Meet Riyadh’s first French cheesemonger, Philippe Caillouet  

Meet Riyadh’s first French cheesemonger, Philippe Caillouet  
Philippe Caillouet (L) with Café Boulud's head chef Daniel Boulud. (Supplied)
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Updated 07 February 2025

Meet Riyadh’s first French cheesemonger, Philippe Caillouet  

Meet Riyadh’s first French cheesemonger, Philippe Caillouet  
  • ‘A good cheese doesn’t just feed your body, it feeds your soul,’ Caillouet tells Arab News 

RIYADH: When Philippe Caillouet imagines Riyadh’s future, he doesn’t see glittering skyscrapers or the construction cranes carving out Vision 2030. He sees cheese. 

Not the rubbery processed slices found in diners across the city. No, Philippe’s vision is one of hand-pressed wheels of camembert, buttery brie layered with the sharpness of Madinah mint, and alpine tommes with histories as rich as their rinds. 

At the Four Seasons Hotel Riyadh, where he oversees Café Boulud’s cheese cave and non-alcoholic wine library, Caillouet curates dozens of artisanal varieties to introduce Riyadh’s diners to the nuanced flavors of European cheesemaking. 




Philippe Caillouet. (Supplied)

“Cheese isn’t a commodity,” he says, standing in the cave’s hushed cool. “It’s a living product. It has terroir, history, personality. You can’t treat it like a block of butter.” 

Caillouet is Riyadh’s first French cheesemonger and he carries the title with pride. He also sports a tri-colored collar that marks him as a Meilleur Ouvrier de France, a national accolade given to his country’s finest craftsmen. 

The meticulously climate-controlled cave housing some 60 varieties of handpicked cheese. There’s gruyère, manchego, comté, and the indulgent vacherin Mont d’Or, which Caillouet serves baked and oozing, accompanied by non-alcoholic wine pairings from the library he also oversees. 

“It’s not only about having the best cheese,” he says. “It’s about knowing how to serve it — the right temperature, the right accompaniments, the right story. If a cheese doesn’t have a story, it’s just food. When it has one, it becomes an experience.” 

Born in Poitiers, the 56-year-old started his career in hospitality school, where an inspiring teacher instilled in him a passion for the “art of service.” From there, he worked his way up through the French hospitality circuit, running dining rooms at Michelin-starred institutions including La Palme d’Or in Cannes. But it wasn’t the gleaming service stations or polished silverware that captivated him — it was the cheese. 




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“It’s similar to wine,” he says. “Cheese is tied to the land, the season, the hands that make it. No two wheels are ever the same.” 

By the time he opened his own fromagerie in the south of France, his reputation was firmly established. Yacht owners from Monaco, Cannes Film Festival organizers, and French Riviera gourmands made pilgrimages to his shop for perfectly aged Roqueforts and custom-made cheese boards, long before grazing platters became a trend. 

So what brought Caillouet to last year? Opportunity. 

“Cheese, as a concept, is still in its infancy in Saudi, but the people are curious, sophisticated, and hungry for new experiences,” he says.  

Nowhere is Caillouet’s panache more evident than in his handmade Paris-Madinah cheese — a creamy brie infused with the sharp, herbaceous mint of Madinah. 

“I was amazed by the mint here,” he says. “It smells like mint, tastes like mint — it’s alive. You don’t get that everywhere.” 

At first, it was offered discreetly to adventurous diners, but within weeks, word spread. Now, guests arrive asking for “the one with the mint,” often bringing friends or returning with family to try it again. “That’s how cheese becomes culture,” he says. “It spreads, person to person.” 

Riyadh’s diners, while adventurous, do arrive with preconceptions. Blue cheese, for example, can be met with hesitation, due to associations with overpowering flavors. 

“If you’ve only had mass-produced blue cheese with a year-long shelf life, of course you won’t like it,” Caillouet says. So, he introduces them to artisanal blues — creamy, subtle, with just the right tang. “When you explain why it’s different, people trust you. And then they fall in love with it.” 

