Celebrity-loved jeweler Azza Fahmy has ‘a strong connection’ with

Celebrity-loved jeweler Azza Fahmy has ‘a strong connection’ with
Azza Fahmy (C) and her daughters Fatma (L) and Amina Ghaly. (Supplied)
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Updated 22 November 2024

Celebrity-loved jeweler Azza Fahmy has ‘a strong connection’ with

Celebrity-loved jeweler Azza Fahmy has ‘a strong connection’ with
  • The CEO and head of design at the Egyptian jewelry house their mother founded discuss their new flagship store in Riyadh
  • ‘Every time she goes, she has a strong connection there,’ the head of design said of Azza Fahmy’s trips to

DUBAI: Egyptian entrepreneur and jewelry designer Azza Fahmy is celebrated for crafting pieces that weave cultural stories into wearable art, resonating with those who appreciate depth and meaning in every design.

Fahmy’s signature gold-and-silver pieces have long been embraced by Egypt’s top entertainers, including the late actress and singer Soad Hosny and celebrated actress Yousra. 

Her jewelry has also garnered an impressive international following, including A-list stars like actors Julia Roberts, Shailene Woodley, Naomi Watts, and Vanessa Hudgens, and singers Joss Stone and Rihanna. 




Inside Azza Fahmy's recently opened flagship store in Riyadh. (Supplied)

The brand has also forged a particularly strong connection with Saudi customers, who value the blend of tradition and modernity it offers. It recently expanded its reach with the opening of a flagship store in Riyadh, catering to a growing Saudi clientele. 

Fahmy’s daughters — CEO Fatma Ghaly and head of design Amina Ghaly — say the new outlet is the result of years spent cultivating relationships with Saudi clients.

“The opening of our flagship store in Riyadh marks a significant milestone for Azza Fahmy,” Fatma tells Arab News. “Throughout the years, we’ve had the privilege of cultivating meaningful relationships with our Saudi clientele, connecting through online platforms, exhibitions, and pop-ups, all while experiencing a growing demand for our jewelry.” 




Inside Azza Fahmy's recently opened flagship store in Riyadh. (Supplied)

For Amina, the store is a continuation of her mother’s decades-long connection to , where she has often been inspired by the culture, architecture and landscapes. 

“Every time she goes, she has a strong connection there,” Amina says. “There is the architectural aspect that we have drawn inspiration from, (but also the culture): for our collection ‘Ahla Ma Ghanaho Al-Arab,’ we were inspired by (Saudi singer and composer) Abdul Majeed Abdullah, so it’s really varied over the years.

“We draw inspiration not from one thing or the other. It is a question of how the inspiration serves the collection, and I feel like, with , the more we keep going there, the more we will continue to be inspired,” she adds. 




Crescent Filigree Earrings. (Supplied)

Fatma explains that this made opening a permanent store in feel like the right move, especially as the Kingdom’s luxury market shows a growing interest in heritage-inspired brands.

“Our new store is a testament to our commitment to the Saudi market, offering a space that showcases our craftsmanship and invites visitors to explore the beauty and stories behind our pieces,” she says. 

According to Fatma, ’s luxury market has transformed in recent years. Clients increasingly seek brands that emphasize authenticity, cultural stories and craftsmanship. 

“The Saudi consumer has long been sophisticated and well-traveled, but in recent years ’s luxury market has experienced remarkable growth and evolution, especially for heritage-driven brands like Azza Fahmy. There has been a significant shift towards valuing craftsmanship, cultural narratives, and authenticity in luxury goods,” she explains. 




(Supplied)

For many Saudi clients, jewelry that reflects their identity and holds personal meaning is highly sought after, making Azza Fahmy’s storytelling-focused designs especially appealing.

Fatma and Amina are both enthusiastic about connecting with Saudi’s younger generation, who are attracted to brands that combine tradition with innovation. 

“Our designs resonate with this dynamic audience by blending contemporary aesthetics with traditional motifs,” Fatma says. “We embrace innovation in our processes and materials, ensuring that our jewelry appeals to a modern sensibility while remaining rooted in cultural heritage. 




Inside Azza Fahmy's workshop. (Getty)

“This approach not only attracts younger consumers but also fosters a deeper connection to their identity, allowing them to wear pieces that are both stylish and meaningful,” she continues. 

Amina says that today’s luxury market is increasingly global, shaped more by shared interests than regional preferences. “As brands, we should not segment by region but rather by character,” she says. “The internet and social media has made the world a very small place. So, you find women in Saudi who, for instance, are very interested in travel and seek brands they can connect with on a personal level. Someone in London, someone in Japan, someone in Brazil could have the same interest. These are character traits, more than regional traits.” 

