥檚 appearance on Instagram, saying: 鈥淚 am so pleased and deeply proud to see HRH Princess Reema bint Bandar, our remarkable Saudi Ambassador to the United States, standing as a symbol of strength, progress and leadership, as one of the first women to break barriers and champion women鈥檚 empowerment.听

鈥淚t is a special moment to see her shine as she welcomes President Trump on his historic visit to Riyadh, wearing a bespoke piece by Honayda for this significant occasion. I look forward to sharing more about the inspiration behind this design,鈥 she added.听

Serafi is known for dressing prominent figures across the Middle East and the rest of the world. Celebrities who have worn her designs include Priyanka Chopra, Lupita Nyong鈥檕 and Princess Rajwa Al-Hussein of Jordan. 听

She is a favorite of Saudi-born Princess Rajwa and dressed the royal for her henna night festivities in in 2023 and for Jordanian King Abdullah II鈥檚 silver jubilee celebrations in Amman in 2024.




The ensemble consisted of a royal blue floor-length abaya with detailed gold embroidery. (Instagram)

Meanwhile, Princess Reema鈥檚 participation in Trump鈥檚 visit highlighted the long-standing partnership between 黑料社区 and the US. Writing in The Washington Times this week, she described the visit as 鈥渁 moment pivotal for global peace, security and prosperity.

鈥淭oday, as the world navigates new challenges and conflicts, that partnership is more critical than ever,鈥 she said.

Princess Reema, who presented her credentials to Trump in 2019 when assuming her role as ambassador, said the two nations鈥 alliance was 鈥渘ot just history; it is a reimagined future.鈥


Joana Hadjithomas, Khalil Joreige on their latest exhibition 鈥楻emembering the Light鈥櫶

Joana Hadjithomas, Khalil Joreige on their latest exhibition 鈥楻emembering the Light鈥櫶
Updated 15 August 2025

Joana Hadjithomas, Khalil Joreige on their latest exhibition 鈥楻emembering the Light鈥櫶

Joana Hadjithomas, Khalil Joreige on their latest exhibition 鈥楻emembering the Light鈥櫶

DUBAI: 鈥淲e鈥檝e been working a lot on questioning the writing of history in Lebanon 鈥 and elsewhere; the construction of imaginaries and stories kept secret,鈥 says Lebanese artist and filmmaker Joana Hadjithomas.

In 鈥淩emembering the Light,鈥 their solo exhibition which runs at Beirut鈥檚 Sursock Museum until September 4, Hadjithomas and her husband and creative partner Khalil Joreige present a collection of works that gather their wide-ranging influences and interests. Not just hidden histories 鈥 such as those revealed in the video installation 鈥淩emember the Light,鈥 from which the show takes its title and in which divers head into the depths of the sea of Lebanon鈥檚 coast, drifting down past tanks, ships, and artifacts from ancient civilizations 鈥 but the power and necessity of art in troubled times, the cyclical nature of time, regeneration from chaos, and much more. It is also, as the title suggests, a show filled with hope, even though the bulk of the works on display were created at a time when hope was in short supply in Lebanon.

Joana Hadjithomas and Khalil Joreige. (Supplied)

鈥淏ut My Head Is Still Singing,鈥 the sixth work in their series 鈥淚 Stared At Beauty So Much鈥 鈥 one of three main bodies of work around which the exhibition is based 鈥 is a prime example. It鈥檚 an installation in which looped videos are projected onto two screens made from layers of broken and salvaged glass. Glass from the duo鈥檚 studio and apartment, both of which were devastated by the explosion in the Port of Beirut in 2020.

鈥淲e wanted to transform the glass into something,鈥 says Hadjithomas. 鈥淎fter the blast, it was very difficult to produce art鈥 There was this question. 鈥榃hat for? How can art help with all this?鈥 And we thought about the figure of Orpheus (from Greek mythology), saddened by the loss of (his lover) Eurydice. He was dismembered by the maenads, but his head still kept singing. So, we brought together some friends, and we recited some verses from several poets (poetry and poets, she says later, can 鈥渃ounter chaos鈥) that refer to Orpheus. Even though our voices were exhausted, we were still singing, in a way. So you hear the voices and you can see some of the words on the screen.鈥

Collaboration such as this is key to the duo鈥檚 work (鈥淲e like to see through the eyes of others,鈥 Hadjithomas says). Take the divers in 鈥淩emember the Light,鈥 for example. That video, Joreige explains, is 鈥渁bout the feeling we have sometimes that our world is shrinking 鈥 losing some variation of color and the possibility of light, and we have to find it. The more you go down in water, the more the water will filter the light and you鈥檒l lose the colors. But if you put a light here, all the color will reappear, and when you remove the light, the plankton remember the light and refract its luminescence.鈥 It is, Hadjithomas adds, 鈥渁 (reminder) to remember the light, even in times of despair.鈥

