Heritage in hand: ‘Year of Handicrafts’ honors ’s cultural legacy, artisans

Heritage in hand: ‘Year of Handicrafts’ honors ’s cultural legacy, artisans
Saudi women’s craft in Northern Borders region links past to present. (SPA)
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Updated 01 January 2025

Heritage in hand: ‘Year of Handicrafts’ honors ’s cultural legacy, artisans

Heritage in hand: ‘Year of Handicrafts’ honors ’s cultural legacy, artisans
  • Saudi women’s craft in Northern Borders region links past to present

RIYADH: Handicrafts have long held a special place in ’s cultural fabric, representing a prosperous heritage passed down through generations.

Rooted in the creativity and skill of Saudi artisans of both sexes, these traditional crafts symbolize the nation’s ingenuity and resilience while highlighting its diverse cultural identity.

Throughout 2025, the Saudi Ministry of Culture will organize an array of events, exhibitions, educational programs and competitions under the banner of “Year of Handicrafts,” the Saudi Press Agency reported.

These activities aim to emphasize the cultural and historical significance of handicrafts while supporting their relevance in modern life.

Minister of Culture Prince Badr bin Abdullah bin Farhan said: “Saudi handicrafts reflect the creativity of Saudi society through weaving, handmade artifacts and artistic innovations passed down through generations.”

The initiative seeks to foster appreciation for traditional arts and encourage their continued practice and preservation. “Among these are pottery, traditional clothing, ceramic utensils, leatherwork, copperwork, tailoring, dyeing, blacksmithing, gold and jewelry crafting, and other handmade creations by Saudi artisans,” he said.

The Ministry of Culture aims to elevate Saudi handicrafts locally and internationally, empowering artisans and boosting their contribution to the economy. This will be achieved through events organized with partners to highlight the cultural, historical and economic importance of handicrafts.

Through partnerships across the public, private and non-profit sectors, the Year of Handicrafts will cultivate sustainable practices, foster innovation and contribute to cultural dialogue.

In ’s Northern Borders region, women play a pivotal role in preserving these traditional arts.

Handicrafts are passed down through generations and traditionally inherited by women, and are intricately connected to the region’s natural environment, as reported by the Saudi Press Agency.

Most notable are Sadu, tent and textile making and embroidered handicrafts, some of which may take 10 continuous days to make.

With these handicrafts, women record a strong presence at national events and festivals, in the region and beyond, the report said.

The traditional market in Arar, which opened more than 10 years ago, supports many elderly craftswomen and their granddaughters, allocating them places to display their products and handicrafts.

The market, in addition to Al-Khozama Hall, has emerged as an important heritage destination that offers families specialized courses on buying and selling, saving money and e-marketing.

Several craftswomen said that they inherited their craft from their mothers and passed them on to their granddaughters, especially since marketing these products to many people in the region also created economic opportunities, SPA reported.

Meanwhile, the Royal Institute of Traditional Arts in Riyadh will launch the Wrth Community initiative on Saturday, marking the beginning of its year-long celebration of the “Year of Handicrafts.”

The initiative will feature a series of meetings and dialogues with leading figures in the field, as well as educational workshops. The initiative seeks to revitalize and modernize traditional handicrafts by incorporating contemporary design and technologies, fostering collaboration among institutions and the local community, and highlighting the crucial role of traditional arts in preserving cultural identity.

The initiative will also help individuals to use these arts in innovative ways through specialized training, the SPA reported.

It covers a diverse range of areas — education, handicrafts and entrepreneurship — and features dialogue sessions, providing a platform for skill development, experience exchange and the fostering of creativity and innovation.


Noor Riyadh announces artists for this year’s festival of light and art

Noor Riyadh announces artists for this year’s festival of light and art
Updated 05 November 2025

Noor Riyadh announces artists for this year’s festival of light and art

Noor Riyadh announces artists for this year’s festival of light and art
  • This year’s curatorial theme, “In the Blink of an Eye,” reflects the rapid transformation shaping Riyadh

RIYADH: The annual Noor Riyadh, the region’s largest international festival of light and art, has announced its list of participating artists, gearing up for the 2025 launch that will run from Nov. 20-Dec. 6. 

The show, curated by Mami Kataoka, Li Zhenhua and Sara Almutlaq, takes place in various hubs across Riyadh and will include 60 artworks by 59 artists, representing 24 nationalities, with 35 newly commissioned pieces. 

