Recipes for Success: Chef Saud Aljadhi offers advice and a recipe for mataziz

Recipes for Success: Chef Saud Aljadhi offers advice and a recipe for mataziz
Saud Aljadhi is the sous chef at The Ritz-Carlton Riyadh Palace. (Supplied)
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Updated 02 October 2024

Recipes for Success: Chef Saud Aljadhi offers advice and a recipe for mataziz

Recipes for Success: Chef Saud Aljadhi offers advice and a recipe for mataziz

DUBAI: From being a young boy helping his mother prepare Ramadan meals to becoming a sous chef at The Ritz-Carlton Riyadh Palace, Saud Aljadhi’s journey is one of perseverance, passion and overcoming the odds.  

Aljadhi always had a passion for cooking, he says. He would help to prepare salads and soups in his family home near Riyadh.  

In 2014, he launched a food truck business, serving burgers. Its success prompted him to quit his job at the Ministry of Education and pursue cooking full-time.  




Saudi National Day cake. (Supplied)

“I honestly lost a lot — whether financially or socially — but it was all for my passion,” Aljadhi tells Arab News. “It was a one-man show. I was operating alone.” 

Aljadhi’s ambitions led him abroad, first to Canada to study at George Brown College, then to Australia, where he was balancing his studies at Victoria University with working at restaurants while raising his child as a single father.  

“I would drop my son off at kindergarten every morning before going to work. It was quite the challenge,” he recalls. “But I got help from my colleagues, many of whom were single parents as well.” 

Despite challenges like the devastating fires in Australia in 2019, earthquakes, and the COVID-19 pandemic, Aljadhi’s determination never wavered. He returned to in 2022 and landed a position at The Ritz-Carlton Riyadh, fulfilling a long-held dream.  




Chorisia Restaurant. (Supplied)

“I used to say I would come to The Ritz-Carlton and be a sous chef,” he says. “I even have a video from over 10 years ago where I made that promise to myself when I was at the hotel. And today, I’m where I dreamed to be. I even have a video from over 10 years ago where I made that promise to myself when I was at the hotel,” he added. 

“It’s nice to reach your dreams and goals in life. It makes me extremely happy,” he continues. “But I still have a lot of ambitions, and I’m working on a plan to achieve them.” 

While working at The Ritz-Carlton, Aljadhi was selected for Marriott International’s prestigious Tahseen leadership program, aimed at nurturing local talent in . “The program taught me a lot,” he said. “I learned leadership skills, teamwork, budgeting and revenue management.” It further solidified his career path, giving him the tools to excel in the hospitality industry, he said. 

Breaking through societal stereotypes as a Saudi male chef, Aljadhi has earned respect and recognition for his accomplishments. “In our tribe, it wasn’t even allowed to work this job,” he shares. “But now, society accepts me after all that I’ve achieved. It has even become a trend now to be a chef.” 

However, he points out, it’s not an easy job. 

“People think chefs just cook, but that’s not true. A chef is like a physician, chemist, mathematician, and engineer all in one. For example, right now, I’m working on a cake that’s three by two meters for Saudi National Day. My team and I are measuring everything down to the millimeter. We’re even manufacturing custom molds that aren’t available in the market just to get this cake built. This job isn’t easy — it requires creativity and precision. Just like an engineer builds a building, we as chefs are building a plate and a dish.” 

Here, Aljadhi discusses local cuisine, his favorite dish to cook, and his management style.    

When you were starting out, what was the most common mistake you made?  

My cutting technique was all wrong. How you hold a knife and cut is so important — it really affects the dish. For example, it can change the ratio of leachate in your ingredients. I used to cut my fingers a lot — I have plenty of scars to prove it. But once I learned the proper technique, everything changed. Now, the first thing I teach my Saudi trainees is how to handle a knife properly. 

What’s your top tip for amateur chefs?  

Specialize in what you love. That’s where you’ll really excel. Find your passion — it might be pastry or baking — and go after it. Focus on what you love and you’ll never get bored. 




Moflaq Hasawi at AlOrjouan. (Supplied)

What one ingredient can instantly improve any dish?  

