Tunisian short at RSIFF explores ‘universal desire for freedom of movement’

Tunisian short at RSIFF explores ‘universal desire for freedom of movement’
Inspired by a verse in the Qur’an — verse six of Surah Az-Zumar — the film’s title symbolizes the many challenges that its protagonist faces in his quest to obtain a visa to stay in France. (Supplied)
Short Url
Updated 08 December 2024

Tunisian short at RSIFF explores ‘universal desire for freedom of movement’

Tunisian short at RSIFF explores ‘universal desire for freedom of movement’

DUBAI: Sparked by real-life events, the Tunisian short film, “In Three Layers of Darkness,” explores the experience of many immigrants traveling to the Western hemisphere.

Director Houcem Slouli told Arab News that his film, now playing at Jeddah’s Red Sea International Film Festival, critiques the “dehumanizing aspects of bureaucratic systems.”

“Last year, a Tunisian filmmaker had her first short film selected for a festival in France, but her visa was repeatedly denied, despite having all the necessary documents,” he said. He was referring to the case of filmmaker Wafa Lazhari, who was unable to attend the International Animation Film Festival in Annecy, France.

Outraged by this, Slouli sought to take the issue to the silver screen in his 15-minute film that features dialogue in French and Arabic. The director cast actors Ghassen Trabelsi, Mohamed Kolsi, Leila Masrouhi, Sinda Boudriga, Azza Medimegh, Nessrin Bani and Slim Dhib in the short.

“The film addresses themes such as immigration, bureaucratic injustice, dreams and ambition. A dream without borders, with no geographical limits,” the filmmaker explained, adding: “Through the character of Ghassen, we see someone defending his skills and his dreams, fighting for a fundamental right — the right to move freely in the world … unfortunately, for years, Arabs and Africans have not had this freedom and this blocks their ambitions and their dreams.”

Inspired by a verse in the Qur’an — verse six of Surah Az-Zumar — the film’s title symbolizes the many challenges that its protagonist faces in his quest to obtain a visa to stay in France.

“The three layers represent personal, bureaucratic and social obstacles that trap him in a system,” Slouli said. Meanwhile, the Qur’anic verse is interpreted to mean layers within a mother’s womb.

From a malfunctioning parking ticket machine that makes him late for his interview to an invasive health inspection and an unfeeling immigration officer, the narrative presents its lead character with various obstacles.

Slouli hopes that portraying these hurdles will encourage a shift in thinking.

“I hope decision-makers will think about this universal desire for freedom of movement and about human rights that should be available to everyone, no matter their nationality or status,” he said.

He is particularly keen to take the story to the shores of the Red Sea, as “it’s also a chance to share Ghassen’s story with an Arab audience that understands the struggles related to migration and achieving dreams,” Slouli said.

It is not Slouli’s first experience at an international festival — in 2023, his short film “Conditional Desire” won the Best Short Film Award at Turkiye’s Accessible Film Festival. It was also featured as part of the Short Film Competition of the Silicon Valley African Film Festival in the US.




That varied experience seems to have been handy when it comes to collaborating with the cast and crew on any given project, something that he says is his favorite part of the process. (Supplied)

Born in Tunisia in 1994, Slouli completed a degree in film and audiovisual studies at the Higher Institute of Arts and Multimedia in Manouba, Tunisia, before working with notable Tunisian production firms such as Nomadis Images, Artistes Producteurs Associes and Instinct Bleu Films, in addition to ad-hoc projects working as an assistant director and casting director.

That varied experience seems to have been handy when it comes to collaborating with the cast and crew on any given project, something that he says is his favorite part of the process.

“Of course, sometimes the discussions lead to conflicts, but there’s also real pleasure in these moments. They give life to the collaboration,” he said.

“It’s amazing to see how ideas come to life with the help of the production team, the actors, the director of photography, and everyone involved in the project. Cinema has this unique ability to capture human experiences and present them in a way that speaks to everyone.”