Message with(out) a code, 2022 Close-up, tapestries, different kind of yarn. (Supplied)

Collaboration is also central to their ongoing 鈥淯ncomformities鈥 project, another of the show鈥檚 major bodies of work, and one which won the duo France鈥檚 most significant contemporary art prize in 2017. The works in the project 鈥 including 鈥淧alimpsests,鈥 鈥淭ime Capsules,鈥 鈥淢essage With(out) A Code,鈥 and 鈥淏low Up鈥 鈥 are based around their fascination with what lies hidden beneath our feet, particularly in three cities: Athens, Paris, and Beirut. The project was inspired by core samples taken by geologists and archeologists 鈥 which show the layers of stratification in the earth and can be 鈥渞ead鈥 by experts.

鈥淭he fact that these things were taking us into really deep time was very interesting,鈥 says Hadjithomas. 鈥淎rcheologists talk about the way things are always changing and evolving. And at the moment like the one we are living, understanding that after disasters there鈥檚 always a regeneration is very important.鈥

鈥淢ost of the time, when you imagine sedimentation (in the earth), you think of a stratification that is linear,鈥 Joreige says. 鈥淏ut what we discovered with archeology is that when you dig, what is old moves up, and what is new moves down 鈥 you are recycling, redoing, regenerating. You are using the traces of civilizations to build new ones.鈥

That鈥檚 apparent in 鈥淭ime Capsules,鈥 an installation that includes three large tubes of core samples taken from the area around the Sursock Museum, and which include traces of the tsunami that occurred following the Beirut Earthquake of 551 CE, killing tens of thousands.

鈥淭he undergrounds of cities help us understand the way histories are always cycles of construction and destruction and regeneration,鈥 says Hadjithomas. 鈥淎nd this movement of deep time and history can help us when we are in situations (like today).鈥

鈥淯nconformities鈥 also includes 鈥淢essage With(out) A Code,鈥 a collection of tapestries based on large photographs the pair had collected of archeological traces from digs, woven in such a way that they appear three-dimensional, even though they are not.   

鈥淲e were fascinated by these samples,鈥 says Hadjithomas. 鈥淲e started taking pictures of them, but without really knowing what they were.鈥

鈥淲e weren鈥檛 really able to understand what we were seeing. Like, you think you鈥檙e looking at stone, but actually you鈥檙e looking at teeth. You always need the eyes of others,鈥 Joreige says, once again highlighting the benefits of their collaborative process, in this case working with archeologists.

While it鈥檚 clear that the duo鈥檚 work would not be what it is without the input of others, perhaps the most significant factor in all of it is their own natural curiosity. When they come across an object that most of us would discard, their instinct is to ask instead: 鈥淲hy is this here and what can we learn from it?鈥 They might keep that object for years before they figure out how to turn it into art, but inevitably they do. And with 鈥淩emembering the Light,鈥 they hope once again to spark that same curiosity in others.

鈥淲e are trying to reveal a certain complexity,鈥 says Joreige. 鈥淪ometimes you can鈥檛 explain because there鈥檚 nothing to explain. There鈥檚 no easy answer. But (for visitors), we hope that an encounter will occur. We want to share this moment of experiencing something uncommon.鈥

鈥淲e take people with us on a journey to experience and to share knowledge, share emotions and research. For me, it鈥檚 not about understanding everything, but to have, like, an impression,鈥 Hadjithomas adds. 鈥淵ou just have to feel something, then understand more if you want. There鈥檚 a lot of layers. And you can dig as much as you want.鈥


鈥楶latonic鈥 season 2 鈥 bigger laughs and deeper truths about friendship

鈥楶latonic鈥 season 2 鈥 bigger laughs and deeper truths about friendship
Updated 15 August 2025

鈥楶latonic鈥 season 2 鈥 bigger laughs and deeper truths about friendship

鈥楶latonic鈥 season 2 鈥 bigger laughs and deeper truths about friendship

DUBAI: Seth Rogen and Rose Byrne are back in 鈥淧latonic,鈥 and the first three episodes of season two prove that their non-romantic chemistry remains the show鈥檚 not-so-secret weapon. The pair鈥檚 easy banter and instinctive comic timing once again anchor a series that takes the madcap energy of season one and parlays it into a more nuanced, heartfelt exploration of adult friendship.