When it comes to local dishes, ghee is the magic ingredient. As soon as you add it, the dish instantly gets better. We use it in so many things — kabsa, jareesh, and many other dishes. Authentic, local ghee especially has such a unique flavor. And for spices, coriander is my go-to. It works with so many dishes — falafel, kabsa, molokhiya, you name it. It just adds that extra something. 

When you go out to eat, do you find yourself critiquing the food?  

I’m really detail-oriented. For example, I love going to Italian restaurants, but I always notice the little things. If a fork or plate is missing from the table, especially in a fine-dining setting, it makes me feel like I’m not welcome. It might annoy the people I’m with, but I can’t help paying attention to those details. When you’re paying for a meal, you expect everything to be perfect. One thing that really stands out to me is how the flavors in the same dish can sometimes change. Maybe they switched the type of cheese or used a different supplier—whatever it is, I can tell right away. Consistency is key in the restaurant business. If the quality starts to vary, it can really hurt the restaurant. Customers expect the same great dish every time, and if that slips, it can cost the business in the long run. 

What’s the most-common issue that you find in other restaurants?  

Many don’t really understand how much revenue they’re actually bringing in. Not many people seem interested in learning how that financial flow works, even though there’s a lot of government support available to help with it. 

When you go out to eat, what’s your favorite dish to order? 

Neopolitan pizza. I’m actually opening my own pizza business, focused on making authentic pizza, just like in Italy. I learned from the best at a restaurant in Melbourne that’s been specializing in pizza for over 70 years. They taught me how to make pizza, pasta, and tiramisu the traditional way. It’s surprisingly simple, but it’s all about doing it the right way, starting with making the dough from scratch just like the Italians do. 

What’s your go-to dish if you have to cook something quickly at home?  

Something like what I had for dinner last night — steak with asparagus, broccoli and cherry tomatoes. It doesn’t even take five minutes. I just sear the steak for two minutes on each side to get it medium-rare, toss the veggies in the pan, and that’s it. Bon appétit! 

What’s your favorite dish to cook and why?  

I really love making pizza. I let the dough rest for three days to get it just right, and I take great care of it during that time. Everyone knows that when the weekend rolls around, it’s pizza time. I have pretty high standards for my pizza, so I always use the best quality ingredients. It makes all the difference. 

What’s the most difficult dish for you to get right?  

I honestly think Saudi dishes are some of the hardest to make because they take so much time. For example, margoog can take two to three hours, and jareesh can take up to five hours. Sure, you could make them faster, but the flavor just wouldn’t be the same. Kabsa is probably the easiest local dish to make, but even that takes about an hour and a half before you’re ready to eat. 

As a leader, what are you like? 

I love working in a positive, happy environment, and I try to bring that energy to the team. I make sure everyone is happy and satisfied. Of course, when mistakes happen, there are times when I can get frustrated. The first time, I’ll address it kindly. But if the same issue keeps happening, especially when it comes to hygiene, I might get a little irritated. I have to be sharp sometimes because, at the end of the day, I’m the manager. 

When things do get stressful, I do my best to motivate the team and lighten the mood. I want them to present food with joy, not just treat it like another task. They can all cook, but if the food isn’t made with love, it won’t taste as good. The flavor just won’t be there. 

Chef Saud’s mataziz recipe 

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For the lamb broth: 

900g lamb (shoulder or leg, cut into pieces); 2 tbsp olive oil; 1 onion, chopped; 3 cloves garlic, chopped; 3 carrots, cubed; 4 medium potatoes, peeled and cubed; 1L meat or vegetable stock; 2 tsp ground cumin; 1 tsp ground coriander; salt and pepper to taste; fresh parsley or dill for garnish. 

For the mataziz dough: 3 cups all-purpose flour; 1 tsp salt; 1 cup warm water (adjust as needed); 2 tbsp olive oil (optional) 

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For the lamb broth: 

1. In a large pot, heat the olive oil over medium-high heat. Add the lamb pieces and leave until browned on all sides. Remove from the pan and set aside. 

2. In the same pan, sauté the chopped onion until soft, then add the garlic and cook for another minute. 

3. Return the browned lamb to the pan. Add the carrots, potatoes, and stock. 

4. Stir in the cumin, coriander, salt and pepper. Bring to a boil, then reduce the heat, cover and simmer for 1.5 to 2 hours until the lamb is tender. 

