黑料社区

Saudi-helmed Ashi Studio unveils sculptural silhouettes, intricate embroidery at Paris Haute Couture Week

Saudi-helmed Ashi Studio unveils sculptural silhouettes, intricate embroidery at Paris Haute Couture Week
The collection has a range of designs that incorporate voluminous structures, textural contrasts and embellishments. (Getty Images)
Short Url
Updated 31 January 2025

Saudi-helmed Ashi Studio unveils sculptural silhouettes, intricate embroidery at Paris Haute Couture Week

Saudi-helmed Ashi Studio unveils sculptural silhouettes, intricate embroidery at Paris Haute Couture Week
  • Couturier鈥檚 designs been worn by Queen Rania of Jordan, Beyonce
  • First designer from region to join Federation de la Haute Couture

DUBAI: Paris-based label Ashi Studio, founded by 黑料社区 designer Mohammed Ashi, presented its Spring/Summer 2025 couture collection on Thursday during Paris Haute Couture Week, featuring sculptural silhouettes, intricate embroidery, and detailed craftsmanship.

The collection has a range of designs that incorporate voluminous structures, textural contrasts and embellishments.




Look 14. (Instagram)

Several looks emphasize architectural shapes, including a voluminous ivory skirt paired with an embroidered cropped jacket in shades of blue, adorned with floral beading and gold detailing.

Other designs include structured corseted gowns with sheer lace panels and sculpted sleeves.




Look 13. (Instagram)

The collection also features darker tones, with black and gold embroidery on form-fitting dresses. Strapless gowns include intricate hand embroidery with landscape motifs.

Metallic fringe elements and shimmering embellishments contribute to the textural variation within the lineup.




Look 9. (Instagram)

Alongside heavily adorned pieces, the collection includes streamlined silhouettes, such as a deep burgundy velvet strapless gown and a turquoise column dress with matching gloves.

Ashi became the first couturier from the region to join the Federation de la Haute Couture in Paris as a guest member in 2023.

The couturier鈥檚 designs have been worn by celebrities including Beyonce, Lady Gaga, Jennifer Hudson, Kylie Minogue, Penelope Cruz, Deepika Padukone, Sonam Kapoor, and Queen Rania of Jordan.


Experts talk fashion investment at BRICS+ Fashion Summit

Experts talk fashion investment at BRICS+ Fashion Summit
Updated 29 August 2025

Experts talk fashion investment at BRICS+ Fashion Summit

Experts talk fashion investment at BRICS+ Fashion Summit

DUBAI/ MOSCOW: With rising costs, shifting consumer habits and growing demand for sustainable practices, the fashion industry is facing a critical turning point. 

That reality was front and center during 鈥淢arket Privileges: How to Attract Investors to the Fashion Industry,鈥 a key panel at the BRICS+ Fashion Summit in Moscow.

Held at the Zaryadye Concert Hall and running until Aug. 30, the summit brings together designers, creatives and industry leaders from more than 60 countries. Its mission; to spotlight emerging fashion markets, foster cross-cultural exchange and rethink how the global fashion system can evolve 鈥 particularly across the Global South.

The investor-focused session was moderated by Olga Migacheva, founder of BI Agency, and featured speakers including Tsgehiwot Haftu Geretsadik, head of the garment desk at Ethiopia鈥檚 Ministry of Industry; Pitro Polit, director of Quito Fashion Week; Kirill Chizhov, co-founder of Copplife; Yana Komarova, CEO of Zero VC; Alexey Kostrov, executive director of the fund supporting venture investments in small science and tech enterprises in Moscow; and Maxim Penkin, a Russian businessman and retail investor.

Throughout the discussion, panelists explored how designers can secure funding while retaining creative control, what makes fashion appealing to investors and which financial tools are most effective.

鈥淔ashion is more than just relativity, it鈥檚 an economic player that boosts it. It鈥檚 a huge industry that can attract investors,鈥 said Penkin during the session. 鈥淭his panel discuss best practices to work holistically.鈥

Polit emphasized fashion鈥檚 broader economic impact. 鈥淭he key thing to relating to fashion week and the privileges and opportunities implies direct access to global market. Fashion mean diversification, and growth. It鈥檚 not only relevant to the textile section but several sectors of the economy,鈥 he said. 

He added that events such as the BRICS+ Fashion Summit are essential platforms to showcase the value fashion offers to investors and governments alike.