However, Amina notes that there is a unique regional connection when it comes to Arabic calligraphy and poetry.




Amina Ghali is the head designer. (Supplied)

“I feel that women from the Arab region are very drawn towards the Arabic language, because rather than me translating it for them and trying to give them the gist of what it means, they can read and recognize it and connect with it themselves,” she says. 

Beyond the Middle East, Azza Fahmy’s collections with Arabic calligraphy have found success in places including the UK, where clients often appreciate the aesthetic and personal significance of the script. 

“When we were approaching the British market, we were under the false impression — from whatever market survey that we did at the time — of ‘They do not understand it, and they will not understand it, so they will not be able to connect.’ We were very happily surprised to learn that our number one-performing collection, in our Burlington Arcade boutique in London, is the calligraphy collection,” Amina says. “It’s because they are carrying it as their own little secret. The client comes and picks up something like, for instance, the eternity ring inspired by Umm Kalthoum, and she takes it as ‘I’m the only one that understands what it says.’”

The Riyadh store stocks many of the brand’s high jewelry pieces. Among Amina’s personal favorites, she says, is the “Scripts of Love” bangle, adorned with emeralds and calligraphy.

“The combination of stones, poetry, and calligraphy creates a piece that captures attention without overshadowing any element,” she says. 

She also highlighted the delicate “Crescent Filigree” earrings with tanzanite — a design that showcases the brand’s expertise in filigree craftsmanship.

Azza Fahmy’s commitment to the empowerment of women is also in line with ’s Vision 2030, which encourages increased female participation in the workforce and leadership roles. 

Fatma explains that the brand’s jewelry aims to reflect individuality and heritage — resonating with modern Saudi women who appreciate both cultural pride and self-expression.

“As a company led by women — with women in key roles across all levels of management — empowering women is simply part of our DNA,” she says. “It is not something we ‘strive for.’ It comes naturally to us.” 


How Cairo Design Week is taking Arab design to the world stage

How Cairo Design Week is taking Arab design to the world stage
Updated 13 October 2025

How Cairo Design Week is taking Arab design to the world stage

How Cairo Design Week is taking Arab design to the world stage

DUBAI: As the global design community turns its eyes to Cairo this November, the Egyptian capital is preparing to host the third edition of Cairo Design Week, a platform that highlights the region’s creativity, heritage and innovation.

At the heart of the movement is designer Hisham Mahdy, who founded the event in 2022 after decades in the design industry.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

“Over 25 years, my design vision evolved with Egypt; from decoration and function to a language shaping culture, identity and the future,” he told Arab News. “I shifted from solo projects to building an ecosystem that nurtures talent, connects creatives, and bridges heritage with innovation.”

Before Cairo Design Week came the Cairo Design Award, launched in 2017 to recognize Egypt’s growing creative community.

“We had talent but no platform to showcase it, so I launched the Cairo Design Award as a statement that design matters,” Mahdy said. “CDA became a space for creatives to connect and be seen. But it needed a bigger stage — one that brought design into public life. That’s how Cairo Design Week was born.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Now entering its third year, the event continues to expand across Cairo’s districts, activating heritage sites and building stronger global collaborations.

“The first edition tested the waters; the second proved its staying power. Now we’ve expanded into new districts, activated more heritage sites, and deepened collaborations,” Mahdy said. “CDW is no longer just an event; it’s becoming a movement.”

This year’s edition will feature exhibitions, fashion shows, installations and talks under the theme “Design, So I Can See You,” inspired by the Greek philosopher Socrates.

“For us, Arab identity isn’t something to be preserved behind glass — it’s living and evolving,” Mahdy said. “We’re not imitating global trends. We’re contributing to them from our own cultural lens."


Palestinian Jordanian artist Zeyne gears up for album release

Palestinian Jordanian artist Zeyne gears up for album release
Updated 12 October 2025

Palestinian Jordanian artist Zeyne gears up for album release

Palestinian Jordanian artist Zeyne gears up for album release

DUBAI: Palestinian Jordanian artist Zeyne is gearing up for the release of her album “Awda” on Oct. 16.

The singer shared the track list, including 13 songs, and also took to Instagram this week to share behind-the-scenes photographs from a recent performance in ’s AlUla.

Saudi label MDLBEAST this week revealed that the artist’s music has been submitted for consideration in four categories at next year’s Grammy Awards.

The record label submitted the songs “Asli Ana” and “Hilwa” for the Best Global Music Performance award and the Best Music Video award.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Zeyne’s most recent single “Hilwa” dropped in July and the artwork — shot by Zaid Allozi — shows three women interlocked by their braided hair.