The sophomore season of the Apple TV+ series opens with a major update in Will鈥檚 (Rogen) life 鈥 an engagement to a woman Sylvia (Byrne) doesn鈥檛 have a connection with. It鈥檚 an awkward adjustment for both, as their once effortless dynamic is suddenly subject to the gravitational pull of a third party. The early episodes mine this setup for all its comic potential 鈥 from misguided attempts at bonding to not-so-subtle turf wars over who knows Will best, and a bachelor party that goes sideways quick. The jokes are bigger, the hijinks just as outrageous, but there鈥檚 an added undercurrent of mature self-awareness that keeps the series from depending on laughs alone.

Byrne鈥檚 Sylvia continues to be one of TV鈥檚 most relatable depictions of mid-life contradictions. She鈥檚 a housewife and mother, but still clinging to the 鈥渃ool girl鈥 identity she once wore so easily. Her adventures with Will allow her to sidestep the mundanity of domestic life, even if they occasionally leave her with more to clean up 鈥 figuratively and literally. Byrne plays her with the perfect mix of warmth, femininity and clownery. 

Rogen, meanwhile, tempers his trademark goofiness with shades of vulnerability. Will鈥檚 excitement over his engagement is genuine, but so is his anxiety over how it might change the friendship that鈥檚 been his emotional constant. His scenes with Byrne shimmer with an authenticity that makes their friendship feel lived-in, not manufactured for the camera.

Through it all, 鈥淧latonic鈥 remains breezy, smart and devilishly funny. Season two doesn鈥檛 just retread the antics of its debut run 鈥 it builds on them, delivering sharper humor and a richer look at what it means to keep a friendship alive as life pulls you in different directions. If these first episodes are any indication, Rogen and Byrne鈥檚 love story 鈥 platonic though it is 鈥 might just be one of the best on TV.


Recipes for success: Omar Basiony听offers advice and a tasty sea bass recipe

Recipes for success: Omar Basiony听offers advice and a tasty sea bass recipe
Updated 15 August 2025

Recipes for success: Omar Basiony听offers advice and a tasty sea bass recipe

Recipes for success: Omar Basiony听offers advice and a tasty sea bass recipe

DUBAI: For Omar Basiony, eating has always been more than just about meals, it has been a way to connect with culture, family and identity. 鈥 

鈥淚鈥檝e always loved cooking,鈥 he tells Arab News. 鈥淚鈥檝e been passionate about cooking from a very young age.鈥濃 

Born to Egyptian and Italian parents, Basiony鈥檚 culinary journey began when he was just 13. 鈥淢y mom had sent me to spend the summer with my uncle in Padua, Italy, and he got me a job working in a restaurant,鈥 he says. 鈥淚 came back like, 鈥極K, this is all I ever want to do with my life.鈥欌 

B芒oli Dubai. (Supplied)

Basiony grew up in Chicago, which he describes as 鈥渁 city of neighborhoods drawn on very ethnic lines.鈥 He adds: 鈥淚t became this gateway for me to explore different cultures through food.鈥 

After honing his skills at renowned kitchens in the US, including a two-Michelin-starred restaurant in Chicago, he moved to Dubai in 2014 to help open La Serre.鈥疕is current role as executive chef at B芒oli Dubai reflects both his fine-dining background and the wide range of culinary influences he has encountered throughout his career. 

When you started out, what was the most common mistake you made? 

Probably not tasting the food enough. If there鈥檚 any takeaway in my kitchen that I try to instill over and over, it would be that.鈥 

What鈥檚 your top tip for amateur chefs? 

Invest in your tools, because that way they鈥檙e going to last a while. And it makes cooking much more enjoyable if you have a decent knife, a decent pan, good scales. Sometimes recipes fail just because you haven鈥檛 either measured the ingredients properly or you鈥檝e compromised on the vessel that you鈥檙e going to cook it in, or the oven you鈥檙e going to cook it in. 

B芒oli Dubai. (Supplied)

What鈥檚 one ingredient that can instantly improve any dish? 

I think improving a dish isn鈥檛 so much about ingredients as it is about understanding the different roles they play, and how balance plays such a big role. So, say you鈥檝e over-seasoned something, there鈥檚 a role that fat can play in diminishing the salt. That all goes a long way to improving the overall flavor and complexity of the way something tastes.鈥 

When you go out to eat, do you find yourself critiquing the food?  

I just feel like I鈥檓 getting ripped off most of the time. Sometimes I get a plate and I鈥檓, like, 鈥淐ome on. I know how much money is in this plate.鈥 So yeah, my major critique is: what are people putting on their plates? What are they charging us for? But I can forgive a lot if the food is good and it鈥檚 made with heart and soul, and you can feel that someone cares about what they鈥檙e doing. 