The conversation also addressed challenges that fashion entrepreneurs face today. Penkin pointed to rising operational costs and changing consumer habits as major hurdles. 鈥淒emand over 12 months has gone down. The traffic in shopping malls has decreased from 30 to 50 percent in Moscow. Designers need the help of high-quality investors.鈥

Representing institutional backing, Kostrov explained the role of the Moscow Venture Fund in strengthening creative industries. 鈥淭he fund was created to financially support companies that are growing quickly. Yesterday we received news that the companies are producing twice as much and the turnover is fantastic. The capitalization is impressive,鈥 he said. 鈥淲e see our role in easing the activities of the industry, we have a project for companies to use new technology. Now, it is all in place. We invest for companies that deal with tailormade projects. In our portfolio we have several projects, we will support more new projects.鈥

From the investor鈥檚 perspective, Komarova noted the complex post-pandemic landscape. 鈥淚n 2022鈥2023, over 500 new logo brands appeared. In 2025 everything changed. Fashion will be one of the most technological sectors,鈥 she said.
 


Amal Clooney steps out in vintage look at Venice Film Festival

Amal Clooney steps out in vintage look at Venice Film Festival
Updated 29 August 2025

Amal Clooney steps out in vintage look at Venice Film Festival

Amal Clooney steps out in vintage look at Venice Film Festival
  • Praise for George Clooney鈥檚 film 鈥楯ay Kelly,鈥 competing for top honors

DUBAI: Lebanese British human rights lawyer Amal Clooney and her husband, American George Clooney, made a glamorous appearance at the Venice Film Festival this week for the premiere of the actor鈥檚 latest film 鈥淛ay Kelly.鈥

Amal wore a striking fuchsia vintage Jean-Louis Scherrer gown with a dramatic train. The strapless dress featured a ruched bodice and a high slit, and she completed the look with silver Aquazzura heels, a Jimmy Choo bag, and soft, side-swept waves.

George complemented her look in a classic black tuxedo with sharp satin peak lapels, a crisp white dress shirt and a black bow tie.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

鈥淛ay Kelly鈥 explores themes of self-discovery while humorously examining celebrity life. The film follows famous movie actor Jay Kelly and his devoted manager Ron, played by Adam Sandler, as they embark on a whirlwind and unexpectedly profound journey through Europe, confronting past choices, relationships and the legacies they will leave behind.

In addition to Clooney and Sandler, the film features a cast including Laura Dern, Billy Crudup, Riley Keough, Grace Edwards, Stacy Keach, Jim Broadbent, Patrick Wilson, Eve Hewson, Greta Gerwig, Alba Rohrwacher, Josh Hamilton, Lenny Henry, Emily Mortimer, Nicole Lecky, Thaddea Graham, and Isla Fisher.

Hours before the premiere, Clooney was reportedly absent from the press conference with a 鈥渂ad sinus infection.鈥

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

His co-star Dern praised his 鈥渁mazing, raw, true performance鈥 in the film, which is in competition for the festival鈥檚 top honors. 

鈥淛ay Kelly鈥 was directed by Noah Baumbach, who co-wrote with Mortimer.

Arab designers and stars also made their mark at the festival.

Saudi fashion influencer Nojoud Al-Rumaihi walked the red carpet for 鈥淏ugonia鈥 in a black gown by Lebanese designer Rami Kadi, who noted on Instagram that the look was embellished with cruelty-free feathers, crystals and beads.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

鈥淏ugonia鈥 had its world premiere on Thursday evening, and is in competition for the top prize, the Golden Lion. Focus Features is releasing the film in North American theaters on Oct. 24.

The film, which stars Emma Stone, Jesse Plemons, Aidan Delbis, Stavros Halkias, and Alicia Silverstone, is a remake of the 2003 Korean film 鈥淪ave the Green Planet!鈥 It blends elements of science fiction, horror and comedy.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Al-Rumaihi was not the only one dressed in Kadi鈥檚 designs. Italian influencer Beatrice Valli graced the 鈥淟a Grazia鈥 red carpet at the opening ceremony of the festival in a strapless white pearl gown with a beaded bodice and flowing muslin skirt from the designer鈥檚 latest L鈥橢ventail couture collection.