Celebrities to take part in ‘Pride and Prejudice’ table read for Gaza charity

Celebrities to take part in ‘Pride and Prejudice’ table read for Gaza charity
Updated 15 September 2025

Celebrities to take part in ‘Pride and Prejudice’ table read for Gaza charity

Celebrities to take part in ‘Pride and Prejudice’ table read for Gaza charity

DUBAI: Actors Ambika Mod, Daisy Ridley and Morfydd Clark will take part in a table read of “Pride and Prejudice” in London to raise money for Medical Aid for Palestinians next month. 

The event is being arranged by the Cinema for Gaza group and will be hosted by stand-up comedian, television presenter and podcaster Nish Kumer.

Set to take place on Oct. 12, other celebrities involved include Jameela Jamil, Susan Wokoma, Mawaan Rizwan, Priya Kansara, Amar Chadha-Patel, Jeff Mirza, Shazia Mirza and Asim Chaudhry, with more names to be announced according to organizers. It has been billed as a “fun and imaginative tribute to Austen’s enduring tale,” being directed by “We Are Lady Parts” creator Nida Manzoor.

“It is the 250th anniversary of Austen’s birth as we lift the curtain on a single man with a large fortune in want of a wife,” reads the event’s description. “Roll up to witness the unsuspecting Mr. Bingley going toe-to-toe with the Bennett family, as Mr Darcy puts his foot in his mouth every time he encounters the vexing, intriguing Elizabeth Bennett. Enjoy withering wit, some top-notch repressed flirting, and hard-won happy endings.”

According to Cinema for Gaza, “every penny raised on the night will go directly to Medical Aid for Palestine’s lifesaving work, including their polyclinic in Gaza, which is continuing to operate despite Israel’s bombardment, siege, and forced displacement orders.”


Mo Amer and Mo Gawdat explore personal storytelling and AI at Abu Dhabi conference

Mo Amer and Mo Gawdat explore personal storytelling and AI at Abu Dhabi conference
Updated 15 September 2025

Mo Amer and Mo Gawdat explore personal storytelling and AI at Abu Dhabi conference

Mo Amer and Mo Gawdat explore personal storytelling and AI at Abu Dhabi conference

ABU DHABI: Etihad Arena in Abu Dhabi hosted a thought-provoking exchange on Sunday as Palestinian-American stand-up comedian and actor Mo Amer joined Egyptian technologist and author Mo Gawdat for a panel titled “The Power of Personal Narratives in the Age of AI” at the annual Congress of Arabic and Creative Industries.

Over the course of the discussion, Gawdat — Google X’s former chief business officer and a prominent voice on artificial intelligence — warned of the rapid pace of technological change. “AI is already smarter than us in everything,” he said, adding that society faces a choice: use these tools to improve life or allow them to fuel greed, war, and control.

While he acknowledged AI’s transformative potential, Gawdat insisted that “it will never create a comedian,” because true comedy requires a uniquely human spark.

Amer responded with his trademark humor and touching perspective. Born in Kuwait and raised in the US, he recalled discovering stand-up in Houston and realizing immediately “this was it” because of the raw storytelling the art form allows.

“Comedy is the greatest art,” he told the audience, emphasizing that every comedian offers a different truth and connection. Amer reflected on his own journey to representation on platforms such as Netflix, hoping young viewers can see themselves in his story and feel empowered to tell their own.

The conversation moved fluidly between technology, faith, and creativity. Gawdat mused on whether AI could ever possess a “spark of spirit,” while Amer countered that humanity’s heart and soul cannot be replicated by machines.

When asked if he is scared that he could be replaced by AI, Amer said: “I’m not scared of AI because AI can never be me. A joke written by me, delivered by someone else, will never be the same. That’s happened to me before where I go up on stage and be like, ‘Let me show you how the joke is done.’ The joke kills and everyone’s laughing and they go, ‘Oh, it’s the person who is delivering the joke, who is the author of the joke, who really lands it.’”


 


Mideast designers steal the show at the Emmys

Mideast designers steal the show at the Emmys
Updated 15 September 2025

Mideast designers steal the show at the Emmys

Mideast designers steal the show at the Emmys

DUBAI: Television’s biggest stars hit the red carpet on Sunday for the Emmys, the first of many award shows that will offer style trends on the road to the Oscars.

