Gaza-based artist Reem Harazin’s threads of resilience

Gaza-based artist Reem Harazin’s threads of resilience
A model, left, shows off apparel designed by Gaza-based Palestinian artist Reem Harazin, right. (Supplied)
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Updated 26 September 2024

Gaza-based artist Reem Harazin’s threads of resilience

Gaza-based artist Reem Harazin’s threads of resilience
  • The designer and artist discusses ‘Native,’ her new fashion collection

DUBAI: Amid the ruins and chaos of Gaza, artist and designer Reem Harazin continues to weave the vibrant threads of Palestinian history into her work. 

Her latest project, “Native” — a collaboration with the lifestyle brand Palestinian Hustle, is more than a collection of garments, it is an intricate portrayal of her people’s past and present, drawing on motifs that reflect and highlight the essence of Palestinian culture.

“Every element represents a unique facet of Palestinian history and civilization, woven together to form a vibrant narrative,” she tells Arab News. “These elements are inseparable, like the threads of a tapestry, intertwining to tell a continuous story that stretches from the past to the present.”




Her latest designs depict Palestine as it was before the 1948 occupation. (Supplied)

Her latest designs depict Palestine as it was before the 1948 occupation, showing cities unmarred by checkpoints or settlements, where people moved freely from the river to the sea. 

The outer border of the “Native” T-shirt and hoodie line mirrors the walls of Jerusalem, while olive leaves like those in the pattern of the Keffiyeh — used to symbolize strength and resilience — form the inner frame. 

Within the word “Native,” a fishnet pattern represents Palestinian heritage. The map of Palestine is laced with barbed wire to signify the barriers of separation across the country, alongside the keys of return held by Palestinian families and the Palestinian Liberation peace hand below. 

To Harazin, the cultural elements reflected in her work are just a small part of the Palestinian people’s deep-rooted history, which she describes as being “as complex and interconnected as the branches of a tree.”




Within the word “Native,” a fishnet pattern represents Palestinian heritage. (Supplied)

She continues: “These roots are deeply embedded in the land, passed down from one generation to the next, carrying the Palestinian story forward.” 

Behind the beauty of Harazin’s designs lies the harsh reality of survival in Gaza. The ongoing conflict has left her and countless others with an ever-present sense of danger. 

“There’s no safe place here, not even in our own homes. Death is always lurking, a shadow that could swallow us whole in an instant,” she says. 

Just days ago, she was injured while trying to escape a fresh round of violence. “It was a small injury, but it felt like a symbol of the chaos and fear we live with every day.”

Despite the constant turmoil, Harazin has found solace in her art.

“Art has been a lifeline for me,” she says. “Whenever war breaks out, I turn to drawing. It helps me process the fear, the pain, the constant barrage of negative thoughts. It’s a way to express what words can’t. It helps me remember who I was before the war; before everything changed.”

Harazin recalls picking up a pencil for the first time as a child, playing on the streets of Gaza. From those early, messy scribbles to the drawings that now capture her life story, art has always been an integral part of her life.

“I can still picture my first drawing — a strong Palestinian woman wearing traditional clothes and standing tall like a symbol of resistance. And next to her, always, was the map of our homeland, the place we dreamed of being free,” she says. That image — the strong Palestinian woman — remains a recurring theme in Harazin’s work today.

Her designs also use the rich, ancient patterns of traditional Palestinian clothing, known for bold reds, intricate embroidery, and symbols of resilience.

For Harazin, the connection between art and resistance is undeniable. 

“Art is our voice, our way of saying, ‘We’re here. We matter,’” she says. “When words fail us, art speaks for us. It shows our pain, our struggles, and our unwavering spirit. Even in the darkest of times, art reminds us that there’s still beauty in the world.”

As the conflict intensifies, leaving Gaza has become nearly impossible for Harazin. She had planned to flee to Egypt, but the closure of the Rafah crossing and ongoing military operations in the area have eliminated that possibility.

“Our fate remains uncertain, and we don’t know what the future holds. All we can do is hope and pray,” she says. “In the darkest of times, we cling to our faith. It’s the only thing that keeps us going.”


Qassim artisans preserve palm wicker heritage

Qassim artisans preserve palm wicker heritage
Updated 25 August 2025

Qassim artisans preserve palm wicker heritage

Qassim artisans preserve palm wicker heritage
  • Art, passed down through generations, continues to thrive as artisans blend rich cultural heritage with creativity at the Buraidah Dates Carnival
  • Palm wicker industry dates back to ancient times, originally serving essential household needs

RIYADH: The Qassim region is renowned for its traditional craftsmanship, particularly in the palm wicker industry. This art, passed down through generations, continues to thrive as artisans blend rich cultural heritage with creativity at the Buraidah Dates Carnival.