Recommended viewing: Arab News writers pick some of their favorite comedy movies聽

Recommended viewing: Arab News writers pick some of their favorite comedy movies聽
Updated 29 August 2025

Recommended viewing: Arab News writers pick some of their favorite comedy movies聽

Recommended viewing: Arab News writers pick some of their favorite comedy movies聽
  • From hapless vampires to a classic crime caper, here are our tips for a fun evening in聽

鈥楾his is Spinal Tap鈥 

Rob Reiner鈥檚 1984 mockumentary about a middle-aged heavy metal band desperately trying to stay relevant is so crammed with gags 鈥斺痸isual and spoken 鈥斺痶hat you can watch it repeatedly and still not catch them all. Even more impressive is the fact that those gags were mostly improvised by Reiner (playing filmmaker Marty Di Bergi) and the rest of the cast, including the band members 鈥 frontman David St. Hubbins (Michael McKean), lead guitarist Nigel Tufnell (Christopher Guest) and bassist Derek Smalls (Harry Shearer). The chemistry between those three 鈥 childhood friends who鈥檝e never really progressed beyond adolescence 鈥 is utterly believable and the film nails the ego battles, highs and lows, and camaraderie of any long-term creative collaboration. It鈥檚 also a supremely confident takedown of the inherent ludicrousness of fame, muso pretentiousness, the monetization of music, and music documentaries. The numerous quotable lines and scenarios have become part of the vocabulary of bands around the world.  

Adam Grundey 

鈥榃hat We Do in the Shadows鈥  

No, 鈥淲hat We Do in the Shadows鈥 is not some kind of gritty, explicit cinema verit茅. It鈥檚 a mashup of 鈥淭he Office鈥 and 鈥淭he Blair Witch Project.鈥 A mocumentary that follows four vampires sharing a flat together in New Zealand, and their day-to-day (or night-to-night, to be more accurate) activities. From feasting on after-hours club dwellers to stalking their octogenarian former lovers 鈥 all while steering clear of the werewolves (not scarewolves). Each of these eccentric bloodsuckers comes with their own personal baggage, from dreams lost to lovers killed, but you can鈥檛 help but laugh at the mundanity of their lives. 

Tarek Ali Ahmed 

鈥楧azed and Confused鈥  

Richard Linklater鈥檚 sophomore feature manages to feel both timeless and effortlessly real. Linklater鈥檚 direction, as he captures a group of students on their last day of high school in the Seventies, is so unobtrusive you can hardly feel it. He lets the characters and their ordinary moments of teenage life unfold naturally. That light touch elevates the film and makes the laugh-out-loud moments even funnier. The cast is equally great. Matthew McConaughey鈥檚 endlessly quotable turn as Wooderson (鈥淎lright, alright, alright鈥) has become pop-culture legend, while a young Ben Affleck perfectly embodies the overzealous bully. Even beyond the two (now-) big names, the spectacular ensemble and Linklater perfectly capture the awkward chaos of the teenage school experience, from the carefree freedom to the confusion, the friendships and rivalries, and the way one summer鈥檚 night can feel like the center of the universe. 

Shyama Krishna Kumar 

鈥楢nimal House鈥  

It鈥檚 unlikely anyone in my home country, the UK, had heard of a toga party before 1978; by the time I attended university four years later, we were invited to at least one a week. Such was the influence of 鈥淎nimal House,鈥 the film that arguably launched the 鈥済ross-out鈥 genre beloved by undergraduates. Directed by John Landis, written by Harold Ramis, Douglas Kenney and Chris Miller, and starring Tim Matheson, a pre-鈥淎madeus鈥 Tom Hulse, Donald Sutherland, and the incomparable John Belushi, the film somehow taps into the nostalgia of 1973鈥檚 鈥淎merican Graffiti鈥 鈥 also set in 1962 鈥 while changing film comedy forever. No mean feat.  

Boasting a soundtrack by legendary composer Elmer Bernstein, the whole experience is art disguised as mayhem, or is it the other way round? Like 鈥淎irplane,鈥 which came along two years later, 鈥淎nimal House鈥 changed the world for the better. What鈥檚 not to like?鈥 

Nick Wood 

鈥楾he Italian Job鈥  

The original (1969) version of 鈥淭he Italian Job鈥 is 96 minutes of sheer brilliance capped by one of the greatest car chases 鈥 iconic in the truest sense 鈥 in the history of cinema, as a fleet of Mini Coopers tear through the streets of Turin; a triumph for director Peter Collinson. The central character, Charlie (a young Michael Caine) has just come out of prison. He learns of a friend鈥檚 (fatal) failed attempt to carry out a gold heist in Italy (he was assassinated by the Mafia, who saw a foreigner鈥檚 plan to steal Italian gold as an insult), and is persuaded by his friend鈥檚 widow to put a team together and carry out the job himself. The crew鈥檚 training scenes are hilarious, prompting Caine鈥檚 most-quoted line 鈥淵ou鈥檙e only supposed to blow the bloody doors off鈥 in the film鈥檚 literal cliffhanger climax. 