Many walked the red carpet in looks created by Arab designers, while some part-Arab stars were spotted at the event.

Entertainment reporter Zuri Hall opted for a liquid organza gown by Lebanese designer Elio Abou Fayssal, while US actress Skye P. Marshall also looked to Lebanon for style advice. Marshall showed off a blazer-skirt combination by Lebanese-Italian designer Tony Ward on the red carpet.

Entertainment reporter Zuri Hall opted for a liquid organza gown by Lebanese designer Elio Abou Fayssal. (Getty Images)

US singer-songwriter Lainey Wilson finished off her Zuhair Murad Resort 2026 outfit with a white cowboy hat, and US actress Sara Foster showed off a scarlet look by the same designer complete with a dramatic slit.

Lainey Wilson finished off her Zuhair Murad Resort 2026 outfit with a white cowboy hat. (AFP)

Dubai-based Egyptian designer Marmar Halim dressed TV star Alexis Bledel in a glistening silver look, and part-Arab model Shanina Shaik looked glamourous in an all-black grown by Carolina Herrera with Le Vian jewelry.

The Australia-born model — who is of Saudi, Pakistani and Lithuanian descent — was joined on the red carpet by fellow Australian Shabana Azeez, who stars in the Emmy winning show “The Pitt.”

Shanina Shaik looked glamourous in an all-black grown by Carolina Herrera. (AFP)

Azeez opted for Marchesa Couture and Saidian Vintage Jewelry, a label with Iranian heritage.

Other celebrities were dressed by international fashion houses, with standout looks showcased by Jenna Ortega and Blackpink singer Lisa.

K-Pop superstar Lisa, who made her acting debut in “The White Lotus,” stunned in a sculptural off-the-shoulder pink Lever Couture gown. (AFP)

Ortega, the star of Netflix’s Addams family revamp “Wednesday,” turned heads in her striking Givenchy black skirt — and only chunky jewels draped over her torso.

K-Pop superstar Lisa, who made her acting debut in “The White Lotus,” stunned in a sculptural off-the-shoulder pink Lever Couture gown that revealed lots of leg and trailed off in a long swirling skirt of tulle ribbons.

Her co-star Aimee Lee Wood also looked pretty in pink wearing a strapless Alexander McQueen pink gown with a bodice that revealed a hint of red.

Searing teen murder saga “Adolescence” was the big winner at Sunday’s Emmy Awards, claiming eight prizes including best limited series, while “The Pitt” prevailed in a tight race for best drama at television’s equivalent of the Oscars.

Seth Rogen’s Hollywood satire “The Studio” dominated the comedy categories, earning best series honors and a total of 13 Emmys — a record for comedies.


Javier Bardem, Hannah Einbinder speak on Gaza at the Emmy Awards

Javier Bardem, Hannah Einbinder speak on Gaza at the Emmy Awards
Updated 15 September 2025

Javier Bardem, Hannah Einbinder speak on Gaza at the Emmy Awards

Javier Bardem, Hannah Einbinder speak on Gaza at the Emmy Awards

DUBAI: The war in Gaza was certainly on the minds of some attendees at the 77th Primetime Emmy Awards in Los Angeles.

Megan Stalter, one of the breakout stars of comedy hit “Hacks,” showed up casual in a white T-shirt and jeans, but her handbag did all the talking.

The black purse had white tape on it with a simple message: “Ceasefire!”

And Javier Bardem, a nominee for best supporting actor in a limited series for “Monsters: The Lyle and Erik Menendez Story,” wore a black and white keffiyeh around his neck.

“A lot of people are giving me their support in whispers, and I go, ‘Don't whisper, say it out loud,’” Bardem told AFP on the red carpet.

While speaking with The Hollywood Reporter, the actor did not want to talk about his work on “Monsters: The Lyle and Erik Menendez Story,” but rather the ongoing war in Gaza.