For the mataziz dough:  

1. In a mixing bowl, combine the flour and salt. Gradually add warm water and mix until a dough forms. 

2. Knead on a floured surface for about 5-10 minutes until smooth. Add olive oil for extra flavor and softness, if desired. 

3. Cover the dough with a damp cloth and let it rest for about 30 minutes. This helps to relax the gluten. 

4. Divide the dough into small balls (about the size of a golf ball). 

5. Roll each ball out on a floured surface until very thin (about 1/8 inch thick) and cut to size for the dish. 

6. Heat a skillet over medium-high heat. 

7. Cook each rolled out dough for 4-8 minutes on each side until lightly browned and cooked through. They should be slightly puffed. 

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Presentation is always an opportunity to show your creativity. My only advice is to reflect nature on the plate. Start with a circle of mataziz dough in the middle as a base for all the vegetables. Don’t forget to add black lemon as it gives a different flavor to the dish. Create a garden around it using meat broth. Add the lamb and add your touch of dill or coriander. The dish should be served hot. 


‘Our Saudi Narrative’ exhibition launches in Riyadh

‘Our Saudi Narrative’ exhibition launches in Riyadh
Updated 1 min 6 sec ago

‘Our Saudi Narrative’ exhibition launches in Riyadh

‘Our Saudi Narrative’ exhibition launches in Riyadh
  • Exhibition showcases collections from regional museums through cutting-edge technologies that blend digital media, motion design, and sound effects
  • Project is a part of ongoing efforts to raise awareness of ’s heritage and present it in innovative ways that resonate with young people

RIYADH: The Museums Commission has launched the second phase of the interactive traveling exhibition “Our Saudi Narrative: A Window into Museums” at Al-Masmak Palace in Riyadh’s Al-Deera district.

Running until Nov. 11, and free to the public, the exhibition showcases collections from regional museums through cutting-edge technologies that blend digital media, motion design, and sound effects.

It also features 11 artifacts, digitally represented in an interactive environment, designed to balance authenticity with innovation.

The exhibition began its journey in Buraidah, Al-Qassim, and will continue on to Najran and Jeddah. Each stop will be customized to reflect the cultural character of its location and the diversity of its collections.

According to the Museums Commission, this project is a part of ongoing efforts to raise awareness of ’s heritage and present it in innovative ways that resonate with young people.

The exhibition has been described as a bridge between the past, present, and future, reimagining the role of museums from traditional display spaces into dynamic platforms for knowledge and creative interaction.

The initiative aligns with the Museums Sector Strategy, inspired by Saudi Vision 2030, which aims to transform these institutions into cultural and social development hubs.


Dua Lipa denies firing agent over pro-Israel views

Dua Lipa denies firing agent over pro-Israel views
Updated 25 September 2025

Dua Lipa denies firing agent over pro-Israel views

Dua Lipa denies firing agent over pro-Israel views
  • Singer responds after Glastonbury claim

DUBAI: UK singer-songwriter Dua Lipa has responded to reports that she fired one of her agents after he tried to stop the Irish hip-hop trio Kneecap from performing at Glastonbury, calling the claims “deliberately inflammatory” and “completely false.”

David Levy was allegedly among music industry figures who signed a leaked letter urging Glastonbury organizer Emily Eavis to drop the pro-Palestine group from the bill of this year’s festival.

Mail Online claimed that Lipa parted ways with Levy after learning about the letter. However, the British-Albanian pop star’s agency WME has called the story “categorically false” and clarified that Levy stopped working with Lipa in 2019.

In her own statement, shared on Instagram Stories, Lipa wrote: “I do not condone the actions of David Levy or other music executives toward an artist speaking their truth. I also cannot ignore how this has been handled in the press.

“Not only was the story completely false but the language used by the Daily Mail has been deliberately inflammatory, crafted purely for clickbait, clearly designed to fuel online division.”

She added: “It is always Free Palestine but exploiting a global tragedy in order to sell newspapers is something I find deeply troubling.”

WME said in a statement: “Reports suggesting that Dua Lipa or her management dismissed one of our agents because of his political views are categorically false.”