Peter Harrison 

鈥楾he Mummy鈥  

Brendan Fraser stars as a charming ex-soldier who guides a curious scholar and librarian (Rachel Weisz) and her clumsy brother to uncover the lost ancient city of Hamunaptra. What starts as an archaeological dig in Egypt quickly turns chaotic when they accidentally awaken Imhotep, a cursed priest with supernatural powers who begins to wreak havoc as he searches for the reincarnation of his long-lost love. With a stellar cast and a perfect mix of comedy, action, and just enough horror, 鈥淭he Mummy鈥濃痵tays endlessly entertaining.鈥疶he visual effects were cutting-edge for the time and still hold up surprisingly well, especially during those epic mummy battles. The film also offers a light (if Hollywoodized) dive into ancient Egyptian myth and legend. But it鈥檚 Fraser鈥檚 effortless blend of humor and heroism that make this film a hit. 

Sherouk Maher 

鈥楧irty Rotten Scoundrels鈥 

A wonderfully witty 1988 comedy about two con artists in a battle of charm and trickery. Set on the French Riviera, it follows suave, sophisticated Lawrence (Michael Caine) and brash, over-the-top Freddy (Steve Martin) as rivals competing to swindle an heiress. Their schemes become increasingly elaborate, culminating in a final twist that鈥檚 as satisfying as it is surprising. The movie鈥檚 strength lies in the perfect contrast of Caine鈥檚 refined elegance versus Martin鈥檚 manic energy. Their chemistry drives the story, with Glenne Headly as their target providing the perfect foil. The script balances sharp dialogue with physical comedy. Director Frank Oz gives the film a polished, stylish feel that complements the glamorous setting while never losing sight of the humor. The film remains fresh all these decades later thanks to its combination of sophistication and silliness. It鈥檚 both smart and laugh-out-loud funny, with a clever payoff that rewards the audience. 

Rebecca Parsley 


From AI to upcycling: What to expect at the BRICS+ Fashion Summit in Moscow

From AI to upcycling: What to expect at the BRICS+ Fashion Summit in Moscow
Updated 29 August 2025

From AI to upcycling: What to expect at the BRICS+ Fashion Summit in Moscow

From AI to upcycling: What to expect at the BRICS+ Fashion Summit in Moscow

MOSCOW: The BRICS+ Fashion Summit kicked off this week in Moscow, running from Aug. 28 to 30 at the Zaryadye Concert Hall. 

The platform brings together designers, industry leaders and creatives from over 60 countries, with the aim of spotlighting emerging fashion markets and fostering cross-cultural collaboration. 

The event features a program of panel discussions, exhibitions and educational events that seek to decentralize the global fashion industry and promote regional diversity, while addressing key topics such as sustainability, innovation and economic opportunity.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

On Friday, a session titled 鈥淐reative originality vs. AI: What is important for the consumer鈥 explored how artificial intelligence is reshaping the fashion industry, examining its impact on everything from trend forecasting to design generation.

Panelists discussed how to strike a balance between technological innovation and the emotional value of human-made design, what future skills designers will need, and whether AI can evolve from a mere tool into a true creative collaborator.

Speakers included Maria Shevchenko, creative director of 3D Couture; Karina Diaz Vargas, president and CEO of Costa Rica Fashion Week Forever Green; Emmanuel Muchindu Miyoba, director of Lusaka Fashion Weekend; and Akashdeep Singh, president of the Indian Business Council.

鈥淎I helps in fashion, whether it鈥檚 in demand or to avoid mistakes. The spread of operation with the help of AI has sped up. We can launch something new in two weeks and manufacture in a couple of months,鈥 Shevchenko said during the discussion. 

Sessions throughout the summit are covering a range of pressing topics shaping the global fashion industry. 

The upcoming panel titled 鈥淢arket privileges: How to attract investors to the fashion industry鈥 will explore strategies for drawing investment into the sector, addressing concerns such as market volatility and trend unpredictability. Speakers are set to discuss what makes fashion appealing to investors, how designers can raise funds without losing control, and which financial tools are most effective.

Another session, 鈥淐losed-loop fashion: How to sew, wear, and regenerate,鈥 will focus on the urgent need for sustainability, highlighting the environmental impact of fast fashion and the growing importance of circular production, recycling, and mindful consumer practices.