Craftswoman Umm Abdullah demonstrated the intricate process of palm wicker weaving, beginning with soaking and drying the fronds before skillfully crafting them into a range of products, including baskets, mats, and dining mats.

She explained that the abundance of palm trees in Qassim has made the craft a vital source of income for families working in the cottage industry, the Saudi Press Agency reported on Monday.

Umm Abdullah said that palm frond collectibles are in high demand due to their cultural significance and cherished connection to heritage.

The palm wicker industry dates back to ancient times, originally serving essential household needs. Over time, development and innovation have diversified its products and designs, solidifying its position as an authentic craft.


From Cannes to Casino du Liban, flutist Daniel Alhaiby returns to Lebanon

From Cannes to Casino du Liban, flutist Daniel Alhaiby returns to Lebanon
Updated 25 August 2025

From Cannes to Casino du Liban, flutist Daniel Alhaiby returns to Lebanon

From Cannes to Casino du Liban, flutist Daniel Alhaiby returns to Lebanon

DUBAI: Flute in hand and a deep connection to both East and West, Daniel Alhaiby is preparing for his first solo concert at Lebanon’s Casino du Liban on Sept. 10.

The performance follows his years of experience playing at prestigious venues and events, including the Cannes Film Festival, where he shared his music with international audiences.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

“Cannes is pure magic. Each time I play, I feel like I’m representing not just myself, but a whole culture, a whole story,” Alhaiby told Arab News.

Returning to Lebanon for his solo concert is a deeply personal moment for Alhaiby.

“Performing in Lebanon is like coming full circle for me. It’s where everything started, and it holds so much significance,” he said.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

“Sharing my music in my home country feels like a celebration of my journey, from Paris to the world stage and back home again.

“Casino du Liban has always been a dream venue for me … The audience can expect a truly special experience. I’ve carefully crafted the setlist to take them on a musical journey that blends my original compositions with reimagined classics.”

Alhaiby’s musical influences are diverse, ranging from Piazzolla and Rimsky-Korsakov to Fairuz, Hans Zimmer, Pink Floyd and Bach.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

“I’m influenced by emotion more than genre. Anything that moves me, be it a Bach partita or an oriental improvisation, finds its way into my music,” he said.

The musician shared that he was drawn to the flute from a “very young age,” saying: “Its sound always felt close to my soul, there’s something about its breathy, expressive tone that connected deeply with my emotions. Over time, it became more than just an instrument; it became my voice, my way of expressing everything words couldn’t.”


Yara Shahidi stars in new Jean Paul Gaultier campaign

Yara Shahidi stars in new Jean Paul Gaultier campaign
Updated 24 August 2025

Yara Shahidi stars in new Jean Paul Gaultier campaign

Yara Shahidi stars in new Jean Paul Gaultier campaign

DUBAI: Part-Middle Eastern actress Yara Shahidi is the face of Jean Paul Gaultier’s latest “Divine” campaign for the luxury brand’s new elixir.

 The French brand released its Divine eau de parfum as an elixir — a type of concentrated perfume — this week, with Shahidi starring in the campaign alongside model Raphael Diogo.

Crafted by perfumer Quentin Bisch, the scent has floral and marine notes and was first released as an eau de parfum in 2023.

The fragrance is vegan, cruelty free and made with 90 percent “natural origin ingredients responsibly sourced,” according to the label.  

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

In a new set of images and clips shared on social media, Shahidi can be seen posing in a gold-hued sequinned gown while clutching the new product. The actress also showed off a velvet black top edged with gold baubles in another image.

In the original 2023 campaign, Shahidi appeared alongside Spanish actress Lola Rodriquez, South African catwalk star Thando Hopa, US actress and model Tess McMillan, Lagos-born model Janet Jumbo and Brazilian runway model Ana Elisa de Brito.  

The “Grown-ish” star was also included in the casting decisions and creative aspects of the launch, which aimed to celebrate women. 

“Actress, model, activist, social justice advocate and feminist, she was one of Time Magazines’ Most Influential Teens of 2016. Harvard graduate and creator of Eighteen x 18, a platform to encourage young US people to vote, Yara Shahidi has many different faces,” the brand wrote in a statement at the time.

The collaboration came after Shahidi was spotted wearing a custom-made, bronzed look by Jean Paul Gaultier at the 2023 Met Gala.

 Shahidi is also a global ambassador for the Dior’s fashion and beauty lines and was named among National Geographic’s list of 33 “visionaries, creators, icons, and adventurers” from across the globe earlier this year.

Part-Middle Eastern star Shahidi, whose father is Iranian, was named on the list in the “Creators” subsection that celebrates “out-of-the-box thinkers developing innovative solutions.”

The “Black-ish” and “Grown-ish” actress was highlighted due to her podcast “The Optimist Project.”

Shahidi, 25, launched the podcast to explore how to live a more fulfilling life with various special guests hosted on each episode.