What鈥檚 your favorite cuisine to eat? 

Asian 鈥 something within the scope of either Japanese or Korean. I have an eight-year-old son, and there was a time when I was actually afraid to be alone with him, he was that attached to his mother. The first time we really began to build a bond as father and son was over dim sum. I鈥檇 pick him up from nursery and take him out for dumplings and noodles. Since then, I think I鈥檝e essentially hardwired him to enjoy Asian cuisine. I picked him up from school the other day, and brought him to Baoli. I try to offer him pizza, and he says, 鈥淣o, it鈥檚 OK. I can get pizza anywhere. I want the signatures from the restaurant. Don鈥檛 try and push the cheap stuff.鈥 But yes, as a family, we鈥檝e really developed a strong appreciation for Asian cuisine overall. 

What鈥檚 a customer request or behavior most annoys you? 

Sometimes we get people who will either pre-order or push for food to arrive at a certain time. And then, you know, you activate this whole apparatus to make sure that happens, which is an undertaking, and then they don鈥檛 respect the time. I鈥檓 not a punctual person in my personal life, but in my professional life I鈥檓 very punctual. 

What鈥檚 your favorite dish to cook? 

I love to work over fire and over charcoal. So anything that鈥檚 coming off of the restaurant鈥檚 wood burning grill is a lot of fun. That element of dynamism that comes with cooking over live fire is very enjoyable. And it鈥檚 very much a craft 鈥 being able to harness it and utilize it in different ways.鈥 

What鈥檚 the most difficult dish for you to get right? 

A perfect omelet is something that takes quite a level of mastery.鈥 

What are you like as a leader? 

When I was a head chef, I was much more of a disciplinarian; there was a lot more yelling and shouting. Now, with a strong management team in place, I want them to feel empowered to run and manage the space themselves. A kitchen can very quickly become a tense, chaotic environment if everyone鈥檚 shouting. That鈥檚 never the kind of space I want people to work in. There鈥檚 only room for one voice of authority in a kitchen and, over time, I鈥檝e learned that you don鈥檛 have to shout to earn respect or to maintain discipline. I do believe in the importance of discipline and, yes, at times there needs to be accountability. No one wants to be told they鈥檙e underperforming, but it鈥檚 worse when that message comes from everyone around them. That doesn鈥檛 motivate; it discourages. So, while I believe in maintaining standards, I also think it鈥檚 important to create an environment that encourages people to improve rather than fear failure. 

Chef Omar鈥檚 sea bass Proven莽ale  

Proven莽ale sauce 

录 cup olive oil鈥 

4 cloves of garlic, crushed 

50gm pitted nicoise olives, quartered 

1 tbsp capers 

500gm cherry tomatoes, quartered 

Sprig of thyme鈥 

Sprig of fresh oregano 

陆 cup semi dried tomatoes cut into chunks 

Salt to taste 

惭别迟丑辞诲:鈥&苍产蝉辫;

Combine the olive oil and garlic in a wide, flat-bottomed saut茅 pan on low heat and cook gently until the garlic becomes golden and very fragrant. 

Add the olives and capers and continue to cook until aromatic. 

Raise the heat to medium and add the quartered cherry tomatoes and herbs. Cook the tomatoes until they begin to break down, releasing their juices and creating a silky sauce. 

Off the heat, add the semi-dried tomatoes and mix through the sauce. Adjust the seasoning as needed with salt. 

Allow to cool before using. 

When you鈥檙e ready to prepare the fish, start by preheating your oven to 200掳C. You will need parchment paper and a baking tray large enough to fit the fillet or whole fish you will be baking. 

Lay a sheet of parchment paper out on the table鈥攖he paper should be large enough to enclose your fish like a well-sealed envelope. 

Drizzle a layer of oil on the paper and lay the fish on top. Season lightly with salt and add another drizzle of oil. Spread the prepared sauce evenly across the fish. 

Close the parchment paper, folding the edges to seal it tightly, ensuring steam will stay trapped inside your parcel. 

You may opt to also wrap the parchment in aluminium foil in case you are doubting your sealing skills. 

Bake for 20 minutes at 200掳C or until cooked through. 

You can serve it directly to the table in the parchment paper, cutting the parcel open in front of your guests to many ooohs and aaahs, and a pleasant puff of steam and delicious cooking aromas. 

You can garnish with a pinch of fresh chopped herbs and a drizzle of olive oil. 