Also on the agenda is 鈥淔rom gloss to mass market: How styling helps sell,鈥 which will examine the evolving role of stylists as visual storytellers and brand strategists. The panel will look at how styling influences consumer behavior, boosts visibility, and blends luxury with accessibility to drive sales, particularly in the social media space.

A separate panel titled 鈥淔rom logos to meaning: How to build a cultural brand鈥 will explore how branding is shifting in an era of digital saturation. Rather than relying solely on visual symbols, successful brands are now defined by their cultural relevance, shared values and ability to foster communities.

Saturday鈥檚 program will feature a range of panels covering key developments in the fashion industry. The session titled 鈥淗er rules: Women are the creators of the fashion industry鈥 will spotlight the growing influence of women as leaders, focusing on how they are shaping the Russian market through brand building, education, and innovation. 

Another panel, 鈥淎nti-trends in education: What to unlearn in fashion,鈥 will explore the evolution of fashion education in response to industry shifts toward AI, 3D design, and sustainability. As programs adopt hybrid models, the session will address the rising demand for cross-disciplinary skills and how automation is transforming future career paths.

The BRICS+ Fashion Summit is taking place alongside Moscow Fashion Week, which runs through Sept. 2. The event offers a multifaceted program that includes runway shows, expert lectures, a fashion market, a business showroom, and the World Fashion Shorts film festival.

The event brings together over 65 designers from Moscow and across Russia, including participants from the Made in Moscow project, an initiative that supports local brands. While more than 40 of the selected brands are based in the capital, designers are also representing cities as far apart as Vladivostok in the far east and Arkhangelsk in the north.

Represented cities include Moscow, Saint Petersburg, Yekaterinburg, Simferopol, Donetsk, Vladivostok, Kazan, and Ulan-Ude, among others. 

A key feature of this season鈥檚 edition is the Moscow Fashion Week Market, a public-facing retail space located at the Parking Gallery of Zaryadye Park. The market offers visitors the opportunity to shop for exclusive clothing, footwear and accessories created by designers from around 20 Russian cities.
 


Recipes for Success: Chef Francesco Luigi Carusi offers advice and a savory pan brioche recipe聽聽

Recipes for Success: Chef Francesco Luigi Carusi offers advice and a savory pan brioche recipe聽聽
Updated 29 August 2025

Recipes for Success: Chef Francesco Luigi Carusi offers advice and a savory pan brioche recipe聽聽

Recipes for Success: Chef Francesco Luigi Carusi offers advice and a savory pan brioche recipe聽聽

DUBAI: At The Rustic Bakery in Riyadh, the scent of freshly baked sourdough greets every visitor. But for its executive chef, Francesco Luigi Carusi, it鈥檚 another aroma that lingers deepest in his memory.  

鈥淭he smell of trippa in my grandma鈥檚 kitchen. For the non-Italians: trippa is cow鈥檚 stomach lining, slow-cooked with tomato sauce, carrots, and celery. Sounds scary, but trust me, it was always a celebration dish in my family,鈥 he tells Arab News. 鈥淓very Sunday lunch we had it, all of us around the table. That smell is basically the smell of my childhood.鈥 

That early connection to food was the seed of a journey that would eventually see him work in more than 50 venues worldwide, and earn recognition in the Gambero Rosso Guide and a UNESCO endorsement for sourdough bread. 

The Rustic Bakery in Riyadh. (Supplied)

But Carusi reveals his path wasn鈥檛 always destined for the kitchen. 鈥淚t just sort of happened. My original plan was to become a lawyer. But after school, I used to help my father in our family bakery in Tuscany, and slowly, I fell in love with the craft,鈥 he says. 鈥淪o let鈥檚 just say law鈥檚 loss was baking鈥檚 gain.鈥 

The Rustic Bakery, he says, takes 鈥渁 slow-food approach, where ingredients are always the star.鈥  

鈥淚t鈥檚 built on a simple idea: from the people, for the people,鈥 Carusi says. 鈥淭he purpose is to let the raw material shine. Everything we do is long- and cold-fermented, sourdough-based, and as authentic as possible.鈥 

When you started out, what was the most common mistake you made? 

Following recipes instead of creating them. Especially in baking, people tend to just Google recipes, but it rarely works. Flour in Tuscany is not the same as flour in Riyadh, and every ingredient behaves differently. Recipes are guidelines, not the law. 