Shahidi, a Harvard graduate, says she was inspired by the dynamic conversations she has with members of her diverse family. 

 


Filmmakers urge Venice Film Festival to take stand on Gaza

Filmmakers urge Venice Film Festival to take stand on Gaza
Updated 24 August 2025

Filmmakers urge Venice Film Festival to take stand on Gaza

Filmmakers urge Venice Film Festival to take stand on Gaza

DUBAI: Hundreds of filmmakers and cultural figures have rallied behind an open letter demanding the Venice Film Festival break its silence on Gaza, calling on it to take a “clear and unambiguous stand” against what they denounce as genocide and ethnic cleansing.

The appeal, organized under the banner of Venice4Palestine, was sent to the Venice film festival umbrella organization, the Biennale di Venezia, on Friday.

In the letter, the group accuses the Israeli government and military of carrying out genocide in Gaza and ethnic cleansing across Palestine. It urges the festival to avoid becoming “a sad and empty showcase” by providing instead “a place of dialogue, active participation and resistance, as it has been in the past.”

Signatories include British filmmaker Ken Loach, Italian actor Toni Servillo (star of 2025 Venice opener, “La Grazia” from Paolo Sorrentino), Italian actress and director siblings Alba and Alice Rohrwacher, actress Jasmine Trinca, French directors Celine Sciamma and Audrey Diwan, British actor Charles Dance, and Palestinian directorial duo Arab Nasser and Tarzan Nasser, who won best director in Cannes Un Certain Regard this year for their latest film, “Once Upon A Time In Gaza.”

The letter references the deaths of nearly 250 Palestinian media workers since the start of the conflict and stresses that cultural institutions cannot remain detached.

“As the spotlight turns on the Venice Film Festival, we’re in danger of going through yet another major event that remains indifferent to this human, civil, and political tragedy,” it reads. “‘The show must go on,’ we are told, as we’re urged to look away — as if the ‘film world’ had nothing to do with the ‘real world.’

“For once, the show must stop. We must interrupt the flow of indifference and open a path to awareness.” It concludes: “There is no cinema without humanity.”

In response, the Biennale said the festival “has always been, throughout their history, places of open discussion and sensitivity to all the most pressing issues facing society and the world.”

It pointed to works in the lineup such as “The Voice of Hind Rajab,” Tunisian director Kaouther Ben Hania’s competition entry about the killing of a 5-year-old Palestinian girl in Gaza in 2024.


Bands pull out of UK festival following Palestinian flag controversy

Bands pull out of UK festival following Palestinian flag controversy
Updated 24 August 2025

Bands pull out of UK festival following Palestinian flag controversy

Bands pull out of UK festival following Palestinian flag controversy
  • Incident sparks wave of boycotts from other performers

LONDON: Several bands withdrew from a British festival on Saturday following claims that Irish folk group The Mary Wallopers had their set cut short for displaying a Palestinian flag.

The incident sparked a wave of boycotts from other performers in solidarity, it was reported on Sunday.

The Last Dinner Party, Cliffords, and The Academic announced that they would no longer perform at the annual Victorious Festival in Portsmouth, citing concerns over political censorship.

Rock band The Last Dinner Party described the incident as “outrageous” and said they could not condone silencing artists.

“As Gazans are deliberately plunged into catastrophic famine after two years of escalating violence, it is urgent and obvious that artists use their platform to draw attention to the cause,” the band said in a statement shared on Instagram.

They urged fans to support Palestinian medical charities and apologized to those hoping to see them perform.

The Mary Wallopers claimed the festival released a “misleading statement” by suggesting their set was cut due to a discriminatory chant, rather than the band’s call to “Free Palestine.”

They released video footage showing a crew member removing the flag from the stage before the sound was cut.

“The same crew member is later heard saying ‘You aren’t playing until the flag is removed’,” the band added.

The Academic said they could not “in good conscience” perform at a festival that silenced free speech, while Cliffords said they “refuse to play if we are to be censored for showing our support to the people of Palestine.”

Festival organizers initially said The Mary Wallopers’ microphones were turned off after displaying the flag, citing a long-standing policy against flags for safety and event management reasons.

They said: “We spoke to the artist before the performance regarding the festival’s long-standing policy of not allowing flags of any kind at the event, but (we said) that we respect their right to express their views during the show.”

They acknowledged, however, that the policy was not communicated sensitively and apologized for the way the situation was handled.

They added: “The Mary Wallopers are a fantastic band, and we were very much looking forward to their performance on Friday.

“We are in the business of putting on great shows, not cutting them off, and this is the last thing we wanted — for the band, their fans and ourselves.”

Organizers also pledged to make a “substantial donation” to humanitarian relief efforts for Palestinians.

The festival’s closing day on Sunday was set to feature Kings of Leon, with Bloc Party, Gabrielle, and The Reytons among the other acts scheduled to perform.