Kneecap’s performance at Glastonbury went ahead in June, despite politicians calling for the band to be dropped from the bill.

One of the trio, who goes under the name “Mo Chara,” has been charged with a terrorism offence after allegedly displaying a flag representing Hezbollah at a gig last year. The musician denies the charge. 


Saudi artists star in inaugural Bukhara Biennial in Uzbekistan

Saudi artists star in inaugural Bukhara Biennial in Uzbekistan
Updated 25 September 2025

Saudi artists star in inaugural Bukhara Biennial in Uzbekistan

Saudi artists star in inaugural Bukhara Biennial in Uzbekistan
  • Dana Awartani and Ahmad Angawi collaborate with Uzbek artists 

UZBEKISTAN: Uzbekistan launched its inaugural international art biennial this month. “Recipes for Broken Hearts” runs until Nov. 20 in Bukhara, and includes works from Saudi artists Ahmad Angawi and Dana Awartani. The theme is sustenance as healing — of both body and mind — connecting cultural memory, craft, community and art. 

Local folklore goes that plov — the signature rice-and-meat medley — was created to mend the broken heart of an emir’s son who fell for a lowly craftsman’s daughter he was forbidden from marrying. To restore him, the court healer ordered rice, meat, carrots and onions to be simmered together in a large pot. From heartbreak was born plov, a dish nourishing both body and spirit and intended to be consumed communally, even if only one person is actually brokenhearted.  

The city of Bukhara in Uzbekistan. (Photo by Felix Odell, courtesy of the Uzbekistan Art and Culture Development Foundation) 

It’s a legend that has spread to , too. If you’re heartbroken in Jeddah, then “Bukhari rice” is said to cure you, highlighting the centuries-old culinary and cultural ties between the two cities. 

“Bukhara is a city that has always captured the human imagination. For over two millennia, its streets, monuments, and stories have shaped — and been shaped by — the movement of people, ideas, and cultures,” said Gayane Umerova, chairperson of the Art and Culture Development Foundation (ACDF) of Uzbekistan, founded in 2017. “Choosing Bukhara as the host city for Uzbekistan’s first international art biennial was not a gesture of nostalgia, it was an act of conviction; a belief that this remarkable city could once again stand as a global center of creativity, dialogue and exchange.” 

Umerova, 40, has long championed extending Uzbekistan’s cultural vision beyond its borders. The ACDF participated at the inaugural Islamic Arts Biennale in Jeddah in 2023, and the Diriyah Biennale Foundation brought its 2025 AlMusalla Prize winner to Bukhara — underlining a growing link between the Saudi and Central Asian contemporary art scenes. 

“Recipes for Broken Hearts,” according to artistic director Diana Campbell, “invites practitioners from the visual arts, craft, culinary arts, sound, design and fashion, as well as visitors, to metaphorically bring something to the table—creating a collection of heart-mending recipes born in Bukhara. 

“(The heart is) more than a physical organ, it functions as a locus of identity and loss, connecting the mind, soul, and body, and bridging material and spiritual worlds,” Campbell continued. “It also plays a core role in art.” 

“Standing by the Ruins IV,” 2025, by Dana Awartani in collaboration with Behzod Turdiyev.  (Photo by Felix Odell, courtesy of the Uzbekistan Art and Culture Development Foundation) 

For each of the 70 commissioned projects included in the biennial, an artist was paired with an Uzbek artisan. 

Angawi, for example — who described Bukhara as his “second home” and told Arab News that it “reminds me of old Jeddah” — worked with Uzbek woodcarver, Ilyor Jumaev to create the outdoor installation “Al-Jabr & Al-Jazr: The Algorithm of Healing.” Al-Jabr means ‘restoration’ while Al-Jazr means ‘root extraction.’  

The installation features a wooden panjara screen crafted by Jumaev. Layered colors move in an algorithmic rhythm inspired by Islamic Golden Age mathematician Al-Khawarizmi, while evoking the color therapy of the Persian philosopher and physician Ibn Sina: red for vitality, yellow for clarity, blue for calm. At night, light seeps through the wooden screen, inviting passersby to witness the city as a living act of restoration. 

“The human heart can be rebalanced through knowledge,” Angawi said. “I offer a gesture of restoration — craft becomes code, and the city, like the heart, begins to remember how to heal.”  