After uproar, documentary on Hamas 2023 attack will screen at Toronto Film Festival

After uproar, documentary on Hamas 2023 attack will screen at Toronto Film Festival
Updated 15 August 2025

After uproar, documentary on Hamas 2023 attack will screen at Toronto Film Festival

After uproar, documentary on Hamas 2023 attack will screen at Toronto Film Festival
  • Earlier this week, TIFF withdrew its invitation to the film 鈥淭he Road Between Us: The Ultimate Rescue,鈥 citing legal clearance for footage used in the documentary
  • The film chronicles the story of retired Israeli Gen. Noam Tibon, whose efforts to save his family and others during the Oct. 7, 2023 attack was profiled in a 鈥60 Minutes鈥 segment

NEW YORK: The Toronto International Film Festival will screen a documentary on the 2023 Hamas attack, after all, following an uproar over the film鈥檚 disinvitation from the upcoming festival.
Earlier this week, TIFF withdrew its invitation to the film 鈥淭he Road Between Us: The Ultimate Rescue.鈥 The festival said the decision was based in part on legal clearance for footage used in the documentary. Deadline, which first reported the news, said a sticking point was the identification and legal clearance of Hamas militants鈥 own livestreaming of the attack.
On Thursday evening, TIFF chief executive Cameron Bailey and 鈥淭he Road Between Us鈥 filmmaker Barry Avrich issued a joint statement announcing the film鈥檚 selection.
鈥淏oth TIFF and the filmmakers have heard the pain and frustration expressed by the public and we want to address this together,鈥 said Bailey and Avrich. 鈥淲e have worked together to find a resolution to satisfy important safety, legal, and programming concerns.鈥
鈥淚n this case, TIFF鈥檚 communication around its requirements did not clearly articulate the concerns and roadblocks that arose and for that, we are sorry,鈥 they continued.
The film chronicles the story of retired Israeli Gen. Noam Tibon, whose efforts to save his family and others during the Oct. 7, 2023 attack was profiled in a 鈥60 Minutes鈥 segment.
After being informed that the film wouldn鈥檛 screen at the festival, the 鈥淩oad Between Us鈥 filmmakers issued a statement claiming TIFF 鈥渃ensored its own programming by refusing the film.鈥
Bailey disputed that allegation, and pleaded that the situation demanded sensitivity.
鈥淭he events of October 7, 2023, and the ongoing suffering in Gaza weigh heavily on us, underscoring the urgent need for compassion amid rising antisemitism and Islamophobia,鈥 Bailey said on Wednesday.
The Toronto International Film Festival, North America鈥檚 largest film festival, runs Sept. 4鈥14.


Where We Are Going Today: Taqado Mexican Kitchen in Riyadh

Where We Are Going Today: Taqado Mexican Kitchen in Riyadh
Updated 15 August 2025

Where We Are Going Today: Taqado Mexican Kitchen in Riyadh

Where We Are Going Today: Taqado Mexican Kitchen in Riyadh

Taqado Mexican Kitchen in Riyadh serves up vibrant flavors in a fast-casual setting that immediately captures one鈥檚 attention.

The space has a bold counter adorned with colorful patterned tiles, where staff in crisp white, red, and yellow shirts assemble orders beneath illuminated menu boards in Arabic and English.

The open kitchen buzzes with efficiency, offering a lively backdrop for quick lunches or relaxed dinners.

Standout dishes include the Chili Cheese Fries 鈥 a generous pile of crispy fries smothered in rich chili con carne, spicy jalapeno cheese sauce, cool sour cream, and fresh coriander.

The Chicken Quesadilla features well-seasoned grilled chicken and fajita vegetables but would be brighter with more toasting for optimal texture.

Meanwhile, the Asian crispy chicken burrito delivers a satisfying crunch, expertly balanced by tangy soy pickles, cabbage slaw, and creamy guacamole. To be frank, the burritos are a mouthful, but the flavors make the experience worth it. 

The Asian crispy chicken burrito delivered a satisfying crunch, expertly balancing crispy chicken, tangy soy pickles, cabbage slaw, and creamy guacamole. (Instagram: @Taqadomexicankitchen.ksa)

Less successful are the birria tacos, where the beef lacks depth despite fresh garnishes, and the accompanying broth felt underwhelming. The steak and shrimp bowl also falls short, its promising quinoa base and pineapple salsa undermined by rubbery shrimp and under-seasoned components.

Health-conscious diners can opt for the spinach quesadilla, the protein-rich steak and shrimp bowl, or the fresh Mexicali salad.

Taqado has mastered customizable Mexican comfort food, especially its loaded fries and fusion burrito, in a spirited atmosphere.

While some textures and seasonings need refinement, its efficient service and vivid setting make it ideal for casual meals.