“Noor Riyadh is defined by its artists; their ideas, their courage and their vision,” said Nouf Almoneef, festival director of Noor Riyadh. “Each work captures the city’s momentum through light, reminding us that creativity is a universal language that connects cultures and inspires dialogue.” 

Italian artist Michelangelo Pistoletto's "Love Difference" (2025). (Supplied)

This year’s curatorial theme, “In the Blink of an Eye,” reflects the rapid transformation shaping Riyadh.

The festival will present work responding to the theme by leading international and local artists, including Saad Al-Howede, Monira Al-Qadiri, Abdulrahman Al-Soliman, James Clar, Ivana Franke, fuse*, Ayoung Kim, Shinji Ohmaki, Michelangelo Pistoletto and Muhannad Shono.

The show will also include a special installation dedicated to the work of the late Safeya Binzagr (1940–2024), a leading figure of ’s modern art movement and the first female Saudi artist to hold a solo exhibition in 1968. 

Croatian artist Ivana Franke's "Center" (2024). (Supplied)

“Light is both a medium and a metaphor for transformation,” said Kataoka, the curatorial advisory lead. “‘In the Blink of an Eye’ reveals how quickly perception can shift — offering a moment to pause within the momentum of change and see beauty in what is constantly evolving.”

The 2025 festival is led by an international curatorial team that brings together distinct perspectives on contemporary culture, whose vision connects Riyadh’s historical heart to its modern skyline and metro network. The show invites audiences to encounter light as a medium for perception, memory and momentum. 

The festival’s program will have Noor Riyadh unfold across six locations this year: Qasr Al-Hokm District, King Abdulaziz Historical Center, stc Metro Station, KAFD Metro Station, Al-Faisaliah Tower and JAX District. 

Saudi artist Saad Al-Howede's "Memory Melting" (2025). (Supplied)

Held under the umbrella of the Royal Commission for Riyadh City and Riyadh Art, Noor Riyadh echoes Riyadh Art’s mission to transform the Kingdom’s capital city by sparking creativity and enriching daily lives. 

Since its inception, Riyadh Art has showcased more than 550 artworks by 500 Saudi and international artists, attracting more than 9.6 million visitors and spectators through its major programs. Noor Riyadh transforms everyday public spaces into distinctive encounters, hoping to create a sense of shared wonder across communities through art.

The full list of the festival’s 2025 participating artists includes: Addie Wagenknecht (US), Abdulrahman Al-Soliman (), Abdelrahman Elshahed (), Ahmad Angawi (), Alex Schweder (US), Alexandra Gelis (Colombia and Canada), Ayoung Kim (South Korea), atelier oi + WonderGlass (Switzerland), Christian Partos (Sweden), Christophe Berthonneau (France), dies_ (Italy), Saad Al-Howede (), Edwin van der Heide (Netherlands), Encor Studio (Switzerland), Fatma Abdulhadi (), Francesco Simeti (Italy), fuse* (Italy), Guillaume Cousin (France), Hmoud Alattawi (), Iregular (Canada), Ivana Franke (Croatia), James Clar (Philippines and US), Karolina Halatek (Poland), Khalid Zahid (), Kurt Hentschlager (Austria), Laszlo Zsolt Bordos (Hungary), Loris Cecchini (Italy), Marnix De Nijs (Netherlands), Michelangelo Pistoletto (Italy), Mohammed Farea (), Monira Al-Qadiri (Kuwait), Muhannad Shono (), n + n Corsino (France), Nebras Aljoaib (), Obaid Alsafi (), Otolab (Italy), Plastique Fantastique (Germany), Random International (UK), Rejane Cantoni (Brazil), Robert Seidel (Germany), Roman Hill (US and France), Ryoichi Kurokawa (Japan), Safeya Binzagr (), Saeed Gebaan (), Shinji Ohmaki (Japan), Shiro Takatani (Dumb Type, Japan), Shun Ito (Japan), Six N. Five (Ezequiel Pini, Argentina), someform Studio (Germany), Studio Above&Below (UK), Tonoptik (Russia), Traumnovelle (Belgium), Vali Chincisan (Romania), Wang Yuyang (China), Wu Chi-Tsung (Taiwan), Zeitguised (Germany), Zhang Zengzeng (China), Zheng Da (China) and Ziyad Alroqi ().