Saudi artist Dana Awartani. (Photo courtesy of Abdullah Al-Shehri)

Saudi-Palestinian artist Awartani, meanwhile, collaborated with Uzbek master artisan Behzod Turdiyev on “Standing by the Ruins IV,” situated in the Rashid Madrasa courtyard. It utilizes architectural fragments from sites endangered by conflict. Awartani drew inspiration from Gaza’s historic Hamam al-Sammara, destroyed in 2023, and used Palestinian clay to reconstruct its lost geometric motifs — bringing fragments of her homeland into the project. She wrote in her artist statement: “Every project is, in essence, a process of mending a broken heart. The heartbreak is embedded in the material itself — in the earth, in the soil — which those of us living in exile and diaspora can never fully process.” 

Assistant curator Timur Zolotoev, originally from Buryatia, told Arab News the biennial is a transformative experience.  

“It’s a feast that brings together everyone around one table, in a conversation, equally, where food is shared, where conversation is shared, where people open their hearts.” He cited immersive installations, puppet theaters, and kiosks selling local goods overlooking ruins as highlights of the event. “I wasn’t sure what was going to come out of it, because no one has done it before; neither the artist nor the artisan,” he said. 

“Bukhara, with its intact historic core and living traditions is the perfect place to stage an event like this,” he continued. “It opens your heart not just to the art, but to the city itself, to the people and their stories. It shows that art can truly discover something new when it collaborates with craft, history, and the local community.” 


Recipes for success: Chef Cyril Lignac offers advice and a tasty sea bream recipe 

Recipes for success: Chef Cyril Lignac offers advice and a tasty sea bream recipe 
Updated 25 September 2025

Recipes for success: Chef Cyril Lignac offers advice and a tasty sea bream recipe 

Recipes for success: Chef Cyril Lignac offers advice and a tasty sea bream recipe 

DUBAI: Cyril Lignac — the French chef, restaurateur and media personality — opened a Dubai branch of his acclaimed French-Asian fusion restaurant Bar des Prés earlier this year, following its success in Paris and London.  

Originally from the Aveyron region in southern France, Lignac trained under several established chefs before opening his first Paris restaurant, Le Quinzième, in 2005. Since then, he has developed a diverse portfolio that includes restaurants, patisseries, a chocolatier and a cooking school. 

Bar des Prés is a French-Asian fusion restaurant. (Supplied)

Lignac is also widely recognized for his work in television — he has appeared on several cooking and baking programs, including “Tous en Cuisine,” in which he cooked live from his home kitchen during the COVID-19 lockdowns — and for authoring several cookbooks. 

When you started out, what was the most common mistake you made?  

I’m not sure I ever repeated a mistake, but I remember the first time I cooked for my parents. I was 18 years old and had just started my culinary training a few weeks earlier. I told my parents I was going to prepare truite meunière (trout in meunière butter), a classic of French cuisine. I started browning the trout, basting them generously with butter. After about 10 minutes, I figured they were nicely colored and it was time to deglaze with lemon juice before adding the final touch: my Grenobloise-style croutons. With a confident gesture, I poured the lemon juice into the pan. And then… boom! A huge flame shot up in front of me. While I stood there stunned, my father quickly grabbed the pan off the heat, and everything calmed down. I nearly set the house on fire. Luckily, it didn’t discourage me from continuing.  

What’s your top tip for amateur chefs? 

Cook with joy and to bring joy to others. There is no need to show off. A dish made with generosity, something everyone will enjoy sharing, is more than enough. 

Bar des Prés is a French-Asian fusion restaurant. (Supplied)

What one ingredient can instantly improve any dish?  

Espelette pepper. I’ve always used it regularly in my cooking, probably because of my Aveyron roots. It can be used just like black pepper, in all kinds of dishes, in marinades, or simply as a finishing touch on grilled meat or fish. 

What’s your favorite cuisine or dish to eat? 

I love all kinds of cuisine. French, of course, but also Italian, Japanese and Indian. I choose a restaurant and a dish based on what I’m craving at the moment. It can be something very simple, like beautiful seasonal green asparagus or a smash burger, or something more complex, like a whole fish in a crust or a slow-cooked dish in sauce. 