“The image shows three generations — me, my mother and my grandmother — all connected by one continuous braid. It’s a symbol of inheritance; the quiet strength and love passed from one woman to the next,” Zeyne told Arab News at the time of the release. “The braid holds the kind of love that isn’t always spoken, but is deeply felt and remembered.”

Following Zeyne’s 2024 hit “Asli Ana,” which reimagined Arab rhythmic traditions through a futuristic lens, “Hilwa” pays homage to her mother and grandmother, whose love and wisdom deeply shaped her sense of identity. “While ‘Asli Ana’ was about resistance, ‘Hilwa’ is softer,” she said. 

Born Zein Sajdi in Amman in 1997, Zeyne was raised in a household where music and culture were key. Her father was a record collector, her mother led a dabke troupe and her sister trained as a classical pianist. Zeyne began performing aged five and was already writing her own lyrics in her teens.

Since the release of her 2021 debut single, “Minni Ana,” Zeyne has carved a singular lane in Arab pop — merging traditional Arabic sounds with modern, genre-defying production.

Earlier this year, she launched a three-stop regional mini tour, “The Golden-Hour Run,” that included a landmark performance at the OffLimits Festival in the UAE and stadium appearances as a special guest on Ed Sheeran’s Mathematics Tour in Qatar and Bahrain, where she performed to more than 65,000 people. 

She became the first female artist from the Levant to appear on the globally renowned music platform COLORS with her song “Ma Bansak,” and a viral performance in collaboration with Bottega Veneta blurred the lines between fashion, music and Palestinian resistance.


Vocalists chase singing glory as Pakistan Idol returns after 12 years

Vocalists chase singing glory as Pakistan Idol returns after 12 years
Updated 12 October 2025

Vocalists chase singing glory as Pakistan Idol returns after 12 years

Vocalists chase singing glory as Pakistan Idol returns after 12 years
  • The reality TV singing show is streaming on seven Pakistani channels simultaneously
  • Judges include Fawad Khan, Rahat Fateh Ali Khan, Bilal Maqsood and Zeb Bangash

KARACHI: Aspiring vocalists from across Pakistan lined up to chase stardom as Pakistan Idol returned to the country after a 12-year hiatus with a star-studded jury, wider reach, and a renewed promise to spotlight the country’s untapped musical talent.

Pakistan Idol is part of the global ‘Idol’ franchise, a reality television singing competition format created by British producer Simon Fuller and developed by British firm, Fremantle Limited, which also owns non-scripted formats like Got Talent and The X Factor.

The MHL Global production company, which secured rights for Pakistan Idol 2025 from Fremantle, last month announced that Badar Ikram will produce the show, with Fawad Khan, Rahat Fateh Ali Khan, former Strings band mate Bilal Maqsood and Zeb Bangash as judges.

The first episode of the show went on air on Oct. 4, followed by the second on Oct. 5., broadcast on seven Pakistani TV channels simultaneously.

“Pakistani talent is our real asset. If we don’t provide them with our platform, then it would be an unfair thing,” Rahat Fateh Ali Khan told Arab News, on the sidelines of the auditions in Karachi.

“It isn’t a good thing that the show has come back after 12 years but the best part is that we have come fully prepared this time.”

Ikram said producing the show is “an honor and a responsibility” for him.

“We are determined to deliver a show that reflects the passion, diversity, and raw talent of Pakistan,” he said in a statement prior to airing of the first episode.

“From auditions to the grand stage, our team is working tirelessly to ensure the audience experiences the magic of music and storytelling at a truly global standard.”

The first edition of Pakistan Idol aired in Dec. 2013, featuring Bushra Ansari, Hadiqa Kiani and Ali Azmat as judges.

Auditions of participants from Karachi, Lahore, Islamabad, Rawalpindi, Multan and Sukkur are being aired since Saturday, Oct. 4, trying to make it to the top 30 contestants that will eventually lead to 16 finalists on the show.

Maham Tahir, who hails from the Rahim Yar Khan district, said her audition experience was “really good” and she found the judges to be “kind.”

“[Platforms like Pakistan Idol] are very important for us. Singers like myself, who aren’t valued in the world on a big level, are valued by platforms like these,” Tahir, a student of Lahore’s GC University who was among the top 30 contestants, told Arab News.

“I am fortunate [to make it to the next round]. It’s a miracle for me.”

Bangash, the only woman on the judges’ panel, said they were also looking for females as much as they were looking for male singers.