Riyadh is rapidly becoming a global dining destination. “It’s alive, growing, full of potential. You just have to nurture it,” Caillouet says. 

Like the Kingdom, Caillouet is dreaming big. “Why shouldn’t Saudis have the same level of cheese as they do in Europe?” he asks. “They’re already flying to Paris for Chanel and Hermès — why not stay here and enjoy the best Gruyère or Camembert? The country deserves it.” 

At 56, he shows no signs of slowing down. “I don’t believe in retirement,” he says. “If you love what you do, why would you stop?”  

For Caillouet, cheese is more than his livelihood — it’s a purpose. “A good cheese doesn’t just feed your body, it feeds your soul,” he says, recalling a spring day in France when a bite of fresh chèvre stopped him in his tracks.  

“It tasted like sunshine, like the season itself. That’s what I want to bring to — cheese that makes you pause, think, feel,” he says. “That’s the future I imagine.” 


How a new generation of Arab musicians is blending heritage and innovation

How a new generation of Arab musicians is blending heritage and innovation
Updated 08 November 2025

How a new generation of Arab musicians is blending heritage and innovation

How a new generation of Arab musicians is blending heritage and innovation
  • Emerging musicians are embracing bilingual lyrics and hybrid styles to reflect diverse identities and global cultural exchange
  • Creative hubs and community projects are helping independent artists collaborate, experiment, and reach wider audiences

DUBAI: On a small street in Beirut, the sound of an oud drifts through the open doors of a small cafe called Orenda. Inside, all eyes turn to Joe Kamel as his melody takes over, replacing the cafe’s buzz with a slower, softer mood.

A pharmacist by day, Kamel has built a second life through his music — one that reconnects people with something familiar and deeply sentimental.

“My passion was born at a very young age,” Kamel told Arab News.

“I have memories from perhaps the age of five, when I used to sing in a choir. That’s where my journey and love of music and culture began.”

When everyone around him wanted to learn guitar, he picked up the oud instead.

“I wanted to learn something close to my Arabic heritage,” he said. “Both worlds are exceedingly different, but one hectic career is balanced by my musical one to restore calm and peace.”

A pharmacist by day, Kamel has built a second life through his music. (Supplied)

At the cafe, his regular crowd is a mix of Lebanese locals and Europeans who may not understand the words, but still feel every note.

“Arabic music can be dramatic and romantic, but each song and chord tells a story,” he said.

For Kamel, that storytelling is what keeps his performances personal. If the music connects with even one listener, he said, that is enough to make it worthwhile.

He sees live performance as an exchange of energy, not just sound. Reading the room, he often adjusts his set on the spot to match the crowd’s mood.

“It’s hugely important to gauge what the audience wants,” he said. “Deviating from what I planned is something I’ll do if it means everyone enjoys the experience.”

Music events across the Arab world mix local heritage and global influences. ( Dubai World Trade Centre photo)

Kamel believes that renewed interest in traditional instruments such as the oud reflects a wider cultural shift. Many young people, he said, are looking for something they can feel — a break from digital music and a return to the authenticity of live performance.

That revival of live, communal music is not limited to Lebanon. Across the Arab world, a new generation of musicians is finding fresh ways to mix heritage and innovation.

From Riyadh’s warehouse parties to Dubai’s creative hubs and Cairo’s open-air concerts, a new generation of musicians is blurring boundaries between tradition and innovation.

Egyptian composer Hisham Kharma, who has performed in cities from Hamburg to Miami and at historic sites such as the Pyramids of Giza, says that it is a natural evolution.

“Living in such diverse cities taught me that music is universal, but each culture adds its own flavor,” he told Arab News.

Kharma said that nothing compares to performing live, where music becomes a dialogue rather than a presentation.

“On stage, the music becomes a conversation — you feel every reaction instantly,” he said. “It’s that shared emotion, that real-time connection, that keeps me coming back.”