What’s your go-to dish if you have to cook something quickly at home? 

I always enjoy a simple plate of pasta with tomato sauce. 

What customer behavior most annoys you? 

The restaurant industry is a profession of passion and service. It is made up of men and women who give a lot. So what gets me the most is the lack of respect that some people sometimes show toward the teams. 

What’s your favorite dish to cook? 

I love making côte de boeuf (beef rib), simply grilled and served with aligot — a mashed potato and fresh Tomme cheese dish from the south of France. It reminds me of my childhood, joyful family dinners or meals with friends. It’s a meal of warmth and indulgence. 

Lignac is also widely recognized for his work in television. (Supplied)

What’s the most difficult dish for you to get right? 

They often say, “The simplest things are the hardest to accomplish.” This is very true in cooking. A simple dish leaves no room for mistakes. 

As a head chef, what are you like?  

I’m very demanding. I scrutinize every dish, every detail. Everything must be perfect. But on the management side, I believe I’m very approachable. I’m close to my teams, and they know they can come to me if necessary. 

Chef Cyril’s citrus and mint marinated sea bream recipe  

Chef Cyril’s citrus and mint marinated sea bream. (Supplied)

 

Preparation time: 20 minutes  

Serves four people  

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4 sea bream fillets 
1 zucchini 
2 to 3 white asparagus spears 
100 g cherries 
A few fresh mint leaves 
Sesame seeds 
Sea salt flakes 

For the citrus vinaigrette: 
10 g ginger 
1 g Thai chili 
3 tbsp orange juice 
2 tbsp lemon juice 
1 tbsp cherry blossom or raspberry vinegar 
2 tbsp soy sauce 
1 tbsp grape seed oil 

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Prepare the vinaigrette. Peel and finely chop the ginger, deseed and chop the chili. 
Pour into a bowl with the citrus juices, vinegar, soy sauce, and oil. Mix well and set the vinaigrette aside. 

Step 2:  

Remove the skin from the fish fillets, cut them in half along the central bone, then remove the red parts and any bones. 

Rinse the fish under cold water and place them on paper towels. 

Slice them into thin pieces and arrange them on plates. 

You can keep the carpaccios covered in the fridge and finish assembling the plates just before serving. 

Step 3:  

Wash and slice the zucchini into thin strips, then cut each strip into 4 equal parts on the diagonal. 

Peel the asparagus and slice them thinly using a vegetable peeler. 

Wash, stem, and pit the cherries, then cut them into quarters. 

Wash and finely chop the mint leaves. 

Step 4:  

On the carpaccio plates, delicately place the raw zucchini slices and asparagus shavings in the center of the fish slices. 

Drizzle with citrus vinaigrette, season with sea salt flakes, add the cherry quarters, sprinkle with chopped mint, and finish with sesame seeds. 


MUSE — Life lessons from inspirational women: Talia Lahoud 

MUSE — Life lessons from inspirational women: Talia Lahoud 
Updated 25 September 2025

MUSE — Life lessons from inspirational women: Talia Lahoud 

MUSE — Life lessons from inspirational women: Talia Lahoud 

DUBAI: The Lebanese singer-songwriter talks creativity, consistency, and compliments.  

I was obsessed with Disney movies and musicals when I was a kid — just falling in love with the magic of music and storytelling. Since then, I’ve never really stopped singing. Music was always around me growing up, my family has a real love and appreciation for all kinds of music, so it felt natural to dive deeper into it.  

For me, creation comes from the deepest parts of the heart, and being able to share it with people who connect with it is so intimate, real, and powerful. Music is literally all of me, and the fact that I can make others feel what I feel through it is an incomparable experience. It’s the connection and the honesty that I receive that makes me love my work more than anything. 

I’m not the most outgoing person, and I really value quality time with my family. I have a lot of different interests that keep me balanced: I love going to the gym, I’m a total foodie, and I’m obsessed with fashion! I also love spending quiet time watching movies or series, it’s one of my favorite ways to recharge. These hobbies bring me peace, and they give me the rest I need to come back to music with more energy and creativity. 