“Although, I have to say that there are more contestants that are men,” she said, “but that has nothing to do with the platform. I think, as the seasons keep progressing, we’re going to have more and more interest from women.”

Bangash shared they were judging the performances based on a number of things.

“We are trying to be as transparent as we can but at the end of the day, I say that judging music is an interesting idea to begin with because it’s creative expression,” she said. “So, sometimes, it’s subjective, sometimes it’s just the moment [and] sometimes it’s just the song selection.”

Pakistan Idol Season 2 will also be streamed worldwide via UAE-based platform, Begin, that has secured the rights for the show. Viewers in , UAE, Canada and the US will be able to watch it on the Begin app. For those based in the UK, Germany, India, Australia, South Africa and Nigeria, the show can be watched directly via begin.watch.

“The international distribution of Pakistan Idol demonstrates how far South Asian entertainment has come in reaching global audiences,” MHL Global Director Zoya Merchant told Arab News.

“We are proud to see a format rooted in local culture and talent become accessible to viewers worldwide. This collaboration with Begin represents an important step toward integrating Pakistani creativity into the broader entertainment ecosystem.”


Frieze to launch Abu Dhabi art fair in 2026

Frieze to launch Abu Dhabi art fair in 2026
Updated 11 October 2025

Frieze to launch Abu Dhabi art fair in 2026

Frieze to launch Abu Dhabi art fair in 2026

DUBAI: Leading art organization Frieze announced this week its expansion into the Gulf region with the launch of Frieze Abu Dhabi, scheduled to debut in November 2026.

Under a new partnership between the Abu Dhabi Department of Culture and Tourism and Frieze, Abu Dhabi’s flagship art fair will be rebranded as Frieze Abu Dhabi.

The change marks a new phase for Abu Dhabi Art, which has been held annually since 2007 and established itself as a key fixture on the region’s art calendar.

The new fair will represent Frieze’s first venture in the Middle East and its eighth international edition. The organization currently stages two editions in London, along with annual fairs in New York, Los Angeles and Seoul, as well as The Armory Show in New York and Expo Chicago.
 


REVIEW: ‘Chad Powers’ —Glen Powell’s charm rescues Disney’s sports comedy

REVIEW: ‘Chad Powers’ —Glen Powell’s charm rescues Disney’s sports comedy
Updated 11 October 2025

REVIEW: ‘Chad Powers’ —Glen Powell’s charm rescues Disney’s sports comedy

REVIEW: ‘Chad Powers’ —Glen Powell’s charm rescues Disney’s sports comedy

DUBAI: The race for the next “Ted Lasso” continues with “Chad Powers,” which seems like it was put together by a bunch of Disney execs based on focus-group results. Sports? Check (American football). Humor? Check. Recognizable storyline that plays well across demographics? Check. Recognizable star who plays well across demographics? Double-check (Glen Powell plays two roles.)

Fortunately, “Chad Powers” is not as horrific as that scenario sounds. And that’s largely due to the undeniable charisma of its star and co-creator. Powell brings his A-game to a pretty flimsy and derivative plot, and the result is a surprisingly layered take on an old idea.

Powell is Russ Holliday, star quarterback at a major US college whose talent is matched by his narcissism. He manages to ruin his chances of a pro career by melting down in spectacular fashion at a televised championship game, punching a fan into a wheelchair-bound kid with cancer.

Time passes and Holliday is working for his dad — a prosthetics specialist for Hollywood movies with whom he has a shaky relationship at best. Russ is asked to deliver some of said prosthetics to a movie studio. On his drive there, he sees (a) a report that the floundering South Georgia Catfish are holding an open call for a new quarterback and (b) a poster for “Mrs. Doubtfire” (in which Robin Williams’ character disguises himself as an old Scottish woman to maintain contact with his kids following the breakdown of his marriage). You see where this is going?

You do.

Holliday heads to South Georgia, where he dons a wig and prosthetics and becomes Chad Powers, a bumpkin who has rarely left the house at which he was home-schooled (a ruse dreamed up with the help of the team’s mascot, Danny — the only person who knows Chad is really Russ). Cue various set-pieces in which Chad must avoid losing his prosthetics or wig.

And Russ needs not only to maintain his disguise, but to nurture a character entirely unlike his own — i.e. humble, likeable, and a team player. Powell convinces both as the preening braggard Russ and the shy, mumbling Chad.

Along the way, of course, lessons are learned and opportunities open up, including a possible romance with the head coach’s daughter, Ricky (Perry Mattfeld). Which sounds cheesy, but the show manages — sometimes — to undercut its often-easy choices with an uneasy tension that makes “Chad Powers” more than the sum of its unimaginative parts.