Hisham Kharma says artists across the region are "being more daring, blending genres, and and redefining what Arab music can be.”  (Supplied)

For him, Arab identity in music is not about looking back — it is about carrying that sound forward. 

“Our heritage gives us identity, but innovation keeps us alive and connected to the present,” he said.

“When I perform in places like the Pyramids, it’s about showing that our culture isn’t ancient history — it’s evolving.”

He describes the moment as one of bold creativity.

“Artists across the region are being more daring, blending genres, and redefining what Arab music can be,” he said.

“Our culture is incredibly deep, and now we’re expressing it in fresh, modern ways.”

In , that creativity has found new visibility — and new confidence.

Artists such as TamTam are leading a cultural shift that feels personal as much as national. Her songs move between Arabic and English with ease, a reflection of her own story.

“It’s just who I am; it didn’t shape me; I shaped the music,” she told Arab News. “My identity is what defines my art.”

Tamtam's positivity beams, radiating from her personality to her music, which she attributed to her parents. (AN Photo by Mishari AlKhathran)

Her upcoming album, Ma3assalama, captures that duality; one side Arabic, one side English.

“It’s about the two sides of who I am; my Arabic roots and my Western identity that’s also a part of me,” she said. “I just hope it inspires people to embrace who they are, even if they don’t fit neatly into one box.”

TamTam has watched the country’s music scene transform in just a few years — from underground performances to global stages.

“I’m so proud of the artists coming from Saudi, each one with their own beautiful journey unfolding,” she said.

“It’s only the beginning, but honestly, every part of the journey matters — the beginning, the middle, the end, and everything in between.”

Beyond her own music, TamTam is helping to shape that journey for others through Goast Flower, a creative hub she founded to bring musicians together.

Beyond her own music, TamTam is helping to shape that journey for others through Goast Flower, a creative hub she founded to bring musicians together. (Supplied0

The name comes from the “ghost flower,” a plant that blooms without sunlight.

“It grows in the darkest parts of the forest,” TamTam said. “It blooms without needing light, and that really resonated with me as an independent artist who’s always kept creating, no matter what.”

Through Goast Flower’s Saudi Music Community, artists can find each other, collaborate and share resources.

“Big companies have told me they’re using the database to find and discover artists,” TamTam said. “I don’t want to gatekeep the data. I truly want people in the music community here to find each other more easily.”

She believes that real growth begins in small spaces — the cafes, courtyards and pop-up stages where young artists play their first shows.

“We hope that through the Saudi music community, these artists can find others to collaborate with, but more importantly, that they find a support system,” she said.gger.”

Goast Flower hosted an event last month with Apple Music MENA in Riyadh, where emerging musicians met industry professionals. (Supplied) 

Last month, Goast Flower hosted an event with Apple Music MENA in Riyadh, where emerging musicians met industry professionals and ended the night with a spontaneous jam session.

“It was such a beautiful night and a true testament to what community can create,” TamTam said. “These kinds of collaborations help artists learn, grow and dream bi

Whether it is the delicate strings of an oud in Beirut or an electronic beat pulsing through a Riyadh warehouse, these gatherings are doing something powerful — bringing people together through sound.

Tamtam says it is her fervent hope that through the Saudi music community, artists can find others to collaborate with. (Supplied)

Kamel’s evenings at Orenda may seem worlds away from Kharma’s symphonic shows or TamTam’s pop, but they all share the same intention; to connect, to express, to belong.

As Kharma put it: “Artists across the region are being more daring, blending genres, and redefining what Arab music can be.”

More than just a shift in style, this new wave of Arab music is helping people to reconnect — with each other, their roots and national identity.

“Lebanon has been through so much historically, and playing the oud is one of my ways of escaping some of the unfortunate situations we’ve lived through,” Kamel said. 

“I want my music to create a safe place for people to learn, enjoy, come together and leave with a feeling of pride, peace and love of music, heritage and culture.”