Talia Lahoud. (Supplied)

I’ve always found myself relating to characters in movies or TV shows. For example, I loved “The Queen’s Gambit,” “Stranger Things,” and “Anne with an E.” They’re very different stories, but what they share in common is a young girl trying to figure out her life in her own way and in her own time. That really resonates with me, because I feel like I’m constantly discovering my own path, learning as I go, and staying truthful to who I am as a person and as an artist. 

I have so many people I really look up to both as artists and as humans. From incredible Arab legends like Fayrouz, Umm Kulthum, Sherine Abdelwahab and Amr Diab, to amazing Western artists like Demi Lovato, Selena Gomez, Coldplay, Ed Sheeran, and Sia. I admire them all so much. What really inspires me is how true they are to their craft. They had struggles and setbacks, yet they managed to create music that touches people and stay authentic. I aspire to follow their footsteps and become like them. 

l give off a very introverted vibe — especially years back when I was only sharing covers and music online. But recently I’ve started showing more of my personality online, and people discovered sides of me they didn’t know about, like my sense of humor, empathy… Music shows a part of me but it’s different when your content reveals the unfiltered side of who you are — the part people can’t see unless they really know you. I do look shy, and I guess I kind of am, but my heart is much more open than it first appears. 

I’m proud of my consistency and dedication; getting up every single day and putting in the same energy and effort as if I’m starting fresh. Whether it’s a little or a lot, I give my all, and knowing that I’m always doing my best gives me peace, both personally and creatively. That daily commitment to myself and my craft is something I’m proud of. 

I can be really critical of myself, even when I’m trying my hardest. Over time, I’ve learned that I need to be easier on myself, to trust that things take time, that plans don’t always go perfectly, and that every detour can actually open a new door in God’s plan. I’ve realized that giving myself a little more love and patience is just as important as working hard, and that lesson has been really powerful for both my personal and creative growth. 

Something I came across on the internet really stuck with me: “If you have God, then you have nothing to worry about.” I’ve always been someone who stresses about almost everything in life. My path hasn’t always been easy or what I planned, and for a long time, I didn’t trust God as much as I should have. Slowly, I’m learning to trust more, to be grateful for what I have, and to take things one step at a time. That advice has really helped me feel patient, faithful, and just trust the process 

I’ll never get tired of being delusional when it comes to dreaming. I’ve heard so many times that I need to “be realistic” about my goals. But I believe that the things we can achieve are endless if we let ourselves dream. Especially when we put in hard work.

I love it when someone tells me that I’m down to earth. I know that I naturally feel close to people and love them with my whole heart, but hearing that makes me feel seen in a special way. Growing up, I often felt a little out of place or like I didn’t fit in, so being recognized as someone genuine really means a lot. It’s one of those compliments that makes me feel appreciated for who I truly am. 

One of the worst things I’ve heard came from a classmate years ago: “Music won’t bring you bread.” That line stuck with me for a long time, but it fueled my determination to prove people wrong. I’ve faced lots of people who didn’t believe in me, but I focused on the voices of those who did. Their support kept me going, and honestly, the doubt and hate only made me more unstoppable. It taught me that believing in yourself is far more powerful than anyone else’s opinions. 

When someone genuinely recognizes a mistake and takes the step to apologize, it’s such a green flag for me. It shows that they’re coming from a good place in their heart. No one is perfect, but being willing to admit when we’re wrong and try to do better really matters to me, and it’s something I deeply value in people.   

The biggest challenge I’ve faced when dealing with men in the industry is not being taken seriously. For example, when I’m in the studio, there’s often this assumption that a man must have written the song, even when I’m the writer. It’s frustrating how quickly women’s capabilities are underestimated, especially creatively. But I truly believe women are powerhouses, and I plan to prove that through my artistry, showing that we can do everything just as well, if not better. 

I don’t waste my energy trying to convince anyone in the moment. Instead, I focus on showing exactly what I’m capable of through my work. The results will speak for themselves. I won’t try to force anyone into seeing what they cannot see now, they eventually will later. 

I think men can learn so many things from women: the art of balancing many things in life, patience, dealing with problems with calm energy, tapping into their feelings more… Men are born to be great leaders, but when a woman is a leader yet she is still empathetic, creative, and loving? Well, that’s a combination they should be a little scared of.