“At the end of August, the IAGS, the International Association of Genocide Scholars who studied thoroughly the concept of genocide, called what is going on in Gaza today a genocide,” Bardem said. “And that’s why we ask for the commercial and diplomatic blockade and the sanctions on Israel to stop this genocide. Free Palestine.”

He continued: “We are getting together Film Workers for Palestine. It’s a great union (and) group that is getting more and more people attached. It’s also important to clarify to Paramount that we do not target individuals by their identity. That’s absolutely wrong. Don’t send that message, that is a wrong thing. What we target are those complicit film companies and institutions that are involved in whitewashing or justifying the genocide of Israel in Gaza and its apartheid regime. And we stand with those who fight and stand in solidarity with the oppressed.”

Commenters on social media also praised the media outlet’s reporter for not shying away from the statement  and instead inviting Bardem to expand on his views.

Meanwhile, best supporting actress Hannah Einbinder from “Hacks” used her victory speech to deliver a brief, but very much no-holds-barred statement that called for a free Palestine, slammed immigration raids in the US, and declared her support for the Philadelphia Eagles.


Arab women redefining cinema and TV: Panelists call for funding, genre diversity, equal creative power

Arab women redefining cinema and TV: Panelists call for funding, genre diversity, equal creative power
Updated 14 September 2025

Arab women redefining cinema and TV: Panelists call for funding, genre diversity, equal creative power

Arab women redefining cinema and TV: Panelists call for funding, genre diversity, equal creative power
  • International Congress of Arabic and Creative Industries takes place until Sept. 15

ABU DHABI: The International Congress of Arabic and Creative Industries began at Abu Dhabi’s Etihad Arena on Sunday, exploring issues around the Arabic language and its place in culture and media.

“Her Narrative: Women Reimagining Arab Creativity” was a panel discussion that featured three trailblazing voices from the region — actor and producer Hend Sabry, filmmaker Tima Shomali, and Cinema Akil founder Butheina Kazim — who spoke on the evolving role of women in Arab cinema and television.

Sabry opened by noting that Arab women still face “the same challenges as before, but with more pressure,” especially when seeking financing or leadership roles. Yet she acknowledged clear progress, adding: “In the last 10 to 15 years, we’ve reached a decent place.”

She emphasized that women must continue to push for control of their narratives, whether as writers, producers, or directors, and urged more investment in female-driven projects.

Shomali highlighted the gains she sees behind the camera, pointing to the rise of women directors and the global success of her own Netflix hit “AlRawabi School for Girls.”

She also bemoaned the persistent need to “prove ourselves at every stage” and the subtle resistance experienced when women make authoritative creative decisions. Shomali said she deliberately hired mostly female department heads on her production, finding the collaboration “smooth and barrier-free,” and she championed opportunities for women in technical fields such as cinematography and sound design.

Kazim offered a historical lens, tracing women’s influence back to early Arab cinema pioneers like Egyptian actor and producer Aziza Amir and Lebanese Egyptian actor and producer Assia Dagher. She challenged the narrative of female exclusion, noting that women make up nearly half the Arab film workforce. For Kazim, independent cinema is a vital incubator for women’s stories and deserves sustained funding and festival support.

The panelists questioned and explored industry myths: that female-led films do not sell, and that television’s popularity among women is accidental. They cited examples like Nadine Labaki’s “Caramel” and the international reach of “AlRawabi School for Girls” to reject the claims. All three agreed that capital remains the central hurdle and that financiers still back men more readily, limiting women’s creative freedom.

Looking forward, Sabry called for more genre diversity, from science fiction to thrillers; Shomali urged a structured, collaborative Arab industry; and Kazim pressed for robust funding policies.

Kazim said: “If I must pick just one thing (as a future goal): more funding opportunities for women’s works at every level — commercial and independent. And perhaps we should be biased toward the alternative-independent sector. People think it’s a niche with a small audience and little importance but I believe the deepest lessons we are discussing come from independent cinema. 

“So, revive and support festivals and funding opportunities for alternative cinema here in the UAE and across the region in a healthy way so that they complement one another.”