The Rustic Bakery in Riyadh. (Supplied)

What鈥檚 your top tip for amateur chefs? 

Success isn鈥檛 about the recipe, it鈥檚 about technique. Learn the moveset. Gentle hands, the right folds, the right touch. YouTube is full of great videos to train your moves. Once you get the feel, you鈥檙e unstoppable. 

What one ingredient can instantly improve any dish? 

Sourdough powder. Sprinkle it into anything and it gives flavor, depth, and a natural prebiotic boost. It鈥檚 like fairy dust for food. 

When you go out to eat, do you find yourself critiquing the food?  

I try to be kind. I know what it means to run a business in F&B, and I know the pain of standing behind the counter. Be kind to restaurant people 鈥 they鈥檙e killing themselves to make you happy. 

What鈥檚 the most common issue you find in restaurants? 

Neglect of carbs. Bread, pizza, focaccia鈥 if you don鈥檛 have the expertise, outsource from a good artisan. Don鈥檛 just throw bread on the table for decoration, it deserves respect. 

What鈥檚 your favorite cuisine to eat?  

I鈥檓 a simple guy. Give me a clean, rare steak or a plate of pasta al pomodoro, and I鈥檓 happy. Basically, I like food that鈥檚 honest 鈥 not drowned in spices, creams, or heavy sauces. 

What鈥檚 your go-to dish if you have to cook something quickly at home (say, 20 minutes)?  

Caesar salad or chicken soup. Told you, I鈥檓 a simple guy. 

What customer behavior most annoys you? 

Honestly, nothing. Everyone鈥檚 different, and I try to fulfill every request. But if I had to pick one thing, I鈥檇 say when people try to 鈥渃ustomize鈥 authentic products. Just trust the bakery, we鈥檝e got your back. 

What鈥檚 your favorite dish to cook and why? 

Tiramisu. It鈥檚 simple, quick, and magical when you use high-quality ingredients. It鈥檚 the kind of guilty pleasure you can keep forgiving yourself for. 

What鈥檚 the most difficult dish for you to get right? 

With effort and control, nothing鈥檚 impossible. But if I had to pick one: panettone. It鈥檚 a beast, it reacts to humidity, temperature, even mood swings. But soon, it鈥檒l be on our menu. 

What are you like as a leader? Are you a disciplinarian? Or are you more laidback? 

I grew up with the Montessori method: no shouting, no punishing. You won鈥檛 find me yelling like a madman. Bread rises better in a calm kitchen. 

Chef Francesco鈥檚 savory pan brioche  

Chef Francesco鈥檚 savory pan brioche. (Supplied)

Ingredients (Dough) 

Wheat flour (13% protein): 1鈥痥g 

Fresh whole milk: 0.5鈥疞 

Water: 0.3鈥疞 

Sourdough starter (100% hydration, active): 160鈥痝 

Eggs: 50鈥痝 

Butter: 100g 

Parmigiano Reggiano (grated): 40g 

Extra-Virgin Olive oil: 20g 

Sugar: 80g 

Salt: 20g 

Procedure 鈥 Sourdough Version (preferred) 

Mixing: In the mixer bowl, add fresh milk and dissolve the sugar. Add flour, grated Parmigiano, and sourdough starter. Mix until a rough dough forms. Gradually incorporate the eggs one by one. Add butter in small pieces, followed by olive oil. Finally, add salt and continue mixing until the dough is smooth, elastic, and extensible. Keep dough temperature under 26鈥27掳C to protect gluten development. 

Bulk Fermentation: Cover the dough and leave to ferment for 3鈥4 hours at 26掳C, with one fold halfway through. 

Pre-shaping & Proofing: Divide the dough into 125 g pieces, shape into smooth balls, and place 6 balls per mold (22x12x10cm). Proof at 26掳C, covered, until the dough reaches about 1 cm below the mold edge. With sourdough, this may take 6鈥8 hours, depending on starter activity. 

Baking: Preheat oven to 180掳C with minimal ventilation. Bake 10 minutes at 180掳C, then lower to 170掳C and continue for 40鈥45 minutes. Internal temperature should reach 92鈥94掳C. 

Alternative with Fresh Yeast 

Replace sourdough with 30g fresh yeast鈥痮r 15gr dry yeast. 

Reduce fermentation times: Bulk proof: 45鈥60 minutes at 26掳C. Final proof: 2鈥3 hours at 26掳C, or until 1 cm from mold edge. 

Baking procedure remains the same.